In the Company of Liars

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In the Company of Liars Page 26

by David Ellis


  That won’t be fun. What McCoy means, Allison assumes, is that this thing is so top-secret that even other federal prosecutors are being kept in the dark.

  A chill creeps up her spine.

  “Right. Okay.” Allison takes a deep breath. “That’s what I want. I’ll do what you ask. I’ll—I’ll work with this man. Larry Evans. I’ll put him at ease. But the federal government doesn’t go near Mat or Jess. And if something—happens to me, the deal still holds.”

  “Of course,” says McCoy. “That’s in there, too.”

  “We can’t guarantee that Roger Ogren won’t approach Mat on his own,” Harrick says to Paul. “There’s going to be a leak or two to the papers—we agreed on that. The bribery thing is going to come out, in small amounts. Just so we’re clear on all of that.”

  Allison nods. It was a negotiation, over the last several days. Of paramount importance to the federal government, apparently, is that Larry Evans accomplish whatever his plan is. And that means Larry Evans has to feel comfortable about Allison. The feds wanted to splash the bribery scandal everywhere; Allison, for Mat’s sake, wanted just the opposite. They reached a middle ground. The story would leak, a little, to the papers. But there would be no hard evidence turned over to the county attorney prosecuting Allison’s case. No names of specific senators. No phone records. And Special Agent Jane McCoy gave her word that she would block Roger Ogren if he got too close.

  Roger Ogren probably will approach Mat at some point. But Mat will do fine on an alibi. And he can refuse to answer questions about House Bill 1551 under the Fifth Amendment. He can dummy up just like everyone else around him will do.

  “Roger Ogren’s going to stick with his theory,” McCoy predicts. “You were a wounded ex-lover looking for revenge. It’s not a bad story, you certainly made sure that he has evidence to support it, and—look—this guy’s going to have a tight trial date. He can’t start chasing new theories when he’s short on time. Plus, I’m going to be telling Ogren, every other day, that the bribery scandal has nothing to do with Sam’s death.”

  “We’re clear on the trial date, right?” Harrick asks. “You’ll demand a speedy trial?”

  “Yes,” she says.

  “That will put the trial in May, probably,” Paul Riley says.

  “That would be perfect,” McCoy says. “The timing would be good.”

  So whatever it is the FBI is worried about, Allison assumes, it should be over by May or so. This was a matter on which McCoy has been adamant, a quick trial date.

  “We can talk to Mat a little more easily than you can,” McCoy says. “We’ll let him know what he’s to do. You can help him, too, Mrs. Pagone, but just be careful about talking to him.”

  Allison understands. Mat will not have too much difficulty. His job is not very complicated. More than anything, he will simply be a foil, a sounding board in Allison’s house, prompting Allison on certain subjects for the benefit of Larry Evans. He will offer to confess, will talk about how dumb he was to bribe state officials, things like that. Allison will rise to his defense, helping to convince Evans that this murder was connected to the bribery scandal, when Allison knows very well that it was not.

  “I’ll write some things out for him,” she says. “Dialogue is what I do.”

  “Fine.” McCoy looks at her partner for confirmation. “Yeah, you can write some stuff out for him, if you like. As long as it doesn’t sound like it’s being read over the mike. I mean, Mat’s a lobbyist and a lawyer, I assume he can pull this off.”

  “He can pull it off,” she assures them.

  “But listen, Mrs. Pagone. If you want to type up some dialogue, fine, but you can only hand it to him. No e-mail, no regular mail. Only hand-to-hand exchanges.”

  Allison nods. “Mat’s going to pick me up from the law firm when I go down, and drive me home at night. We might have brunch on weekends, things like that. I’ll have plenty of chances to invite him in.”

  “Mat’s car won’t be miked up, will it?” Paul asks.

  “No.” Owen Harrick shakes his head. “We’ll be watching his house. And we’ll have someone at his parking garage downtown. No one’s getting to his car. Consider it safe.”

  McCoy raises her eyebrows, lifts her hand tentatively off her knees. “I think that’s it. I think this is the last time we’re going to speak together, Mrs. Pagone, until we’re in motion. We’ll get the papers to you through Mr. Riley here. We’ll talk to you through Mr. Riley or Mat. You talk to Paul in his office, or to Mat in his car. Otherwise, assume someone is listening.”

