As she seemed to have said her say, Fillmore kept on expanding till he had reached the normal, when he ventured upon a speech for the defence.
"What have I done?" demanded Fillmore plaintively.
"Do you want to hear all over again?"
"No, no," said Fillmore hastily. "But, listen. Sally, you don't understand my position. You don't seem to realize that all that sort of thing, all that boarding-house stuff, is a thing of the past. One's got beyond it. One wants to drop it. One wants to forget it, darn it! Be fair. Look at it from my viewpoint. I'm going to be a big man..."
"You're going to be a fat man," said Sally, coldly.
Fillmore refrained from discussing the point. He was sensitive.
"I'm going to do big things," he substituted. "I've got a deal on at this very moment which... well, I can't tell you about it, but it's going to be big. Well, what I'm driving at, is about all this sort of thing"—he indicated the lighted front of Mrs. Meecher's home-from-home with a wide gesture—"is that it's over. Finished and done with. These people were all very well when..."
"... when you'd lost your week's salary at poker and wanted to borrow a few dollars for the rent."
"I always paid them back," protested Fillmore, defensively.
"I did."
"Well, we did," said Fillmore, accepting the amendment with the air of a man who has no time for chopping straws. "Anyway, what I mean is, I don't see why, just because one has known people at a certain period in one's life when one was practically down and out, one should have them round one's neck for ever. One can't prevent people forming an I-knew-him-when club, but, darn it, one needn't attend the meetings."
"One's friends..."
"Oh, friends," said Fillmore. "That's just where all this makes me so tired. One's in a position where all these people are entitled to call themselves one's friends, simply because father put it in his will that I wasn't to get the money till I was twenty-five, instead of letting me have it at twenty-one like anybody else. I wonder where I should have been by now if I could have got that money when I was twenty-one."
"In the poor-house, probably," said Sally.
Fillmore was wounded.
"Ah! you don't believe in me," he sighed.
"Oh, you would be all right if you had one thing," said Sally.
Fillmore passed his qualities in swift review before his mental eye. Brains? Dash? Spaciousness? Initiative? All present and correct. He wondered where Sally imagined the hiatus to exist.
"One thing?" he said. "What's that?"
"A nurse."
Fillmore's sense of injury deepened. He supposed that this was always the way, that those nearest to a man never believed in his ability till he had proved it so masterfully that it no longer required the assistance of faith. Still, it was trying; and there was not much consolation to be derived from the thought that Napoleon had had to go through this sort of thing in his day. "I shall find my place in the world," he said sulkily.
"Oh, you'll find your place all right," said Sally. "And I'll come round and bring you jelly and read to you on the days when visitors are allowed... Oh, hullo."
The last remark was addressed to a young man who had been swinging briskly along the sidewalk from the direction of Broadway and who now, coming abreast of them, stopped.
"Good evening, Mr. Foster."
"Good evening. Miss Nicholas."
"You don't know my brother, do you?"
"I don't believe I do."
"He left the underworld before you came to it," said Sally. "You wouldn't think it to look at him, but he was once a prune-eater among the proletariat, even as you and I. Mrs. Meecher looks on him as a son."
The two men shook hands. Fillmore was not short, but Gerald Foster with his lean, well-built figure seemed to tower over him. He was an Englishman, a man in the middle twenties, clean-shaven, keen-eyed, and very good to look at. Fillmore, who had recently been going in for one of those sum-up-your-fellow-man-at-a-glance courses, the better to fit himself for his career of greatness, was rather impressed. It seemed to him that this Mr. Foster, like himself, was one of those who Get There. If you are that kind yourself, you get into the knack of recognizing the others. It is a sort of gift.
There was a few moments of desultory conversation, of the kind that usually follows an introduction, and then Fillmore, by no means sorry to get the chance, took advantage of the coming of this new arrival to remove himself. He had not enjoyed his chat with Sally, and it seemed probable that he would enjoy a continuation of it even less. He was glad that Mr. Foster had happened along at this particular juncture. Excusing himself briefly, he hurried off down the street.
