"I wanted this," he said thickly to the crowd. "It's just what I wanted!" Eventually he stumbled over the painting, fell down the steps with his remaining arm swinging out loosely, and was still.
Crome turned round and tried to hit Mammy Vooley with the weapon, but he found that it had gone out like a wet firework. Only the ceramic hilt was left ― blackened, stinking of fish, giving out a few grey motes which moved around feebly and soon died. When he saw this he was so relieved that he sat down. An enormous tiredness seemed to have settled in the back of his neck. Realising that they were safe, Mammy Vooley's attendants rushed out of the observatory and dragged him to his feet again. One of the first to reach him was the woman with the insect's head.
"I suppose I'll be sent to the arena now," he said.
"I'm sorry."
He shrugged.
"The thing seems to be stuck to my hand," he told her. "Do you know anything about it? How to get it off?"
But it was his hand, he found, that was at fault. It had swollen into a thick clubbed mass the colour of overcooked mutton, in which the hilt of the weapon was now embedded. He could just see part of it protruding. If he shook his arm, waves of numbness came up it; it did no good anyway, he couldn't let go.
"I hated my rooms," he said. "But I wish I was back in them now."
"I was betrayed, too, you know," she said.
Later, while two women supported her head, Mammy Vooley peered into Crome's face as if trying to remember where she had seen him before. She was trembling, he noticed, with fear or rage. Her eye was filmed and watery, and a smell of stale food came up out of her lap. He expected her to say something to him but she only looked, and after a short time signed to the women to push her away. "I forgive all my subjects," she announced to the crowd. "Even this one." As an afterthought she added, "Good news! Henceforth this city will be called Vira Co, 'the City in the Waste.'" Then she had the choir brought forward. As he was led away Crome heard it strike up "Ou lou lou," that ancient song:
Ou lou lou lou
Ou lou lou
Ou lou lou lou
Ou lou lou
Ou lou lou lou
Lou Lou lou lou
Ou lou lou lou
Lou
Lou
Lou
Soon the crowd was singing too.
In the Hills, the Cities
CLIVE BARKER
IT WASN’T UNTIL the first week of the Yugoslavian trip that Mick discovered what a political bigot he'd chosen as a lover. Certainly, he'd been warned. One of the queens at the Baths had told him Judd was to the Right of Attila the Hun, but the man had been one of Judd's ex-affairs, and Mick had presumed there was more spite than perception in the character assassination.
If only he'd listened. Then he wouldn't be driving along an interminable road in a Volkswagen that suddenly seemed the size of a coffin, listening to Judd's views on Soviet expansionism. Jesus, he was so boring. He didn't converse, he lectured, and endlessly. In Italy the sermon had been on the way the Communists had exploited the peasant vote. Now, in Yugoslavia, Judd had really warmed to this theme, and Mick was just about ready to take a hammer to his self-opinionated head.
It wasn't that he disagreed with everything Judd said. Some of the arguments (the ones Mick understood) seemed quite sensible. But then, what did he know? He was a dance teacher. Judd was a journalist, a professional pundit. He felt, like most journalists Mick had encountered, that he was obliged to have an opinion on everything under the sun. Especially politics; that was the best trough to wallow in. You could get your snout, eyes, head and front hooves in that mess of muck and have a fine old time splashing around. It was an inexhaustible subject to devour, a swill with a little of everything in it, because everything, according to Judd, was political. The arts were political. Sex was political. Religion, commerce, gardening, eating, drinking and farting -all political.
Jesus, it was mind-blowingly boring; killingly, love-deadeningly boring.
Worse still, Judd didn't seem to notice how bored Mick had become, or if he noticed, he didn't care. He just rambled on, his arguments getting windier and windier, his sentences lengthening with every mile they drove.
Judd, Mick had decided, was a selfish bastard, and as soon as their honeymoon was over he'd part with the guy.