  “What about my daughter?”

  “Your daughter can’t know about this at all,” McCoy says, simply.

  Allison could not agree more. This is dangerous enough. “My daughter’s not in danger, though? Right?”

  “I—I can’t imagine why, Mrs. Pagone. If you’re under the spotlight, then so is your family. Anything that happens to you or your family right now would be national news. Listen. Let me make this clear to you, okay?”

  Allison sits back. She wants, needs, this reassurance.

  “If I’m Larry Evans right now, I’m thinking, odds are you don’t know anything. I just need to keep an eye on you. Any violent act against your daughter or Mat, or you, will only make things worse. Evan is hoping that this is going to play out as a non-issue, and you’re going to help him believe that.”

  “He’s not going to touch your daughter,” Harrick says. “He has no reason to. This guy is calculating. He won’t take a risk that isn’t worth taking.”

  “Allison is a risk, at the end of the day.” Paul Riley puts an arm over Allison’s chair. “She’s a risk, and if this man can find a convenient way to kill her, he’s going to take it. This guy is a pro, you already said. He can find a way to make it look believable.”

  McCoy grimaces. Allison knows what she’s thinking. She can’t deny the possibility.

  “I’ll do it,” Allison says. “We’ll be ready.” She looks at Paul. “I’ll do it.”

  McCoy collapses into a chair in Harrick’s office. “You look like shit, Jane.”

  “I feel like it. You see Allison?”

  “Yeah. That lady’s torn up,” Harrick agrees. “I think she loved Dillon.”

  “She’s so motivated right now—she’s got the adrenaline pumping. She’s trying to keep her family protected. She hasn’t had a chance to feel pain yet.”

  “She’s smart,” Harrick says. “She spends almost her whole time talking about Mat and his immunity—”

  “When what she’s really worried about,” McCoy finishes, “is Jessica.” She points to the file containing the agreement. “This is all about those affidavits naming Larry Evans as the killer. This is all about keeping Jessica away from a murder charge.”

  “Right.” Harrick puts his hands on his knees. “Shiels is going to want us.”

  “I know, I know.” McCoy brings a hand to her face.

  “For the hundredth time, Jane,” Harrick tells her. “It wasn’t your fault.”

  “Okay.” McCoy pushes herself out of her chair. “Allison Pagone can’t die,” she says, as Harrick steers her down the hallway. “Even if everything else goes as planned, if I let another civilian die, I—it can’t happen.”

  “She won’t die,” Harrick promises.

  “You think she’s up for this, Owen?” McCoy hates this feeling of vulnerability but she can’t help it. She needs the reassurance. “You think she can handle this?”

  “I think she has no choice.” Owen puts a hand on her back. “She’s a mother,” he says simply.

  THREE DAYS EARLIER

  FRIDAY, FEBRUARY 13

  Allison takes the chair that is offered and sits. She declines a drink but thinks better of it, says she’ll have some water.

  Detective Joseph Czerwonka returns to the interrogation room with a bottle of Evian and sets it in front of her. He takes the seat across from her. “I’m going to tape this conversation,” he tells her.

  She
nods. The detective reaches for the tape recorder, in the center of the small desk that separates them, and hits the “Record” button.

  “My name is Detective Joseph Czerwonka,” he says. “The date is February the thirteenth. Time is three-thirteen p.m. I am speaking with Allison Quincy Pagone. Mrs. Pagone, I am going to advise you of your rights. You have the right to remain silent. Anything that you do say to me can and will be used against you in a court of law. You have the right to counsel. If you cannot afford an attorney, an attorney will be provided for you. Do you understand these rights, Mrs. Pagone?”

  “I do.”

  “Would you like to have an attorney present?”

  “No,” she says. “I waive counsel.”

  “Do you understand that I am recording this conversation?”

  “Yes.”

  “Okay. I’d like to go over a few things since we spoke two days ago. First, do you have anything you’d like to say?”

  “No.”

