The Sixties

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The Sixties Page 54

by Christopher Isherwood


  When I left Swami, I was full of good intentions, but already I’m back in the usual bad mental state. Never mind. The point is, Swami loves me—I don’t care why and I can’t possibly ever get to know why—but I ought to be able to feel that I’m under the protection of his love. Isn’t that more than enough?

  July 26. One month till my birthday. Why can’t I try to spend it more fruitfully? I have wasted so much time—very nearly two months—since finishing the last draft of A Meeting by the River.

  Above all else, I should dwell constantly on the thought of God. After the cancer scare last week—it proved to be non-malignant, merely a cyst—I had such a reaction of simple thankfulness and humble good humor. And then this horrible scene on the 21st. A shameful relapse to the mood of the bad old days of 1963. But never mind all that. The point is, I must keep praying to Ramakrishna to be able to love him. If only I could do that, then nothing else would matter, and in fact I should have a completely secure refuge from any outside disturbances—and, in addition, I should be of far more use to Don.

  Lee Heflin reports that the latest word the kids use is “freaky.” “Let’s go into the woods and freak out” (take acid). About the squares who disapprove they say, “Listen to the freaks calling the freaks freaks.”

  July 28. Despite what I wrote two days ago I have frittered away this morning. What I need, when I’m not working, is a program. Even if the program included deliberate idling, that would be far less depressing than involuntary idling.

  The evening before last, Betty Harford, Jim and Antoinette Gill, Jack Larson, Jim Bridges, Don and I had a picnic on the beach. It wasn’t a success. The sun was setting on the hilltops, instead of out at sea, where we could have sat watching it—and that also spoiled the effect of the many surfboarders, which would otherwise have been magically beautiful. And then the beach itself was so dirty. And the food Betty and Antoinette had brought was wrong—nearly all cold, including raw tuna and beefsteak tartare. Betty’s son Chris (who’d been surfing since six this morning!) came up with two wet water-shrunk friends and wouldn’t touch it. And then Jack would talk only of the deaths of Monty Clift and Frank O’Hara, making a tremendous figure out of Frank as one of the half dozen who are running New York culture and whose loss will be a deathblow to the city. Jack was very manic and had been telephoning all over the place—to Salka [Viertel] in Switzerland, for example. He is determined to get Joe LeSueur to come out here, lest he should commit suicide as the result of brooding on Frank’s death by himself.fn598

  No word about the T.V. job.

  The only achievement for me has been at the gym. The Air Force book rates the standard for forty-five to forty-nine years as twenty-three reps for exercise 2. I do thirty. Thirty-three reps for exercise 3. I do fifty-five. Twenty reps for exercise 4. I do twenty—though only just. Yesterday I weighed between 147 and 148. I still keep up the low-fat diet.

  August 19. A week from today is my birthday, when I’ll start a new volume, I think. But I am really very bored by diary keeping. I don’t seem to be getting anything out of it at present. The last valuable entries were the ones about India.

  Well, who knows, perhaps my entries about this trip to Austria will be worth something? It does seem now as if we really are going there quite soon. Danny Mann likes the outline I have done, and if ABC passes it then we are planning to go to Oberndorf before the teleplay is written.fn599

  Am reading Hesse’s Steppenwolf with great enthusiasm, after a sticky beginning. Then I’ll try his [Das] Glasperlenspiel, though I doubt if I shall like it. Some other books I plan to read or reread are: Cocteau’s Journals and Opium, the rest of Dante’s Divine Comedy (I never quite finished the Inferno!), the book of extracts from Ruskin edited by Rosenberg,fn600 Gide’s Et Nunc Manet and So Be It,fn601 Moore’s Memoirs of My Dead Life, Yeats’s Autobiography, Anaïs Nin’s Diary, Denton Welch’s A Last Sheaf and A Voice Through a Cloud, Kerouac’s The Dharma Bums, Samuel Butler’s Notebooks, some at least of the Nietzsche Portable,fn602 of Byron’s and D.H. Lawrence’s letters.

