Cole shook his head. Fitapaldi was snatching at dust motes, yet seemed surprised to find his hands come up empty. He should know there was no one. There could never be anyone. He strode the few steps to the door.
"Don't worry. No one ever gets close enough for that. I make sure of it. The victims of Duncan Brewer have ended with me. It is just that I haven't reached the convenience of being buried and forgotten like the rest." Cole paused with his hand on the doorknob. "But that will come. Eventually."
Chapter Two
Cole
The Thanksgiving craziness attacked Cole with a vengeance as November ebbed away. He devised list after list of menus and supplies, ripping each of them to shreds when he would find them later, destroying the physical evidence of his compulsion. But it did not help. The lists were etched on his soul.
"That will be fifty-one dollars and ninety-six cents."
"What?" The figure shocked him to consciousness. It was more than he made last week.
"Fifty-one, ninety-six. You must be expecting a crowd for the holiday. Big family?"
"Uh... oh yes," he shrugged, fighting the rising panic as he realized his wallet did not have enough to cover the bill. Only the crumpled dollars and loose change in his jacket pocket allowed him to escape the humiliation of disavowing the paper sacks filling his cart.
When he had carried them home and stowed them away, his tiny refrigerator and pantry bulged with his lunacy, making him shudder each time he looked for an egg to boil for breakfast or a can of baked beans to open for dinner. He knew he should throw it all out but he didn't. He couldn't.
On Thanksgiving morning, he rose at five from the bed where he had tossed and turned and sweated through the night and began working. He cubed a loaf of white bread, crumbled a pan of dry cornbread and mixed them in the sink -- he had no bowl big enough -- with a half dozen eggs, melted butter, chopped onions and celery, salt, pepper, sage, mushrooms, a pound of cooked pork sausage, squishing the glop between his fingers until it felt right and stuffing the whole mess into the cavity of the twenty-four pound turkey.
While that began roasting in a pan he had borrowed from a neighbor, he peeled and boiled five pounds of potatoes for mashing, made cranberry sauce from fresh berries, orange peel, port wine and currant jelly, and creamed two cans of peas and pearl onions. Two pies, pumpkin and apple, he had bought from the bakery, sat atop the refrigerator. The brown sugar had hardened to a rock so he beat chunks off with a hammer to melt with butter for the candied yams.
The aroma of all the various dishes now mingled and forced their way into his pores, pushing him toward the brink. He had to get away from it.
He threw a coat over his flannel shirt and jeans and walked into the overcast November afternoon. He thought if he walked long enough through the deserted streets, he might lose his way and the smell of his madness might never taunt him again.
Weary from insomnia -- how many nights had he now lain awake fearing a surrender to the darkness? -- and his frenetic activity of the morning -- cooking a meal for a family that was fifteen years dead -- he fought the familiar squeezing in his heart and the thundering return of his nearly chronic headache.
But each throb from the back of his head nagged at him again and again, "No mincemeat. You forgot mincemeat," in his father's voice.
Reaching the park on Spruce and Franklin, he leaned back against the rough granite base of the Veteran's Memorial, pinched his ears shut with his thumbs and covered his face.
But in the darkness he created he saw them: Jill and Danny and Valerie and his mother, waiting, cowering in the rubble of that other Thanksgiving dinner, waiting for Duncan Brewer's tirade to stop, waiting for him to run out of dishes to smash against the wall, waiting for it all to end.
No! Cole skinned his hands back through his hair and away from his eyes and tried to blot out the vision with the rhythmic striking of his head against the monument. Succeeding at last, he slumped to the ground, gulping throat-searing air, expecting his heart to give out, praying it would.
"Are you all right, Sonny?" a voice filtered to him after a long while.
"Yes. I'm afraid so," he mumbled and forced his way to his feet.
The old woman frowned at him and offered him a silver flask. "Be thankful you're alive, if nothing else. There'll be long, cold years ahead when you're not."
Cole took a swig of the scorching liquid, then rasped his gratitude.