  “Okay.” Czerwonka is dressed better today than two days ago. He’s wearing a crisp blue shirt and a nice silver silk tie. She figures he’s expecting to be on camera today.

  “Mrs. Pagone.” The detective reaches into a bag at his feet. He sets a large plastic bag on the table. In it is a single platinum earring. “We recovered this earring from your jewelry box yesterday. Do you acknowledge that this is your earring?”

  “I won’t answer that.”

  He nods. “Can you explain to me why I found only one earring, and not two, at your house?”

  “No comment.”

  “Mrs. Pagone, I’m giving you the chance to explain this for me. We found the second of these two earrings at Sam Dillon’s house.”

  She stares at him. “That’s not a question.”

  “Do you have any explanation for that, ma’am? How one of those earrings found its way to Sam Dillon’s house?”

  “No comment.”

  “No comment,” he repeats. “You won’t provide us any explanation?”

  “I have nothing to say.”

  “Are you familiar with a brand of fingernail polish called ‘Saturday Evening Red’? Made by Evelyn Masters?”

  “I have nothing to say.”

  “That was the brand of polish found on the broken fingernail at Mr. Dillon’s house.”

  Allison nods. Again, no question pending.

  “We also found that polish in your home,” he says. “And we found cotton balls in your garbage that contain that polish, along with traces of nail-polish remover.”

  She stares at him.

  “Did you recently remove that nail polish from your fingers?”

  “No comment.”

  “Were you romantically involved with Sam Dillon?”

  “I already answered that, last time, Detective.”

  “You said ‘no,’ last time. Is that still your answer?”

  “I have nothing more to say.”

  Czerwonka is not deterred. “Are you refusing to answer any questions at all, Mrs. Pagone?”

  “It looks that way.”

  “Let me—let me be candid with you, Mrs. Pagone. We have a hair follicle that looks a lot like yours, recovered from Sam Dillon’s home. It has the bulb still attached, which means there’s DNA. We now have a sample of your DNA and I think there’s going to be a match. What do you think?”

  She shakes her head.

  “And you know we’re going to do a DNA test on that sweatshirt,” he adds. “You think that’s going to be your blood we find on there? Or Sam Dillon’s?”

  “You’ll find what you find.”

  “We’ve got your fingernail, we’ve got your earring, and we have a silver Lexus SUV—like the one you drive—seen at Sam Dillon’s home around one in the morning, and we’ve got you returning to your house with mud all over you, a little before two. We’ve got you going to Dillon’s office in the capital the day before he was murdered. You were shouting at him. By all accounts, it sounds like he was dumping you. Ending your relationship.”

  Allison folds her arms.

  “I’m giving you this chance to explain this to me, Mrs. Pagone. Look.” Czerwonka makes a face, leans on his elbows. “I could see why you don’t want to admit being involved with Dillon. He works alongside your ex. You two probably wanted to keep it quiet. I get that. I’d probably do the same thing, if it were me. And then the thing gets complicated. He says some awful things to you. Breaks your heart. I’ve been there. You—you’ve had a tough go of it. A divorce, then a rebound, then that guy dumps you, too. Your head, it’s not where it should be. You’re not doing anything like a cold, calculated murder. It’s like the heat of the moment, you just snap. That’s not Murder One, Mrs. Pagone. You’ve been a lawyer. You lawyers call it diminished capacity, right? Manslaughter, maybe. Maybe—who knows? Temporary insanity.”

  Allison rolls her neck. She’d like to reach over and smack this guy.

  “That’s not life in prison. That’s not a needle in your arm. But see, you don’t help me out here, I have to see this thing the way it looks. Premeditated murder. I have all I need, right now, Mrs. Pagone. How we charge you is up to you now, not me.”

  “I have nothing to say, Detective,” she says. “Do what you’re going to do.”

  “Just—” He raises a hand. “Just talk to me about Sam. We know you two were an item. You told your daughter, Mrs. Pagone. Just tell me what you told her.”

  “Do what you’re going to do, Detective. I’m not saying another word.”

  Joe Czerwonka’s lips move into a grim smile. He shakes his head, as if to say, you had your chance. “I’m going to place you under arrest, Mrs. Pagone,” he says, rising to his feet. “For the murder of Samuel Dillon.”