It was not until their trip, that endless, motiveless caravan through the graveyards of mid-European culture, that Judd realized what a political lightweight he had in Mick. The guy showed precious little interest in the economics or the politics of the countries they passed through. He registered indifference to the full facts behind the Italian situation, and yawned, yes, yawned when he tried (and failed) to debate the Russian threat to world peace. He had to face the bitter truth: Mick was a queen; there was no other word for him; all right, perhaps he didn't mince or wear jewelry to excess, but he was a queen nevertheless, happy to wallow in a dreamworld of early Renaissance frescoes and Yugoslavian icons. The complexities, the contradictions, even the agonies that made those cultures blossom and wither were just tiresome to him. His mind was no deeper than his looks; he was a well-groomed nobody.
Some honeymoon.
The road south from Belgrade to Novi Pazar was, by Yugoslavian standards, a good one. There were fewer potholes than on many of the roads they'd travelled, and it was relatively straight. The town of Novi Pazar lay in the valley of the River Raska, south of the city named after the river. It wasn't an area particularly popular with the tourists. Despite the good road it was still inaccessible, and lacked sophisticated amenities; but Mick was determined to see the monastery at Sopocani, to the west of the town, and after some bitter argument, he'd won.
The journey had proved uninspiring. On either side of the road the cultivated fields looked parched and dusty. The summer had been unusually hot, and droughts were affecting many of the villages. Crops had failed, and livestock had been prematurely slaughtered to prevent them dying of malnutrition. There was a defeated look about the few faces they glimpsed at the roadside. Even the children had dour expressions; brows as heavy as the stale heat that hung over the valley.
Now, with the cards on the table after a row at Belgrade, they drove in silence most of the time; but the straight road, like most straight roads, invited dispute. When the driving was easy, the mind rooted for something to keep it engaged. What better than a fight?
"Why the hell do you want to see this damn monastery?" Judd demanded.
It was an unmistakable invitation.
"We've come all this way." Mick tried to keep the tone conversational. He wasn't in the mood for an argument.
"More fucking Virgins, is it?"
Keeping his voice as even as he could, Mick picked up the Guide and read aloud from it: ".there, some of the greatest works of Serbian painting can still be seen and enjoyed, including what many commentators agree to be the enduring masterpiece of the Raska school: The Dormition of the Virgin."
Silence.
Then Judd: "I'm up to here with churches."
"It's a masterpiece."
"They're all masterpieces according to that bloody book."
Mick felt his control slipping.
"Two and a half hours at most ― "
"I told you, I don't want to see another church; the smell of the places makes me sick. Stale incense, old sweat and lies."
"It's a short detour; then we can get back on to the road and you can give me another lecture on farming subsidies in the Sandzak."
"I'm just trying to get some decent conversation going instead of this endless tripe about Serbian fucking masterpieces ― "
"Stop the car!"
"What?"
"Stop the car!"
Judd pulled the Volkswagen onto the side of the road. Mick got out.
The road was hot, but there was a slight breeze. He took a deep breath, and wandered into the middle of the road. Empty of traffic and of pedestrians in both directions. In every direction, empty. The hills shimmered in the heat off the fiel
ds. There were wild poppies growing in the ditches. Mick crossed the road, squatted on his haunches and picked one.
Behind him he heard the VW's door slam.
"What did you stop us for?" Judd said. His voice was edgy, still hoping for that argument, begging for it.
Mick stood up, playing with the poppy. It was close to seeding, late in the season. The petals fell from the receptacle as soon as he touched them, little splashes of red fluttering down on to the grey tarmac.
"I asked you a question," Judd said again.
Mick looked around. Judd was standing along the far side of the car, his brows a knitted line of burgeoning anger. But handsome; oh yes; a face that made women weep with frustration that he was gay. A heavy black moustache (perfectly trimmed) and eyes you could watch forever, and never see the same light in them twice. Why in God's name, thought Mick, does a man as fine as that have to be such an insensitive little shit?
