A Purrfect Romance

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by Bronston, J. M.




  FIRST DATE

  While Bridey checked out the veal and couscous, Mack checked out Bridey, looking her over, comparing her to the other women he dated. What he saw was that Bridey Berrigan was totally at ease. She had none of the self-conscious preening and haughtiness that his usual dates brought with them, the preoccupation with their furs and jewels, their hair and their nails. Involuntarily, he glanced at Bridey’s hands and saw all the little marks of her kitchen work. For some reason, they seemed very sweet, very appealing.

  The realization hit him like a fist in the chest, hard.

  This one is a real woman.

  It took his breath away. Mack Brewster wasn’t used to being blindsided.

  J.M. BRONSTON

  A Purrfect Romance

  eKENSINGTON BOOKS

  KENSINGTON PUBLISHING CORP.

  www.kensingtonbooks.com

  All copyrighted material within is Attributor Protected.

  Table of Contents

  FIRST DATE

  Title Page

  Acknowledgments

  Prologue

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-one

  Epilogue

  BRIDEY’S STEWS FROM AROUND THE WORLD

  ABOUT THE AUTHOR

  Copyright Page

  Acknowledgments

  My thanks must begin with a most appreciative nod to a very special man, Damien Miano. It was Damien, who knows everyone, who set everything in motion. Without him, I would not have found Liza Fleissig and Ginger Harris-Dontzin and their amazing LizaRoyce Literary Agency. Liza is a treasure of energy and effective representation, and I cannot imagine my literary life without her. To my editor, John Scognamiglio, and to Rebecca Cremonese and the whole team at Kensington Books, I owe my most sincere and grateful thanks. An author dreams of the kind of care and attention I’ve received from them. With my deepest affection, I acknowledge two special friends from childhood—Harriet Harvey, who was present at the creation, and Sheila Kieran, who has been my role model in so many ways. And then there are The Six—Janet Asimov, Barbara Friedlich, Leslie Bennetts, Sandra Kitt, and Carrie Carmichael—wonderful, intelligent and creative women who have been a precious source of good professional advice, encouragement, and support. (In case the reader notices that I’ve named only five, I assure you, no one has been slighted; I am the sixth of The Six,) I also thank most warmly an old friend, Mary Santamarina, at the New York County Surrogate’s Court, who was an invaluable legal resource. To the many friends and associates who have encouraged and guided me along the way, no page is long enough to name you all and express my thanks as fully and as sincerely as you deserve. I have appreciated every word of affection, advice, and support you’ve given me.

  But most of all, I acknowledge my three girls, Annie, Mary, and Margaret. Thank you for everything. You already know what you have given me.

  Prologue

  The Last Will and Testament of Henrietta Lloyd Caswell Willey lay open on Douglas Braye’s big cherry wood desk, and Doug Braye himself was glaring at it malevolently, his gray eyes narrowed under his bushy eyebrows. Even his hair, white and wiry like his bristling eyebrows, seemed charged with angry electricity. He tapped his pencil on the desktop in irritation. Behind him, from its place of honor on the paneled wall, the enormous portrait of his father, old Mason Braye, dead now these twenty years, looked down severely, seeming to join his son in an effort to find words adequate to express their combined displeasure.

  Finally, having reached the limit of his exasperation, Douglas tossed the pencil onto the papers in front of him and leaned back in his chair.

  “The woman must have been mad!”

  Gerald Kinski said nothing. What could he say? He picked nervously at a tiny wisp of lint that rested on the lapel of his pin-striped suit. He fidgeted with his bow tie. He ran his hand over what was left of his thinning gray hair. He’d been dreading this meeting with the other senior partners ever since the news of Henrietta’s death had reached him, and now he slumped deeper into the big leather chair. Maybe, with luck, he could disappear into it.

  “And you, too, Gerry. What could you have been thinking? How could you let this happen?”

  This from Art Kohler, the third man in the room. Even in good times, Art walked under a cloud of gloom and doom, and right now he was more than usually morose. He paced back and forth in front of the windows as he always did when things were going badly, with his shoulders hunched and his hands clasped tightly against his vest, where his ulcer was flaring dangerously.

  “I thought it was a whim,” Gerald said miserably. “I thought I could get her to change her mind in time.”

  He felt stupid even as he said it. No one ever got Mrs. Willey to change her mind; eighty-four years old, with a will like iron, like a force of nature, an act of God, a great cosmic power, and even more so ever since Neville’s death twelve years earlier. He remembered how he’d tried, tactfully, to reason with her, and how she had risen imperiously from her chair.

  “Just do it!” she had ordered as she sailed from the room.

  Who’d have guessed, only three weeks later, she’d just suddenly fall dead like that? On a beautiful afternoon in early spring, a lovely day in April, just going out for her regular stroll down Park Avenue? Tom, the elevator operator, had opened the door for her, she’d gasped and rolled her eyes heavenward, whispered, “Oh, my dear Neville,” and there she was, dead as a doornail in poor old Tom’s arms. The man was still in shock.

