The silvery silk on the walls, in aimless tracing, disappeared. The thick silvery coat over the window disappeared. Harse's bassinet-hood disappeared. A construction that haloed the door disappeared--and as it dwindled, the noises from the corridor grew louder; some sort of sound-absorbing contrivance, Mooney thought, wondering.
There was an elaborate silvery erector-set affair on the floor between the beds; it whirled and spun silently and the little machines took it apart again and swallowed it. Mooney had no notion of its purpose. When it was gone, he could see no change, but Harse shuddered and shifted his position uncomfortably.
'All right,' said Mooney when everything was back in the kit 'Now you just keep your mouth shut. I won't ask you to lie--they'll have enough trouble understanding you if you tell the truth. Hear me?'
Harse merely stared, but that was good enough. Mooney put his hand on the phone. He took a deep breath and held it until his head began to tingle and his face turned red. Then he picked up the phone and, when he spoke, there was authentic rage and distress in his voice.
'Operator,' he snarled, 'give me the manager. And hurry up--I want to report a thief!'
• • • •
When the manager had gone--along with the assistant manager, the house detective and the ancient shrew-faced head housekeeper--Mooney extracted a promise from Harse and left him. He carefully hung a 'Do Not Disturb' card from the doorknob, crossed his fingers and took the elevator downstairs.
The fact seemed to be that Harse didn't care about aboriginals.
Mooney had arranged a system of taps on the door which, he thought, Harse would abide by, so that Mooney could get back in. Just the same, Mooney vowed to be extremely careful about how he opened that door.
Whatever the pale blue light was, Mooney wanted no part of it directed at him.
The elevator operator greeted him respectfully--a part of the management's policy of making amends, no doubt. Mooney returned the greeting with a barely civil nod. Sure, it had worked; he'd told the' manager that he'd caught the chambermaid trying to steal something valuable that belonged to that celebrated proprietor of valuable secrets, Mr. Harse; the chambermaid had fled; how dared they employ a person like that?
And he had made very sure that the manager and the house dick and all the rest had plenty of opportunity to snoop apologetically in every closet and under the beds, just so there would be no suspicion in their minds that a dismembered chambermaid-torso was littering some dark corner of the room. What could they do but accept the story? The chambermaid wasn't there to defend herself, and though they might wonder how she had got out of the hotel without being noticed, it was their problem to figure it out, not Mooney's to explain it.
They had even been grateful when Mooney offered handsomely to refrain from notifying the police.
'Lobby, sir,' sang out the elevator operator, and Mooney stepped out, nodded to the manager, stared down the house detective and walked out into the street.
So far, so good.
Now that the necessities of clothes and food and a place to live were taken care of, Mooney had a chance to operate. It was a field in which he had always had a good deal of talent--the making of deals, the locating of contacts, the arranging of transactions that were better conducted in private.
And he had a good deal of business to transact. Harse had accepted without question his statement that they would have to raise more money.
Try heroin or. Platinum?' he had suggested, and gone back to his viewer.
'I will,' Mooney assured him, and he did; he tried them both, and more besides.
• • • •
Not only was it good that he had such valuable commodities to vend, but it was a useful item in his total of knowledge concerning Harse that the man from the future seemed to have no idea of the value of money in the 20th Century, chez U.S.A.
Mooney found a buyer for the drugs; and there was a few thousand dollars there, which helped, for although the quantity was not large, the drugs were chemically pure. He found a fence to handle the jewels and precious metals; and he unloaded all the ones of moderate value--not the other diamond, not the rubies, not the star sapphire.
He arranged to keep those without mentioning it to Harse. No point in selling them now, not even when they had several thousand dollars above any conceivable expenses, not when some future date would do as well, just in case Harse should get away with the balance of the kit.
Having concluded his business, Mooney undertook a brief but expensive shopping tour of his own and found a reasonably satisfactory place to eat. After a pleasantly stimulating cocktail and the best meal he had had in some years--doubly good, for there was no reek from Harse's nauseating concoctions to spoil it--he called for coffee, for brandy, for the day's papers.