Sally stood for a minute, watching him till he had disappeared round the corner. She had a slightly regretful feeling that, now it was too late, she would think of a whole lot more good things which it would have been agreeable to say to him. And it had become obvious to her that Fillmore was not getting nearly enough of that kind of thing said to him nowadays. Then she dismissed him from her mind and turning to Gerald Foster, slipped her arm through his.
"Well, Jerry, darling," she said. "What a shame you couldn't come to the party. Tell me all about everything."
3
It was exactly two months since Sally had become engaged to Gerald Foster; but so rigorously had they kept the secret that nobody at Mrs. Meecher's so much as suspected it. To Sally, who all her life had hated concealing things, secrecy of any kind was objectionable: but in this matter Gerald had shown an odd streak almost of furtiveness in his character. An announced engagement complicated life. People fussed about you and bothered you. People either watched you or avoided you. Such were his arguments, and Sally, who would have glossed over and found excuses for a disposition on his part towards homicide or arson, put them down to artistic sensitiveness. There is nobody so sensitive as your artist, particularly if he be unsuccessful: and when an artist has so little success that he cannot afford to make a home for the woman he loves, his sensitiveness presumably becomes great indeed. Putting herself in his place, Sally could see that a protracted engagement, known by everybody, would be a standing advertisement of Gerald's failure to make good: and she acquiesced in the policy of secrecy, hoping that it would not last long. It seemed absurd to think of Gerald as an unsuccessful man. He had in him, as the recent Fillmore had perceived, something dynamic. He was one of those men of whom one could predict that they would succeed very suddenly and rapidly—overnight, as it were.
"The party," said Sally, "went off splendidly." They had passed the boarding-house door, and were walking slowly down the street. "Everybody enjoyed themselves, I think, even though Fillmore did his best to spoil things by coming looking like an advertisement of What The Smart Men Will Wear This Season. You didn't see his waistcoat just now. He had covered it up. Conscience, I suppose. It was white and bulgy and gleaming and full up of pearl buttons and everything. I saw Augustus Bartlett curl up like a burnt feather when he caught sight of it. Still, time seemed to heal the wound, and everybody relaxed after a bit. Mr. Faucitt made a speech and I made a speech and cried, and...oh, it was all very festive. It only needed you."
"I wish I could have come. I had to go to that dinner, though. Sally..." Gerald paused, and Sally saw that he was electric with suppressed excitement. "Sally, the play's going to be put on!"
Sally gave a little gasp. She had lived this moment in anticipation for weeks. She had always known that sooner or later this would happen. She had read his plays over and over again, and was convinced that they were wonderful. Of course, hers was a biased view, but then Elsa Doland also admired them; and Elsa's opinion was one that carried weight. Elsa was another of those people who were bound to succeed suddenly. Even old Mr. Faucitt, who was a stern judge of acting and rather inclined to consider that nowadays there was no such thing, believed that she was a girl with a future who would do something big directly she got her chance.
"Jerry!" She gave his arm a hug. "How simply terrific!
Then Goble and Kohn have changed their minds after all and want it? I knew they would."
A slight cloud seemed to dim the sunniness of the author's mood.
"No, not that one," he said reluctantly. "No hope there, I'm afraid. I saw Goble this morning about that, and he said it didn't add up right. The one that's going to be put on is 'The Primrose Way.' You remember? It's got a big part for a girl in it."
"Of course! The one Elsa liked so much. Well, that's just as good. Who's going to do it? I thought you hadn't sent it out again."
"Well, it happens..." Gerald hesitated once more. "It seems that this man I was dining with to-night—a man named Cracknell..."
"Cracknell? Not the Cracknell?"
"The Cracknell?"
"The one people are always talking about. The man they call the Millionaire Kid."