"Got a smoke?"
"Probably," he nodded and patted at his pockets until he located a pack of Marlboros and matches. Remnants of Nicholas. He was not surprised when he saw her threadbare gloves close over the pack and absently drop them in her own pocket when she had finished lighting up.
"Thanks, Sonny. Just what I needed. What's yer name?"
He had to think for a minute. "Uh, Baker. Cole Baker." It was his name this year. Here, so close to his old hometown, where someone might remember the other, even after all these years.
"Well, if yer hungry, Cole Baker, they're giving away turkey and all the fixin's at the Prince of Peace Mission. Two blocks down. But no hard spirits to wash it all down. They get cantankerous about that."
"Thanks, but I -- well, maybe I will," he said, getting a sudden inspiration.
"Sure, why not? It's free. Tell 'em Gertie sent you. They'll treat you fine." Gertie passed him the flask again to fortify him for the road, then patted him on the arm as he handed it back. "And cheer up, Cole Baker. Yer too good lookin' to be so down in the mouth on a holiday. When you scrape bottom, the only way to go is up, I always say."
"Or out," he suggested. "There's always out."
"Yeah, that too, I guess," she agreed as she ambled away. "Yup, I hadn't thought of that. Up or out, either way."
With new purpose, Cole wound the streets back to his flat, steeled himself for the turkey dinner's assault on his senses, and set about his task. The meat thermometer had reached fresh poultry and despite the neglected basting, the fowl was a rich, golden brown, fit for a Good Housekeeping cover.
He told himself it was the steam that brought tears to his eyes as he wrapped the bird in foil and bath towels and loaded it and the other products of his frenzied labor into the trunk of his car. He drove the entire meal to the Mission. They were grateful for it, and more grateful when he rolled up his sleeves and spent the rest of his afternoon and evening ladling out gravy and washing dishes.
He slept that night, too exhausted to dream, and for that he was grateful.
It had been his mistake entirely to stay so close to his father. The state hospital where they had moved him after the grant money ran out loomed over Cole's week like a beckoning shadow.
He had quickly found a job taking baby pictures at a local department store. He had a knack for cajoling smiles from even the most obstreperous toddler. Workdays, his life was not unpleasant, except for the headaches that blurred his vision so badly sometimes he could not focus the camera.
But on Sundays, every Sunday, he made the duty visit to Duncan and sat silent to his silence or, alternately, conversed in his one-sided way about inconsequential matters, politics, and sports. Cole mused about whether his words clattered through his father's muddled mind like echoes down a canyon, or if they were more like water balloons bursting against a brick wall.
He wondered too if he, himself, ever passed any of his lost, blank days like this, rock-like, impenetrable. The unsettling image would send him rushing home to sort through the proof that he didn't: the photographs of fresh-faced but unfamiliar girls in his portfolio, some candid, some posed, sometimes scrawled with brief love notes to Nicky from Cynthia or Laura or Beth. Their smiles both comforted and disturbed him. He half-wished he could remember them but felt an odd sort of relief that he could not.
Where were they now, all those girls, and all their love? If he knew that answer, if anyone knew that answer, would he be locked in the room next to Duncan?
When Cole woke on the day after Thanksgiving he knew he had to flee the linger
ing odors of his frenetic cooking. By eight, he had dressed and grabbed a couple doughnuts and a coffee to go at the shop on the corner and had set out with his cameras for Lake Michigan. He drove right into the storm.
Just outside of Holland, his car hit a patch of ice and slid off the road into a gully. If it hadn't been for the scabbed-over cut and bruised lump on his forehead, he would have blamed his lost hours on his madness. He woke disoriented and so numbed with cold that he knew if he did not get warmed soon he was in danger of freezing to death.
The door on his side was jammed, so he had to push his way out of the other side, sinking in a slushy puddle to his knees. He had been too long away from Michigan winters to remember to stock the back seat with blankets and a change of warm clothes. Or maybe he should blame Nicholas for that oversight. It was his car.