The disappearance of the truck driver made hardly a ripple. There were a couple of stories, but small and far in the back--amnesia, said one; an underworld kidnapping, suggested another; but the story had nothing to feed on and it would die.
Good enough, thought Mooney, waving for another glass of that enjoyable brandy; and then he turned back to the front page and saw his own face.
There was the hotel lobby of the previous day, and a pillar of churning black smoke that Mooney knew was Harse, and there in the background, mouth agape, expression worried, was Howard Mooney himself.
He read it all very, very carefully.
Well, he thought, at least they didn't get our names. The story was all about the Loyal and Beneficent Order of Exalted Eagles, and the only reference to the picture was a brief line about a disturbance outside the meeting hall. Nonetheless, the second glass of brandy tasted nowhere near as good as the first.
Time passed, Mooney found a man who explained what was meant by the Vale of Cashmere. In Brooklyn, there is a very large park--the name is Prospect Park--and in it is a little planted valley, with a brook and a pool; and the name of it on the maps of Prospect Park is the Vale of Cashmere.
Mooney sent out for a map, memorized it; and that was that.
However, Mooney didn't really want to go to the Vale of Cashmere with Harse. What he wanted was that survival kit. Wonders kept popping out of it, and each day's supply made Mooney covet the huger store that was still inside. There had been, he guessed, something like a hundred separate items that had somehow come out of that tiny box. There simply was no room for them all; but that was not a matter that Mooney concerned himself with. They were there, possible or not, because he had seen them.
Mooney laid traps.
The trouble was that Harse did not care for conversation. He spent endless hours with his film viewer, and when he said anything at all to Mooney, it was to complain. All he wanted was to exist for four days--
nothing else.
Mooney laid conversational traps, tried to draw him out, and there was no luck. Harse would turn his blank, pale stare on him, and refuse to be drawn.
At night, however hard Mooney tried, Harse was always awake past him; and in his sleep, always and always, the little metal guardians strapped Mooney tight. Survival kit? But how did the little metal things know that Mooney was a threat?
It was maddening and time was passing. There were four days, then only three, then only two. Mooney made arrangements of his own.
He found two girls--lovely girls, the best that money could buy, and he brought them to the suite with a wink and a snigger. 'A little relaxation, eh, Harse? The red-haired one is named Ginger and she's partial to men with light-coloured eyes.'
Ginger smiled a rehearsed and lovely smile. 'I certainly am, Mr.
Harse. Say, want to dance?'
But it came to nothing, though the house detective knocked deferentially on the door to ask if they could be a little more quiet, please. It wasn't the sound of celebration that the neighbours were objecting to. It was the shrill, violent noise of Harse's laughter. First he had seemed not to understand, and then he looked as astonished as Mooney had ever seen him. And then the laughter.
All right, Mooney was a man of infinite resource and sagacity--hadn't he proved that many a time? He excused himself to Harse, made sure his fat new pigskin wallet was in his pocket, and took a cab to a place on Brooklyn's waterfront where cabs seldom go. The bartender had arms like beer kegs and a blue chin.
'Beer,' said Mooney, and made sure he paid for it with a twenty-dollar bill--thumbing through a thick wad of fifties and hundreds to find the smallest. He retired to a booth and nursed his beer.
After about ten minutes, a man stood beside him, blue-chinned and muscular enough to be the bartender's brother--which, Mooney found, he was.
'Well,' said Mooney, 'it took you long enough. Sit down. You don't have to roll me; you can earn this.'
Girls didn't work? Okay, if not girls, then try boys ... well, not boys exactly. Hoodlums. Try hoodlums and see what Harse might do against the toughest inhabitants of the area around the Gowanus Canal.
• • • •
Harse, sloshing heedlessly through melted snow, spattering Mooney, grumbled: 'I do not see why we. Must? Wander endlessly across the face of this wretched slum.'
