by David Drake
Ermand oozed a sort of charm that would have floated on water. No question how he came to his present affluence.
Ilna ignored the hand. "Come and sit if you must," she said, turning away from the trio. "I can offer you water or good ale. There's bread and cheese as well, and I suppose we can find something fancier in the palace if your tastes demand it."
Ilna had to live in a society of human beings who didn't listen and who wasted their time in foolish ways. She was trying to train herself to be a part of that society, but it was very hard. Generally she felt like a shuttle in a world of warp and weft: acting on the pattern, but never really a part of it.
Sometimes Ilna wondered how it would feel not to be lonely, but she didn't expect she'd ever learn.
The councillors entered, looking puzzled. Ermand laced and unlaced his fingers in a nervous gesture. The guards closed and barred the door, then stepped discretely through the bead curtain into a darkened side-room. They could watch and listen unobtrusively to what was taking place under the skylight in the atrium.
But the only furniture in the atrium was a pair of wicker stools. There was a stool in each of the bedrooms as well, but--
"Come out into the garden," Ilna decided aloud. "There's benches set into the wall under the colonnade."
They trooped out out the back of the atrium, Ilna leading the three men. She didn't know what they were doing here, but she understood who they were.
When she'd decided what sort of memorial would be appropriate, Ilna had gone to Liane bos-Benliman for advice. Others could have told Ilna how the bureaucracy of a temple in Valles was organized. Asking Liane, Garric's Liane, for advice was Ilna's way of apologizing for the unjustified anger she felt toward the other girl. It wasn't Liane's fault that she had the culture and education a peasant like Ilna lacked....
The councillors seated themselves carefully. Pear trees planted at either end of the masonry bench had been espaliered flat against the wall. Their branches interlocked in a network too spiky to lean against.
Ilna stood with one hand on the frame of her loom, eying her guests. Temple councils provided status for people who lacked it by birth and breeding, and who didn't have enough wealth to buy their way into the real upper circles. Councillors were responsible for upkeep of the building itself and the cult statue it housed. In exchange, they wore ornate costumes to major ceremonies and had an annual banquet in the temple precincts.
"Will you have refreshments?" Ilna repeated. At one time she would have been irritated at losing daylight to a foolish interruption. Since she returned from Hell, though, she could weave in the dark if necessary.
She was still irritated, but she was determined not to let it show. Much.
Velio stared at the loom. This panel, the last Ilna was completing, would form the center of the three-part hanging. Only a small portion of the design was visible from where the councillors sat.
"But you're weaving the arras, mistress," Velio said.
"Yes, of course," Ilna said. "I arranged it with your clerk last month: a screen for the Shepherd's image, to commemorate the salvation of Valles from the Beast. That's what you're here about, isn't it?"
The councillors goggled at her, and she wondered if her own face didn't wear a similarly stupid expression. What did they think they were getting if not a--
"We thought you were hiring people to weave the arras, mistress," Councillor Casses said. "We didn't know you were going to weave part of it yourself."
Ilna smiled coldly now that she understood the confusion. "I'm weaving all of it myself, Master Casses," she said. "I assure you I'm qualified. I told your clerk that I would provide your temple with a hanging like no other you will ever see, and so I shall. I'll have the panels joined when you return at the time we've arranged tomorrow. The completed work will speak for itself."
Casses frowned and sucked in his lips. It struck Ilna that the former sailor was probably the smartest of the three. He was watching her as he might in other times have eyed a cloud on the horizon, wondering if it was going to grow into a life-threatening storm.
Velio cleared his throat and said, "Well, it's not who makes the hanging that brings us here, mistress. You see, it's traditional that the sponsor of an offering to the temple provide a trust to maintain the gift in perpetuity. We haven't heard from your bankers as yet."
