The Master of the Prado

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The Master of the Prado Page 25

by Javier Sierra


  11. Domenicus Lampsonius, Pictorum aliquot celebrium Germaniae inferiores effigies, Hieronymus Cock, Amberes, 1572.

  12. Wilhelm Fraenger, Hieronymus Bosch, p. 84.

  13. Manuel Fernández Álvarez, Felipe II, Espasa, Madrid, 2010, p. 505. According to the inventories, the horns were sold in 1603.

  Chapter 14: The Secret Family of Brueghel the Elder

  1. According to the Boletín del Museo del Prado (vol. 11, no. 29, p. 117), in 1990 this museum in Madrid had a record 2,529,995 visitors.

  2. H. Stein-Schneider, Pieter Brueghel. Peintre hérétique. Illustrateur du message familiste, en Gazette des Beaux-Arts, #57 (1986), pp. 71–74.

  3. A more recent edition exists: Karel van Mander, Het Schilderboek, Wereldbibliotheek, Amsterdam, 1995.

  4. Charles de Tolnay, Pierre Brueghel l’ancien, 2 vols., Nouvelle Société d’Éditions, Brussels, 1935.

  5. Alastair Hamilton, The Family of Love, James & Clark, Cambridge, 1981, p. 37.

  Chapter 15: El Greco’s “Other Humanity”

  1. A complete summary of this myth can be found in my book, En busca de la Edad de Oro, Plaza & Janés, Barcelona, 2006, p.50ff.

  2. H. Stein-Schneider, “Une secte néo-cathare du 16e siècle et leur peintre Pieter Brueghel l’Ancien,” in Cahiers d’Études Cathares, vol. 36, 105 (1985), pp. 3–44.

  3. Lynda Harris, The Secret Heresy of Hyeronimus Bosch, Floris Books, Edinburgh, 1995.

  4. Years after this conversation, on May 19, 2002, John Paul II canonized Alonso de Orozco, and added him to the Calendar of Saints.

  5. Alonso de Orozco, Confesiones del beato Alonso de Orozco del Orden de Ermitaños de N. P. San Agustín, bk. 1, chap. 6, Imprenta de Amigos del País, Manila, 1882, p. 14.

  6. Richard G. Mann, El Greco and his Patrons: Three Major Projects, Cambridge University Press, Cambridge, 1989. A Spanish translation also exists: El Greco y sus patronos, Akal, Madrid, 1994.

  7. The Master is referring to a small painting by El Greco of approximately 8 by 10 inches from about 1570, which shows the Archangel Gabriel extending his arm toward Mary as he announces to her that she is to become a mother.

  8. Exodus 3:2–5.

  9. Ricardo Jorge, “Nova contribução biografica, crítica e médica no estudo do pintor Doménico Theotocopuli,” Revista da Universidade de Coimbra 1, no. 4 (1912).

  10. Elías Tormo y Monzo, speeches from the Madrid Athenaeum, April 7, 21, and 28, 1900. Included in José Álvarez Lopera, De Ceán a Cossío: la fortuna crítica del Greco en el siglo xix, Fundación Universitaria Española, Madrid, 1987, vol. 2, pp. 489–90.

  11. Juan Sánchez Gallego, Esoterismo en la pintura de El Greco: el entierro del Conde de Orgaz, Rosa Libros, Seville, 2006.

  LIST OF PRADO-OWNED PAINTINGS MENTIONED IN THE BOOK

  * * *

  Angelico, Fra,The Annunciation, 16, 262

  Bosch, Hieronymus, Cutting the Stone, 203

  Bosch, Hieronymus, The Garden of Earthly Delights, or The Millennial Reign (gatefold)

  Bosch, Hieronymus, The Haywain, 203

  Bosch, Hieronymus, The Seven Deadly Sins, 202

  Bosch, Hieronymus, The Temptation of St. Anthony, 203

  Botticelli, Sandro, The Story of Nastagio degli Onesti, I, II, III, 116, 117, 119, 121

  Brueghel the Elder, Pieter, The Triumph of Death (gatefold)

  El Greco, Resurrection, 248

  El Greco, The Incarnation, 260, 261

  El Greco, The Nobleman with His Hand on His Chest, 24

  El Greco,The Crucifixion, 259, 263

  Goya, Francisco, Majas, 106

  Juanes, Juan de, Christ with the Eucharist, 177

  Juanes, Juan de, The Last Supper, 171, 173

  Leoni, Pompeo, Carlos V and the Fury, 150

  Luini, Bernardino, The Holy Family, 98

  Murillo, Bartolomé Esteban, St. Augustine between Christ and the Virgin, 20

  Patinir, Joachim, Landscape with Charon Crossing the Styx, 203

  Patinir, Joachim, Landscape with St. Jerome, 203

  Penni, Giovanni Francesco, The Transfiguration (a copy of the original by Raphael), 81

  Raphael, Portrait of a Cardinal, 24, 27

  Raphael, School of, The Visitation, 17

  Raphael, The Holy Family with an Oak Tree, 21, 71

  Raphael, The Holy Family, or The Pearl, 3, 13

  Ribalta, Francisco, St. Francis Comforted by an Angel, 20

  Rubens, Peter Paul, Adam and Eve, 161

  Tintoretto,The Foot Washing, 161

  Titian, Adam and Eve, 161

  Titian, Carlos V at the Battle of Mühlberg, 162, 163

  Titian, The Glory (The Trinity), 151, 154, 157

  Velázquez, Diego, Maids of Honor, 247

  Velázquez, Diego, The Triumph of Bacchus, 247

  Veronese, Paolo, Christ among the Doctors in the Temple, 161

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  This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.

  Copyright © 2013 Picatrix S. L. Originally published in 2013 in Spain by Editorial Planeta under the title El maestro del Prado.

  English language translation © 2015 by Jasper Reid

  All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Atria Books Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

  First Atria Books hardcover edition November 2015

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  Photography: LARA, AP, AESA archive, © Oronoz/Album, © Eric Lessing/Album, Akg-images/Rabatti, Album/Universal ImagesPrisma, Album/© Franck Raux/RMN-Grand Palais (Musée du Louvre), courtesy of the San Ambrosio basilica, Sterling & Francine Clark Art Institute, Williamstown, USA/The Bridgeman Art Library/Index, © Francisco Alcántara Benavent/Bellas Artes museum of Valencia, © M. C. Esteban/Iberfoto, IGDA/Image of The Immaculate Conception of Juan de Juanes courtesy of Sagrado Corazón de la Compañía de Jesús/ National Gallery of Art Samuel H. Kress Collection/ Interior files and images are courtesy of Editorial Planeta S.A.

  Jacket design by KEENAN

  Jacket art: Hieronymus Bosch, The Garden of Earthly Delights, or The Millennial Reign, Center panel, The Prado Museum, Madrid

  Author photograph © Asís G. Ayerbe

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  ISBN 978-1-4767-7696-5

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