Mooney said soothingly: 'We have to make sure, Harse. We have to be sure it's the right place.'
'Huff,' said Harse, but he went along. They were in Prospect Park and it was nearly dark.
'Hey, look,' said Mooney desperately, look at those kids on sleds!'
Harse glanced angrily at the kids on sleds and even more angrily at Mooney. Still, he wasn't refusing to come and that was something. It had been possible that Harse would sit tight in the hotel room and it had taken all of the persuasive powers Mooney prided himself on to get him out. But Mooney was able to paint a horrible picture of getting to the wrong place, missing the Nexus Point, seventeen long years of waiting for the next one.
They crossed the Sheep Meadow, crossed the walk, crossed an old covered bridge; and they were at the head of a flight of shallow steps.
'The Vale of Cashmere!' cried Mooney, as though he were announcing a miracle.
Harse said nothing.
Mooney licked his lips, glancing at the kit Harse carried under an arm, glancing around. No one was in sight.
Mooney coughed. 'Uh. You're sure this is the place you mean?'
'If it is the Vale of Cashmere.' Harse looked once more down the steps, then turned.
'No, wait!' said Mooney frantically. 'I mean--well, where in the Vale of Cashmere is the Nexus Point? This is a big place!'
Harse's pale eyes stared at him for a moment. 'No. Not big.'
'Oh, fairly big. After all--'
Harse said positively: 'Come.'
Mooney swore under his breath and vowed never to trust anyone again, especially a bartender's brother; but just then it happened. Out of the snowy bushes stepped a man in a red bandanna, holding a gun. 'This is a stickup! Gimme that bag!'
Mooney exulted.
There was no chance for Harse now. The man was leaping towards him; there would be no time for him to open the bag, take out the weapon...
But he didn't have to. There was a thin, singing, whining sound from the bag. It leaped out of Harse's hand, leaped free as though it had invisible wings, and flew at the man in the red bandanna. The man stumbled and jumped aside, the eyes incredulous over the mask. The silvery flat metal kit spun round him, whining. It circled him once, spiralled up. Behind it, like a smoke trail from a destroyer, a pale blue mist streamed backwards. It surrounded the man and hid him.
The bag flew back into Harse's hand.
The violet mist thinned and disappeared.
And the man was gone, as utterly and as finally as any chambermaid or driver of a truck.
There was a moment of silence. Mooney stared without belief at the snow sifting down from the bushes that the man had hid in.
Harse looked opaquely at Mooney. 'It seems,' he said, 'that in these slums are many. Dangers?'
Mooney was very quiet on the way back to the hotel. Harse, for once, was not gazing into his viewer. He sat erect and silent beside Mooney, glancing at him from time to time. Mooney did not relish the attention.
The situation had deteriorated.
It deteriorated even more when they entered the lobby of the hotel.
The desk clerk called to Mooney.
Mooney hesitated, then said to Harse: 'You go ahead. I'll be up in a minute. And listen--don't forget about my knock.'
Harse inclined his head and strode into the elevator. Mooney sighed.
'There's a gentleman to see you, Mr. Mooney,' the desk clerk said civilly.
Mooney swallowed. 'A--a gentleman? To see me?'
The clerk nodded towards the writing room. 'In there, sir. A gentleman who says he knows you.'
Mooney pursed his lips.
In the writing room? Well, that was an advantage. The writing room was off the main lobby; it would give Mooney a chance to peek in before whoever it was could see him. He approached the entrance cautiously...
'Howard!' cried an accusing familiar voice behind him.
Mooney turned. A small man with curly red hair was coming out of a door marked 'Men'.
'Why--why, Uncle Lester!' said Mooney. 'What a p-pleasant surprise!'
Lester, all of five feet tall, wispy red hair surrounding his red plump face, looked up at him belligerently.
'No doubt!' he snapped. 'I've been waiting all day, Howard. Took the afternoon off from work to come here. And I wouldn't have been here at all if I hadn't seen this.'