"Yes. Why, do you know him?"
"He was at Harvard with Fillmore. I never saw him, but he must be rather a painful person."
"Oh, he's all right. Not much brains, of course, but—well, he's all right. And, anyway, he wants to put the play on."
"Well, that's splendid," said Sally: but she could not get the right ring of enthusiasm into her voice. She had had ideals for Gerald. She had dreamed of him invading Broadway triumphantly under the banner of one of the big managers whose name carried a prestige, and there seemed something unworthy in this association with a man whose chief claim to eminence lay in the fact that he was credited by metropolitan gossip with possessing the largest private stock of alcohol in existence.
"I thought you would be pleased," said Gerald.
"Oh, I am," said Sally.
With the buoyant optimism which never deserted her for long, she had already begun to cast off her momentary depression. After all, did it matter who financed a play so long as it obtained a production? A manager was simply a piece of machinery for paying the bills; and if he had money for that purpose, why demand asceticism and the finer sensibilities from him? The real thing that mattered was the question of who was going to play the leading part, that deftly drawn character which had so excited the admiration of Elsa Doland. She sought information on this point.
"Who will play Ruth?" she asked. "You must have somebody wonderful. It needs a tremendously clever woman. Did Mr. Cracknell say anything about that?"
"Oh, yes, we discussed that, of course."
"Well?"
"Well, it seems..." Again Sally noticed that odd, almost stealthy embarrassment. Gerald appeared unable to begin a sentence to-night without feeling his way into it like a man creeping cautiously down a dark alley. She noticed it the more because it was so different from his usual direct method. Gerald, as a rule, was not one of those who apologize for themselves. He was forthright and masterful and inclined to talk to her from a height. To-night he seemed different.
He broke off, was silent for a moment, and began again with a question.
"Do you know Mabel Hobson?"
"Mabel Hobson? I've seen her in the 'Follies,' of course."
Sally started. A suspicion had stung her, so monstrous that its absurdity became manifest the moment it had formed. And yet was it absurd? Most Broadway gossip filtered eventually into the boarding-house, chiefly through the medium of that seasoned sport, the mild young man who thought so highly of the redoubtable Benny Whistler, and she was aware that the name of Reginald Cracknell, which was always getting itself linked with somebody, had been coupled with that of Miss Hobson. It seemed likely that in this instance rumour spoke truth, for the lady was of that compellingly blonde beauty which attracts the Cracknells of this world. But even so...
"It seems that Cracknell..." said Gerald. "Apparently this man Cracknell..." He was finding Sally's bright, horrified gaze somewhat trying. "Well, the fact is Cracknell believes in Mabel Hobson...and... well, he thinks this part would suit her."
"Oh, Jerry!"
Could infatuation go to such a length? Could even the spacious heart of a Reginald Cracknell so dominate that gentleman's small size in heads as to make him entrust a part like Ruth in "The Primrose Way" to one who, when desired by the producer of her last revue to carry a bowl of roses across the stage and place it on a table, had rebelled on the plea that she had not been engaged as a dancer? Surely even lovelorn Reginald could perceive that this was not the stuff of which great emotional actresses are made.
"Oh, Jerry!" she said again.
There was an uncomfortable silence. They turned and walked back in the direction of the boarding-house. Somehow Gerald's arm had managed to get itself detached from Sally's. She was conscious of a curious dull ache that was almost like a physical pain.
"Jerry! Is it worth it?" she burst out vehemently.
The question seemed to sting the young man into something like his usual decisive speech.
"Worth it? Of course it's worth it. It's a Broadway production. That's all that matters. Good heavens! I've been trying long enough to get a play on Broadway, and it isn't likely that I'm going to chuck away my chance when it comes along just because one might do better in the way of casting."
"But, Jerry! Mabel Hobson! It's... it's murder! Murder in the first degree."
