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Praise for Michael Cadnum
“Not since the debut of Robert Cormier has such a major talent emerged in adolescent literature.” —The Horn Book
“A writer who just gets better with every book.” —Kirkus Reviews
“Cadnum is a master.” —Kirkus Reviews
Blood Gold
“A gripping adventure set during the 1849 California gold rush. Complementing the historical insight is an expertly crafted, fast-paced, engrossing adventure story full of fascinating characters. This is historical fiction that boys in particular will find irresistible.” —Booklist, starred review
“This novel is fast paced.… The well-realized settings, which range from remote wildernesses to sprawling cities, create colorful backdrops for Willie’s adventure. An enticing read.” —School Library Journal
“The prose is lively.… A spirited introduction to the gold rush for older readers.” —Kirkus Reviews
Breaking the Fall
Edgar Award Nominee
“Tension hums beneath the surface.… Riveting.” —Booklist
“Eerie, suspense-laden prose powerfully depicts the frustrating, overwhelming and often painful process of traveling from youth toward adulthood.” —Publishers Weekly
Calling Home
An Edgar Award Nominee
“An exquisitely crafted work … of devastating impact.” —The Horn Book
“Probably the truest portrait of a teenaged alcoholic we’ve had in young adult fiction.” —The Bulletin of the Center for Children’s Books
“Readers … will never forget the experience.” —Wilson Library Bulletin
“[Readers] will relate to the teen problems that lead to Peter’s substance abuse and the death of his best friend.” —Children’s Book Review Service
“Through the prism of descriptive poetic images, Peter reveals the dark details of his sleepwalking life.… An intriguing novel.” —School Library Journal
Daughter of the Wind
“Readers will enjoy the sensation of being swept to another time and place in this thrill-a-minute historical drama.” —Publishers Weekly
Edge
“Mesmerizing … This haunting, life-affirming novel further burnishes Cadnum’s reputation as an outstanding novelist.” —Kirkus Reviews, starred review
“A thought-provoking story full of rich, well-developed characters.” —School Library Journal
“Devastating.” —Booklist
“A psychologically intense tale of inner struggle in the face of tragedy.” —The Bulletin of the Center for Children’s Books
Forbidden Forest
“Cadnum succeeds admirably in capturing the squalor and casual brutality of the times.” —Kirkus Reviews
Heat
“In this gripping look at family relationships Cadnum finds painful shades of gray for Bonnie to face for the first time; in her will to grasp the manner and timing of her healing is evidence that she is one of Cadnum’s most complex and enigmatic characters.” —Kirkus Reviews
“Compelling. Adopting the laconic style that gives so much of his writing its tough edge and adult flavor, Cadnum challenges readers with hard questions about the nature of fear and of betrayal.” —Publishers Weekly
In a Dark Wood
Los Angeles Times Book Prize Finalist
“A beautiful evocation of a dangerous age … Readers who lose themselves in medieval Sherwood Forest with Cadnum will have found a treasure.” —San Francisco Chronicle
“In a Dark Wood is a stunning tour de force, beautifully written, in which Michael Cadnum turns the legend of Robin Hood inside out. Cadnum’s shimmering prose is poetry with muscle, capturing both the beauty and brutality of life in Nottinghamshire. In a Dark Wood may well become that rare thing—an enduring piece of literature.” —Robert Cormier, author of The Chocolate War
“[T]his imaginative reexamination of the Robin Hood legend from the point of view of the Sheriff of Nottingham is not only beautifully written but is also thematically rich and peopled with memorable multidimensional characters.” —Booklist
“Cadnum’s blend of dry humor, human conflict and historical details proves a winning combination in this refreshing twist on the Robin Hood tale.” —Publishers Weekly, starred review
“A complex, many-layered novel that does not shirk in its description of [the period], and offers an unusually subtle character study and a plot full of surprises.” —The Horn Book
The King’s Arrow
“The King’s Arrow is an adventure story full of color and romance, as resonant as a fable, told in clear, clean, swift prose. A wonderful read.” —Dean Koontz
Nightsong: The Legend of Orpheus and Eurydice
“Cadnum (Starfall: Phaeton and the Chariot of the Sun) once again breathes life into classic mythological figures.… Skillfully creating a complex, multidimensional portrait of Orpheus (as well as of other members of the supporting cast, including Persephone and Sisyphus), Cadnum brings new meaning to an ancient romance.” —Publishers Weekly
“Another excellent retelling of one of Ovid’s mythical tales. This well-written version is a much fuller retelling than that found either in Mary Pope Osborne’s Favorite Greek Myths or Jacqueline Morley’s Greek Myths. The story is a powerful one, delivered in comprehensible yet elevated language, and is sure to resonate with adolescents and give them fodder for discussion.” —School Library Journal
Raven of the Waves
“[A] swashbuckling … adventure set in the eighth century, Cadnum (In a Dark Wood) shows how a clash of cultures profoundly affects two distant enemies: a young Viking warrior and a monk’s apprentice.” —Publishers Weekly
“Convey[s] a sense of what life might have been like in a world where danger and mystery lurked in the nearest woods; where cruelty was as casual as it was pervasive; where mercy was real but rare; and where the ability to sing, or joke—or even just express a coherent thought—was regarded as a rare and valuable quality … Valuable historical insight, but it’s definitely not for the squeamish.” —Booklist