"A large cloth like this requires expensive care, you understand, Mistress Ilna," Ermand put in unctuously. He was beaming at her with the false smile that he must have practiced on scores of wealthy women over the years. "Of course you want the best f--"
Ermand broke off in mid-syllable; his expression changed. He must actually have looked into Ilna's eyes for the first time.
"I don't have a banker, Master Velio," Ilna said pleasantly. "Not here in Valles, at any rate. There are sums--people--I could call on in Erdin, but that's not the point."
Ilna really was trying to avoid the anger that was the only thing in the world she feared, but her voice still hardened as she went on, "My offer was to provide your temple with a hanging that would remind all who saw it of the city's salvation and of the sacrifice of those who made that salvation possible. If you misunderstood my clear words, I regret it. Now, masters, I wish you good day, because I have work yet to accomplish on my part of the bargain."
She gave a quick flip with two fingers of her right hand as if she were hooking the councillors to their feet. They stood up obediently, but Velio continued to frown.
"Mistress," he said, "you live in the palace. I understand that you may not have money of your own, but--"
Casses gripped the president's elbow in a vain attempt to stop the fool before he blurted, "--won't your protector--"
The analytical part of Ilna's mind had foreseen the question just as Casses had done. She reached into her left sleeve and brought out the clutch of cords which she kept there at all times. Her fingers twisted them into a pattern with the same cold certainty as water flows through rapids.
"--provide the endowment if you ask him in the right--"
Ilna stepped forward and drew the cords tight in front of Velio's face. He started to scream, but even that sound choked in his throat.
Bubbles formed between the president's lips. His eyelids couldn't blink. Neither of his companions spoke or moved.
Ilna collapsed the design with a shudder and drew back. She was shivering in summer sunlight. She heard Velio gag as he started to recover.
To the loom--she didn't dare face Velio for a few moments yet--Ilna said, "I have a terrible temper, Master Velio. I'm already doing penance for the evil which my anger drew me into in the past."
She cleared her throat and turned. Casses was holding Velio to keep the president from slumping onto the ground.
"I've just shown you the sort of place to which my anger would consign anyone who called me a whore," Ilna said. "I no longer let my anger rule me, so there was no danger of that happening."
She cleared her throat again, swallowing the lie she'd just spoken. "And anyway, you didn't really mean the insult, did you?"
Velio shook his head. He couldn't speak, and he finally had to cover his eyes with his hands before he could blink away the dryness.
Casses gave Ermand a nudge, starting him off toward the atrium with a spastic jolt. He guided Velio in the same direction.
"We'll leave you to your work, mistress," Casses said in a voice as polite and careful as that of a shopkeeper to a wealthy client. "The endowment won't be a problem, I assure you. We'll have no difficulty finding a patron to sponsor work that you do."
"I'll expect you tomorrow," Ilna said. Her throat was dry. She felt dizzy with reaction to what she hadn't permitted herself--quite--to do.
She didn't belong in this world! She had to stop acting as if she had a right to correct people who behaved badly. She had power, but using her power on ordinary people was like using a hammer to fix everything that breaks. Sometimes a hammer's the right tool, but more often it makes the problem
worse.
The guards had returned to the atrium when Ilna led her guests out the back. They opened the door for the councillors without expression. If the Blood Eagles had an opinion of what they'd seen happen, they kept it professionally to themselves.
"Why didn't somebody warn us she was a wizard?" Councillor Ermand wailed to his fellows as they stepped off the porch. Though she was still standing by her loom, Ilna had a view through the axis of her house. She watched the backs of the shaken men as they went down the path bowered by peach trees.
A servant with the ebony staff of an usher trotted around the trio on his way toward Ilna's dwelling. The Blood Eagles saw him also; the younger man turned to catch Ilna's eye.
"Yes, of course I'll see him," she said, answering the guard's unspoken question. She walked into the atrium. The few people who might send a palace usher for her all had a claim on her time.
The usher reached the porch. He hadn't brought a message to Ilna before, so he'd expected to find a doorkeeper. He hesitated, not sure how to proceed when faced with two Blood Eagles and an intense young woman dressed too simply to be a palace servant.
