Crushed Shells and Mud

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Crushed Shells and Mud Page 4

by Ben Musgrave


  They found the house I was living in.

  Bricks through the window.

  Threats.

  The poor people who were putting me up, they had to leave, too.

  DEREK

  And your parents, are they?

  LYDIA

  No, they’re not dead.

  Pause.

  I live with this woman now.

  She’s

  They’re in a kind of network.

  DEREK

  A network?

  LYDIA

  There are some people

  Who want to help us.

  Because there are places now where it’s too dangerous.

  Attacks.

  So the network help us move.

  She’s

  She’s really into it.

  Political.

  It’s a bit much to be honest.

  DEREK

  I’ve heard

  I’ve heard there’s this

  Woman.

  LYDIA

  No, it’s just fairy stories.

  DEREK

  Right.

  They look out. Pause.

  LYDIA

  It’s so quiet here.

  They listen to the silence.

  And the sea.

  Is this what you write about?

  DEREK

  Yes.

  And also characters.

  And things I’m feeling.

  LYDIA

  Can I read something?

  DEREK

  None of it’s any good.

  LYDIA

  That doesn’t matter.

  DEREK

  I wrote a story about a trawlerman that was okay.

  Pause.

  I think I have a copy of it somewhere.

  Pause. He rummages in his bag and then finds some typed pages.

  Please don’t feel you have to.

  LYDIA

  You don’t make me feel I have to do anything.

  Pause.

  DEREK

  I’ve been

  I’ve been meaning to ask

  What music do you like?

  LYDIA

  Loads of things.

  DEREK

  Yeah?

  LYDIA

  What do you like?

  DEREK

  Nineties.

  LYDIA

  Nineties?

  DEREK

  (Smiling.) Yeah.

  She smiles.

  I’ll do you a tape.

  LYDIA

  A tape?

  DEREK

  Well, a CD.

  LYDIA

  Old-school!

  DEREK

  I’m not very good with new things

  VINCENT enters.

  VINCENT

  Hi.

  LYDIA

  Hi.

  VINCENT

  I was looking for you.

  LYDIA

  Okay.

  VINCENT

  Come to the pub!

  It’s packed.

  It’s gonna be a night.

  They’ll be singing later.

  Are you coming?

  Pause.

  LYDIA

  (To DEREK.) Do you want to come?

  Pause.

  DEREK

  I don’t think I should.

  LYDIA

  You should come.

  DEREK

  No… I won’t.

  But you go.

  Pause.

  VINCENT

  (To LYDIA.) Are you coming, then?

  LYDIA

  I don’t think so.

  VINCENT

  I’ll buy you a drink.

  LYDIA

  I’m alright.

  VINCENT

  You enjoyed yourself last time.

  LYDIA

  I need an early night.

  VINCENT

  Why?

  LYDIA

  I’m going swimming tomorrow.

  Beat.

  Do you want to come, Derek?

  DEREK

  Sure. What time?

  LYDIA

  When would be best?

  DEREK

  Tide’s at eleven, so how about here at ten-thirty?

  LYDIA

  Perfect.

  Pause.

  DEREK

  I’ll see you tomorrow, then!

  LYDIA

  Yes.

  Pause. She exits.

  Pause. VINCENT looks on.

  VINCENT

  Just be careful, mate.

  DEREK

  Eh?

  VINCENT

  I don’t want you to get hurt.

  I don’t want you to think ‘oh things are going pretty well for me’ when they’re not.

  Is that what you think?

  ‘I’m quietly confident.’

  This new girl with the sweetest breath in England, she turns up and for some reason, for a few moments, she’s showing you some interest.

  It’s a mistake, Derek.

  It’s a mistake that awkward shy boys have made throughout history.

  When everything is up in the air, when everything’s new, this kind of girl they can sometimes make mistakes. Jumble people up. Get trapped with the wrong company.

  And the longer they’re trapped the more vicious the snap will be.

  DEREK

  What you on about?

  VINCENT

  Your goodness won’t turn her on.

  It’ll just make her feel terrible.

  Pause.

  I’m going to fuck her, Derek.

  I just know it. It’s like destiny.

  I will.

  I’ll fuck her and there’ll be fireworks all over London.

  That’s what I’m going to do.

  DEREK

  You won’t.

  VINCENT

  Why not?

  DEREK

  You just won’t

  VINCENT

  Why not?

  DEREK

  Leave it.

  VINCENT

  Of course, I know there must be some ‘thing’ about her.

  There’s always some ‘thing’ about girls like her.

  With a reason to be shy.

  Is she the girl who gets addicted?

  Or doesn’t like to eat.

  Or hides the cuts on her arms?

  I don’t care.

  I don’t care about any of that stuff.

  Pause.

  Are we still friends, Derek?

  DEREK

  Yes.

  VINCENT

  Do you promise?

  DEREK

  Yes.

  VINCENT

  I wish my soul could be more like yours.

  VINCENT gets out his knife.

  Do you trust me?

  DEREK

  Yes.

  VINCENT

  I want to prove to you that I care for you.

  How can I prove it?

  DEREK

  You don’t need to prove it.

  VINCENT cuts his own hand with his knife.

  No, Vince.

  VINCENT

  Do you think I’m a good person?

  DEREK

  I do.

  VINCENT holds DEREK’s hand.

  VINCENT

  Will you always be my friend?

  DEREK

  Yes.

  VINCENT

  Are we blood brothers?

  Pause.

  Don’t worry, the knife’s sharp.

