Never Broken: Songs Are Only Half the Story

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Never Broken: Songs Are Only Half the Story Page 25

by Jewel


  I began working with Lester Mendez, a young producer and songwriter. We had music chemistry and wrote feverishly together. I wanted a dance record that had soul. I wanted pop music with poetic lyrics. I wanted to re-create my version of postwar big band music. I wanted to write clever pop songs like Cole Porter did. The country was at war, Bush was president, everyone was scared of terrorists in a post-9/11 world. I wanted to be free. I wanted to dance. I wanted to feel young and like everything was okay. I loved writing 0304, even as my life fell down around my ears. Once again writing saved me. My mom’s voice began to fade, and I could hear my soul speak to me. I wrote “Becoming,” eerily full of portent, though still I didn’t know the extent of what I was dealing with. A deep part of me was screaming at myself to wake up.

  Listen, heart

  Listen close—listen

  to the melancholy

  Melody of your own voice

  I am weary of my own dreaming

  I am tired of waiting

  So this time, I’m leaping

  I am hurting

  Oh, I am not yet born

  I am the mother and the father

  Of what is not yet known

  Darkness surrounds me

  I scratch, I struggle, I breathe

  I’m witnessing my own becoming

  The beginning of the album was the beginning of the end for my mom and me. I told no one what was going on. I quit talking to Solano, though Dean called often. I would not give up and just fall in line again, although I held out an impossible hope that I would see it was all just an honest mistake and my mom and I would get to live happily ever after. I was desperately alone. No Ty, my relationship with my mom strained even as she kept managing me. There were many days I cried in the vocal booth, where no one could see me, trying to keep my throat relaxed enough to let the song escape and lift me. I would walk out of the booth, a smile painted on my face, and get back to dealing.

  I was in my room at the Sunset Tower the day I finally saw who my mom really was. I had been trying to get her to sign off on selling her vacation house. I needed the money, as I was unable to tour or work while I made the record. She kept stalling. I had invited her over, thinking we could resolve this once and for all. She always had that calm Buddha’s smile on her face. She had never once apologized for all that had happened. It just “was.” The prevailing wisdom around me was that there was nothing that was truly real. Not the way most people thought of things as real. It was all a projection of our spirit’s wanting. Life itself was only what we chose it to be, and if a person chose pain or illness, it was what their soul wanted. If I was broke, then it was an experience I must have wanted. I sat in that hotel room and pleaded with her. She needed to sign it over to me so I could sell it. Finally she cracked. I had never seen her speak above practically a whisper my whole life, and suddenly the mask fell away. She screamed at the top of her lungs, “I will give you the fucking house!” Spittle flew from her mouth. Her face was twisted with such sudden rage and anger that I sat back in my seat. She scared the daylights out of me. I knew then that she would not give it to me. She would not let it go. She never did.

  When I hired Irving, he helped me find a good and reputable business manager, Lester Knispel. Irving and Lester spent countless hours helping me dismantle all the organizations that had been built around me. In a bizarre turn I still can’t explain, the auditor I had been working with disappeared. We could find no trace of her. It was completely strange. So I had to start from the beginning again, and Lester had to sort through all the books. I had to pay severance to every employee. A bitter pill does not begin to describe it. Money I did not have. My mom and I had quit talking. I kept working on the album and moving that ball forward. It was my only hope and it was my joy. My salvation in more than one way yet again.

  I would never get to sell her vacation home. I was on my own and it was up to me to clean up the mess. I did not want more fighting. We would never have a coming together of the minds. I would never get an apology. I would never get a hug. And I would have killed for just a hug. I was alone, a scared little girl.

  I decided to walk away and be done with it. Let go. Forgive. Rebuild. I didn’t want to let her ruin me this way, or ruin my legacy. I didn’t want to be known as the girl who was broke. The girl who once believed she and her mom were the same soul in two bodies. I was deeply ashamed and embarrassed. I wanted her gone and that was all I wanted. We had to have a legal parting of ways. I needed her to absolve herself of my career and all future earnings. I needed her to sign an agreement saying so, and I needed my lawyer for this, so he could draft up the paperwork. I would have to tell him everything. Well, almost.

  I remember calling Eric—the same Eric who had come to my show in San Diego years earlier before I was signed. He had been with me ever since, though we rarely talked once my mom took over. He was surprised to hear my voice. I had no idea how to start, so I just blurted it out. “Eric. I’m broke. I’m in debt. I need my mom out of my life and I need you to draft something that she can sign.” He was dumbfounded. It took him a while to catch up with my words. Everyone in the business knew my mom and I were best friends. We held hands everywhere we went. The first thing he asked was whether I was okay. I was so surprised by the tenderness it brought tears to my eyes. It was hard to be seen like this, even just a little, and I was unprepared for empathy. Tears began to flood down my cheeks. “Not really,” I said weakly. “But I’m dealing.”

