And such food it was! For he had taken Mr. Ormund’s advice to heart and was soon a familiar figure at all the relevant restaurants: at Lieto Fino, at L’Engouement Noir, at Evviva il Coltello, at La Didone Abbandonata. Nor did he pay for these banquetings with his virtue, such as it was. He only had to flirt, which he did anyhow, without trying.
His expanded social life meant, necessarily, that he had fewer evenings to spend at home with Mrs. Schiff, but they saw nearly as much of each other now in company as they had in private, for Mrs. Schiff was an old habituée of La Didone and Lieto Fino. To be seen at her table (which was also, often, the table of Ernesto Rey) was no small distinction, and Daniel’s stock rose higher among those patrons who paid heed to such things (and who would go there, except to pay heed to such things?), while in the usher’s changing room Daniel — or rather, Ben Bosola — had become the star of the moment, without an intervening stage of having been just one of the boys.
No one was more instrumental in Daniel’s winning to such pre-eminence than the person who had so little time ago tattled on him to Mr. Ormund. Lee Rappacini had been working at the Metastasio almost as long as Mr. Ormund, though to look at them side by side you wouldn’t have believed it. Lee’s classic face and figure seemed as ageless as Greek marble, though not, certainly, as white, for he, like his superior in this one respect, was a phoney. Not, however, by preference but to gratify the whim of his latest sponsor, none other than that latest luminary, Geoffrey Bladebridge. Further to gratify his sponsor’s whims Lee wore (its molded plastic bulging from the white tights of his livery) what was known in the trade as an insanity belt, the purpose of which was to ensure that no one else should enjoy, gratis, what Bladebridge was paying for. As to what benefits the castrato did enjoy, and his rate of payment, mum was the word, though naturally speculation was rife.
Lee’s mobile captivity was a source of much drama. Even to go to the toilet he had to have resort to Mr. Ormund, who was entrusted with one of the keys. Every night there were remarks, pleasantries, and playful attempts to see if the device might be circumvented without actually being removed. It couldn’t. Daniel, as laureate of the changing room, wrote the following limerick celebrating this situation:
A tawny young usher named Lee
Wore a garment with this guarantee:
His bowels would burst
Or would turn into wurst
If ever Lee lost the last key.
To which Lee’s ostensible and probably heartfelt response was simply gratitude, for the attention. His enforced retirement was having the effect it usually does: people had stopped being actively interested. To be made the butt of a joke was still to be, for the nonce, a kind of cynosure.
This was a frail enough basis for friendship, but it developed that he and Daniel had something in common. Lee loved music, and though that love had been, like Daniel’s, unrequited, it smoldered on. He continued to take voice lessons and sang, Sunday mornings, in a church choir. Every night, no matter what the opera or its cast, he listened to what the Metastasio was offering, and could claim, as a result, to have seen over two hundred performances, each, of Orfeo ed Eurydice and of Norma, the two most enduringly popular of the company’s repertory. Whatever he heard seemed to register with a vividness and singularity that confounded Daniel, for whom all music, however much it might move him at the moment, went in one ear and out the other, a great liability during the endless after-hours post-mortems. By comparison, Lee was a veritable tape recorder.
It soon developed that they shared not only a love of music for its own sake but a lust for flight as well. For Lee as for Daniel this had always been a balked desire and (therefore) a subject better to be avoided. Indeed, there was no one who worked at or frequented the Metastasio who had much to say about flying. The castrati who reigned supreme on its stage seemed as little capable of flight as of sex. Some claimed that though they were able to fly, they had no wish to, that song itself was glory enough, but this was generally thought to be a face-saving imposture. They didn’t fly because they couldn’t, and the happy result (for their audience) was that they did not, like most other great singers, simply vanish into the ether at the height of their careers. By comparison to the Metropolitan, which devoted its flagging energies to the Romantic repertory, the Metastasio offered incomparably better singing as such, and if their productions didn’t stir the imagination in quite the same way, if they couldn’t offer the vicarious thrills of a Carmen or a Rosenkavalier, there were (as even Daniel would finally come to see) compensations. As the audiences of Naples had so long ago proclaimed: Evviva il coltello! Long live the knife — the knife by whose actions such voices were made.