  “Forty years this firm has been handling the Willey account,” Douglas was saying, “and we’ve always given them solid, conservative representation. What would my father have said?” He gestured behind him to the portrait. “My father would have said this firm is now in the hands of idiots!”

  Braye, Kohler and Kinski was one of New York’s most conservative law firms; the three men were the sons of the firm’s founders. They had devoted decades of their professional lives to carrying on the traditions their fathers had begun. And now Gerald Kinski, certainly old enough to have known better, had committed a lawyer’s worst mistake. He had allowed an eccentric client’s foolishness to outweigh his own good judgment.

  “We’ll be the laughingstock of the whole New York Bar,” said Art, who stopped his pacing only long enough to throw his arms into the air. His eyes, always heavy lidded, underlined by deep, black, baggy circles, looked more miserable than ever, and he cast his gaze toward the ceiling as though he expected it to fall on them all.

  “I know. I know.”

  Gerald Kinski felt the dignity of all his sixty years slipping away from him. Like a six-year-old who’s been summoned to the principal’s office, he was awash in shame and trepidation.

  “And just wait till the papers get hold of this.”

  “I know. I know.” Kinski was beginning to sound like a broken record.

  “Stop sounding like a broken record, Gerry,” Douglas said. He leaned forward on his desk, his elbows resting on either side of the offending papers, his fingertips pressed against his temples. “My God. Seventy million dollars and she’s left all of it to a couple of goddamn cats.”

  He looked down at the paragraph and read al
oud: “ ‘—and being without surviving heirs and there being therefore no natural objects of my bounty, I hereby direct that the residue of my estate—’ ”

  Here Douglas looked up from the paper and interrupted his reading to snarl at his squirming partner. “That’s seventy million dollars, Gerry. Seventy goddamn million dollars.”

  He forced himself to calm down enough to go on reading. “‘—the residue of my estate, including my apartment at Six Twelve Park Avenue and all its contents, shall be placed into a trust, the proceeds of which shall be used solely for the care and support of my beloved companions, Silk and Satin. I further direct that the said apartment together with its contents shall be maintained as their residence and that the said trust shall terminate only upon the demise of both of them, except that if there be issue of either of them, such trust shall continue in full force and effect for the benefit of such issue, in perpetuity—’ ”

  Again, Douglas looked up from the paper as though he couldn’t believe what he’d just read. “It’s crazy,” he said sharply.

  “I know. I know.”

  “And what’s this ‘in perpetuity’ crap? You know better than that! A first-year kid in law school knows better than that!”

  Gerry shrugged helplessly. “I know,” he said weakly. “But she insisted—”

  Art Kohler stopped his pacing long enough to stare down to the sidewalk forty-three floors below. He apparently decided against jumping and instead dropped into one of the empty chairs.

  “That fancy Park Avenue apartment,” he moaned, “and all its contents—enough antiques to stock Sotheby’s auction house. Eighteen rooms. Seven bathrooms. A wood-burning fireplace in every bedroom. And that kitchen! It’s big enough to feed the whole Russian army. All for two goddamn cats. How could you, Gerry?”

  “I know.”

  “Oh, stop saying that!” Douglas squared his shoulders and picked up his pencil. “We have to think. We have to do something.”

  He tapped for a while.

  Then he said, “First of all, we have to get someone to live in that place, take care of those animals.” He made some notes on a yellow pad.

  “Post an ad somewhere, Gerry. Something discreet. Get us someone sensible, reliable. Someone who won’t give us any trouble. Someone who’ll appreciate a chance to live rent-free in a dream apartment. I’ll leave it up to you to handle the screening—but try not to screw it up, okay? Maybe we can keep the press away from this.”

  He dropped his head back into his hands and dug his fingers into his bristling hair.

  “Oh, God!” he groaned. “My father must be spinning around in his urn.”

  Chapter One

  The traffic light changed, dozens of impatient cabs charged into motion—and Bridey Berrigan sprinted to the median strip, just a jump ahead of disaster. She should have been more careful, but on this particular morning she was too excited to watch the traffic. All her attention was on her new home, across the street at the corner of Sixty-Sixth and Park.

  There it stood, tall and gleaming in the morning sunlight, a peaceful oasis in the midst of the city’s rush. She checked the address spelled out in elegant lettering on the green canopy that stretched across the sidewalk from the glass-and-wrought-iron door all the way to the curb.

  “Six Twelve Park Avenue,” she whispered into the city’s racket.

  She looked once again at the slip of paper on which Mr. Kinski had written the address.

  “Apartment Twelve A.”

  She counted the floors up to twelve, the penthouse level, and saw trees and shrubbery waving in the breeze, poking their newly green tops over the terrace railing, and Bridey, who couldn’t help being nervous on this very important day, was reassured by the greenery in the sky. It seemed to be a happy omen, as was the morning sunlight that flashed brightly off the twelfth-floor windows.

  The breeze caught at her hair and she raised a hand to smooth the thick, crinkly mass of curls that fell almost to her shoulders, holding it back from her forehead so that it formed a veritable halo of copper and gold around her remarkably fine-featured face. Her gesture unleashed flashes of sun-filled brilliance that danced happily around her head, adding to the shimmering, eager excitement in her golden-green eyes.

