Marilyn Monroe

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Marilyn Monroe Page 77

by Donald Spoto


  258

  not fighting over: Loyd Wright, Jr., quoted in the Los Angeles Times, Jan. 6, 1954.

  259

  I was put: Quoted in Marie Torre, “Marilyn Monroe,” New York Herald-Tribune TV and Radio Magazine (section 9), week of Aug. 14–20, 1955, p. 6.

  259

  I read the script: Quoted in Sidney Skolsky’s column in the Hollywood Citizen-News, Feb. 1, 1954.

  259

  I couldn’t believe: Zanuck, quoted in Dick Williams’s column in the Los Angeles Mirror, Jan. 15, 1954.

  260

  Marilyn herself: Time, vol. lxiii, no. 4 (Jan. 25, 1954): 108.

  260

  the inheritor: Life, vol. 36, no. 4 (Jan. 25, 1954): 32.

  261

  I’d like to have: Widely quoted in the international press: see, e.g., Allen, p. 180; Kahn, p. 254; Los Angeles Examiner, Jan. 15, 1954.

  261

  On the motel room, see Allen, p. 180.

  261

  It usually rents for: Quoted in Hedda Hopper, “DiMaggio and Monroe Hide for Honeymoon,” Los Angeles Times, Jan. 17, 1954.

  261

  radiant: San Francisco Examiner, Jan. 17, 1954.

  261

  solemn and tired: Ibid.

  262

  I just bumped: “Marilyn and DiMaggio on Their Way to Japan,” Los Angeles Times, Jan. 30, 1954. The story of the broken thumb was picked up by the Associated Press and widely reported.

  262

  my Slugger: Often throughout 1954, and reported, e.g., in Roger Manvell, Love Goddesses of the Movies (New York: Crescent, 1979), p. 116.

  262–263

  Airport officials: United Press International wire item dated January 30, 1955; see, e.g., the Los Angeles Times for Jan. 31, 1954, sec. I, p. 26 (“Hair-Tugging Mob Greets Marilyn, Joe”).

  263

  went virtually unnoticed: Time, Feb. 15, 1954, p. 32.

  263

  like I was: Kahn, p. 255.

  263

  For O’Doul’s recollections, see Kahn, ibid.

  263

  The press conference was widely reported by wire services; see, e.g., Time, art. cit.

  264

  the marriage seemed: Quoted in Allen, p. 183; also see Gay Talese, “The Silent Season of a Hero,” in Esquire, vol. 66, no. 1 (July 1966): 43.

  264ff

  For accounts of MM’s tour of Korea, see C. Robert Jennings, “The Strange Case of Marilyn Monroe vs. the U.S. Army,” Los Angeles Magazine, August 1966, pp. 31–63; Allen, pp. 181–184; Kahn, pp. 255–256.

  265

  There were seventeen: From the original draft of Hecht’s version of MM’s autobiography, Box HE, pages 133–136, in the Ben Hecht Collection at The Newberry Library, Chicago.

  265

  She was Marilyn Monroe: Quoted in the Los Angeles Times, Feb. 20, 1954.

  265

  She gave us: Ted Cieszynski to DS, Feb. 10, 1992.

  266

  This is my first: Jennings, art. cit., p. 60.

  266

  When I went to Korea: Skolsky, p. 212.

  267

  It was so wonderful: Cited frequently—e.g., Talese, p. 43; Kahn, p. 256.

  267

  Joe hates: Sidney Skolsky’s column, Hollywood Citizen-News, March 10, 1954.

  268

  For the dialogue between MM and Skolsky, see Skolsky, p. 213.

  268

  Marilyn wept: Ben Hecht to Jacques Chambrun, April 14, 1954. Ben Hecht Papers, The Newberry Library, Chicago.

  270

  Sit down and: Quoted by MM to Arthur Miller, Timebends (New York: Grove Press, 1987), p. 370.

  270

  But you’re married: Quoted by Lucille Ryman Carroll to DS, Feb. 20, 1992.

  273

  At night: JWP/NL II, p. 22.

  273

  called me at two or three: JWP/NL I, p. 7.

  273

  tired of having: Jack Gordean and Hugh French, memo to Charles K. Feldman reporting a meeting with Marilyn on or about June 26, 1954.