  A few weeks later I sat across from my mom in the conference room of Irving’s office. Irving, Lester, Eric, and I sat on one side of an impossibly long wooden table. On the other, my mom and her lawyer. I shook with adrenaline and fear. She sat still. Her hair freshly dyed blonde. Her capped teeth pearly white. The same Buddha smile. Hands folded in her lap. This was my mother. This was the woman I had known my whole life and loved dearly as life itself, and yet never knew. And this was how it was all to end. As the lawyers spoke, my mind drifted back to the days in San Diego. Her bedroom was painted in a pearlescent white that shimmered. Her bed was white and ghostly, and sheer drapes fluttered in the breeze when the patio door was open. It felt like the inner sanctum of a palace. We would lie on her bed, that warm wind playing with our hair, laughing like schoolgirls. Sharing secrets. She would hold me and pet my hair and it felt like the sun was shining down on me. God how I loved that woman with my whole heart and being. And it almost killed me. And still there is such a sad and tender girl in me who tears up thinking back on this same image. I would always be a child. I would always love my mom.

  When it was all done and decided, she looked at me for the first time that day, and said, “I look forward to just being your mom now.” I knew better. I never saw her again.

  I think about my son reading this one day. I think about what I tell him every night: Mommies always love their babies. I will always be your mommy. I love you when you are angry or happy or sad or silly. I love you all the time.

  This is not always true. Some mommies don’t love their babies like that. I can’t tell you the tears I’ve cried to see who my mom really is. I can’t tell you about the pain, and how my heart to this day screams to have a mom in my life. But I know that it is not safe with her. Every day I miss having a mom. But I don’t miss Nedra. I will always want a mom, the concept of what a mom is. But I don’t have that. I never did, no matter how hard I tried to fool myself. Nedra is not that. Reality wins, and I’d rather see the truth than stay in love with a fantasy.

  THE INFINITE ACHE

  disoriented

  standing in the shadow

  of what yesterday

  was a great brightness

  in my life

  so sure the brightness was forever

  that I’m confused now

  by the feeling

  that shadow is all

  there is left

  how could this be?
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  yesterday I knew the sun

  it was so present in my life

  that I was sure

  I could never be unsure again

  so happy that I just knew

  there could never be

  sorrow again

  worst of all

  ashamed

  feeling like a bad child

  cast from heaven

  by some deed I did in my unknowing

  I search for my badness

  so that I may expunge it

  so I might feel the grace of sunlight on

  my face again

  shame robbing me of the

  true gift

  often I have been gripped

  by the terrifying fist

  of a sadness so complete

  it shut out the sun entirely

  like an eclipse

  I had landed

  on the other side

  of myself

  a stranger to me

  . . .

  this sadness has come and gone

  since childhood and so

  ever a student of nature

  here is what I learned:

  there is nothing wrong with me. nothing.

  in fact, my sadness

  is the result of something right

  I am not just body but also spirit

  and so it is true in reverse

  I am not just spirit but body

  and my body has the same salt

  in its cells as the ocean does

  and is under the same influence

  as all living things

  the physics of being an organic being

  on earth mean I cannot escape

  the natural rhythm and order of things

  by praying it away

  and shame only locks me out

  of my experiencing the gift

  paralyzing me with fear instead

  of reaping the benefits of the cycle

  sometimes the tide is just out

  but it always comes back in

  sometimes hibernation is required

  to build and prepare for a new season of awakening

  sometimes there is devastation

  fire burns it all down cleansing allowing rebirth

  there is a wisdom in death

  and we experience a shedding of our skin

  many many times in life

  and in fact the more committed

  we are to living

  the more deaths we experience

  along the way

  loss of friends who no longer feel like

  who we have become over time

  loss of self, even

  loss of “girl” as we redefine

  ourselves as woman and mother

  loss of fertility as we redefine ourselves

  as matriarch and goddess

  wisdom keepers and doers

  free of small children and able

  to focus on self after so long

  . . .

  loss of boy as eros consumes

  loss of eros as husband emerges

  death of child ego as manhood

  must take root

  redefined by the need to no longer

  be the center of the family

  but the supporter of wife and child

  rediscovery and redefinition of self

  as husband and father die within giving way

  so that

  the next phase where self must be

  attended by self and self alone

  may come fully into realization

  when elderly

  and so many deaths in between

  as we re-create who and how we want to be in the world

  I have learned to treasure the

  eclipse of my soul

  to let myself explore fully the infinite

  ache the sorrow when it washes over me

  for to resist is to miss it

  and to miss it is to not fully grasp

  what is next in my life because I

  struggle so hard to keep what was

  and this is truly painful

  hanging on is much more painful

  than listening in the darkness

  for my future calling to me

  let all else fade away for a few moments

  spend some time with sorrow

  see what it is asking for

  there is a deep wisdom in you

  tapping yourself on the shoulder

  asking for some attention

  it asks quietly at first, but if ignored

  it will demand you listen

  by creating so much discord you must

  finally pay attention

  it will not be denied

  for to deny it is to

  be buried alive

  inside your own flesh

  as your inner life and outer life

  become so out of sync

  drastic changes must be made

  to rectify them

  make them!