  VINCENT cuts DEREK’s arm. DEREK cries out.

  That wasn’t so bad, was it?

  VINCENT puts his bleeding hand on DEREK’s arm.

  That wasn’t so bad.

  DEREK struggles with feelings of fainting.

  What’s wrong with you?

  Are you alright?

  DEREK

  Yes.

  VINCENT

  Don’t faint.

  DEREK

  I’m not.

  VINCENT

  It was nothing.<
br />
  You haven’t gone through anything.

  DEREK

  No.

  VINCENT

  You’ve no right to be all frightened.

  DEREK

  No.

  VINCENT

  You’re always fucking frightened, but I’m not that bad.

  I could make you lost again, but I’m not that bad. You’ve never really been through anything really shit, Derek.

  I’m sorry, but you haven’t.

  Scene Seven

  A Swim

  By the caravan. A lovely bright day, a bit of a breeze.

  DEREK runs in quickly from the beach, up the path barefoot, trying not to run on anything sharp. He is wearing faded old swimming shorts, a bit big.

  He looks back to the sea as he dries himself off with a towel.

  LYDIA runs in, in a one-piece swimming suit. She dries herself with her towel.

  DEREK

  Alright?

  LYDIA

  Yes!

  DEREK

  Nippy breeze!

  DEREK dries himself with his towel, then puts it around his shoulders.

  LYDIA

  How was that!

  DEREK

  Wonderful!

  LYDIA closes her eyes and feels something.

  LYDIA

  I love this bit.

  After swimming.

  The tingling feeling.

  Do you get that?

  DEREK

  Yes.

  She picks up her clothes, and goes into the caravan.

  LYDIA

  I’m getting changed.

  DEREK

  Okay.

  She opens the window, wide, and pokes her head out.

  LYDIA

  Is there anyone coming?

  DEREK

  No.

  DEREK turns around as she gets changed in the caravan, and remains loyally disinterested in what is going on behind him.

  LYDIA takes off her swimsuit. She quickly puts on some knickers and jeans. Shielding her chest with her arm, she briefly looks up to see if DEREK is watching.

  They are both aware of what might be there.

  LYDIA

  I don’t want you to see it.

  Beat.

  It’s horrible.

  DEREK

  It is what it is.

  LYDIA

  It’s like evil.

  DEREK

  It’s not evil.

  Maybe it will fade.

  LYDIA

  And scar.

  DEREK

  We all get scars.

  Pause. LYDIA looks at DEREK, then finishes getting dressed, comes out of the caravan.

  DEREK goes into the caravan, and brings out a CD he has made.

  I made you a CD!

  LYDIA

  Oh!

  Pause. He hands it to her.

  DEREK

  I’m going to get changed now.

  LYDIA

  I’ll turn round.

  LYDIA

  (Of the inlay card, upon which is neatly written the name of each track.) You wrote it all out!

  DEREK

  Yes!

  LYDIA

  You made me a CD!

  DEREK

  Yes.

  LYDIA

  Shall we play it?

  DEREK

  Alright.

  I’ll bring the thing out here.

  DEREK finishes changing, and then drags his CD player out of the caravan, which is connected to an extension cable.

  He puts the CD in, and presses play.

  A song begins, from 1995. It is a wonderful song.

  LYDIA

  Who’s this?

  DEREK

  Oh

  He hands the CD case to LYDIA. She looks.

  LYDIA

  I don’t know it.

  When did it come out?

  DEREK

  1995.

  Pause. They listen to the song for a bit. What a wonderful song.

  I don’t think we have to fall into the abyss, you know?

  I think we can all find a way through.

  There’s no reason why we can’t.

  Don’t you think?

  I remember

  When it was on the news for the first time.

  When all those people started dying in London.

  In London!

  So many people, in our country!

  And we started getting very frightened.

  And the blaming began:

  ‘This is so typical.’

  ‘These city people with their loose… ’

  ‘Well, this is what happens when you behave like that.’

  Pause.

  If we had stood up for your people

  LYDIA

  I don’t have a people.

  We’re not a ‘people’.

  DEREK

  You’re brave.

  LYDIA

  I’m not brave.

  DEREK

  (Bravely putting his hand on her shoulder.) You are. I’ve seen it.

  But that hand on her is the last straw, she snaps.

  LYDIA

  Get your hand off me.

  Beat.

  DEREK

  I think you have such courage.

  LYDIA

  Then you don’t know me.

  DEREK

  I think you’re a good person.

  LYDIA

  How do you think I got it?

  Pause. LYDIA starts to anger.

  Don’t make me feel bad.

  DEREK

  I’m sorry.

  LYDIA

  You’re making me feel shit.

  DEREK

  I’m so sorry

  LYDIA

  And you’ve got one over me.

  DEREK

  I’d never say anything!

  VINCENT enters.

  VINCENT

  Never say what?

  He is carrying a bunch of wildflowers.

  Hello.

  LYDIA

  Hello.

  VINCENT

  (Of the flowers.) I brought you these.

  These are poppies.

  And bugle.

  And dog roses.

  And elderflower.

  Honeysuckle.

  Ragged Robin.

  LYDIA

  How do you know all their names?

  VINCENT

  My mum used to teach me.

  She used to have a florist.

  They’re showing a film at the hall tonight.

  LYDIA

  What is it?

  VINCENT

  Four Weddings and a Funeral

  Have you seen it?

  LYDIA

  Yeah.

  VINCENT

  We could go for a drink, afterwards.

  Pause.

  LYDIA

 

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