Focusing his eyes past Ilna's shoulder to the empty interior of the house, the usher announced, "Lady Tenoctris requests that Mistress Ilna os-Kenset join her and their friends in Prince Garric's apartments immediately, if it is convenient for her to do so."
Ilna nodded. The words, "if it's convenient," meant Tenoctris didn't see whatever was happening as an immediate crisis. On the other hand, the old wizard wouldn't have bothered gathering Ilna "and their friends," for a merely social occasion.
Ilna smiled faintly. Tenoctris was if anything less given to socializing than Ilna herself.
"Yes, of course," Ilna said. "While you're here, you can help these men and me bring the loom inside in case it rains. It's double width, so it's awkward."
The usher opened his mouth, perhaps to protest. The older Blood Eagle put an arm around the usher's shoulder and squeezed him with a hand calloused from wielding a sword. "Sure, it's your job, boy," he said with a nasal accent from the north of Ornifal. "Just like it's our job. You put that pretty stick down and come help us so you can get right back to sitting on your fanny for most of the day."
Ilna stepped briskly back to the loom to tie off the shuttle before they moved it. Behind her the old soldier added in a husky whisper, "You'll like it a lot better than you do hopping like a toad for the rest of your life; and that's not the worst might happen if you got snorky about helping the lady. Understand?"
Ilna shivered, but she pretended she hadn't heard the comment.
Chapter Two
Garric's body continued sleeping on the couch in the conference room. His mind got up from it and strolled out of the building. He didn't have any control over his movements, though that didn't concern him at the moment. He supposed he was dreaming.
Garric's legs swung in their usual long stride, but he was moving faster than a walking man and not travelling through space alone. He recognized all the places he passed, but many were in Barca's Hamlet, not Valles, and some were from out of the waking world.
The people Garric met were shadows, but sometimes they spoke to him and he replied. He couldn't hear the exchanges, even the words that came from his own lips.
He was alone for the first time since his father had given him a coronation medal of King Carus. When Garric hung that ancient gold disk against his chest, he and had Carus begun to share an existence closer than twins, closer than spouses. But now--
Garric felt for the medallion. It lay back with his sleeping self. He straightened his shoulders and let the dream carry him where it would.
He reached a bridge and started across. Behind him was Valles; beyond... he couldn't be sure. Sometimes Garric saw shining walls; other glimpses were of ruins which might once have been the same buildings. The structure underfoot felt more solid than stone, though to Garric's eyes he was walking on a tracery of blue light, a fairy glow without substance.
Garric reached the far end of the bridge. It was daylight here, though it had been early dusk in Valles when he left his couch. Before him was a city which at the time of its glory must have been magnificent; it was breathtaking even now. He strode toward it.
Modern Valles might be larger; Carcosa in the days of King Carus and the Old Kingdom was far greater yet. In the richness of its fittings, though, nothing Garric knew from his own day or the past could compare with what this place must once have been.
He was walking up an esplanade paved with slabs of red granite, each as wide as Garric was tall and twice as long. The labor of cutting and smoothing such hard stone made him blink.
The blocks were cocked and broken, by time and the roots of trees crawling from the median plantings. The surface should have been as hard to walk on as a seascape frozen in the middle of a lashing storm. In this dream existence, the footing didn't hinder Garric.
Pedestrian porticos flanked the roadway. Some of the arches had collapsed. The core was fitted stones rather than the concrete and rubble of similar constructions in ancient Carcosa.
The buildings to either side were stone also, but originally metal had covered them. Some had worn tin, decayed now to powdery tendrils trailing from the cracks between close-fitting blocks. Others had been clad in sheets of copper and bronze whose blue-green revenants still stained the walls.