  274

  It’s ridiculous: Hal Schaefer, quoted in Los Angeles Examiner, Oct. 6, 1954, and in Confidential, vol. 3, no. 4 (September 1955): 56. The latter magazine, thought at the time to be a mere gossip tabloid, was in fact an impeccably researched and carefully written monthly, however sensational were the aspects of celebrities’ lives it chose to present. Confidential was, for example, the first magazine to challenge the Hollywood hypocrisy that there were no homosexuals in the film industry. Employing investigative reporters, attorneys, fact-checkers and established journalists, Confidential also delivered some of the most revealing stories of its time on executive mismanagement and studio fraud.

  275

  It’s okay, baby: Confidential, p. 58. This event was confirmed to DS by producer Milton Ebbins, in an interview on Sept. 22, 1992.

  275

  very unhappy when: Louella O. Parsons, “Joe Jealousy [sic] of Marilyn Told in Rift: Cites Visits to Voice Coach in Hospital,” Los Angeles Examiner, Oct. 6, 1954, p. 1.

  276

  She had very little: Hal Schaefer to DS, April 24, 1992.

  276

  stupid part: MG IV, 3, p. 25.

  276

  Breathe from your stomach: Quoted in Robert Cahn, “Marilyn Monroe Hits a New High,” Collier’s, Sept. 9, 1954, pp. 99–101.

  277

  Miss Monroe’s wriggling: Bosley Crowther, in the New York Times, Dec. 16, 1954.

  277

  For Irving Berlin’s comment, see Manvell, p. 117.

  277

  I had a code: JWP/NL I, p. 6.

  277

  If Marilyn wasn’t: Rita Moreno, on The Class of The 20th Century, Merrill W. Mazuer, prod. for CEL Communications, Inc./The A & E Network (US cable television), 1991.

  278

  I’ve heard: Susan Strasberg, Bittersweet (New York: Putnam’s, 1980), pp. 55–56.

  279

  I kept: MM, quoted on MG dictabelt #4, dated April 11, 1957.

  279

  What the hell: Quoted in Graham McCann, Marilyn Monroe (New Brunswick: Rutgers University Press, 1988), p. 46.

  280

  He has the grace: MM, quoted in Pageant, vol. 9, no. 10 (April 1954): 55.

  280

  He wouldn’t speak: Quoted in Maurice Zolotow, “The Mystery of Marilyn Monroe,” American Weekly, Oct. 23, 1955, p. 30.

  280

  When I married: Norman Rosten, Marilyn: An Untold Story (New York: Signet/NAL, 1973), p. 104.

  280

  I have too many: Quoted in Gloria Steinem, “Growing Up with Marilyn,” Ms., vol. 1, no. 2 (August 1972): 38.

  283

  But although she was: George Axelrod to DS, Nov. 6, 1991.

  283

  the shot seen: Cited often—e.g., by photographer Sam Shaw, in “Runnin’ Wild,” no. 9 (Jan. 1993).

  283

  She was shaking: Tom Ewell, quoted in the Los Angeles Daily News, Oct. 5, 1954, p. 51.

  283

  The location work: Sam Shaw to DS, March 7, 1992.

  283–284

  Wilder and Wurtzel confirmed the production schedule to DS in interviews on (respectively) Nov. 19, 1991 and Feb. 19, 1992.

  284

  It would make: The entire dialogue was published by Winchell in his syndicated column just days after MM died: see, e.g., the Los Angeles Herald-Examiner, Aug. 8, 1962.

  284

  look of death: Billy Wilder to DS, Nov. 19, 1991.

  284–285

  The violence between Marilyn and Joe was widely reported by witnesses: see McCann, p. 46.

  Chapter Fourteen: October 1954–January 1955

  286

  On MM’s illness, see the Hollywood Reporter, Sept. 30, 1954.

  286

  I hope you: Quoted in the Los Angeles Daily News, Oct. 5, 1954, p. 51.

  286

  I knew she: Tom Ewell, quoted in Hollywood Studio Magazine, vol. 20, no. 8 (Aug. 1987): 33.

 
; 287

  Others could give: Darryl F. Zanuck to Billy Wilder, letter dated Sept. 20, 1954, preserved in the Charles K. Feldman Papers at the American Film Institute, Los Angeles.

  287

  I have to sleep: Sam Shaw to DS, March 7, 1992; see also Shaw and Rosten, Marilyn among friends, p. 16.

  287

  When you got her: Billy Wilder to DS, Nov. 19, 1991.