Daniel had thought himself cured of his old longings, thought he’d achieved a realistic, grown-up renunciation. Life had denied him any number of supreme pleasures and ultimate fulfillments, despite which it was still worth living. But now, talking with Lee and worrying the meatless bone of why and wherefore they were set apart, he felt the familiar anguish return, that immense and exquisite self-pity that seemed tantamount to a martyrdom.
By now, of course, Daniel knew all there was to be known about the theory, if not the practice, of flight, and he took a kind of donnish satisfaction in disabusing Lee of many fond misconceptions. Lee believed, for instance, that the basic trigger that released the singer’s spirit from his body was emotion, so that if you could just put enough con amore into what you sang, you’d lift off. But Daniel explained, citing the best authorities, that emotion was quite literally only the half of it, and the other half was transcendence. You had to move, with the music, to a condition above the ego, beyond your emotion, but without losing track of its shape or its size. Lee believed (this being the first article of the bel canto faith) that words were more or less irrelevant and music was paramount. Primo la musica. In evidence of this he could adduce some awesomely ridiculous lyrics that had nevertheless been the occasion for one or another proven flight. But on this point too Daniel could give chapter and verse. Flight, or the release to flight, took place at the moment when the two discrete hemispheres of the brain stood in perfect equipoise, stood and were sustained. For the brain was a natural gnostic, split into those very dichotomies of semantic sense and linguistically unmediated perception, of words and music, that were the dichotomies of song. This was why, though the attempt had been made so often, no other musicians, but only singers, could strike that delicate balance in their art that mirrored an answering, arcane balance in the tissues of the mind. One might come by one’s artistry along other paths, of course; all artists, whatever their art, must acquire the knack of transcendence, and once it had been acquired in one discipline, some of the skill was transferable. But the only way to fly was to sing a song that you understood, and meant, down to the soles of your shoes.
Daniel and Lee did not limit themselves to theory. Lee was the proud, if powerless, possesor of a Grundig 1300 Amphion Fluchtpunktapparat, the finest and most expensive flight apparatus available. No one else, until Daniel, had ever been allowed to try and use it. It stood in the center of a bare, white chapel of a room in Geoffrey Bladebridge’s penthouse apartment on West End Avenue, where, on the afternoons when Bladebridge was not about, they would hammer at the doors of heaven, begging to be let in. As well might they have tried flapping their arms in order to fly. They soldiered on, regardless, through aria after aria, song after weary song, never saying die and getting nowhere.
Sometimes Bladebridge returned home before they’d given up and would insist on joining them in the capacity of vocal coach, offering advice and even, damnably, his own shining example. He assured Daniel that he had a very pretty baritone voice, too light for most of the things he attempted, but perfect for bel canto. It was sheer meanness. He probably thought Daniel and Lee had a thing for each other, which the insanity belt was baffling, and though Daniel was of the mature opinion that theoretically all things were possible and all men polymorphously perverse, he knew that Bladebridge’s opini
on was in this case unfounded. He had only to look at Lee and see the pink tip of his nose in the middle of his teak-brown face, like a mushroom on a log, to be turned off entirely.
In December, just before Christmas, Lee showed up at the Metastasio without the tell-tale bulge of the insanity belt spoiling the line of his trousers. His romance with Bladebridge was over, and so, pretty much (and not coincidentally) was his friendship with Daniel.
Life, to be fair, was not all striving and yearning and certain defeat. In fact, barring those frustrating sessions hooked up with the Fluchtpunktapparat, Daniel had never been happier, or if he had, it was so long ago he couldn’t remember what it had been like. Now that he had a registered job, he could take out books from the public library, though with Mrs. Schiff’s enormous stock of books at his disposal that dream-come-true was almost a superfluous luxury. He read, and listened to records, and sometimes just lazed about without a care. The whirl of his social life only accounted for two or three evenings a week, and he worked out at the gym with about the same regularity.
