by Jackson Kane
The gun slipped from my fingers and clattered onto the ground.
“And cut!” The director called out from behind a stand covered in monitors. She discussed the minutia with a few of the producers. “Stand-by. Reviewing footage. Autumn get ready to go again and can we get another fly on deck please?”
My first day on set and they had me filming my character’s last scene in the movie. I couldn’t even pretend to know why we were shooting the movie backwards, and with everything that happened recently that was the furthest thing from my mind.
“Um, Can I—” I asked, as the Fly Wrangler rushed over with a pair of tweezers.
“Sure.” The director agreed, “Quickly, please.”
“Thanks.” Every time! We’d repeated that scene fifteen times trying to get the fly to walk a certain way down my arm. A shiver erupted through my body the second the big, black fly was removed my skin. I stood up and shook my arms out. I desperately wanted to scratch my arms where the fly walked across, but I couldn’t because it would show on camera.
“We’re going to keep that take. Good job, Autumn.” The director changed her mind after liking what she saw. “Moving on.”
Thank God! I scratched my arm furiously to replace that chilled walking fly sensation. The make up department was definitely going to have to touch me up, but I didn’t care. Ahh! Having a frozen fly defrost on your skin then start walking around felt so incredibly disgusting and weird!
I carefully navigated my way through the set trying not to disturb any of the wreckage. Bloodied extras and stunt performers who were doubling as dead bodies started to stir and find their feet.
“Feel free to take a breather,” Jess, my assistant, said, handing me a bottle of water once I was clear of the chaos. I didn’t know I was even going to get an assistant until Jess introduced herself this morning. She was a little older than me and with her jet black hair and bangs, she had a Bettie Page thing going on. She pulled up her phone and read down the Call Sheet with all the day’s shooting information.
“Your next scene is going to be B-five-P-three. That’s the big shoot out at the end of the film on that stage over there.” Jess pointed to one of the other fully-constructed and furnished sets in this large building. She handed me the script sides she’d kept folded in her back pocket. All my sections were highlighted. “I believe that’s these pages. I also sent them to your phone as well.”
“Perfect. This is great, thanks.” I took deep breath and forced my head to clear. “You think they’ll mind if I step outside and get some air?”
“I doubt it. I’d say it’s going to be at least another two hours before we get to your stuff.” She paused, checking the time and glancing furtively at the lingering emotion in my expression. “You went to a pretty dark place there, are you alright?”
“Yeah.” I conjured a soft smile that was convincing enough. “I’ve just had a lot of experience to draw on lately.”
She offered to show me the easiest way out of the building, but I declined. These last few days I’d been surrounded by so many people that I needed to just walk aimlessly for a while.
Jason had been an incredible sweetheart about letting me stay in one of the many spare rooms of his home. I got a little freaked out when I first saw a picture of myself at his house in a YouTube video. With the paparazzi leaking my whereabouts online, how long until Mitch and his crew showed up?
Jason seemed to read my concern, because within the hour of telling him what I found I noticed that armed security around his house had doubled. It let me feel safe enough to sleep for a couple hours here and there.
What I didn’t expect was the near constant parade of script writers, producers, actors and media professionals. I did my best to stay out of the way, but it became a little harder to do when every night seemed to end in a party. I couldn’t even get food in the morning without stepping over some half naked hangers-on sprawled out drunk on his floor. Not feeling the party scene at all, I shut myself in my room, and tried to stay distracted.
His place was such a change from the quietness of Dante’s estate, where it was only the two of us most of the time. The training was grueling, but after that first week I began to enjoy the progress I was making. I had a goal and for as frustratingly slow-going as it was, I was making steps in the right direction.
But it was the proud look on Dante’s face and his subdued praise when I got something really right that I cherished the most. It was only when those perfect moments had passed, that I realized how much they meant to me. Despite everything he’d done, I missed Dante so much that it hurt.
On my way out of the building, I passed the other two sets. Aside from the destroyed office I’d just filmed in, the first one I saw was a child’s bedroom. Brightly-colored, painted, walls were covered in stickers and posters, and littering the shelves and floor was enough video games and action figures to fill my little cousins Christmas lists ten-times over.
Beyond that, in stark contrast, was a disgusting, double-bunked cell that looked like it was ripped from a hellish prison built in the early nineteen-hundreds. The windowless, cracked, concrete walls, rusty, seat-less toilet, lone caged-in flickering light and thick metal door gave me a claustrophobic anxiousness that quickened my stride to the side door that led out into the main lot.
Seeing all the different sets in this one building was a lot like casually strolling through someone else’s dream. It was surreal walking through them because they weren’t connected narratively in any way. The scenes only worked when viewed from certain angles. The longer I walked, the more my perspective changed and the more rough staging, extension chords, and building material became visible; all the magic just fell apart.
“Oh!” I reached for the handle when the whole door pulled back. I stumbled forward without the expected weight to stop me and nearly crashed me right into Jason who was just coming in from makeup and wardrobe. I stopped myself by placing a hand on his chest. “I’m so sorry!”
