"Clever," I agreed, watching the drops of water striking the clay. "When a man is rich enough, there's no limit to what he can afford. So you must be complimented that a man who could have any lawyer in America as his corporate counsel should choose you."
His blond brows rose in surprise. "Never thought about it. Damn nice thing for you to say. But I don't know if I can lay it to legal brilliance." His smile was disarming. "Fact of the matter, got to know Chase at the club. Golf, you know. Damn fine player."
"As I'm sure you are." I lifted my glass. The seltzer was tart and refreshing.
"Fair, fair. Good enough, I suppose." He finished off the beer. His open face, still flushed from the tennis, was now relaxed and good-humored, that of an untroubled man on a perfect holiday. He grinned. "More to the point, fellows like Chase want to have a little bet on each hole. I never win too often."
I was seeing a superb performance. There was more to this man than amiable bonhomie, but he'd had years of practice at providing what he sensed his audience wanted. One session with me wasn't going to prick that facade, let alone destroy it.
I could try.
"What happens to Chase's estate when he dies?"
The easy look fled. He sat up straighter and looked at me sharply. He was unsmiling. He no longer looked like a lawyer on a holiday. He looked like a lawyer. "Why do you ask that? That has nothing to do with the book you're researching."
"No, perhaps not. Let's say I'm interested because the provisions of a will reveal an enormous amount about the relationship of the testator with the legatees." I met his gaze confidently.
"But this isn't that kind of biography, is it? This is going to be positive, isn't it?" ^
"Excuse me?" He couldn't have missed the frost in my voice.
It didn't bother him a whit. He compounded the insult. "Look, he's hiring you to write him up. Probably paying a good bit - "
"That's not the way it works, Trevor. I've agreed to write a biography. In fact, I've already had expressions of interest from several publishers. My agent will probably have an auction. But the point is: I
write what I find. If it's positive, so be it. If it isn't… I'm no hired hand. Which brings me back to my original question: What happens to Chase's estate - "
That's when the shots rang out.
6
It galls me to admit it, but I
was the last to reach the point. Age can be mastered to a great extent, but my seven-minute-mile days are long since past. Sometimes I console myself that not many women my age still jog, even if at the pace of a summer-somnolent armadillo. And sometimes I just swear bitterly and try to ignore the ache in my right knee and the stitch in my side.
I'll never forget the sight that met my eyes.
Everyone known to be on the island was there except for the housekeeper and the maid.
It was easy to see what had happened.
The force of the shots had flung the easel onto the stone floor. Drawing the eye at once and irresistibly were the ragged-edged bullet holes-three of them - almost at the midpoint of the canvas. At the height of the artist's head.
The surface of the stone floor told its story, too. A long, scuffed swath through the drifted pine needles and live oak leaves marked where Chase had thrown himself down. He had scrabbled to safety behind the shed, his back to the sound. That desperate crablike scuttle had cost him. Blood streaked his elbows and knees; dirt stained his white shorts and polo shirt.
Miranda clung to one arm, murmuring his name over and over, tears coursing down her lovely face.
Chase ignored her. His chest heaved like that of a man who had run a long distance. His face was red and stricken. It was also implacably angry.
"Someone shot at me."
Enrique shaded his eyes and looked out at the choppy water. "Hunters, sir. Poachers. The island's posted, of course. But some people - "
"Hunters?" Trevor broke in, his blue eyes skeptical. "We'd have heard a boat. Chase, did you hear a boat? Did you hear anything? Crackling in the underbrush, footsteps? Hunters make noise."
Chase jerked away from Miranda, too angry to be patient with her tears. He looked toward the dark mass of foliage. It appeared even darker and more somber and impenetrable from the brightness of the point with the open Atlantic on one side, the sound on the other.
"Nothing. Not a single sound."
"But that means…" Miranda hiccuped and rubbed her reddened eyes, looking bereft and hopelessly childlike.
Chase looked at each face in turn, his eyes probing, challenging. "Yes, it means someone crept up and aimed a gun at me-at my hack-and shot-and the
only reason I'm alive is that most people don't have any idea how hard it is to hit a target. The force of the explosion jerks the gun unless it's held rock-steady. One of you didn't know that."