  288

  I wanted so much: MG V, 3.

  288

  letter perfect: George Axelrod to DS, April 22, 1992.

  289

  For the neighbors’ recollections of Marilyn’s nighttime walks, see the Los Angeles Herald-Examiner, Oct. 6, 1954.

  290

  because of incompatibility: For the news release and subsequent statements to the press, see, e.g., Los Angeles Times, Oct. 6, 1954; Time vol. 75, no. 16 (Oct. 18, 1954): 47; and newswire services from October 4 through 7, 1954.

  290

  grievous mental suffering: Los Angeles Times, Oct. 6, 1954.

  290n1

  common as political: Ibid.

  291

  It is my home: Los Angeles Mirror, Oct. 6, 1954; see also Beverly Hills Newslife, Oct. 7, 1954.

  291

  Miss Monroe will: Quoted in Beverly Hills Newslife, Oct. 7, p. 1; also on newsfilm worldwide, and on both the United Press International and Associated Press newswire services.

  291

  The marriage was: Ray Parker and Roby Heard, “What Made Marilyn and Joe Bust Up?” Los Angeles Mirror, Oct. 5, 1954, p. 4.

  291

  Now at last: Ibid., Oct. 7, 1954, part 1, p. 6.

  292

  Joe is a sweet guy: Quoted by Aline Mosby in “Marilyn, Joe Rift Widens,” Hollywood Citizen-News, Oct. 7.

  292

  Bored: Susan Strasberg to DS, June 2, 1992.

  292n2

  Joe DiMaggio bored: Skolsky, p. 225.

  292

  He didn’t like: MG III, 4, unpaginated.

  292

  I feel alive: Quoted in the Los Angeles Times, Oct. 8, 1954.

  292

  I can’t understand: Quoted in the Newark Evening News, Oct. 18, 1954.

  293

  But Marilyn’s determination: Skolsky, p. 224–225.

  294

  Mr. DiMaggio: Quoted in the Newark Evening News, art. cit.

  296

  She has been: Charles K. Feldman to Darryl F. Zanuck, letter dated October 21, 1954, preserved in the Feldman Collection at the American Film Institute, Los Angeles.

  296

  I feel like: “Life Goes to A Select Supper for Marilyn,” Life, vol. 37, no. 22 (Nov. 22, 1954): 162; this was picked up from Skolsky’s column of Nov. 9.

  296

  that the so-called elite of: Sidney Skolsky’s column, “Hollywood Is My Beat,” Hollywood Citizen-News, Nov. 9, 1954.

  296

  I have come: Quoted in Shaw and Rosten, p. 78.

  296

  I’ve always admired: MM told the exchange to Skolsky, who included it in his column dated Nov. 9.

  297

  It’s because of: Ibid.

  297

  for correction of: Hollywood Citizen-News, Nov. 8, 1954; Los Angeles Daily News, Nov. 9, 1954.

  297

  There’s no chance: MM to Aline Mosby, quoted in the Hollywood Citizen-News, Nov. 8, 1954.

  298

  Regarding the end of the Schaefer affair and the dialogue at the Villa Capri between MM and Joe, see Louella Parsons in the Los Angeles Examiner, Nov. 9 and 16, 1954.

  298

  She wanted me: Ella Fitzgerald, quoted in Gloria Steinern, Marilyn (New York: Henry Holt, 1986), pp. 90–91.

  299

  He, too, wanted: Michael Korda to DS, June 30, 1992.

  299ff

  Background material on the formation of MMP is found in MG (all files and folders) and was also provided by Jay Kanter (MM’s MCA agent in New York from 1955) to DS, April 15, 1992.

  300

  For a brief outline history of Lew Wasserman’s extraordinarily powerful career, see “Lew!”, California, vol. 10, no. 3 (Mar. 1985): 95–144.

  300

  never had a chance: MG I, 2, p. 3.

  302

  With us she had: Amy Greene to DS, May 5, 1992.

  302

  Marilyn seemed to me: Jay Kanter to DS, April 15, 1992.

  303

  because of their: Irving L. Stein, corporate memorandum dated Feb. 2, 1955, in MG II. Hereinafter, Stein’s corporate memoranda, letters, etc., are designated ILS.

  303

  We will go: New York Times, Jan. 8, 1955; New York Daily News, Jan. 8, 1955.