  They have just reissued Glenway Wescott’s The Pilgrim Hawk. I am quite horrified to see from the jacket that I praised it, saying that it was “truly a work of art” etc. Rereading it, it seems so stiff and mannered and empty. The first sentence starts to rustle already, like a lady novelist’s (Elizabeth Rydal’s?!) brocaded gown: “The Cullens were Irish; but it was in France that I met them and was able to form an impression of their love and their trouble.” Again: “In the twenties it was not unusual to meet foreigners in some country as foreign to them as to you, your peregrination just crossing theirs; and you did your best to know them in an afternoon or so; and perhaps you called that little lightning knowledge, friendship.” It is the rustle of a writer who’s determined to write a truly elegant, sensitive novel. Those elegant pauses, while he visibly, in view of the audience, searches for the exactly right, perfect nuance! This is hairsplitting pretending to be truthfulness.

  August 21. The day before yesterday, a girl named Jean Person came to see me. She had called first and asked if she could—so there was no reason for her to expect I’d be angry. However, when I opened the door, she jumped back a yard, covered her face with her hands, and exclaimed, “Oh, I’m so frightened!” Don says, rightly, that I should have told her to leave, then and there. I didn’t, of course. She sat around, with bulging reddish-blue eyes which looked as if she’d been crying. She was fetchingly dressed, or meant to be, in a very tight little skirt, and wanted to know what she should do about her life.

  Yesterday evening we went to Lee Heflin’s and saw the film he has made, partly about his friend Duane [Hansen]’s body, partly about this other friend wandering along Hollywood Boulevard in a plastic bag. There were shots of really startling beauty, but the overall effect was too jerky and made me nervous.

  So often I wake in the mornings with a sense of uneasiness. I feel that the situation is altogether out of my control. My life is out of my control. In fact, I get the feeling that I am my life. If I could sincerely say, “We are in God’s hand, brother, not in theirs,” that would be fine. But I feel, if anything, much more in “their” hand.

  My character (that quaint old word) is simply awful. I am full of resentments, pushed this way and that by all manner of compulsions; and I am dull witted and unfeeling. Never mind all of that. But I do wish I could just occasionally feel able to say, Chris is a mess but THOU ART.… I’m not writing any of this in a mood of self-dissatisfaction. I just want to try to describe what I am now. I mean, I want to register the resolve to start trying to describe it. This will be very difficult and at best something which can only be done piecemeal. But I really ought to start. (Some aspects I caught in A Single Man, but there it’s all too simplified, because George is not me.)

  August 22. I forgot to mention that we had supper with the Stravinskys on the 19th. Igor seemed pretty well. Poor Vera had hurt her leg. She was driving alone, and not attending, and she ran smack into a stationary car! You feel she is getting old and a bit vague. Bob called from Santa Fe, where he had been conducting Wozzeck.fn603 When he is away one misses his rather brutal bossiness—which produces champagne and other goodies for the guests.

  Igor told me that he has just finished a fifteen-minute piece which is some kind of a requiem and commissioned to be performed at Princeton.fn604 He said that the music was so dense (I think that was the word he used) that it was equal to a whole symphony by Haydn.

  Saw Ronnie Knox last night and we talked about his play. The other day he had another of his rows with his stepfather and his allowance was cut off. (It has been reinstated again since then.) Because of this he was depressed and complained to his French girlfriend, who replied, “Then why don’t you kill yourself?” So the girl is in disfavor and Ronnie has started seeing Renate again. He says, “Whenever I get involved with a woman she starts trying to compete with me.”

  On the beach we saw Michael Sean, who comes out weekends from the clinic at Downeyfn60
5 and stays with the Gowlands. […] He makes dates with all sorts of people and they have to take him around. Last Sunday they were humiliated because Michael made them arrive hours late at somebody’s house for supper and the hosts were so furious they told Michael and the Gowlands to leave again. But Michael insisted on staying, and the hosts fed them contemptuously, “as if they were servants.” Jo Masselink is strongly prejudiced against Michael. She also says quite bitter things about Ricky Grigg; that his behavior to Sandy is impossible, […] etc.

  […] On the beach, [Michael] certainly seemed unable to stop talking, and it was all about his crazy fellow-patients at the clinic, including one who is masturbating himself to death, although he has to pull a catheter out of his penis in order to do it. […] While we were talking to him, Peter Gowland dropped a hint that we should help with Michael’s transportation to and from Downey. This we’re certainly not about to do!