Living out of the way of nightly temptation, he found his appetite for sex much reduced, though his life-style was still a long way from strict celibacy. When he did feel like mixing in, he went downtown to his old haunts and so preserved his reputation at the Metastasio for friendly inaccessibility. As a result, there was a decided falling-off of active interest among those patrons of the opera who, quite understandably, hoped for a better quid pro quo than Daniel was prepared to offer. What with the rationing that had gone into effect in January, it was beginning to be a buyer’s market for good-looking boys. His life grew still quieter, which suited him just fine.
Strangely (for he’d feared it would be a source of upset, or at any rate of depression), Daniel found he liked living with Boa and looking after her. There was a set of exercises he went through each morning, moving her limbs so as to keep the muscles in a minimally functional condition. While he worked her balsa-light arms in the prescribed semaphores, he would talk to her, in somewhat the half-conscious, half-serious way that Mrs. Schiff would talk to Incubus.
Did Daniel think she was listening? It wasn’t out of the question. Unless she’d left the earth utterly, it stood to reason that she might sometimes come back to see how her abandoned vehicle was getting on — whether it might, conceivably, be driven again. And if she did, it didn’t seem unreasonable to suppose that she would also take an interest in Daniel, and stop for a while to hear what he had to say. He knew now that they’d never truly been husband and wife and that he had, therefore, no legitimate grievance at being left in the lurch. What he’d thought had been love for Boa was just being in love. Or so he would tell her while he manipulated her light, lifeless limbs. But was it really so? It was hard to remember the exact feelings of twelve, no, thirteen years ago. As well to recall the vanished weathers of those few months they’d been together, or the life he’d led in some previous incarnation.
So it did seem strange to find himself actually feeling a kind of fondness for this bag of bones that lay in the corner of his room, breathing so quietly that she never could be heard, even from close by. Strange to suppose that she might be with him, nevertheless, at any moment of the night or day, observing, and judging, like a bonafide guardian angel.
14
Marcella, being a season subscriber, continued to turn up at the Metastasio every Tuesday. Finding that Daniel had become an usher, she couldn’t resist seeking him out at intermission or (after he’d been transerred to the Dress Circle) lingering out on 44th Street to waylay him after the show. “Just to say hello.” What she wanted was gossip about the singers. Any little scrap she accepted with the reverence of one being initiated into solemn mysteries. Daniel thought her a fool, but he enjoyed the role of high priest and so continued to supply her with crumbs and tidbits about her demigods. After a while he took to sneaking her into a good seat that he knew to be standing empty. These attentions did not go unnoticed by his colleagues, who affected to believe him smitten with Marcella’s very deniable charms. Daniel went along with the joke, praising her in the gross hyperboles of libretto verse. He knew that despite their banter the friendship did him credit among his fellow-ushers, all of whom had a friend, or set of friends, whose adulation and envy was a principal source of their own self-importance. That Daniel had his Marcella showed that for all his airs he wasn’t above such quotidian transactions. Indeed, his involvement went beyond merely basking in the false glory of an unmerited esteem; Marcella insisted on expressing her gratitude to Daniel by bringing him five-pound cannisters of Hyprotine Nutritional Supplement, which she “shoplifted” from a deli where she had established an understanding with the clerk at the check-out counter. What a world of mutuality it was!
One evening, after Daniel, with the collusion of Lee Rappacini, had managed to get her into the orchestra to see the last two acts of what was billed as Sarro’s Achille in Sciro (though, in fact, the score was Mrs. Schiff’s creation from first to last, and one of her best), Marcella accosted him at the corner of 44th and 8th with more than her usual urgency. Daniel, who was wearing only his uniform and freezing his shapely ass off, explained that tonight was out of the question, since he was on his way to a dinner at La Didone (with, once again, the constant Mr. Carshalton, whom nothing, it seemed, could discourage).
Marcella, insisting she needed only a minute, reached into a duffle-sized handbag and took out a box of Fanny Farmer chocolates with a big red bow around it.
“Really, Marcella, that’s going too far.”
“Oh, it isn’t for you, Ben,” she said apologetically. “It’s a Thanksgiving present for Ernesto Rey.”
“Then why don’t you give it to him? He’ll be singing tomorrow night.”
