by Lydia Davis
Suddenly Afraid
because she couldn’t write the name of what she was: a wa wam owm owamn womn
Getting Better
I slapped him again because when I was carrying him in my arms he tore my glasses off and hurled them at the grate in the hall. But he wouldn’t have done it if I hadn’t been so angry already. After that I put him to bed.
Downstairs, I sat on the sofa eating and reading a magazine. I fell asleep there for an hour. I woke up with crumbs on my chest. When I went into the bathroom, I could not look at myself in the mirror. I did the dishes and sat down again in the living room. Before I went to bed I told myself things were getting better. It was true: this day had been better than the day before, and the day before had been better than most of last week, though not much better.
Head, Heart
Heart weeps.
Head tries to help heart.
Head tells heart how it is, again:
You will lose the ones you love. They will all go. But even the earth will go, someday.
Heart feels better, then.
But the words of head do not remain long in the ears of heart.
Heart is so new to this.
I want them back, says heart.
Head is all heart has.
Help, head. Help heart.
The Strangers
My grandmother and I live among strangers. The house does not seem big enough to hold all the people who keep appearing in it at different times. They sit down to dinner as though they had been expected—and indeed there is always a place laid for them—or come into the drawing room out of the cold, rubbing their hands and exclaiming over the weather, settle by the fire and take up a book I had not noticed before, continuing to read from a place they had marked with a worn paper bookmark. As would be quite natural, some of them are bright and agreeable, while others are unpleasant—peevish or sly. I form immediate friendships with some—we understand each other perfectly from the moment we meet—and look forward to seeing them again at breakfast. But when I go down to breakfast they are not there; often I never see them again. All this is very unsettling. My grandmother and I never mention this coming and going of strangers in the house. But I watch her delicate pink face as she enters the dining room leaning on her cane and stops in surprise—she moves so slowly that this is barely perceptible. A young man rises from his place, clutching his napkin at his belt, and goes to help her into her chair. She adjusts to his presence with a nervous smile and a gracious nod, though I know she is as dismayed as I am that he was not here this morning and will not be here tomorrow and yet behaves as though this were all very natural. But often enough, of course, the person at the table is not a polite young man but a thin spinster who eats silently and quickly and leaves before we are done, or an old woman who scowls at the rest of us and spits the skin of her baked apple onto the edge of her plate. There is nothing we can do about this. How can we get rid of people we never invited who leave of their own accord anyway, sooner or later? Though we are of different generations, we were both brought up never to ask questions and only to smile at things we did not understand.
The Busy Road
I am so used to it by now
that when the traffic falls silent,
I think a storm is coming.
Order
All day long the old woman struggles with her house and the objects in it: the doors will not shut; the floorboards separate and the clay squeezes up between them; the plaster walls dampen with rain; bats fly down from the attic and invade her wardrobe; mice make nests in her shoes; her fragile dresses fall into tatters from their own weight on the hanger; she finds dead insects everywhere. In desperation she exhausts herself sweeping, dusting, mending, caulking, gluing, and at night sinks into bed holding her hands over her ears so as not to hear the house continue to subside into ruin around her.
The Fly
At the back of the bus,
inside the bathroom,
this very small illegal passenger,
on its way to Boston.
Traveling with Mother
1.
The bus said “Buffalo” on the front, after all, not “Cleveland.” The backpack was from the Sierra Club, not the Audubon Society.
They had said that the bus with “Cleveland” on the front would be the right bus, even though I wasn’t going to Cleveland.
2.
The backpack I had brought with me for this was a very sturdy one. It was even stronger than it needed to be.
I practiced many answers to their possible question about what I was carrying in my backpack. I was going to say, “It is sand for potting plants” or “It is for an aromatherapy cushion.” I would also have told the truth. But they did not search the luggage this time.
3.
In my rolling suitcase I had the metal container, well wrapped in clothes. That was now her home, or her bed.
I had not wanted to put her in the rolling suitcase. I thought that riding on my back she would at least be near my head.
4.
We waited for the bus. I ate an apple so old it was nearly baked like a pie apple.
I don’t know if she, too, heard and was bothered by the recorded announcement. It came over the loudspeaker every few minutes. The bad grammar in the beginning is what would have bothered her: “Due to security reasons…”
5.
Leaving the city felt so final that I thought for a moment my money wouldn’t be good where we were going.
Before, she could not leave her house. Now she is moving.
6.
It has been so long since she and I traveled together.
There are so many places we could go.
Index Entry
Christian, I’m not a
My Son
This is my husband, and this tall woman with him in the doorway is his new wife. But if he is silly with his new wife, and younger, then I become older, and he is also my son, though he once was older than I, and was my brother, in a smaller family. She, being younger even than he, is now a daughter to me, or a daughter-in-law, though she is taller than I. But if she is smarter than a young woman, and wiser, she is no longer so young, and if wiser than I, she is my older sister, so that he, if still my son, must be her nephew. But if he, very tall though she even taller, has a child who is also my child, am I then not only a mother but also a grandmother and she a great-aunt, if my sister, or an aunt, if my daughter? And has my son then run off with his child’s aunt or, worse, his own?