“It’s quite alright,” Jason laughed loudly through his dark sunglasses and wide smile. He held the door for me to step outside. Several of his friends greeted me with a wave as they funneled out of Jason’s trailer and into the soundstage I’d just walked out of; a haze of smoke lazily chased after them. They didn’t bother to hide how lit they were, because they knew Jason was too famous of an actor to ever get hassled over it. “Well aren’t we quite the pair?” He raised his sunglasses and looked me over.
“The miracle of movie magic, the blood’s been dry for ages.” He looked like hell in his tattered Navy service dress white uniform, which was almost half red with fake blood. Most of his medals and a few buttons had been torn off, and he was missing a shoulder board and a glove. He still had the sword though. All the fake damage to his skin and real distressing of his outfit couldn’t dull his natural handsomeness and captivating electric blue eyes.
Even filthy-looking and stoned off his ass, Jason Brenner was an undeniable Hollywood heartthrob.
“Our characters have certainly seen better days.” I agreed, glancing down at my evening gown which looked like it had gone through the same wood chipper as his clothes.
“The tragic love story.” Jason pontificated, acting grave from physical and emotional wounds. “I guess we weren’t meant to be.”
“I guess not.” I smirked, thinking back to the morning I saw Jason nearly nude passed out on the couch, surrounded by a pile of topless women and one bottomless guy. When I saw them, I couldn’t shake my surprise, but I did make an active effort to cover my eyes as I walked to and from the kitchen for a bowl of cereal. I swear. It was good to see he wasn’t too torn up about me turning him down when he asked me out at Dante’s place.
And to think, I remember speculating while crunching away at my Golden Grahams, I could’ve been one of the girls in that pile if only I hadn’t fallen for him and not Dante.
“Are you finished for the day?” Jason asked, letting one of his private security guards hold the door o
pen for him.
“No, I’m just on a break. I might wander over to craft services for a coffee or something.”
“Cool. Well I should head in before they yell at me.” Before he disappeared inside he gave me a clumsy high five, which left me chuckling as I walked down the side of the building.
It was amazing how quickly the starry-eyed, awestruck fangirl in me faded away. The more time I spent around him made me realize just how normal Jason was.
Or rather how normal you could get while still being a wealthy celebrity at the height of your popularity.
He was charming, goofy and surprisingly accommodating and considerate. I’d never be able to think of him the way I did Dante, but he was a great friend when I needed one.
Once I got to the intersection and cleared our row of actor’s trailers that lined our side of the road, I got a nice view of the Lionhouse studio grounds. When I rode in with Jason this morning in his caravan of black limousines, I didn’t get to see all that much. We stopped at the gate briefly, but otherwise drove right to the soundstage.
I decided to stretch my legs and walk the few blocks to the closer of the two Starbucks that was in the studio lot. The soundstages were these giant warehouses that were laid out in a grid, several of which had their red lights on which meant they were actively filming other movies and TV shows.
Past all that were the wildly varied backlots, those were exterior sets built for outside filming. One of them was a rustic saloon, whorehouse, sheriff station and other rickety wooden buildings that you’ve seen in every western movie ever. Another backlot was a massive, one-for-one replica of Times Square in New York City, except where all the giant advertisements were supposed to be there were only empty, green screens so they could add whatever they wanted in post-production. The one I walked through was a nondescript suburban street with nice-looking houses on either side. It could’ve been ripped from any town in middle America.
Aside from all the sets, they had their own fire station, movie theatre, diner and even a credit union. The only way in or out of the property was through heavy-duty security checkpoints. Lionhouse reminded me of a small town, or at least a gated community, that had way too much money and a serious case of schizophrenia.
I was also surprised at how much regular activity there was on a given day. I waved to a couple dozen people who slowly drove by in one of those small, guided, studio buses with the open sides. The excited tourists waved back and said hello as they took countless pictures, and behind them was a small, school bus on some kind of field trip. Work trucks, vans and hideously expensive cars and trucks bustled back and forth on the busy streets.
Stepping out of the coffee shop, I began to make my way back to my soundstage when I saw an unmistakable form getting shuttled past the middle America set and down toward the administrative buildings.
Dante?
I dropped my coffee. A compulsion washed over me, and I began walking after him. I never expected to see him again. I didn’t even know he was alive. When he rounded the corner and disappeared, I kicked off my heels and broke into a run. “No. no. no.”
I didn’t know why he was here, or whether he was working or pulling a job, and I didn’t care. I couldn’t lose him again! I didn’t care that following him might put my job or even my life in jeopardy. All thoughts about my scenes and what I was supposed to be doing dissipated from my mind; the only thing that mattered was seeing Dante again.
I was barely able to keep the fancy-looking golf cart in sight and chasing far behind them must’ve made me look like a mad woman to all the onlookers. My mad dash brought me all the way to the other end of the massive studio lot which wasn’t something I ever could’ve done before Dante’s training.
Panting, winded and with a painful stitch running up my side at not properly stretching beforehand, I jogged past the empty cart I’d been chasing. With its large columns and intricate design work, the building looked like it had been here since Lionhouse originally opened.
I caught my breath and stretched before I pushed open one of the large wooden doors and went inside.