Judd returned the look of contemptuous appraisal, staring at the pouting pretty boy across the road. It made him want to puke, seeing the little act Mick was performing for his benefit. It might just have been plausible in a sixteen-year-old virgin. In a twenty-five-year-old, it lacked credibility.
Mick dropped the flower, and untucked his T-shirt from his jeans. A tight stomach, then a slim, smooth chest were revealed as he pulled it off. His hair was ruffled when his head reappeared, and his face wore a broad grin. Judd looked at the torso. Neat, not too muscular. An appendix scar peering over his faded jeans. A gold chain, small but catching the sun, dipped in the hollow of his throat. Without meaning to, he returned Mick's grin, and a kind of peace was made between them.
Mick was unbuckling his belt.
"Want to fuck?" he said, the grin not faltering.
"It's no use," came an answer, though not to that question.
"What isn't?"
"We're not compatible."
"Want a bet?"
Now he was unzipped, and turning away towards the wheat field that bordered the road.
Judd watched as Mick cut a swathe through the swaying sea, his back the color of the grain, so that he was almost camouflaged by it. It was a dangerous game, screwing in the open air ― this wasn't San Francisco, or even Hampstead Heath. Nervously, Judd glanced along the road. Still empty in both directions. And Mick was turning, deep in the field, turning and smiling and waving like a swimmer buoyed up in a golden surf. What the hell...there was nobody to see, nobody to know. Just the hills, liquid in the heat-haze, their forested backs bent to the business of the earth, and a lost dog, sitting at the edge of the road, waiting for some lost master.
Judd followed Mick's path through the wheat, unbuttoning his shirt as he walked. Field mice ran ahead of him, scurrying through the stalks as the giant came their way, his feet like thunder. Judd saw their panic, and smiled. He meant no harm to them, but then how were they to know that? Maybe he'd put out a hundred lives, mice, beetles, worms, before he reached the spot where Mick was lying, stark bollock naked, on a bed of trampled grain, still grinning.
It was good love they made, good, strong love, equal in pleasure for both; there was a precision to their passion, sensing the moment when effortless delight became urgent, when desire became necessity. They locked together, limb around limb, tongue around tongue, in a knot only orgasm could untie, their backs alternately scorched and scratched as they rolled around exchanging blows and kisses. In the thick of it, creaming together, they heard the phut-phut-phut of a tractor passing by; but they were past caring.
They made their way back to the Volkswagen with body-threshed wheat in their hair and their ears, in their socks and between their toes. Their grins had been replaced with easy smiles: the truce, if not permanent, would last a few hours at least.
The car was baking hot, and they had to open all the windows and doors to let the breeze cool it before they started towards Novi Pazar. It was four o'clock, and there was still an hour's driving ahead.
As they got into the car Mick said, "We'll forget the monastery, eh?"
Judd gaped.
"I thought ― "
"I couldn't bear another fucking Virgin ― "
They laughed lightly together, then kissed, tasting each other and themselves, a mingling of saliva, and the aftertaste of salt semen.
The following day was bright, but not particularly warm. No blue skies: just an even layer of white cloud. The morning air was sharp in the lining of the nostrils, like ether, or peppermint.
Vaslav Jelovsek watched the pigeons in the main square of Popolac courting death as they skipped and fluttered ahead of the vehicles that were buzzing around. Some about military business, some civilian. An air of sober intention barely suppressed the excitement he felt on this day, an excitement he knew was shared by every man, woman and child in Popolac. Shared by the pigeons too for all he knew. Maybe that was why they played under the wheels with such dexterity, knowing that on this day of days no harm could come to them.
He scanned the sky again, that same white sky he'd been peering at since dawn. The cloud-layer was low; not ideal for the celebrations. A phrase passed through his mind, an English phrase he'd heard from a friend, "to have your head in the clouds." It meant, he gathered, to be lost in a reverie, in a white, sightless dream. That, he thought wryly, was all the West knew about clouds, that they stood for dreams. It took a vision they lacked to make a truth out of that casual turn of phrase. Here, in these secret hills, wouldn't they create a spectacular reality from those idle words? A living proverb.
