Let the reader picture to himself the hall of the vastest cathedral he ever stood in, windowless indeed, but dimly lighted from above, presumably by shafts connected with the outer air and driven in the roof, which arched away a hundred feet above our heads, and he will get some idea of the size of the enormous cave in which we found ourselves, with the difference that this cathedral designed by nature was loftier and wider than any built by man. But its stupendous size was the least of the wonders of the place, for running in rows adown its length were gigantic pillars of what looked like ice, but were, in reality, huge stalactites. It is impossible for me to convey any idea of the overpowering beauty and grandeur of these pillars of white spar, some of which were not less than twenty feet in diameter at the base, and sprang up in lofty and yet delicate beauty sheer to the distant roof. Others again were in process of formation. On the rock floor there was in these cases what looked, Sir Henry said, exactly like a broken column in an old Grecian temple, whilst high above, depending from the roof, the point of a huge icicle could be dimly seen.
Even as we gazed we could hear the process going on, for presently with a tiny splash a drop of water would fall from the far-off icicle on to the column below. On some columns the drops only fell once in two or three minutes, and in these cases it would be an interesting calculation to discover how long, at that rate of dripping, it would take to form a pillar, say eighty feet by ten in diameter. That the process, in at least one instance, was incalculably slow, the following example will suffice to show. Cut on one of these pillars we discovered the crude likeness of a mummy, by the head of which sat what appeared to be the figure of an Egyptian god, doubtless the handiwork of some old-world labourer in the mine. This work of art was executed at the natural height at which an idle fellow, be he Phœnician workman or British cad, is in the habit of trying to immortalise himself at the expense of nature's masterpieces, namely, about five feet from the ground. Yet at the time that we saw it, which /must/ have been nearly three thousand years after the date of the execution of the carving, the column was only eight feet high, and was still in process of formation, which gives a rate of growth of a foot to a thousand years, or an inch and a fraction to a century. This we knew because, as we were standing by it, we heard a drop of water fall.
Sometimes the stalagmites took strange forms, presumably where the dropping of the water had not always been on the same spot. Thus, one huge mass, which must have weighed a hundred tons or so, was in the shape of a pulpit, beautifully fretted over outside with a design that looked like lace. Others resembled strange beasts, and on the sides of the cave were fanlike ivory tracings, such as the frost leaves upon a pane.
Out of the vast main aisle there opened here and there smaller caves, exactly, Sir Henry said, as chapels open out of great cathedrals. Some were large, but one or two--and this is a wonderful instance of how nature carries out her handiwork by the same unvarying laws, utterly irrespective of size--were tiny. One little nook, for instance, was no larger than an unusually big doll's house, and yet it might have been a model for the whole place, for the water dropped, tiny icicles hung, and spar columns were forming in just the same way.
We had not, however, enough time to examine this beautiful cavern so thoroughly as we should have liked to do, since unfortunately, Gagool seemed to be indifferent as to stalactites, and only anxious to get her business over. This annoyed me the more, as I was particularly anxious to discover, if possible, by what system the light was admitted into the cave, and whether it was by the hand of man or by that of nature that this was done; also if the place had been used in any way in ancient times, as seemed probable. However, we consoled ourselves with the idea that we would investigate it thoroughly on our way back, and followed on at the heels of our uncanny guide.
On she led us, straight to the top of the vast and silent cave, where we found another doorway, not arched as the first was, but square at the top, something like the doorways of Egyptian temples.
"Are ye prepared to enter the Place of Death, white men?" asked Gagool, evidently with a view to making us feel uncomfortable.
"Lead on, Macduff," said Good solemnly, trying to look as though he was not at all alarmed, as indeed we all did except Foulata, who caught Good by the arm for protection.
"This is getting rather ghastly," said Sir Henry, peeping into the dark passageway. "Come on, Quatermain--/seniores priores/. We mustn't keep the old lady waiting!" and he politely made way for me to lead the van, for which inwardly I did not bless him.
/Tap, tap,/ went old Gagool's stick down the passage, as she trotted along, chuckling hideously; and still overcome by some unaccountable presentiment of evil, I hung back.
"Come, get on, old fellow," said Good, "or we shall lose our fair guide."
Thus adjured, I started down the passage, and after about twenty paces found myself in a gloomy apartment some forty feet long, by thirty broad, and thirty high, which in some past age evidently had been hollowed, by hand-labour, out of the mountain. This apartment was not nearly so well lighted as the vast stalactite ante-cave, and at the first glance all I could discern was a massive stone table running down its length, with a colossal white figure at its head, and life- sized white figures all round it. Next I discovered a brown thing, seated on the table in the centre, and in another moment my eyes grew accustomed to the light, and I saw what all these things were, and was tailing out of the place as hard as my legs could carry me.