"This is absolutely the limit."
Valerie's protest was icy, outraged. She tossed her platinum head. "I've been insulted ever since I arrived. But I refuse to be accused of murder. I'm leaving. Right now."
She turned and stalked across the stone floor.
Chase crossed his arms over his chest. "I didn't know you were a channel-ready swimmer, Val."
That stopped her. She whirled to face him. Her beautiful eyes blazed. "The boat will take me to shore. Now."
"No. No one's going anywhere. Not until I say they can go." Chase smiled grimly. "Unless they wish to swim."
"Wait a minute, Dad." Roger's voice was conciliatory. "You're upset. Of course if Val wants to go home, we '11 have to - "
"No." A vein pulsed in Chase's temple.
"But, Dad-"
"Shut up, Roger." Chase's breathing was easier now. He squinted at the woods. "Who got here first?"
There was an instant of uneasy silence.
Enrique's face was expressionless. "I think I did, Mr. Prescott."
Chase focused on him. "Who came next?"
Enrique looked toward Valerie.
The actress clenched her hands. Her eyes smoldered. "Wait a minute now, wait just a minute. Is
this a put-up job?" Furiously she jabbed a finger. "You were here when I came!"
Burton Andrews stepped back as if she'd struck him. "I didn't say I wasn't," he stammered. "I heard the shots - I was over by the track and I came as fast as I could."
Near the track? Why hadn't Trevor and I seen him? Of course, there were all those weeping willows…
Chase jerked his head toward me. "Okay, Henrie O, get this down."
I'm not fond of barked instructions, and I serve as no man's scribe. But these were not normal circumstances. I got out my notebook.
The order of arrival sorted out like this:
1. Enrique
2. Burton
3. Valerie
4. Lyle
5. Trevor
6. Haskell
7. Roger
8. Miranda<
br />
9. Me
"Enrique, check on Rosalia and Betty." Chase pointed up the path. "Then come back."
Miranda gave a little moan. "Oh, God, do you think something's happened to them? Oh, my God, what's going on here?" Her hands twisted together.
Chase shot an irritated look at his wife. "Nothing's happened to them. If we had a cellar, that's
where Rosalia would be. Hiding. She doesn't look for trouble. Enrique will find them. Come here, Burton."
The secretary edged toward Chase, reluctance evident in every line of his body.
"Christ, man," Chase snapped, "what's wrong with you?"
"No- nothing." Burton stared at Chase with those stricken-deer eyes. The secretary had the died-again attitude of the born loser. He'd been blamed so many times for mistakes that weren't his that his automatic response was going to be "I didn't do it."
Chase understood that. He spoke slowly, patiently. "Relax, Burton. Think back. You heard the shots, then what did you do?"
Burton swallowed convulsively. His eyes slewed toward the woods, then jerked back to Chase. "Well, I was up near the track. Sort of. But closer to the woods. I was -" He shot another nervous glance at Chase. "I was taking a quick break, a little walk, before I got back to work. But I was thinking about the appointments for next week, getting the material- "
Chase managed not to bark, but just barely. "Get on with it. You were taking a walk. What happened?"
"Well" - Burton's tongue flicked over his lower lip - "I wasn't paying a lot of attention when bang! I heard the shots and then I heard someone running- it must have been Enrique-so I started to run, too. I came up the path and you were just getting up from
behind the shed and Enrique was hurrying toward
,, you.
"Didyou pass anyone on the path? See anyone?"
Chase fumbled for a handkerchief and dabbed at his bloody knees.
Miranda took the square of linen from him and gently touched the deep scratches.
"No." Burton's voice wavered. "I don't think so."
"You did or you didn't." Chase winced and roughly snatched the handkerchief from Miranda.
"No, no, I didn't see anyone until I got here and saw you and Enrique."
I hate to see time wasted. "Chase, obviously Burton didn't see anyone. The gunman would immediately take cover when he heard us coming, then, at the appropriate moment, slip onto the trail, break into a trot, and arrive here at the platform to join in the general hue and cry."