“But I’ll be working then, you see. And anyhow I couldn’t. I really just couldn’t. And if I did get up the nerve, he probably wouldn’t take it, and if he did take it, he’d probably throw it away as soon as my back was turned. That’s what I’ve heard, anyhow.”
“That’s because there might be poison in it. Or something unseemly. It’s been known to happen.”
Marcella’s eyes began to glisten. “You don’t think because I’ve said a word or two in praise of Geoffrey Bladebridge, that I’m part of some clacque, do you?”
“I don’t think it, no, but Rey doesn’t know you from Adam. Or Eve, for that matter.”
Marcella wiped her tears away and smiled to show that her heartbreak was of no account. “That’s why—” she snuffled, “—if it came from someone he knows, it wouldn’t be so futile. You could tell him the chocolates are from someone you know. And trust. And that they’re just my way of thanking him for the pleasure of so many beautiful performances. Would you do that for me?”
Daniel shrugged. “Sure, why not?”
If he’d stopped to think he might have answered that himself and been spared what was to come. The wise thing to have done would have been, as Marcella suggested, to dispose of the box of chocolates as soon as she was out of sight, or to eat them himself, if he dared. Instead he did as he’d promised and gave the chocolates that same evening to Rey, who was also dining at La Didone, with his agent Irwin Tauber. Daniel explained the situation, and Rey accepted the gift with a nod, not even bothering to ask him to thank his benefactress. Daniel returned to his escargots and Mr. Carshalton’s descriptions of the Vermont wilderness, and he thought no more about it.
The next evening a stage-hand delivered to Daniel a hand-written note from Rey, who was singing Norma. The note read: “Do thank your friend on my behalf for her box of sweets and her so friendly letter. She seems entirely charming. I don’t understand why she is so shy as not to approach me directly. I’m sure we’d have got on!” Daniel was miffed at Marcella’s smuggling a letter into her box of chocolates, but as Rey’s reaction was so cordial, what did it matter?
He genuinely forgot the whole thing — and so never connected it with Rey’s altered manner towards him, which didn’t amount to mu
ch more, at first, than common courtesy. When he called on Mrs. Schiff and found Daniel at home, he remembered his name — for the first time since they’d been officially introduced seven months before. Once, at Lieto Fino, when Daniel, having come with another party, stayed on to have coffee at Mrs. Schiff’s table, Rey, who was maudlin drunk, insisted on hearing the story of Ben Bosola’s life, a sad and unlikely tale that Daniel felt embarrassed to be telling in front of Mrs. Schiff, who knew the sad, unlikely truth. At Christmas, Rey gave Daniel a sweater, saying it had been a gift from one of his fans and didn’t fit him. When Rey asked, during one of his coaching sessions, if Daniel could act as his accompanist (Mrs. Schiff having burnt her hand making tea), Daniel accepted this as a tribute to his musicianship, and even when Rey praised his playing, which had been one long fumble, he attributed this to good manners. He wasn’t being disingenuous or willfully blind; he believed, even now, that the world was his shepherd, with a natural instinct for providing green pastures and attending to his wants.
In February Rey asked Daniel to dinner at Evviva il Coltello, an invitation he delivered in such carressing tones that Daniel could no longer evade his meaning. He said no, he’d rather not. Rey, still purring, demanded a reason. He couldn’t think of any except the true one — that if Rey should demand that instant capitulation that all stars seemed to think was their due, his refusal might well prompt Rey to retaliate by putting Daniel on his black-list. His job would be in jeopardy, and his arrangement with Mrs. Schiff as well. At last to avoid explanations he consented to be taken out: “But only this once.”
All through dinner Rey talked about himself — his roles, his reviews, his triumphs over enemies. Daniel had never before been witness to the full sweep of the man’s vanity and hunger for praise and still more praise. It was at once an awesome spectacle and a deadly bore. At the conclusion of the dinner Rey declared, flatly and matter-of-factly, that he was in love with Daniel. It was such an absurd non sequitur to the past two hours of self-aggrandizing soliloquy that Daniel nearly got the giggles. It might have been better if he had, since Rey seemed determined to regard his polite demurs as shyness.
On Wings of Song Page 24