A head in the clouds.
Already the first contingent was assembling in the square. There were one or two absentees owing to illness, but the auxiliaries were ready and waiting to take their places. Such eagerness! Such wide smiles when an auxiliary heard his or her name and number called and was taken out of line to join the limb that was already taking shape. On every side, miracles of organization. Everyone with a job to do and a place to go. There was no shouting or pushing: indeed, voices were scarcely raised above an eager whisper. He watched in admiration as the work of positioning and buckling and roping went on.
It was going to be a long and arduous day. Vaslav had been in the square since an hour before dawn, drinking coffee from imported plastic cups, discussing the half-hourly meteorological reports coming in from Pristina and Mitrovica, and watching the starless sky as the grey light of morning crept across it. Now he was drinking his sixth coffee of the day, and it was still barely seven o'clock. Across the square Metzinger looked as tired and as anxious as Vaslav felt.
They'd watched the dawn seep out of the east together. Metzinger and he. But now they had separated, forgetting previous companionship, and would not speak until the contest was over. After all Metzinger was from Podujevo. He had his own city to support in the coming battle. Tomorrow they'd exchange tales of their adventures, but for today they must behave as if they didn't know each other, not even to exchange a smile. For today they had to be utterly partisan, caring only for the victory of their own city over the opposition.
Now the first leg of Popolac was erected, to the mutual satisfaction of Metzinger and Vaslav. All the safety checks had been meticulously made, and the leg left the square, its shadow falling hugely across the face of the Town Hall.
Vaslav sipped his sweet, sweet coffee and allowed himself a little grunt of satisfaction. Such days, such days. Days filled with glory, with snapping flags and high, stomach-turning sights, enough to last a man a lifetime. It was a golden foretaste of Heaven.
Let America have its simple pleasures, its cartoon mice, its candy-coated castles, its cults and its technologies, he wanted none of it. The greatest wonder of the world was here, hidden in the hills.
Ah, such days.
In the main square of Podujevo the scene was no less animated, and no less inspiring. Perhaps there was a muted sense of sadness underlying this year's celebration, but that was understandable. Nita Obrenovic, Podujevo's loved and respected organizer, was no longer living.
The previous winter had claimed her at the age of ninety-four, leaving the city bereft of her fierce opinions and her fiercer proportions. For sixty years Nita had worked with the citizens of Podujevo, always planning for the next contest and improving on the designs, her energies spent on making the next creation more ambitious and more lifelike than the last.
Now she was dead, and sorely missed. There was no disorganization in the streets without her, the people were far too disciplined for that, but they were already falling behind schedule, and it was almost seven-twenty-five. Nita's daughter had taken over in her mother's stead, but she lacked Nita's power to galvanize the people into action. She was, in a word, too gentle for the job at hand. It required a leader who was part prophet and part ringmaster, to coax and bully and inspire the citizens into their places. Maybe, after two or three decades, and with a few more contests under her belt, Nita Obrenovic's daughter would make the grade. But for today Podujevo was behindhand; safety-checks were being overlooked; nervous looks replaced the confidence of earlier years.
Nevertheless, at six minutes before eight the first limb of Podujevo made its way out of the city to the assembly point, to wait for its fellow.
By that time the flanks were already lashed together in Popolac, and armed contingents were awaiting orders in the Town Square.
Mick woke promptly at seven, though there was no alarm clock in their simply furnished room at the Hotel Beograd. He lay in his bed and listened to Judd's regular breathing from the twin bed across the room. A dull morning light whimpered through the thin curtains, not encouraging an early departure. After a few minutes' staring at the cracked paintwork on the ceiling, and a while longer at the crudely carved crucifix on the opposite wall, Mick got up and went to the window. It was a dull day, as he had guessed. The sky was overcast, and the roofs of Novi
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