“Hard to read because of the gruesome scenes and hard to put down, this book provokes strong emotions and raises many fascinating questions.” —School Library Journal
Rundown
“Deep, dark, and moving, this is a model tale of adolescent uneasiness set amid the roiling emotions of modern life.” —Kirkus Review
“Cadnum demonstrates his usual mastery of mood and characterization in this acutely observed portrait.” —Booklist
Ship of Fire
“Brimming with historical detail and ambience, this fact-paced maritime adventure will surely please devotees of the genre.” —School Library Journal
Starfall: Phaeton and the Chariot of the Sun
“Cadnum (In a Dark Wood) once again displays his expertise as a storyteller as he refashions sections of Ovid’s Metamorphoses into a trilogy of enchanting tales. Readers will feel Phaeton’s trepidation as he journeys to meet his father for the first time, and they will understand the hero’s mixture of excitement and dread as he loses control of the horses. [Cadnum] humanize[es] classical figures and transform[s] lofty language into accessible, lyrical prose; he may well prompt enthusiasts to seek the original source.” —Publishers Weekly
Taking It
“Cadnum keeps readers on the edge of their seats.” —Publishers Weekly, starred review
“Cadnum stretches the literary boundaries of the YA problem novel. This one should not be missed.” —Booklist, starred review
Zero at the Bone
“Riveting … [an] intense psychological dram
a.” —Publishers Weekly, starred review
“Much more frightening than a generic horror tale.” —Booklist, starred review
“A painful subject, mercilessly explored.” —Kirkus Reviews
Rundown
Michael Cadnum
for Sherina
A spider
in the rain—
so still
Chapter 1
One month before my sister’s wedding I did a terrible thing.
I had picked the hour with care—twilight, a long summer sunset in Strawberry Canyon. A few joggers plodded ahead of me on the asphalt path that paralleled the road. I was loping along easily, able to keep this pace as long as I wanted. I reached the bend in the road and stopped, my hands on my hips.
I had selected the location with equal care, blackberry bushes dense beside the path, a stand of trees.
The view west of here was luminous blue, the setting sun mirrored off the Pacific, the sky filling with glow. You can take in a great view from the canyon, the gray buildings on the campus, steam from the ducts twisting free in the cool evening air. Until the last moment I told myself I didn’t have to do this today, I didn’t have to do it at all.
I let the joggers slog their way back down the path, determined to burn off their four hundred and eighty calories an hour, and cheating a little, getting help from the downhill slope. One of the guys caught my glance. I knew what he took in was easy on the eyes, a sixteen-year-old in shorts and an oversize gray Cal sweatshirt, sleeves scissored at the elbows, bra strap showing at one shoulder. I have a healthy appearance, even with my hair jammed under a watch cap, not dazzling like Cassandra, but okay.
I gave him a blank look and let my eyes show null interest, like the guy was so much empty space. But he was already past me, the white soles of his running shoes flashing down the growing dark. An animal, belly low to the road, flashed from dark to dark, one of the feral cats that haunt the hills, pets gone wild.
I began to be a little afraid.
The recent news had been jammed with stories about the South Bay rapist, seven assaults in sixteen days, his composite face on Channel Two news every night, and here I was, the cool air stealing up through the bay trees along the path, the blackberry vines black scribbles.
I didn’t have to go through with this, I told myself, running in place, dancing a little to stay loose, not wanting to be stranded out here in the dark. It was filling up with night, the canyon, car headlights lancing up the road, giving me a faceful of glare.
In their passage the twilight was all the darker, and the game I was ready to play felt real.
I don’t keep secrets from myself, so the state of my nerves surprised me. Something stirred the bush beside me—a random breeze or a sparrow in a hurry to find refuge.
I decided to get it over with.
I let my body do a stunt roll into the blackberries, holding my breath against the scratching of the thorns. And then I tumbled, not able to stop myself. I had anticipated most of this, and wanted it, the branches scrabbling, clinging, brambles snagging, breaking, but then my own weight carried me downward too fast, the wiry coils of thorns not strong enough to bear me. I pitched down, hard, into the dry creek.
Dust has a smell—dry, cloying, as it rises up around your body. The bad light showed berry stains on my hands, and long fine tears where the thorns had clung, the deepest points beading with blood.
I steeled myself and fought upward, clawing at the earth though the maze of brambles, snatching at cutting points, wrestling through the brush.
And through, out onto the path.
I hit the traffic sign there beside the road with the side of my hand. The sign gave a loud metallic bang, screw heads rattling. The sign was a vivid yellow diamond with a black arrow, letting motorists know a curve was just ahead. It vibrated for a long time, humming with the force of my blow, because I had hit it hard—it was part of my plan.
By then I was breathing audibly, gulping air, and I stepped back into the brambles for a second, because it wasn’t a plan anymore. I heard someone.
I listened.
I was playing this just a little too well, the way Cassandra did in that play she wrote herself about having an abortion, weeping tears so you thought she was feeling something. You could sense the audience, heads together, amazed and anguished, wondering, Christ, how could someone so young have such compassion?