Example of the Continuing Past Tense in a Hotel Room
Your housekeeper has been Shelly.
Cape Cod Diary
I listen to the different boats’ horns, hoping to learn what kind of boat I’m hearing and what the signal means: is the boat leaving or entering the harbor; is it the ferry, or a whale-watching boat, or a fishing boat? At 5:33 p.m. there is a blast of two deep, resonant notes a major third apart. On another day there is the same blast at 12:54 p.m. On another, at exactly 8:00 a.m.
The boats seem to come and go at all hours, and last night I could still hear their engines sounding well into the early morning. The pier is so far away, though, that the boats are the size of dominoes and their engines can be heard only when the town is quiet.
I am staying by the harbor in a damp little blue-and-white room that smells faintly of gas from the stove. The only people I see are an old couple who live just outside town. Sometimes they have visitors as old as they are, and then they invite me to have dinner or tea with them.
I work in the mornings and early afternoon, then I go out to get my mail. If I shop, I might buy a pencil sharpener, a folder, some paper, and a postcard. Another day, I might buy some fruit, some crackers, and a newspaper.
It is the beginning of August. I am not sure I should stay for the whole month. This may be a good place to work. My neighbors are quiet and I do not even have a telephone. Still, I’m not sure. I am trying to plan out how it would be. I can work most of the day.
I can visit the two old people. I can write many letters. I can walk to the library. I can swim. What is missing?
A storm is coming, and the gulls cry over the streets. They have come over the land away from the storm. There is a heavy smell of fish in the air.
A short gust of wind, then calm, then the sea is dark gray and the rain comes down hard, and the wind blows against the awnings. My neighbor in the room above goes to his door, then begins walking around over my head.
To get to the beach from my room I go down the narrow boardwalk between two wooden buildings, mine and the motel next door. The two buildings lean together above me as I pass the windows of the motel apartments, waist high; at certain hours women are working in the kitchens, and there are snatches of conversations in the living rooms. These people seem louder and at the same time more stationary because they are idle and on vacation.
The different groups of people here: the year-round residents, who are sometimes artists and often shop owners; the tourists, who come in couples and families and are generally large, young, healthy, tanned, and polite; of these tourists, most are American, but some are French Canadian, and of these, some do not speak English; Portuguese fishermen, but they are harder to discover; some Portuguese who are not fishermen but whose fathers or grandfathers were fishermen; some fishermen who are not Portuguese.
I looked at whale jawbones in the museum this morning. Then I did some shopping. Whenever I go into the drugstore it seems that many people are buying condoms and motion sickness medicine.
Fog comes in over the next hill, foghorns sound, now and then boats whistle. Waves of mist blow like curtains, or smoke.
The noises here at different times of day: At 5:00 a.m., when sunlight pours into this room, there is relative quiet that continues until after 8:30. Then there is increasing noise from the street: after 10:00 a.m., a gentle Central American music, constant, inoffensive plucking and pinging, as well as the sound of passing cars, voices in conversation, the clatter of silverware from an upstairs terrace restaurant across the street, car engines turning over in the parking lot to one side of my room, people calling out to each other, laughing and talking, and all of this then continues through the day and the evening and past midnight.
I will probably not think about the whale jawbones once I am home again. I have noticed that it is only when I am at the seaside, for one short period of the year, though not every year, that the things of the sea become interesting to me—the shells, the creatures, even the seaweed; the boats and how they are built and what their functions are; and nautical history, including the history of whaling. Then, when my visit is over, I go away and I don’t think about them.
For two days I did not speak to anyone, except to ask for my mail at the post office and say hello to the friendly checkout woman at the small supermarket.
When the storm began today I heard the footsteps of the man who lives above me going across to the door that leads out to his deck, pausing there for a while, and coming away again. The ceiling is low, and the sound of these footsteps is a very loud crunch, so that I feel they are almost on my head. When he comes home, first I hear the clanging of the street gate, then his brisk steps down the concrete walk of the alley, then the hollow wooden clatter as he climbs the stairs inside the building, then the loud crunch over my head. Steps in one direction, steps in another, then steps crisscrossing over my ceiling. Then there is silence—he may be reading or lying down. I know he also paints and sculpts, and when I hear the radio going I think that is what he is doing.
He is a friendly man in late middle age with a loyal group of friends. I discovered this one of the first nights I was here. He had been away in the city for a few days celebrating his aunt’s hundredth birthday, as I heard him tell his friends, and was loudly welcomed back by a hoarse-voiced, middle-aged woman trailing a string of other people standing outside our building in the alley. They had come by to see if he was back. I know he is friendly because of a smile and greeting he gave me on his way into the building once, a greeting that lifted my spirits.