A crunch of footsteps sounded from the tangle of shrubbery and woods. No one said anything until Enrique emerged from the trees.
The valet reported to Chase that Rosalia and Betty had immediately locked themselves in the pantry after Betty ran in from outside and told the housekeeper about the shots.
"Where was Betty? Why was she outside?" I demanded.
Enrique ignored me. He kept looking at Chase, his pockmarked face impassive.
Chase took it up. "Where wcm Betty?"
"The storeroom. Rosalia sent her for some supplies." Enrique's tone was just short of truculent. "I told them to get back to work. Lunch will be served on time."
Lunch. Oh, yes. People are born. They die, naturally or not, and everyday routines continue.
"Good enough." But Chase was not interested in what his employees were doing. His eyes were on me. "Henrie O's right. It doesn't matter when anybody arrived or didn't arrive. Dammit, Henrie O, what doe*) matter?"
"A thorough search of the premises and private interviews with everyone on the island to pinpoint the location of each person at the time of the shooting. That's a job for the police. I've got a mobile phone and-"
"No police." Chase's voice slashed through mine.
I looked at Chase an instant too long. By the time I scanned the other watching faces, it was too late. If Chase's announcement afforded relief to anyone, I'd missed it. All I saw on each visage was surprise and puzzlement.
"Hey, Chase, what's the deal? Somebody tries to murder you, of course we've got to call in the cops." Lyle Stedman's gravelly voice betrayed his impatience.
"No cops." Chase's mouth set in a grim, determined line.
"Dad, wait a minute, think a minute." Roger spoke quietly, gently. His face was still white with concern.
"The police?" Miranda's voice was faint.
Chase held up both hands. The voices quieted. "This isn't the way I thought it would turn out, but maybe it's better to put it all on the table. One of you - one of you - " He stopped and stared at his family and staff.
Miranda hugged her arms against her slender
body; her eyes were huge and terrified, like a child waking deep in the night.
Haskell's dark good looks might have been carved out of mahogany. He watched Chase with an unwinking gaze.
Roger stepped toward his father, his hand outstretched. If Chase saw the gesture, he didn't respond. Roger's hand fell. His face screwed up in pain.
Valerie's smooth, unlined countenance didn't alter, of course. Perhaps that was an unsung advantage of face-lifts. It would take a hell of a crystal ball to read that lady's thoughts.
Burton looked like a rabbit caught in a trap. I wondered if the secretary was going to faint.
Lyle Stedman's green eyes narrowed.
Trevor Dunnaway was shaking his head slowly. All trace of his usual good humor had fled.
"One of you" - Chase's voice was quiet, but there was steel in his eyes - "tried to kill me today. One of you has tried before."
His upraised hands kept them quiet.
"No. Listen to me. That's why I invited each of you here. All of you-except Henrie O." His face softened. "Henrie O's the best investigator I've ever known. She's smarter than three carloads of cops. That's why when somebody tried to poison me, I thought of her." The look he gave me was as warming as an embrace.
Not so the response from the others. Their combined glances were almost a physical assault. Distrust. Suspicion. Anger. Jealousy. All aimed at me.
"Poison? What the hell are you talking about?"
Trevor looked like a bank president whose bank has just been taken over by the FDIC.
"Poison!" Miranda's voice shook. "When? Where? Oh, Chase, I knew something was terribly wrong, I knew it!"
Roger stared at his father and mouthed "Poison," but no sound came.
Chase impassively described the lethal candy and the dog bounding across the room. "His body arched. He tried to breathe. I watched him die."
"That's sickening, absolutely sickening." One hand clutched dramatically at Valerie's throat. She shuddered. Then her eyes narrowed and her perfect cheeks flamed. "How dare you suggest I would do such a thing! I'll sue you, Chase, unless you withdraw that accusation."
"There is no accusation, Val. Yet. You are s
imply one of several who could have placed the candy in my study." Chase looked around the point. "One of you," he said simply. "That's why you're all here. And here you are all going to stay until Henrie O figures out which one of you did it, which hand filled that candy with cyanide, which hand held the gun. She's going to find out the answer."
Dead Man's Island Page 11