"Nonsense. She'll be all right. The part will play itself. Besides, she has a personality and a following, and Cracknell will spend all the money in the world to make the thing a success. And it will be a start, whatever happens. Of course, it's worth it."
Fillmore would have been impressed by this speech. He would have recognized and respected in it the unmistakable ring which characterizes even the lightest utterances of those who get there. On Sally it had not immediately that effect. Nevertheless, her habit of making the best of things, working together with that primary article of her creed that the man she loved could do no wrong, succeeded finally in raising her spirits. Of course Jerry was right. It would have been foolish to refuse a contract because all its clauses were not ideal.
"You old darling," she said affectionately attaching herself to the vacant arm once more and giving it a penitent squeeze, "you're quite right. Of course you are. I can see it now. I was only a little startled at first. Everything's going to be wonderful. Let's get all our chickens out and count 'em. How are you going to spend the money?"
"I know how I'm going to spend a dollar of it," said Gerald completely restored.
"I mean the big money. What's a dollar?"
"It pays for a marriage-licence."
Sally gave his arm another squeeze.
"Ladies and gentlemen," she said. "Look at this man. Observe him. My partner!"
CHAPTER II. ENTER GINGER
1
Sally was sitting with her back against a hillock of golden sand, watching with half-closed eyes the denizens of Roville-sur-Mer at their familiar morning occupations. At Roville, as at most French seashore resorts, the morning is the time when the visiting population assembles in force on the beach. Whiskered fathers of families made cheerful patches of colour in the foreground. Their female friends and relatives clustered in groups under gay parasols. Dogs roamed to and fro, and children dug industriously with spades, ever and anon suspending their labours in order to smite one another with these handy implements. One of the dogs, a poodle of military aspect, wandered up to Sally: and discovering that she was in possession of a box of sweets, decided to remain and await developments.
Few things are so pleasant as the anticipation of them, but Sally's vacation had proved an exception to this rule. It had been a magic month of lazy happiness. She had drifted luxuriously from one French town to another, till the charm of Roville, with its blue sky, its Casino, its snow-white hotels along the Promenade, and its general glitter and gaiety, had brought her to a halt. Here she could have stayed indefinitely, but the voice of America was calling her back. Gerald had written to say that "The Primrose Way" was to be produced in Detroit, preliminary to its New York run, so soon that, if she wished to see the opening, she must return at once. A scrappy, hurried, unsatisfactory letter, the letter of a busy
man: but one that Sally could not ignore. She was leaving Roville to-morrow.
To-day, however, was to-day: and she sat and watched the bathers with a familiar feeling of peace, revelling as usual in the still novel sensation of having nothing to do but bask in the warm sunshine and listen to the faint murmur of the little waves.
But, if there was one drawback, she had discovered, to a morning on the Roville plage, it was that you had a tendency to fall asleep: and this is a degrading thing to do so soon after breakfast, even if you are on a holiday. Usually, Sally fought stoutly against the temptation, but to-day the sun was so warm and the whisper of the waves so insinuating that she had almost dozed off, when she was aroused by voices close at hand. There were many voices on the beach, both near and distant, but these were talking English, a novelty in Roville, and the sound of the familiar tongue jerked Sally back from the borders of sleep. A few feet away, two men had seated themselves on the sand.
From the first moment she had set out on her travels, it had been one of Sally's principal amusements to examine the strangers whom chance threw in her way and to try by the light of her intuition to fit them out with characters and occupations: nor had she been discouraged by an almost consistent failure to guess right. Out of the corner of her eye she inspected these two men.
The first of the pair did not attract her. He was a tall, dark man whose tight, precise mouth and rather high cheeks bones gave him an appearance vaguely sinister. He had the dusky look of the clean-shaven man whose life is a perpetual struggle with a determined beard. He certainly shaved twice a day, and just as certainly had the self-control not to swear when he cut himself. She could picture him smiling nastily when this happened.
The Adventures of Sally Page 2