by Naomi Niles
"That was mighty noble of you." Brett's sarcasm was clear, but then his expression changed to an ornery grin, and he jibed me with his elbow. "So, Bethany's one of those chicks who likes to play up in the hayloft. Way to go, you dog."
"Bethany is not just some chick, and I don't treat women like playthings. What we have is special, and I won't have you speak about her like that."
"Hey, no offense." He held up his hands apologetically. "I'm just kidding you. After all, I was hoping to do the same thing with Emma if she wasn't such a prude."
"I thought Emma really meant something to you," I said. "You were pretty busted up when you two broke up. If I recall, that's when you started this whole dating every girl you meet thing."
"Hey, I can't help it that the chicks all want me. You're just jealous," Brett covered his insecurities with false bravado.
"What do I have to be jealous about? Bethany and I have something real."
"Yeah, until next week. Then you'll be in the same boat as me. We'll be two lonely bachelors together. Hey, you can hit the bar with me."
"No thanks. I did that scene when I was your age, and it gets old quick. Besides, you don't have to be a lonely bachelor. Emma really cares about you, and I know you like her, too. She's willing to stay here for you, but only if you're willing to stop goofing around with every girl you meet and have a real relationship with her."
"I'm too young to get serious. If you want to find a way to keep the artist here, suit yourself, but I'm letting Emma go to Africa. I'm not letting some chick tie me down," he said, but he sounded scared. I knew better than to try to talk him out of being an idiot. It would just cause him to dig his heels in deeper.
"All right, suit yourself," I said. He'd have to come to the realization that Emma was worth settling down for on his own, and that life was much better when you had real love and not just empty one-night stands.
I'd been so much happier since I'd met Bethany. Brett was right, though: in just one week's time, she'd be gone, back to Chicago, and I'd be all alone again. If only I were lucky enough to have her stay with me like Emma offered to do with Brett, I'd grab hold of her and never let her go. Brett was a damn fool for throwing away the one good thing he had in his life. I'd never make that mistake, only I didn't have his same luck. Bethany wasn't able to stay here like Emma could – or was she?
Did Bethany really have to go back to Chicago? Was it possible for her stay in Riverbend on the Hutchinson Ranch? There had to be a way. I just had to figure it out.
"Thanks, little brother!" I suddenly grabbed Brett and hugged him with both arms, squeezing him tight. Feeling invigorated, I kissed him on the cheek before I let him go.
"Hey, what the hell was that for?" He wiped his cheek angrily with the back of his hand.
"I'm going to do what you said. I'm going to find a way to keep Bethany here. You may not be ready to get serious, but I am."
Chapter Fifteen: Bethany
The next morning, I stayed hidden in my room until I heard all the Hutchinsons leave the house to go to their jobs. They were a noisy bunch, with heavy bootsteps and resonating voices. With the slam of the door, I peered out my bedroom window and watched as Tom and William drove away in their trucks. Brett and Travis headed out to the fields, and Colton strode across the grounds to his office by the stable.
Certain I was safe, I finally crept out of my room and into the barn, stopping in the kitchen to grab one of Margie's homemade biscuits for breakfast. In the barn, I took my stack of completed paintings and lined them up in a long row along the wall so the images faced me like a gallery.
I stared at each painting one by one, soaking in the images, comparing and contrasting them as I tried to decide what to do for the last one. It was bittersweet to think about.
I took great pride in the work I had done. This was my first commissioned job as a professional artist, and I'd managed to create four unique paintings that realistically portrayed the ranch where my customer's sons had been raised. It was easy to understand why they loved this place so much, and now they would each have a painting of home, no matter the future held. It was a good feeling, and I was glad to have been a part of it. I just wished it didn't have to come to an end.
"Why so melancholy?" a familiar voice asked, and I looked over to see Frank Hill standing in the doorway of the barn holding a shovel.
"Dad, come on in," I called to him with a smile. He set down his shovel and entered the barn, where we hugged each other awkwardly.
"Everything okay? You look blue."
"I was just thinking how much I was going to miss this place."
"Oh sure, what city girl wouldn't miss the manure, the mud, and the flies," Frank joked light heartedly.
"I'm serious. I may have grown up on the cement sidewalks, but I much prefer the feel of soil under my feet. The skies here are so blue, and the air is so clean," I said, and I meant it. Looking at Frank thoughtfully, I asked him "What made you move out here?"
"Well, you know I was just a coward hiding from life, but this place did have a lot of appeal. The cooking beats the hell out of fast food in the city. And, I like the animals, riding horses and driving herds. It comes natural to me. I guess I'm better with animals than people."
"I guess I am, too," I said with a wry smile. "I was always lonely in the city. Even though I was surrounded by people, I always felt isolated. It's why I turned to art as a way to express my emotions, since I couldn't talk to anybody. When I got out here, for some reason I just fit right in."
He nodded like he understood exactly what I meant. Speaking in a soft voice, I asked him "Do you think I could stay here?"
"In the barn?" Frank misunderstood. I stifled a laugh.
"No, in Riverbend. I love it out here so much. I'm so comfortable, not like living in the city."