  live!

  give yourself permission!

  write so you may see

  the snakeskin of your soul

  as it sheds

  read the scales so you may see

  who you have been

  and honor it

  then get excited

  even in this time of mourning

  for something new your way comes

  nothing is wrong with you

  you are alive and living and growing

  if we are truly pushing ourselves to learn

  we are reborn

  many times in one life

  have the courage

  right now

  to sit in your sorrow

  in your silence and know

  something is right with you

  your body is working beautifully

  it is experiencing a longing

  from your soul

  and making room for something new

  in your life

  it is emptying its self out

  getting rid of what no longer serves

  tune your ear to what is next

  trust your body to do its work

  nature knows its job

  trust it knowing soon

  you will be full again

  (never doubt this—it’s a mathematical certainty—the

  only mystery is the quality you will be filled with, which will

  be determined by the quality and creativity and the thoroughness

  of your grieving)

  turn your ear toward it

  so you may calibrate

  to the level to which you want to rise

  bring your consciousness

  to the moment

  don’t numb out

  don’t escape

  don’t rob yourself of the gift

  so that you may better choose and guide

  and inform what should be next for you

  get to know the exact nature

  of your discontent

  for only in becoming intimate

  with what we lack

  may we know what to replace it with

  be vulnerable enough

  to want without knowing if you will receive it

  dare this much

  engage your creativity

  let your mind daydream about

  how you wish it to be

  imagine the face of what is unborn

  and have the courage to name it

  don’t rush

  for you are pregnant with yourself

  a new you

 
and it has its own gestation period

  because you cannot

  force nature

  only nurture it

  twenty-six

  brilliant resilience

  It was a huge risk to make 0304. When I’d originally come up with the concept I thought I had all the money in the world, and had never before let money govern my decision about what direction to go. With “Intuition,” I made a song I loved even though it was manipulated into being. It was still an authentic part of my soul and I was proud of it and believed in what it said. Knowing how much I needed the money made it surreal. So much was on the line, though I never doubted my direction. It was a risk in terms of the media or those who did not follow my career closely. My real fans saw it coming. I had experimented with loops on my third album, This Way, with tracks like “Jupiter” and “Serve the Ego.” I began doing dance remixes. I was pushing myself. I felt if an artist was put in a box, it was their own fault for not being willing to break out of it. Now was not the time to safety up. I had to define what being a sellout meant to me. Being a sellout was doing what everyone expected of you, if it went against your own instincts or heart. I could have done You Were Meant for Me 2 and the press would have loved it and said I was being true to my roots, but I would have felt like a sellout. Only we know when we are being true to the small and quiet voice that whispers from our soul. Very few on the outside of our skin are in a position to know. Bob Dylan and Neil Young taught me that. The fans will know the difference between changes made of contrivance versus authenticity. And if they didn’t, I would. I knew it would be controversial but I was tired of being controlled, of being told as a woman that I had to hide my sexuality to be considered smart. I doubled down on my instincts.

  As usual my label heard nothing until I turned it in. Ron Shapiro was still my champion at Atlantic, along with Craig Kallman, Judy Greenwald, and Andrea Ganis. They all believed in it and my vision, and we went for it. I went to Europe to tour, and while I was there my label called me to say “Intuition” was at the top of the charts. My video, which I thought clearly articulated my satirical comments on pop culture, was widely viewed but also wildly misunderstood, which tickled me to no end. It infuriated people to see me dolled up. It was polarizing, although I felt it was in line with my values—to question, to seek, to explore. Regardless, it became a performance piece, illustrating the mindlessness in culture and the fight for irony alongside the fight for truth alongside the right for sexuality alongside the right to just have fun. I remember talking with Clive Davis about writing for an artist of his, and even he said no one wants to see this generation’s Joni Mitchell wear a miniskirt. It created a huge debate, and that was all I could have hoped for. I never hoped to tell people what to think with my music; I hoped to start a conversation so they could think about it for themselves. My experiences at this point made me more determined to never be dogmatic in my music. I was so relieved my single was doing well. God knows I needed it to be. I had done it against impossible odds, and I would slowly get back on my feet. I would never get back what I had lost, but I would be okay.

 

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