  303–304

  The account of the night at the Copacabana was recalled by Amy Greene to DS, May 5, 1992.

  304

  It is the damndest: ILS to Aubrey Schenck, Jan. 13, 1955: MG II.

  305

  You’re looking good: Quoted in Sidney Skolsky’s syndicated column (e.g., Hollywood Citizen-News) for Jan. 12, 1955.

  306

  It might be fatal: ILS, Jan. 27, 1955: MG II.

  306

  Get Joe DiMaggio: ILS, Jan. 31, 1955.

  306

  only while DiMaggio: ILS, Feb. 2, 1955: MG IV.

  306

  Is this a: Earl Wilson, “Marilyn, Joe Tryst Hints Reconciliation,” syndicated column (e.g., Boston Mirror-News), Jan. 25, 1955.

  307

  Regarding Marilyn’s ease in wandering the streets of New York if she did not make herself up: this she discussed on Edward R. Murrow’s CBS television show Person to Person on April 8, 1955.

  307n6

  Regarding RCA’s promotion for her recordings in Variety, see the issue dated Feb. 16, 1955, p. 43.

  308

  For accounts and histories of Lee Strasberg and the Actors Studio, see Evangeline Morphos, ed., Lee Strasberg: A Dream of Passion (Boston: Little, Brown, 1987); Cindy Adams, Lee Strasberg: The Imperfect Genius of the Actors Studio (Garden City: Doubleday, 1980); and Steve Vineberg, Method Actors (New York: Schirmer, 1991). Much important information also came to DS in several interviews with Susan Strasberg during 1989, 1990 and the spring and summer of 1992.

  309

  We were like: Eli Wallach, quoted in Joanne Kaufman, “Studio System,” Vanity Fair, vol. 55, no. 11 (November 1992): 238.

  309

  We were dedicated: Shelley Winters, ibid., 272.

  309

  He sometimes got: Anne Jackson, ibid.

  309

  Lee was enshrined: Kazan, p. 539.

  310

  It made me: Marlon Brando, quoted in the New York Times’s obituary of Lee Strasberg, Feb. 18, 1982, p. D20.

  310

  Lee-you-should-excuse: Quoted in Adams, p. 3.

  311

  Crying, after all: Quoted in Viner, p. 109.

  311

  All this talk: Laurence Olivier, quoted by Basil Langton to DS, May 11, 1990; see also Maurice Zolotow, “The Olivier Method,” New York Times, Feb. 7, 1960, sec. 2, p. 1.

  312

  On Strasberg’s insisting that MM submit to psychoanalysis: Susan Strasberg to DS, June 3 and 10, 1992; see also Susan Strasberg, Marilyn and Me: Sisters, Rivals, Friends (New York: Warner Books, 1992), p. 31.

  313

  Milton did more: Amy Greene to DS, May 5, 1992.

  Chapter Fifteen: February–December 1955

  314

  I had teachers: MG VI: 4.

  315

  It seemed to me: ILS, Feb. 28, 1955.

  316

  My problem is: Her remarks have three sources: Belmont, p. 19; MG III, 3, 17, in notes taken at a meeting with Stein on March 10, 1955; and MM to Susan Strasberg, quoted to DS, June 3, 1992.

  317

  The incidents and dialogue with the Rostens are recounted in Norman Rosten, Marilyn: An Untold Story (New York: Signet/NAL, 1973), pp. 11–12, 27–28.

  317

  When she came: Norman Rosten, quoted in Kahn, p. 67.
>
  319

  and the resulting: Miller, p. 354.

  319

  It was wonderful: James Kaplan, art. cit., 242.

  321

  It meant a lot: MM on Edward R. Murrow’s CBS-TV show Person to Person, April 8, 1955.

  321

  The circumstances of the Murrow television broadcast are derived from Amy Greene’s account to DS, May 5, 1992; and from a study of the program, preserved in the archives of the Museum of Television and Radio, New York City.

  322

  Imagine what you: Eve Arnold, on the BBC-TV documentary Eve and Marilyn (1987).

  323–324

  For Susan Strasberg’s contributions, see Marilyn and Me, pp. 143, 145; also, Strasberg to DS, June 3, 1992.

  323

  She wore: Stanley Kauffmann, “Album of Marilyn Monroe,” American Scholar, vol. 60, no. 4 (autumn 1991): 568.

 

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