I am not a nervous man in a general way, and very little troubled with superstitions, of which I have lived to see the folly; but I am free to own that this sight quite upset me, and had it not been that Sir Henry caught me by the collar and held me, I do honestly believe that in another five minutes I should have been outside the stalactite cave, and that a promise of all the diamonds in Kimberley would not have induced me to enter it again. But he held me tight, so I stopped because I could not help myself. Next second, however, /his/ eyes became accustomed to the light, and he let go of me, and began to mop the perspiration off his forehead. As for Good, he swore feebly, while Foulata threw her arms round his neck and shrieked.
Only Gagool chuckled loud and long.
It /was/ a ghastly sight. There at the end of the long stone table, holding in his skeleton fingers a great white spear, sat /Death/ himself, shaped in the form of a colossal human skeleton, fifteen feet or more in height. High above his head he held the spear, as though in the act to strike; one bony hand rested on the stone table before him, in the position a man assumes on rising from his seat, whilst his frame was bent forward so that the vertebræ of the neck and the grinning, gleaming skull projected towards us, and fixed its hollow eye-places upon us, the jaws a little open, as though it were about to speak.
"Great heavens!" said I faintly, at last, "what can it be?"
"And what are /those things/?" asked Good, pointing to the white company round the table.
"And what on earth is /that thing/?" said Sir Henry, pointing to the brown creature seated on the table.
"/Hee! hee! hee!/" laughed Gagool. "To those who enter the Hall of the Dead, evil comes. /Hee! hee! hee! ha! ha!/"
"Come, Incubu, brave in battle, come and see him thou slewest;" and the old creature caught Curtis' coat in her skinny fingers, and led him away towards the table. We followed.
Presently she stopped and pointed at the brown object seated on the table. Sir Henry looked, and started back with an exclamation; and no wonder, for there, quite naked, the head which Curtis' battle-axe had shorn from the body resting on its knees, was the gaunt corpse of Twala, the last king of the Kukuanas. Yes, there, the head perched upon the knees, it sat in all its ugliness, the vertebræ projecting a full inch above the level of the shrunken flesh of the neck, for all the world like a black double of Hamilton Tighe.[*] Over the surface of the corpse there was gathered a thin glassy film, that made its appearance yet more appalling, for which we were, at the moment, quite unable to account, till presently we observed that from the
roof of the chamber the water fell steadily, /drip! drop! drip!/ on to the neck of the corpse, whence it ran down over the entire surface, and finally escaped into the rock through a tiny hole in the table. Then I guessed what the film was--/Twala's body was being transformed into a stalactite./
[*] "Now haste ye, my handmaidens, haste and see How he sits there and glowers with his head on his knee."
A look at the white forms seated on the stone bench which ran round that ghastly board confirmed this view. They were human bodies indeed, or rather they had been human; now they were /stalactites/. This was the way in which the Kukuana people had from time immemorial preserved their royal dead. They petrified them. What the exact system might be, if there was any, beyond the placing of them for a long period of years under the drip, I never discovered, but there they sat, iced over and preserved for ever by the siliceous fluid.
Anything more awe-inspiring than the spectacle of this long line of departed royalties (there were twenty-seven of them, the last being Ignosi's father), wrapped, each of them, in a shroud of ice-like spar, through which the features could be dimly discovered, and seated round that inhospitable board, with Death himself for a host, it is impossible to imagine. That the practice of thus preserving their kings must have been an ancient one is evident from the number, which, allowing for an average reign of fifteen years, supposing that every king who reigned was placed here--an improbable thing, as some are sure to have perished in battle far from home--would fix the date of its commencement at four and a quarter centuries back.
But the colossal Death, who sits at the head of the board, is far older than that, and, unless I am much mistaken, owes his origin to the same artist who designed the three Colossi. He is hewn out of a single stalactite, and, looked at as a work of art, is most admirably conceived and executed. Good, who understands such things, declared that, so far as he could see, the anatomical design of the skeleton is perfect down to the smallest bones.
My own idea is, that this terrific object was a freak of fancy on the part of some old-world sculptor, and that its presence had suggested to the Kukuanas the idea of placing their royal dead under its awful presidency. Or perhaps it was set there to frighten away any marauders who might have designs upon the treasure chamber beyond. I cannot say. All I can do is to describe it as it is, and the reader must form his own conclusion.
Such, at any rate, was the White Death and such were the White Dead!
CHAPTER XVII
SOLOMON'S TREASURE CHAMBER
While we were engaged in recovering from our fright, and in examining the grisly wonders of the Place of Death, Gagool had been differently occupied. Somehow or other--for she was marvellously active when she chose--she had scrambled on to the great table, and made her way to where our departed friend Twala was placed, under the drip, to see, suggested Good, how he was "pickling," or for some dark purpose of her own. Then, after bending down to kiss his icy lips as though in affectionate greeting, she hobbled back, stopping now and again to address the remark, the tenor of which I could not catch, to one or other of the shrouded forms, just as you or I might welcome an old acquaintance. Having gone through this mysterious and horrible ceremony, she squatted herself down on the table immediately under the White Death, and began, so far as I could make out, to offer up prayers. The spectacle of this wicked creature pouring out supplications, evil ones no doubt, to the arch enemy of mankind, was so uncanny that it caused us to hasten our inspection.