He was holding a copy of the paper with Mooney's picture, behind the pillar of black fog. 'Your aunt wrapped my lunch in it, Howard. Otherwise I might have missed it. Went right to the hotel. You weren't there. The doorman helped, though. Found a cab driver. Told me where he'd taken you. Here I am.'
'That's nice,' lied Mooney.
'No, it isn't. Howard, what in the world are you up to? Do you know the Monmouth County police are looking for you? Said there was somebody missing. Want to talk to you.' The little man shook his head angrily. 'Knew I shouldn't let you stay at my place. Your aunt warned me, too. Why do you make trouble for me?'
'Police?' Mooney asked faintly.
'At my age! Police coming to the house. Who was that fella who's missing, Howard? Where did he go? Why doesn't he go home? His wife's half crazy. He shouldn't worry her like that'
• • • •
Mooney clutched his uncle's shoulder. 'Do the police know where I am?
You didn't tell them?'
'Tell them? How could I tell them? Only I saw your picture while I was eating my sandwich, so I went to the hotel and--'
'Uncle Lester, listen. What did they come to see you for?'
'Because I was stupid enough to let you stay in my house, that's what for,' Lester said bitterly. 'Two days ago. Knocking on my door, hardly eight o'clock in the morning. They said there's a man missing, driving a truck, found the truck empty. Man from the Coast Guard station knows him, saw him picking up a couple of hitchhikers at a bridge someplace, recognized one of the hitchhikers. Said the hitchhiker'd been staying at my house.
That's you, Howard. Don't lie; he described you. Pudgy, kind of a squinty look in the eyes, dressed like a bum--oh, it was you, all right.'
'Wait a minute. Nobody knows you've come here, right? Not even Auntie?'
'No, course not. She didn't see the picture, so how would she know?
Would've said something if she had. Now come on, Howard, we've got to go to the police and--'
'Uncle Lester!'
The little man paused and looked at him suspiciously. But that was all right; Mooney began to feel confidence flow back into him. It wasn't all over yet, not by a long shot.
'Uncle Lester,' he said, his voice low-pitched and persuasive, 'I have to ask you a very important question. Think before you answer, please. This is the question: Have you ever belonged to any Communist organization?'
The old man blinked. After a moment, he exploded.
'Now what are you up to, Howard? You know I never--'
'Think, Uncle Lester! Please. Way back when you were a boy--
anything like that?'
'Of course not!'
'You're sure? Because I'm warning you, Uncle Lester, you're going to have to take the strictest security check anybody ever took. You've stumbled onto something important. You'll have to prove you can be trusted or--well, I can't answer for the consequences. You see, this involves--' he looked around him furtively--'Schenectady Project.'
'Schenec-'
'Schenectady Project.' Mooney nodded. 'You've heard of the atom bomb? Uncle Lester, this is bigger!'
'Bigger than the at-'
'Bigger. It's the molecule bomb. There aren't seventy-five men in the country that know what that so-called driver in the truck was up to, and now you're one of them.'
Mooney nodded soberly, feeling his power. The old man was hooked, tied and delivered. He could tell by the look in the eyes, by the quivering of the lips. Now was the time to slip the contract in his hand; or, in the present instance, to--
'I'll tell you what to do,' whispered Mooney. 'Here's my key. You go up to my room. Don't knock--we don't want to attract attention. Walk right in.
You'll see a man there and he'll explain everything. Understand?'
'Why--why, sure, Howard. But why don't you come with me?'
Mooney raised a hand warningly. 'You might be followed. I'll have to keep a lookout.'
Five minutes later, when Mooney tapped on the door of the room--
three taps, pause, three taps--and cautiously pushed it open, the pale blue mist was just disappearing. Harse was standing angrily in the centre of the room with the jointed metal thing thrust out ominously before him.
And of Uncle Lester, there was no trace at all.
• • • •
The Frederick Pohl Omnibus (1966) SSC Page 36