Sometimes there are loud thumps from above. At other times he seems to be standing still, and there is something a little mysterious and disturbing in the stillness, since I have trouble imagining what he is doing. Sometimes I hear just a few notes from a saxophone, the same notes repeated the same way a few times or just once before he stops and does not play again, as though something were wrong with the instrument.
There are two buildings on this property, one fronting the street and the other behind it, by the beach, with a small garden in between. My low, ground-floor room does not look out on the beach but on the damp garden. Each house is divided into apartments or rooms, maybe six in all. The landlady sells antique jewelry from a store in the building on the street. Most of the people who live in the buildings have seasonal work here and come to these rooms every summer. They are all quiet and sober, as the landlady made very clear before I moved in. She calls my room an apartment, even though it is just a room, as though there were something vulgar about the word room.
I was wrong about my neighbor upstairs. He is not the friendly man who once greeted me. He is barely polite. He has silver hair and a silver goatee and an unpleasant expression around his bulbous nose.
I was also wrong about the saxophone, which is not played by the man upstairs but by my neighbor across the patch of garden, a woman with a dog.
All week long I had heard people saying there would be a storm. I went out onto the beach, into its first fury, to see it hit the water. After I had stood for a while sheltering my face under my hand and watching the buildings on the piers in the distance vanish behind the curtains and sheets of rain, I went down to the water’s edge, where the wind was much stronger, to see more closely how the rain hit the water. A man in a yellow slicker was dragging a rowboat up onto the sand. The wind came in so hard that it lifted the rowboat and turned it over. It lifted and flung the sand against my legs, stinging them. I took shelter under the motel deck next door, which is up on stilts off the beach. On the deck over my head, plastic chairs were being slung around and tumbled into corners by the wind.
Now the rain is coming down steadily, and the streets, which were empty at the beginning of the storm, are filling with people again, and there is, again, a heavy fish smell in the air. I have hung my clothes to dry from nails in the beams and posts of my room, so that it is a forest of damp garments swaying in the gusts of wind from the door and the windows.
The essay is taking shape now. As the time passes here, time is passing in the travels of the French historian. I trace and describe his itinerary through this country; he progresses, I progress in the essay, and the days pass. I am coming to feel that he is more my companion, in this room, than the live people in this town. This morning, for instance, because in my imagination I had been traveling with him ever since dawn, I felt I was not here in this seaside town but in a damp river valley some hundreds of miles to the west of here. I was in the previous century. This morning, the historian was watching fireworks from a boat in the middle of a broad river. For him it was evening.
It is not an easy piece of writing. I understand the information in the sources I am using, but I have no general background knowledge to draw on. I am afraid it will be very easy for me to make a mistake.
From within the town I look out at the harbor and across the harbor to the sea beyond. The horizon is very far away. But that view itself, because it hardly changes, becomes a sort of confinement. The streets, too, teeming with people, seem always the same. I feel as though I were knocking up against myself at every turn. I am sometimes almost in a panic. That may be because I am also knocking up against the limits of what I can do with this work.
Yesterday I went a little way out of town, far enough to leave the houses behind. I walked past low hills covered with scrub brush and dead oaks, and dunes covered with dune grass, and then a marsh of bright green reeds cut through with channels of clear water.
B
ut I can see that this, though it was so fresh to me today, and such a relief, would become dull, too, if I watched it from my window every day from a house outside town, and then I would need a glimpse of what I can see here: the stone breakwater, the two piers stretching out into the water, the small boats all pointing the same way, the one big, old hulk beached at low tide and leaning to one side; and in the streets the thick crowds constantly stopping at shop windows; the carriages and horses with women drivers wearing men’s formal black suits, their blond hair in topknots; the motley people in a row on the bench before the town hall watching the others walk and drive by; the tall black transvestite who strides up the street in a sequin-covered red dress away from the Crown and Anchor Hotel; the tall white transvestite who stands next to the hotel with his dress open over one lean leg all the way up to his hip, a creased angry look about his long nose under his wig and above his red lips. They are advertising a show at the hotel.
The hotel is a large establishment almost directly across from the plain and tranquil old Unitarian Universalist Meeting House, which is set back from the busy street over an unadorned rectangle of lawn. The church was built in 1874 and is now being restored with the help of a fund raised by a group of painters here. The painters are the most famous inhabitants of this place, along with the writers. Earlier inhabitants were: the Portuguese fishermen and occasional Breton and English fishermen; the whalers; the Pilgrims who first landed here in 1620 and did not stay for three reasons, only two of which I can remember—the harbor was not deep enough and the Indians were not friendly; before them the Nauset and Pamet Indians themselves.