Cursing his other self, he threw his camera gear into the trunk and struggled out of the gully to the road. It was silent and white for as far in both directions as he could see. The driving snow at his back, he trudged in what he thought was the way toward Holland, trying to calculate how many miles he had covered before the accident.
Step after step, he pushed on for nearly an hour, though the reasons why he should bother were fast sliding away through the ice that clotted his brain. His third fall jogged the last of them free from their hold on him, and he did not get up. The snow made a blanket over everything and soon it would cover him as well, a nice, warm blanket he could sleep under forever. Dying wasn't so bad. Somehow he knew it wouldn't be.
Then Nicholas took over.
Nicholas
Nicholas heard the bus lumber around the corner and his shoulders sagged in disappointment. She would be gone soon and he wouldn't see her again for two days. It was unfair that the bus would come early on a Friday, robbing him of the few golden moments of his life these days. He watched her rise from the bench and straighten her skirt and pull up one drooping knee sock.
"Goodbye, Sweetheart," he whispered to her in his mind, "Take care." Replacing the cameras in the window display case he had been idly dusting since the time drew near for her daily arrival at the stop, he limped closer to the door so he could see her step up into the bus.
"Damn! Trissa, hold that bus!" he heard someone shriek. The girl he'd been watching turned her head sharply, nodded, and waved in his direction. His breath caught for an instant until he realized it was not him she greeted but a girl darting across the sidewalk from the drugstore next door. The girl clutched two packs of cigarettes in one hand and her wallet in the other while her dangling purse hung open, spilling some of its contents in her dash to catch the bus.
The blue and white vehicle swallowed both girls and they were gone before he had gathered his wits enough to seize this chance to meet her by rescuing the scattered contents of her friend's handbag. Disappointed in himself, he left the camera store and collected the lost bits and scraps from the sidewalk. A comb, a handkerchief, lipstick, and a few folded papers, there was probably nothing here that the girl would miss. They would think it peculiar if he went out of his way to return them on Monday. He shrugged and shuffled back to the store.
Trissa. At least he had learned that her name was Trissa. It was a gem of knowledge that offered the first glimmer of hope he had felt in months. Trissa.
The name sounded sweet to him, sweeter even than the rumble of the salt truck on that lonely road in Michigan last November. He had climbed out of the blackness to hail it and it had carried him to help. By the time he was released from the hospital with two toes on his left foot lost to frostbite, the highway department had impounded his abandoned car. He had had the devil of a time proving it was his, and that he was Nicholas Brewer, its registered owner.
"May I see your identification, please," the clerk had said. They were the words he most dreaded hearing.
"Well, that's the problem, you see. I seem to have brought the wrong wallet."
"Then I suggest you come back when you have the right one. We can't release a car to just anyone."
"But I'll pay the fines. I swear I am Nicholas Brewer." Nicholas sorted through the useless papers in his wallet, hoping to find some shred of evidence to prove it. The driver's license fell out to the countertop and the clerk snatched it up.
"What about this? Who is this Cole Baker?"
"Damned if I know," Nicholas answered with the truth. Though it was a name he was not unfamiliar with, he had never met the man and it confounded him to be forever finding his possessions cluttering up and complicating his life. Sometimes he thought Cole Baker did these things deliberately, but that sounded too paranoid to admit.
"Hair blond, eyes brown, height five-eleven, weight one sixty. Matches you," said the clerk, glancing back and forth between the photo and Nicholas, eying him narrowly.
"Yeah, me and a million others."
"Say, hey, is that you, Nick?" bellowed a voice from the hall and the mammoth figure of the salt truck driver filled the doorway. "Hey, good to see you all thawed out! I wasn't too sure you would." The man reached out his huge hand to engulf Nicholas' own and pump it vigorously.
"You know this guy, Roy?"
"Know him? Hell, I saved his life, as I don't mind braggin' on. This is Nick Brewer, that guy I found half dead during the Thanksgiving blow. You remember that, don'tcha?"