“Hi, can I help you?” The confused receptionist’s featured swung from concerned to frightened the closer I walked toward her. She looked antsy sitting behind an elegantly simple desk that overlooked a grand and gorgeous waiting room.
“I’m looking for someone,” I said, fighting to keep the pain from the run out of my voice. “Did the stuntman, Dante Marks, just come through here? He was with a man in a nice suit. Early forties. Extremely thick eyebrows.
“Ah. That’s Mr. Jonathan Hernandez, our CEO.” The lady’s expression took on a little relief. At least she didn’t look like she was on the verge of calling security on me any more. “Are you with the tour group?”
“Seriously?” I balked, spreading my arms and looking down at my intentionally tattered outfit. What kind of tour looks like me? Was there a Brides of Frankenstein event happening in the area? “I’m an actor, Autumn Moore.”
She shrugged apologetically, forcing me to go on and explain the project I was working on and who else was apart of it. I thought once you became a celebrity everyone instantly let you do whatever you wanted? Yet, another reminder of how I didn’t feel like a real celebrity.
“Oh, well. I’m not sure who Mr. Hernandez was with.” The receptionist said at length. “But I was just given word that his office is open if you’d like to go talk to his secretary and see if he’s available.”
“Yes, thank you.”
The receptionist told me which floor Mr. Hernandez’ office was on, then unlocked the elevator from her desk. I pressed the call button on the wall and impatiently waited for it to become available.
What was I going to say to Dante when I saw him? Did he even want to see me?
The elevator door beside me dinged softly and soundlessly whooshed open, pulling me from my mounting anxiety. An older, yet incredibly stylish woman with a sharp business suit and even sharper asymmetrical haircut stepped out. She paused, lowered her glasses and scoured my form. She wore the disdain of someone who didn’t have the time to comprehend what the hell she was looking at. Despite their light blue shade, she had the hardest, coldest eyes I’d ever seen and the glare she gave me sent a shiver up my spine.
My elevator arrived a heartbeat later and I didn’t waste anytime waiting around to find out who she was or what she was so irritated with. The doors closed right as I heard the businesswoman begin tearing into the receptionist. I didn’t catch it clearly, but I heard her mention something about a malfunction at the main security gate.
The executive floor was magnitudes fancier than even the elaborate reception area. There was a short hallway that opened into a moderate sized, yet luxury waiting room. Colored shards of light filtered in from a stained-glass skylight and beautiful oil painted stills of famous movies hung over gold foil lined walls. Everything was lovingly saturated in a vintage, gilded age style.
“Wow.” I tried to make out as much of the room’s rich detail as I could without slowing too much. Even the secretary’s desk was stunning. It looked hand-crafted and had a gold leaf finish with an elaborate lion’s head carved along the face.
Wait. I finally noticed that something was off. The CEO’s twin doors were cracked open, the secretary was nowhere to be found and there was an odd silence that seemed to hang thickly in the air. It felt like this whole floor of the building was holding its breath for something.
“Hello?” I called out, passing the desk and placing a hand on the door. I called out again tentatively stepping into an office that was an extenuation of the waiting areas beauty. My eyes were first drawn to the shimmering, diamond chandelier, then to the massive windows, and finally to the empty desk that made the secretary’s look paltry by comparison. “Hello? Mr. Hernandez? I was told you might be up here. I’m looking for someone who—”
“Be still my beating heart. If it isn’t Ms. Autumn Moore.” The terrifyingly familiar gravely voice stopped me cold. Mitch s
tepped out from behind the door I’d just opened holding a gun in one hand and a glass of dark liquor in the other.
He pressed the gun butt against the hard wood and closed the large wooden with a soft click. That’s when I saw the secretary lying on the floor beside him, whimpering quietly. She was gagged and her feet and hands were bound behind her back. Her cheeks were freshly tear-stained with running mascara.
“I got the rest of the spiders out looking for you and you walk right into the web?” Mitch laughed, slowly pointing the gun at my head. “I guess some motherfuckers were just born lucky.”
Chapter 26
Dante
“Tell me. Why is Jane so attached to this film that she’s willing to have people killed over it?” I asked, looking out into the vast server room. Data banks stood like pillars every few feet, they were lined up in a grid and went off into the distance in every direction.
We were in the heart of an IT station in a sublevel far below Jonathan’s office. It was a frigid, underground, technological warehouse that smelled strongly of heated plastic, metal and ozone.
With so many cloud hacks lately, Lionhouse opted to build a data farm on their property that wasn’t networked. This way they never had to worry about their sensitive information ever getting into the wrong hands. They were completely unhackable. If you wanted anything from here, you had to physically come down and get it. That included unfinished film projects, intellectual property and blackmailing evidence.
“She doesn’t care about the film. It’s the franchise she’s worried about.” Jonathan booted the terminal up and entered the appropriate passwords. “If the movie doesn’t get made or it isn’t delayed the right way, the rights revert to the original owners and Lionhouse losses that massive investment.”
“What does she care?” I idly tapped the monitor that Jonathan stared into while typing. “It’s not her money.”