  ONE DAY EARLIER

  THURSDAY, FEBRUARY 12

  Special Agents Shiels and McCoy for Mr. Raycroft.” Irv Shiels places his hands behind his back and slowly paces the county attorney’s suite. Raycroft has cut himself a nice piece of the floor in the county building, separated himself and his assistant from the rest of the masses and spent a decent sum on redecorating. McCoy, having spent a career in public service, can only imagine how that one played with the rest of the office.

  “Shiels and McCoy.” An office assistant, organizing books on a shelf to their right, looks at them. “Weren’t they a music group?”

  Shiels stares at the young man blankly, then looks at McCoy.

  “Please come in, Agents,” Raycroft’s secretary says, holding a door open for them.

  County Attorney Elliot Raycroft comes out from behind a mahogany desk. Another man, on the dumpy side and younger, stands as well.

  Introductions all around. The guy with Raycroft is Roger Ogren, the lead prosecutor working the Sam Dillon homicide. Ogren oversaw the search of Allison Pagone’s home by the County Attorney Technical Unit today. The CAT unit handles all crime-scene work these days, with the police serving only as an assist.

  “This is of interest to you?” Raycroft asks as he sits at his desk. The man is mid-fifties, on the slender side, a little creepy in McCoy’s opinion. The way he looks at you, sizing you up, looking for the angle. His hair seems to have come from a bottle, trailer-hitch rust, she’s thinking.

  Shiels nods. “We are looking at Allison Pagone for something. It’s something that we cannot discuss at this time. It’s something, let me be clear, that I’m under orders not to discuss.”

  Raycroft looks at his sidekick, Ogren, and smiles. His teeth are too perfect. He must use those whitening products they have now. Must come in handy, only a month before the March primary. Raycroft is unique because he’s a Republican in a city that has been controlled by Democrats since the days of stagecoaches. The Democrats messed up, got into a racial thing and split their vote in a runoff, allowing this guy to sneak in with the heavy backing of the state GOP, which has been dying for a candidate who can do something in this city. Thanks to the power of incumbency, Raycroft was reelected, but it’s far from a lock this time. He even has a
challenger in the primary, which is forcing him to spend money when he should be fortifying his war chest.

  “You came over here to tell me that you’re not going to tell me anything?” he asks.

  “We came by,” says Shiels, playing the straight guy here, “because we know you searched her home today.”

  Raycroft looks at his watch. “Agent Shiels, can we get to it?”

  “We planted a bug in Allison Pagone’s house. It’s a sophisticated model, an Infinity transmitter. We don’t know if your people found it.”

  Raycroft looks at Roger Ogren, who makes a face. The answer, apparently, is no.

  Shit. They didn’t know. They had no idea about Larry Evans’s bug, and now Shiels has told them. But they couldn’t be sure. They couldn’t take the chance that the CAT unit would find the transmitter and start talking to the media. They had no choice but to front the issue and claim the transmitter as their own.

  “First we’ve heard of it,” says Raycroft.

  “Well—obviously, Mr. Raycroft, it’s paramount that this information not leave this room. It would defeat the purpose.”

  “Obviously.”

  McCoy catches Roger Ogren scoping her out. She doesn’t really mind, but she likes to catch them in the act.

  “You can’t discuss why you’re looking at Allison Pagone?” he asks.

  “No, sir. I’m sorry—like I said, orders.”

  “Is this related to Sam Dillon’s murder?” First time Ogren jumps in, and he’s a little too eager to participate. A confidence thing, she figures. “Do you have information about that?”

  “We don’t.” Shiels shakes his head. “If we did, we’d tell you.”

  From the looks on their faces, the county guys aren’t exactly getting in line to agree with that statement.

  “Mr. Raycroft, Agent McCoy here is my point on this operation. If we pull anything from the bug, you’ll be the first to know. She’ll contact Mr. Ogren here. We want to assist in any way we can. But we need to be clear on the confidentiality. Nobody can know what we’re doing, sir.”

  “I heard you the first time, Agent Shiels.” The county attorney is making a point to show he’s unimpressed. “If we leak this to the press, you’ll shake your fist at me.”

 

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