"We talked about this. If you give up your career as an artist just to be with Colton, eventually you'll end up resenting him for it. Believe me, you love each other now, but that can't last if you give up being who you really are. You're meant to be an artist."
"I know, but who's to say I have to live in the city to that? After all, I got this job making paintings for the Hutchinsons. Surely there's more work around here that I could do. Maybe even enough to rent a small place in Riverbend. Colton and I could see each other in the evenings and on weekends, and I could still have a career as an artist."
"Not unless you plan on painting barns and chicken coops. Even then, you might have to live in them, ‘cause that kind of work ain't gonna last you through the winter." Frank chuckled, and I knew he was right.
"Well, maybe I could do something else, like teach art," I said hopefully. "Tom teaches at the middle school. Maybe they have a job opening there, or at another school. Or maybe I could give private lessons."
"I don't think a lot of folks out here are looking to hire a private art tutor, but you may be able to get a regular job working as a cashier at the market or something and just paint on the side. If you think you could be happy that way, but I doubt it."
I knew Frank was right. I didn't work my ass off to get an art degree just to be a cashier. I wanted to be an artist, and I was talented enough to get an internship, which meant I was talented enough to sell my work. I just had to be patient enough to find jobs like the one I'd gotten working for Margie – and they might be few and far between. Perhaps the secret was to have a cheaper cost of living that would allow me get by between jobs.
Looking at Frank, I thrust my hands behind my back so he wouldn't see them shaking, and asked, "Could I stay with you?"
"You mean live with me in my cabin?"
"Sure. I know it's small, but I don't take up much room. I just need a trundle bed that I could fold away each morning. I'll do all your cooking and cleaning, and we could really get to know each other as father and daughter. It could be great."
"It could be a disaster. Two adults crammed into a cabin that small, we'd drive each other crazy in under a week," he said, and I felt tea
rs of disappointment well up in my eyes.
Stubbornly, I refused to let them fall. But it was too late, Frank had already seen the emotion in my eyes. Taking my hand in his rough ones, he looked me deep in the eyes and said, "He really means that much to you?"
"He does," I said.
"Well, I'm sorry, sweetheart, but you can't stay with me. I'm leaving at the end of the summer."
"You never told me that." I was stunned.
"Well, I didn't see any point. You were leaving first. I was going to finish out the season and then move on to a farm down south, where there's more work in the winter. If I get there in the fall, I can get onto a ranch before all the slots fill up and be set for the off season."
"I see." I swallowed against the lump in my throat.
"I'm sorry, sweetheart. I didn't want you to feel like I was abandoning you again, but I've got to go where the work is. And since you were going back to Chicago, I didn't think it mattered."
"It's okay. I understand," I said – and burst into tears, finally giving into the emotion that was overwhelming me.
Frank held me tight, patting my back awkwardly as he tried to soothe me. "It'll be okay. You're young, beautiful, smart, and talented as hell. There will be guys lining up around the block to be with you. You'll forget that Colton in no time.
“And, we'll still see each other. We've got email, texting, and I'll give you my address as soon as I get settled in, we can mail each other Christmas presents and birthday cards."
"Thanks, Dad, but I don't need anything from you like that. I'm just glad I got to know you, and I don't want to lose you."
"You won't, sweetheart, not ever again."
He released me from his embrace, and I wiped at my wet cheeks with the back of my hand.
"Here, take this." Frank reached into his pocket for a handkerchief and a bunch of things fell out with it, scattering on the ground.
"Crap!" he muttered and rushed to pick it all up. I crouched on the ground beside him.
"Let me help. What's this?" I picked up the questionable item and held it between my thumb and forefinger.
"Hand-rolled cigarettes." He snatched it from my hand and stuck it between his lips. Talking from the side of his mouth, he said "They're cheaper if you roll your own. Don't worry, it's not weed or anything. My father used to hand-roll his cigarettes, and so I do, too."
"That's something I never would have known about my grandfather if we'd never met," I said with a smile.
I was starting to feel better from my emotional meltdown, if not a little silly. Talking to Frank helped squelch my embarrassment, and I liked learning about my family history. Mom never talked about it, but Frank loved to, and I enjoyed listening to him.
I watched as him reached into his other pocket and pulled out a lighter. It was silver metal with a bird etched into the side. He lit his cigarette with it and then tossed it to me.
"That was your grandfather's, too. About the only thing I got from him when he died. His damn new wife got all the rest. That's why you've got to take what the world owes you when you can. Don't let yourself be blindsided by love because it doesn't always last. Get yourself a good career where you can make your own money and you don't have to rely on anybody else to take care of you.
“Don't make the same mistakes your mother and I made. No matter how great a guy Colton seems to be, he's still a guy. Take it from me, the sooner you go back to Chicago, the better off you'll be."
"You think so, but you don't know him like I do. You don't even know me." I took offense to his words, but what he said next softened my heart and changed my mind.
"I wasn't there for you when you were growing up like I should have been, but let me give you some advice now as a man who knows the harsh realities of life.