  Mr. Kinski’s words were still singing in her head.

  “There’s very little that will be required of you,” he had said during their interview in his office, as he described the peculiar nature of the job. “Until the probate of the will is completed, nothing can be removed, so everything is being maintained exactly as it was before Mrs. Willey’s death. There are eighteen rooms, a full cleaning staff and excellent building security. And the kitchen—well, I think you’ll find it will exactly suit your special purposes. As you will see, it had originally been designed to accommodate the most elaborate social functions. So, all in all, this should be a very comfortable arrangement for you.”

  A comfortable arrangement indeed! Perfect was more like it.

  “And then, of course,” he had added, “there are the two cats.”

  Ah, yes. The two cats.

  Silk and Satin. A pair of highly pedigreed Russian Blues from a single litter.

  The ad had practically jumped at her off the screen.

  House sitter needed for indeterminate period. Must love cats.

  She needed a place to stay. She loved cats. She answered the ad. Simple as that!

  And now, as she waited for the light to change, she said to herself, “This is either the nuttiest thing I’ve ever got into or some good angel is watching over me. This could be the most fabulous piece of good luck, a heaven-sent chance to change my whole life.”

  Nutty or fabulous?

  Sometimes Bridey couldn’t tell the difference. Her style had always been a happy combination of sharp turns and quick energy, which often turned her adventures into scrapes and her scrapes into adventures. Her Grandma Berrigan, who had raised her, liked to say, “That child is all nuts and cherries.”

  At school, the sisters had put it a little differently.

  “Bridey Berrigan!” they’d chuckle to each other in make-believe despair. “That one is definitely a fruitcake!”

  The light changed again and she hurried across the street to number 612 where Max, the doorman, stood discreetly on guard, as he had every morning for more than twenty years. Max was impeccably sharp in his blue uniform and brass buttons, and as he opened the door for Bridey, the glass surfaces made his image dance in multiple reflections.

  She gave him her name. He smiled politely.

  “Yes, Miss Berrigan,” he said. “Mr. Kinski has already arrived. He’s waiting for you upstairs, in apartment Twelve A.” He gestured toward the elevator and then watched her as she walked across the lobby. He gave high marks to the trim, lithe figure in the bright yellow outfit and summery heels.

  For her part, Bridey was more aware of the beautiful dark wood paneling of the walls, the brass fixtures all polished to a high gloss, the unfamiliar click of her heels on the marble floor. She tried to feel comfortable in the elegant setting.

  “Quite a change from old Mrs. Willey,” Max said to Sergei, the hall porter, who had just come on duty. They both turned to study her discreetly while she waited for the elevator. “Them’s sure a couple of lucky kitties,” Max added.

  Sergei, who was still learning English, said only an enthusiastic, “For sure!”

  A moment later, similar thoughts were in the head of Tom, the elevator operator. Poor Tom; he was the father of seven noisy children and his sanity depended on the daily, uneventful quiet of his job, and he still hadn’t gotten over the shock of Mrs. Willey’s startling demise. Out of the corner of his eye, he checked out the new resident as they rode up to the twelfth floor, and he definitely approved. He was reassured to see that this one appeared to be in full—and very attractive—good health.

  “That’s Twelve A, miss,” he said as he opened the door, pointing to the door to the left.

  There were only two ap
artments on the floor and the other door, marked 12B, was directly opposite, to her right. Between the two doors, a pier table against the wall held a vase with cut flowers, and a mirrored panel above the table reflected Tom’s face behind her, smiling as the door closed.

  To the right of the table, a brass umbrella stand held one very black, very conservative, very tightly rolled umbrella. Its handle was the old-fashioned kind, made of real bamboo stained a dark brown.

  She glanced at the door to 12B, wondering about her neighbor.

  Just one umbrella, she thought. And definitely not a female one. Judging by the severity, the extreme correctness of the umbrella’s style, its owner must be really conservative. She imagined a gentleman of the old school, correct and unapproachable, aloof in his trim, perfectly tailored overcoat, maybe dove-gray gloves, striped pants and an understated, dark tie. In her fantasy, she dressed him in the clothes of a bygone time. He’d be about eighty, impeccable in his manners and very private, just the sort of man she’d expect to be living in this very old-money, very well-behaved building. But he’d remain aloof, of course; she’d learned by now that the inhabitants of this densely populated city valued their privacy.

  Well, that’s all right, she thought. I’m here to work. I can’t waste any time socializing.

  She gave the tangle of copper curls one last, nervous pat, smiled at her reflection in the mirror for encouragement, and rang the bell.

  “She’s perfect!”

  Gerald was hoping to placate the partners, let them know he’d found the right person for the job.

  “She loved the cats,” he told them reassuringly, “and they took to her instantly.”

  He sat forward in the big leather chair, the very picture of optimism, eager to impart only good news. He refused to be put off by Art Kohler’s customary pacing and air of certain disaster, or by Doug Braye’s impatient tapping of his pencil on the desk blotter.

 

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