Garric frowned. He'd heard of this place, but as a myth of the final days before the fall of the Old Kingdom. A fragment from a discourse of the philosopher Andron, captured in a quirky anonymous compendium entitled The Dress of All Peoples in All Times. He couldn't remember the exact words or the claimed location, but he recalled the description of residents wearing striped clothing which reflected variously according to the color of the mirroring walls they passed beside.
A dream of a myth? These ruins had a solid reality.
He walked toward the vast building at the end of the esplanade. The three stages of its facade were supported by pillars of equal height, but those of the middle level were more slender than the massive columns beneath them, while delicate pairs of banded travertine chosen for appearance rather than strength formed the uppermost range. The wooden casements and shutters of the upper-story windows had rotted to dust.
The ground-floor entrance was recessed deeply within a pointed arch, but the door itself was small and so strongly made that it yet survived. Flanking the porch were fountains. Rains had left a stagnant scum in the orichalc basins, but the bronze statues from which water had once played were twists of verdigris which gave no hint of their former shapes.
The city was silent save for the wind soughing through the walls.
A broad helical staircase twisted from the ground to the building's roof. The pillared tower was styled to match the main structure, but the two were only connected at the top.
Garric climbed the stairs. Their pitch was shallow, too shallow for his long legs, and should have been uncomfortable. In his present dream state he only noticed what he had no muscles to feel.
He wondered if King Carus missed Garric's presence as much as Garric did his. Did Carus even realize that Garic was gone?
As Garric mounted the stairs, his view of the city through the columns broadened. The streets were laid out in concentric circles centered on this building, though the docks of what had been a thriving seaport ate an arc out of one edge. The ships were gone, but the quays and stone bollards remained. The port didn't have sloping ramps up which oar-driven warships could be drawn to prevent their light hulls from decaying while not in use.
At the very edge of his vision Garric thought he saw a wall of shimmering light like that which formed the bridge. It was too faint for him to be sure. Though daylight suffused the sky, there was no sun.
Garric stepped onto the roof. It was covered with granite like the boulevard and esplanade, but these slabs were as nearly level as the common table in Reise's inn. The foundations must sink down to the bowels of the earth.
/> The roof was a vast plaza decorated by a score of stone planters like buttons tucking the horsehair of an upholstered seat. Grass and weeds grew in them now, and from one sprouted a twisted appletree--the progeny many times removed of the tree placed there when the building was new. Roots had burst out the sides of other planters in the distant past, spilling the soil for rains to wash into a film of mud; only the lone apple had been able to reseed itself.
The roof was an audience ground. At the end opposite the staircase was a chamber with a screen of pierced alabaster for its outward-curving front wall. Garric walked toward it, his feet taking him where he would have gone of his own volition.
The translucent alabaster was no more than a finger's thickness. Light both reflected from and refracted through the milky stone, giving the air a soap-bubble sheen. The piercings were not simple holes or even a repetitive pattern. As Garric stepped close he saw a tracery of images, each as subtle and unique as the starlings of a flock wheeling in autumn.
The cut-out shapes had meaning--of that Garric was sure. His conscious mind couldn't grasp what the meaning was, however. Would Tenoctris understand?
The screen permitted citizens to see and hear their ruler close at hand, while still preventing them from touching him--or her, Garric supposed. It was carved from a seamless sheet of alabaster and had no door. A twig with a few dried leaves was caught in one of the small holes.
In ancient Carcosa the King of the Isles addressed the people assembled in the Field of Heroes from a high balcony on the back of the palace. Since the Dukes of Ornifal had become Kings of the Isles, they'd practiced a cooler sort of kingship. The populace had seen Valence III in formal processions and at ceremonies before the great temples, but he'd never addressed them directly. Anything the king had to say to his people came through the mouths of underlings.
That was going to change. It had already changed, beginning the day a combination of pragmatism and fear forced Valence to adopt Garric as his son and successor. Garric thought the idea of a podium or high balcony was a better choice than this screen, but the notion was an interesting one.