  September 1. Don gave me three marvellous presents for my birthday, a Girard-Perregaux wristwatch, a pair of very powerful Japanese binoculars and an Uher tape recorder, which I have only just discovered how to work. The birthday was peaceful and happy, with a visit to Swami in the morning and supper with the Masselinks. But somehow it wasn’t the psychically right moment to begin a new volume of this diary, so I’m waiting.

  Swami is now in hospital, with visiting forbidden, and the doctor admits that he had a slight heart attack but doesn’t seem alarmed. As always it is very hard to judge how sick Swami is, because he relaxes so completely toward his illness. For the same reason it is very hard to know how he feels about death. He seems nervous about his health, and never attempts to hide this by putting on a stoical act; and yet one suspects that he’s quite relaxed about it, underneath. If he does worry it’s because of his concern for all of us, and the Vedanta Society. Those idiots at Belur Math have chosen this time to suddenly start rocking the boat—demanding that the girls shall be separated from the boys. As though heterosexuality weren’t actually the least of Swami’s worries! Meanwhile Swami blames Vidya for mischief-making while in India, but at the same time (how characteristically!) repents of the severe letter he wrote Vidya and plans to write him another one since Vidya hasn’t answered.

  And then Pavitrananda—having first, of course, been told about this by Swami—said he felt definitely that my novel shouldn’t be dedicated to Vidya as Swami Vidyatmananda. So I wrote this to Vidya, who replied that he didn’t want me to dedicate it to John Yale, since John Yale was no longer alive—so the dedication is going begging! I am tempted to dedicate it to Gerald Heard, but that would raise the problem of hurting Michael Barrie’s feelings. The way out would be to dedicate it to Gerald and Chris Wood, thereby excluding Michael on the grounds of an older relationship. But the whole business seems tricky and tiresome. Maybe better not dedicate it at all and have a sort of invisible dedication to Vidya! But Don is against this, he thinks it is encouraging Vidya in his sulks and sorriness for himself.

  Discussion with Don about what happens to the mind during delirium or under the influence of drugs. Perhaps it can be described in the language of Patanjali’s Yoga Sutras—manas, the recording faculty, continues to receive impressions through the sense organs, but buddhi and ahamkar are out of action,fn606 so the impressions cannot be classified and the ego sense is not operating to decide what belongs to “I” and what doesn’t. The result is a terrifying total onslaught of impressions which cannot be attended to individually because they can’t be graded and arranged. So they make the mind feel that it is losing its own identity and being swept away in a flood—which is the terror of madness.

  Tomorrow Danny Mann and I are supposed to confer with people from the ABC network and then decide what to do next about “Silent Night.” I have a feeling that Danny, for some personal reasons, doesn’t want to go to Austria yet. I do want to go, as soon as possible, because I have no other plans. More and more I feel that this visit to Europe will turn me on, somehow or other, and show me the way toward another book—not to mention Hero-Father, Demon-Mother for which I require all sorts of documentation from the papers at Wyberslegh.

  September 2. Every morning (almost) I wrap myself in the chadar which Swami gave me and sit down on the couch in my workroom to make japam in front of the photograph of Swami doing the worship at the Hollywood shrine. I get almost nothing consciously from this, my mind takes off almost at once, skimming over all the current resentments, anxieties, wants and distractions. And yet I would feel a lack of something if I didn’t do it. Am trying to get myself into the mood by first reading from Vidya’s anthology of Vivekananda’s writings.

  Am rereading John Horne Burns’s The Gallery, because I just found a hardcover copy at Needham’s. (Getting a new or different copy of a book often stimulates me to reread it, because it becomes a slightly different book which you can open for the first time, as it were.) The parts I have read so far seem excellent, better than I’d remembered, and I can see now why Hemingway admired it so much. What strikes me is the recurring theme of the unreality of the war, because I so constantly feel the same thing about my life nowadays. I wonder if one doesn’t always feel this way when one is very much involved in the present day-to-day existence? It is so hard to feel the weight and depth of experience except in retrospect—and I seem to think so seldom about the past. The difference between me and the characters in The Gallery is that they were all presumably dissatisfied or dully miserable or acutely wretched and afraid—whereas I am living a life of contentment, by and large, and even very considerable happiness. How often I say to myself—especially with regard to Don—that this experience would be vividly and even poignantly beautiful if I could stand back and look at it!