"How could I forget?" The clerk began stamping papers and shoving them through the grating. "We thought we'd never hear the end of it around here," he muttered to Nicholas. "Take these papers to the garage on Beaumont Street. They'll give you your car. Any valuables we found are listed on the voucher. Get them from Police Claims at the Fifth Street Station. Sorry for the delay, Mr. Brewer. You're in luck. The fines have been waived."
But that luck was the last of it until now. He'd had difficulty picking up the traces of his life again. Cole Baker's identification led him back to an unremembered apartment in Grand Rapids. The ring that held his car keys had a key that opened the apartment's door as well. He'd poked around assembling the clothing and belongings he recognized in the closets as his own.
But he couldn't stay there. He had the uneasy feeling that this Cole Baker lurked somewhere nearby, waiting for a chance to pounce and maybe try to steal his soul away this time instead of just his driver's license and his car. He would not allow himself to think further than that, to puzzle out the link Cole Baker had with his life. He mingled so intricately with his memory, his madness, and his nightmares that finding Cole Baker might mean losing himself. And Nicholas did not want to chance that.
So he packed up and left that place, taking with him a roll of money found in a drawer -- probably Baker's but let him try to prove it. It wasn't much anyway, just enough to pay an installment on his hospital bill and tide him over until he found a job.
He also took the portfolio of photographs and the cameras. They were shared possessions, Baker's and his own, as difficult as that was for him to rationalize. There was nothing rational about it, so it was best not to think on it too long.
Nicholas had himself purchased two or three of the cameras, though it was impossible now to remember which ones. He used them all. And at least half the photos in the portfolio were his. He favored people as his subject matter, portraits and candids. Cole Baker seemed to prefer landscapes and still lifes. Nicholas admired his skill with the interplay of light and shadow, something he had never had the patience to master. Neither of them had lost his soul to Polaroid yet. But maybe it was just the lack of funds that saved them.
The portfolio was like a trophy between them, captured and possessed for a season or two, then returned to the new victor without malice. Baker never harmed the portions of the collection that were his, and Nicholas kept intact those that were Baker's. He took care when using it for a job interview to de-emphasize Baker's work, leaving the best of it behind. He didn't want to get a job on the strength of a talent he didn't have.
He worked his way to St. Louis this time before Baker's pull on him had diminished to the po
int where he felt safe. There had been a couple of meaningless jobs until this one, which, while not exciting, allowed him to use his knowledge of photography a bit. He looked forward to the customers who asked him to critique their photos and give suggestions on how they could improve them. But they were the exception. Most just plunked down their money and hurried off with their envelopes of prints and new rolls of film.
It was evidence of the emptiness of his existence that customers of any kind were the highlight. Nicholas craved love and human contact, and for all he told himself that avoiding them would also mean avoiding the heartache and torture that came after, he found the craving overwhelming at times.
It was this yearning that drew his attention to the girl he now knew was called Trissa. She transferred busses each afternoon on the corner outside the camera shop, one of a dozen or so college girls who did so.
Trissa was a standout from the first. She stood apart literally, mostly holding herself away from the other girls, her beauty wreathed in brittle loneliness. Like Cynthia's. Like Janey's. She needed him. He knew that from the very start.
It had quickly become a pattern for him to delay the dusting of the window display until three forty-five, about the time when the girls would arrive at the intersection on their first bus. Dusting was a duty that required little concentration yet could be drawn out limitlessly, depending on the punctuality of the second bus.
The few minutes he spent watching over Trissa each day provided the fuel for his imagination. He could save her from whatever sadness kept her so aloof from the others. He could make her smile.
Each evening after work, Nicholas boarded the bus that followed Trissa's route and rode it all the way to the end. He studied the schedule and map he had taken from the rack behind the driver's seat, and carefully walked the streets back to the camera shop. At each intersection, he turned and squinted at the map under the streetlights, looked up and down the cross streets and tried to listen for her with his mind.
Cast a Pale Shadow Page 4