"Now, Gagool," said I, in a low voice--somehow one did not dare to speak above a whisper in that place--"lead us to the chamber."
The old witch promptly scrambled down from the table.
"My lords are not afraid?" she said, leering up into my face.
"Lead on."
"Good, my lords;" and she hobbled round to the back of the great Death. "Here is the chamber; let my lords light the lamp, and enter," and she placed the gourd full of oil upon the floor, and leaned herself against the side of the cave. I took out a match, of which we had still a few in a box, and lit a rush wick, and then looked for the doorway, but there was nothing before us except the solid rock. Gagool grinned. "The way is there, my lords. /Ha! ha! ha!/"
"Do not jest with us," I said sternly.
"I jest not, my lords. See!" and she pointed at the rock.
As she did so, on holding up the lamp we perceived that a mass of stone was rising slowly from the floor and vanishing into the rock above, where doubtless there is a cavity prepared to receive it. The mass was of the width of a good-sized door, about ten feet high and not less than five feet thick. It must have weighed at least twenty or thirty tons, and was clearly moved upon some simple balance principle of counter-weights, probably the same as that by which the opening and shutting of an ordinary modern window is arranged. How the principle was set in motion, of course none of us saw; Gagool was careful to avoid this; but I have little doubt that there was some very simple lever, which was moved ever so little by pressure at a secret spot, thereby throwing additional weight on to the hidden counter-balances, and causing the monolith to be lifted from the ground.
Very slowly and gently the great stone raised itself, till at last it had vanished altogether, and a dark hole presented itself to us in the place which the door had filled.
Our excitement was so intense, as we saw the way to Solomon's treasure chamber thrown open at last, that I for one began to tremble and shake. Would it prove a hoax after all, I wondered, or was old Da Silvestra right? Were there vast hoards of wealth hidden in that dark place, hoards which would make us the richest men in the whole world? We should know in a minute or two.
"Enter, white men from the Stars," said Gagool, advancing into the doorway; "but first hear your servant, Gagool the old. The bright stones that ye will see were dug out of the pit over which the Silent Ones are set, and stored here, I know not by whom, for that was done longer ago than even I remember. But once has this place been entered since the time that those who hid the stones departed in haste, leaving them behind. The report of the treasure went down indeed among the people who lived in the country from age to age, but none knew where the chamber was, nor the secret of the door. But it happened that a white man reached this country from over the mountains-- perchance he too came 'from the Stars'--and was well received by the king of that day. He it is who sits yonder," and she pointed to the fifth king at the table of the Dead. "And it came to pass that he and a woman of the country who was with him journeyed to this place, and that by chance the woman learnt the secret of the door--a thousand years might ye search, but ye should never find that secret. Then the white man entered with the woman, and found the stones, and filled with stones the skin of a small goat, which the woman had with her to hold food. And as he was going from the chamber he took up one more stone, a large one, and held it in his hand."
Here she paused.
"Well," I asked, breathless with interest as we all were, "what happened to Da Silvestra?"
The old hag started at the mention of the name.
"How knowest thou the dead man's name?" she asked sharply; and then, without waiting for an answer, went on--
"None can tell what happened; but it came about that the white man was frightened, for he flung down the goat-skin, with the stones, and fled out with only the one stone in his hand, and that the king took, and it is the stone which thou, Macumazahn, didst take from Twala's brow."
"Have none entered here since?" I asked, peering again down the dark passage.
"None, my lords. Only the secret of the door has been kept, and every king has opened it, though he has not entered. There is a saying, that those who enter there will die within a moon, even as the white man died in the cave upon the mountain, where ye found him, Macumazahn, and therefore the kings do not enter. /Ha! ha!/ mine are true words."
Our eyes met as she said it, and I turned sick and cold. How did the old hag know all these things?
"Enter, my lords. If I speak truth, the goat-skin with th
e stones will lie upon the floor; and if there is truth as to whether it is death to enter here, that ye will learn afterwards. /Ha! ha! ha!/" and she hobbled through the doorway, bearing the light with her; but I confess that once more I hesitated about following.
"Oh, confound it all!" said Good; "here goes. I am not going to be frightened by that old devil;" and followed by Foulata, who, however, evidently did not at all like the business, for she was shivering with fear, he plunged into the passage after Gagool--an example which we quickly followed.
A few yards down the passage, in the narrow way hewn out of the living rock, Gagool had paused, and was waiting for us.
"See, my lords," she said, holding the light before her, "those who stored the treasure here fled in haste, and bethought them to guard against any who should find the secret of the door, but had not the time," and she pointed to large square blocks of stone, which, to the height of two courses (about two feet three), had been placed across the passage with a view to walling it up. Along the side of the passage were similar blocks ready for use, and, most curious of all, a heap of mortar and a couple of trowels, which tools, so far as we had time to examine them, appeared to be of a similar shape and make to those used by workmen to this day.
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