  Don said of his work, the day before yesterday, “My drawings are studies made under stress.” The operative word is stress!

  September 11. Now, suddenly, Austria is very much on. Danny Mann is prepared to leave about ten days from now, and we are to start getting tickets, passports, travel money immediately. My reaction to this is a bad back, for of course I now am unwilling to go, I cling to the pleasures of home—all the more strongly because I haven’t been away since the beginning of 1965. So my back hurts and I am using Jo’s hot pad on it.

  The wonderful summer, the best in years, is holding on into a warm slightly foggy fall. I do so hate to leave it.

  September 17. Well, now it’s settled: Danny Mann and I are to leave next Wednesday, the 21st, by plane for New York, then on by another plane, Luft Hansa,fn607 to Munich, then by car to Salzburg and Oberndorf. I realize already that Danny is a pusher and a penny-pincher (although the pennies are really not his but ABC’s, he is no doubt anxious to prove to them that he can be an economical producer). So I shall have to show him, in the friendliest way, that I refuse to be either rushed or made uncomfortable.

  The television, the other night, was giving forth some commercial which urged you to “accept your financial maturity” and buy the product in question.

  Don and I were sitting at breakfast out on the deck—as always nowadays, because of this glorious and prolonged summer weather. We watched through the Japanese field glasses the elder blond brother in the garden of one of the houses below as he did some carpenter work. He made a great play of doing this work in a grownup dead-serious way, frowning, taking measurements, regarding the wood with intense concentration before sawing it up. Meanwhile the younger blond brother hovered in the background, longing to be included. But the elder brother severely excluded him. Don exclaimed, “How badly people behave to each other!”

  Ronnie Knox and I were on the beach. Ronnie took a piece of broken seashell which he had picked up (he pretended to me at first that he had had it with him for years) and put it into his mouth as a kind of horror tooth, the sort a werewolf would have. I said, “It ought really to have blood on it”—so Ronnie promptly scratched himself quite deeply in the thigh with the shell and got the blood. That’s an example of his sort of craziness, tiny and minor but so character
istic.

  A visit to Gerald Heard—the first Michael has permitted since their return from Hawaii. Gerald doesn’t look nearly so fragile now, and he talks freely and brilliantly, without any impediment that I could detect. He does, however, hold himself crookedly when he stands up. Chris Wood hasn’t been to see him at all, yet, and Gerald was making fun of Chris for this, saying how difficult he was, because he wouldn’t come exactly when Michael told him he must.

  When Michael had gone out shopping, Gerald told how he had written to one of the editors of Life Magazine, whom he knew, because of the caption Life printed underneath a photograph of a village in Vietnam being bombed. Gerald protested against the tone of the caption, which, he said, was characteristic of the increasing inhumanity of people in this country nowadays; they simply do not care about human suffering. So far he has had no answer from the editor. He says he hasn’t told Michael about the letter to Life because Michael is very sensitive about anything to do with Mr. and Mrs. Luce, and would be hurt if he knew. (Don raised the question, how did Gerald get the letter off without Michael’s knowing about it. The answer must be that there is an underground line to the outside world through Jack Jones!)

  Gerald then talked about dolphins—how, it seems, they really do not want to communicate with us, although they have a language; all they want from us is love. The right whale has an even bigger brain than the dolphin, but if we don’t do something quick, it will be wiped out by the whalers.

  Gerald also spoke, with considerable self-satisfaction, about his behavior during his stroke. He says he wasn’t in the very least alarmed when he lost the power to move his arm—and that Dr. Cohen had said later that he was “edified” by Gerald’s attitude. Gerald also says that Cohen had been shaken (I think that was the word he used) by Aldous’s attitude to death—i.e. his refusal to admit to himself that he was dying. The moral of this was that Cohen’s faith in the value of spiritual disciplines had been shaken by Aldous’s behavior but restored by Gerald’s! Vanity on the very brink of the tomb.

 

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