Someone was out there, trying not to make a sound.
Chapter 2
The campus of the University of California, Berkeley, is a landscape of venerable trees and austere multi-story buildings. Vent grills in the pavement give off hot air from somewhere underground, and so do big periscope-like pipes, fuming off a smell of old books and wall plaster, the entire institution breathing.
There was always a university police car parked by Strawberry Creek, where a cute little bridge arched over a feeble pulse of water. But on this night, of all nights, I found only a few spots of grease and a rut worn in the ground near a redwood tree where the rover unit was supposed to park.
Hall lights streamed out from the buildings as after-hours students hurried through the doors. Assistant professors picking up some extra pay teaching summer classes down-geared their bikes as they pumped the slope toward the street. I was breathing shakily and felt a sweaty chill all over my body.
I could still change my mind.
But then a police unit purred along through the indistinct figures of people, taking its time the way only cops do, not going anywhere, wanting criminals and possible victims and taxpayers to see where they are, keeping an eye on the sole skateboarder taking a long, smooth ride into the night.
I had rehearsed this in my mind, but doing it felt like just another fantasy. I beat my hands on the top of the police car. This had been what I had visualized with the greatest intensity, my opening lines.
My first words were supposed to be a stammered communication. I had sent the phrases through a series of mental rewrites. Tried to rape sounded wrong, over-dramatic, and leading to a discussion of how far the attempt had gone. Mugged was out of the question, as though I was a business woman with a purse stuffed with cash.
I wanted the drama of attempted rape, without any lurid and embarrassing details, and I knew exactly how far I would take this. I knew how to fake out my few lines, and what would happen as they called my parents and my parents came and got me, telling me they were glad I was all right—all right meaning more than my father could put into words, relief making his voice breathy.
So I was surprised when the car door burst open, the cop already holding a transmitter attached to the dash with a coiling black cord. Later I would try to replay my first words, and I couldn’t make them stick together.
I said something about an attacker, Strawberry Canyon, and I think I used the phrase, “I barely got away.” The word barely would haunt me that night, slipping into sentences where it didn’t belong.
“Are you hurt?” he was asking.
A mock-gold nameplate over his badge gave his name, but I couldn’t register letters right then. I had planned something less hurried. I had a description worked up over recent days, based on news reports and posters stapled to trees all over the Bay Area.
The rectangular nameplate above his badge read Fountain, like an ad for sparkling drinking water, or some holy place. Officer Fountain was alight with excitement and reassurance, a rookie or a cop bored with rousting drunks from Sproul Plaza. I told him the attacker was about this tall, indicating a height with my throbbing hand, about six feet, a good five inches taller than me. “With a ski mask,” I said, “and—”
I made a feeble gesture up and down my front. “A zipper jacket,” Officer Fountain prompted.
I nodded.
“Dark blue?” he was asking, and I could hear the thrill under the terse just-the-facts note in his voice.
The cop talked into the side of his hand, a fit, muscular, woolly individual, stuffed into his uniform, proof what a pa
ss to the staff gym can do. He had the back door of the police cruiser open, talking into his radio, using the tough monotone of cops and airline pilots, saying he had a possible two-sixty-one, subject at large.
“You sure you have no injuries to report?” asked Officer Fountain.
I was all set for a little paperwork and then a wait for my parents to get back from the opera fund-raiser. I’d sit red-eyed and brave in the university police headquarters, calling Bernice Heath, the housekeeper, and maybe letting her do a mommy hen act. Maybe this deep-chested Officer Fountain would hang around to hold my hand, literally, if I played the courage routine just so.
And then act two, Dad and Mom flushed with just-under-the-legal-limit bubbly, chattering about something like why do the organizers bother with paté, it’s just flavored fat. Wide-eyed and worried, and wanting to be relieved. My parents would run smack into a big chunk of my life, little Jennifer, daughter number two, the one who isn’t Cassandra.
I was content for the moment to sit in the back seat of the police unit, the radio crackling with university cops, their voices stepping on each other, the female dispatcher barely able to acknowledge each transmission with a hurried nine-oh-nine, cop code for “heard and understood.”
Even as the officer drove me up Strawberry Canyon and I identified the crime scene, I didn’t recognize the excitement for anything but routine police concern. I stayed in the car and directed the policeman’s huge flashlight, beam turning the shrubbery silver.
“Not there,” I said, not having any trouble sounding disturbed by what was happening. “Right there.” A gap in the berry vines.
I had studied the police and chosen university law enforcement on purpose, keen to avoid falling into the hands of Oakland or Berkeley cops with their crime labs and reporters hanging around the desk sergeant. I had monitored cop calls on my dad’s old Radio Shack shortwave.
But it was only as we left the crime scene and cruised down Bancroft Avenue that I had a sickening sensation.
The street was populated with people on their way to drink coffee and listen to Mozart in one of the music stores, and with one part of my mind I thought like any crime victim would have, envying all these normal, idle graduate students, an easy class schedule during the summer months, nothing to do but smoke French cigarettes and look intellectual.
Rundown Page 1