“Go home to Chicago where you belong. This family isn't your family. They're just looking to get everything they can out of you and then they'll toss you aside. They're bonded to each other, and you and I are just strangers who work for them.
“You have a family and a life in Chicago. Your mother, your internship, your friends, and your art. And, now you have me, too. I'll call and write every week and even visit when I can.
“Listen to your father and go back home to Chicago where you belong. You won't regret it, but if you stay here, you surely will."
Chapter Sixteen: Colton
"Damn it." The numbers on my spreadsheet weren't adding up right again. Try as I might to concentrate, I just kept hitting the wrong keys, and I knew why: Bethany.
I couldn't keep my mind off her. She was already halfway through painting her final canvas, and it was now just a matter of days before I'd lose her.
I wasn't a big enough fool to try to maintain a long distance relationship with her. Some guy where she lived was bound to try to romance her, and the thought of trying to go months at a time without being able to kiss those soft lips was pure torture. I had to find a way to convince her to stay, but how?
As I sat in my office, trying to reconcile the books for the quarter, I wracked my brain, trying to come up with a solution. Thomas said the school had already hired a new art teacher, so that idea was out. Clyde down at the hardware store said he could hire her to paint houses, but that was seasonal work at best and definitely not full time. Most folks around Riverbend painted their own fences and barns and didn't hire the work out. It was odd that Mama had hired an outsider to make the paintings for me and my brothers.
Hey, that was it, I realized. Maybe I could hire Bethany to keep making paintings here on Hutchinson Ranch. We could sell them as a side-business and share in the profits. I'd suggest the idea to her tonight when we took our walk together after dinner. She was sure to love it.
Speaking of profits, why weren't these numbers adding up right in my computer? I knew for a fact I'd input all the digits correctly this time because I'd paid careful attention to each one.
Frank had told me the number of cows we herded from the east pasture. I'd even made him count them three times just to be sure, and he told me the same number every time. The slaughterhouse paid me by the pound for the sellable beef, and with a herd of that size, we should be able to break even, even after the partial loss of the herd before we discovered the theft.
With the losses stopped, I calculated that we should have enough to make the payment on our loan, pay our employees, and keep the ranch going another season. When I got the check from the slaughterhouse, however, it was much smaller than I’d expected. Each 1,200 pound cow produced an average of 780 pounds of sellable beef, so why was my check equivalent to so much less than that?
"Are you trying to stiff me?" I barked into the phone with barely contained rage.
"I might ask you the same thing," Mike Walker, the owner of Walkers Slaughterhouse, growled back at me.
"What the hell are you talking about?" I was taken aback by his response. Mike was a good guy with a solid reputation in the beef industry. I'd never known him to get into a dispute with anyone.
"I promised my client a certain amount of Angus beef based on your estimate of how many cattle your boys would be bringing in, and now I look like a damn fool. Why would you short me on an estimate like that?"
"I didn't. My man counted the same number of cattle three times, but you paid me for far less."
"I paid you for the exact count that came in my doors. You can see the recorded numbers that came through the turnstile at entry to the plant, plus the recordings on the scales for every aspect of processing. I run a clean business, and nobody accuses me of cheating."
"I'm sorry, Mike. It's just my numbers aren't adding up. How come the number of cattle that went through your gate is less than the number we had in the field?"
"Didn't you have a couple of rustlers on your ranch? Gus down at the bar heard it from Mack that Will arrested two of your new employees right on the grounds."
"Yeah, but this count came after they were thrown in jail, not before."
"Well, then it sounds to me li
ke you've still got a thief in your midst. Those boys weren't the only two."
"Thanks, Mike. Sorry for coming across so strong." I hung up the phone with a heavy hand. I knew he was right. I was about to up the phone again to dial William when it started to ring in my hand.
"Hello?"
"Hey. You got a minute?" It was William calling me from the Sheriff's office.
"Yeah, I'm glad you called. We need to talk about something important," I said.
"Whatever it is can wait. I think you've still got a thief working on the ranch." he said.
"I know. I just figured out we've lost 82 heads of beef in the past couple of weeks, even after you arrested Jackson and Floyd."
"I've been interrogating those two idiots. They don't have the brains to organize an operation like the one we uncovered, but they refuse to give up the name of the guy in charge of the whole thing. I guess he bought them off pretty good or scared them into keeping silent. Either way, they'd both rather go to prison than make a deal."
"I'm beginning to think the gate in the fence we found wasn't the only one," I said. "But I had the men check the fence line very carefully, and they didn't find a thing. This is clearly the work of someone who planned very well. They were even able to sneak cows off the ranch after I had Frank count the herd, but before we loaded them onto the truck."
"Well, I did a complete check on all the men working on the ranch, and I didn't find anything. Forensics came up empty, too. Our only chance now of catching who did it is to find the missing cattle."
"That's the only chance of saving the ranch, too. Without the income from those missing cows, we are too deep in the red to keep going."
Will said, "I've got some guys undercover looking to buy beef on the black market, but they haven't had any takers. Whoever our guy is, he's already got a buyer. With the season coming to an end, he might get away clean."