The Mammoth Book of Modern Ghost Stories

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The Mammoth Book of Modern Ghost Stories Page 53

by Peter Haining


  Though but a few seconds ago the door had sounded with the knockings, there was no one there, neither in front of it nor to the right or left of it. But though to my physical eye no one was visible, I must believe that to the inward eye of soul or spirit there was apparent that which my grosser bodily vision could not perceive. For as I scrutinised the empty darkness it was as if I was gazing on the image of the man whom I had so utterly forgotten, and I knew what Wedge was like when I had seen him last. “In his habit as he lived” he sprang into my mind, his thick brown hair not yet tinged with grey, his hawk-like nose, his thin, compressed mouth, his eyes set close together, which shifted if you gave him a straight gaze. No less did I know his low, broad shoulders and the mole on the back of his left hand, his heavy watch-chain, his dark striped trousers. Externally and materially my questing eyes saw but the empty circle of illumination cast by my candle, but my soul’s vision beheld Wedge standing on the doorstep. It was his shadow that had passed the window as I lit my lights after dinner, his lantern that I had seen on the road, his knocking that I had heard.

  Then I spoke to him who stood there so minutely seen and yet so invisible.

  “What do you want with me, Wedge?” I asked. “Why are you not at rest?”

  A draught of wind came round the corner, extinguishing my light. At that a gust of fear shook me, and I slammed to the door and bolted it. I could not be there in the darkness with that which indubitably stood on the threshold.

  The mind is not capable of experiencing more than a certain degree of any emotion. A climax arrives, and an assuagement, a diminution follows. That was certainly the case with me now, for though I had to spend the night alone here, with God knew what possible visitations before day, the terror had reached its culminating point and ebbed away again. Moreover, that haunting presence, which I now believed I had identified, was without and not within the house. It had not, to the psychical sense, entered through the open door, and I faced my solitary night with far less misgiving than would have been mine if I had been obliged now to fare forth into the darkness. I slept and woke again, and again slept, but never with panic of nightmare, or with the sense, already once or twice familiar to me, that there was any presence in the room beside my own, and when finally I dropped into a dreamless slumber I woke to find the cheerful day already bright, and the dawn-chorus of the birds in full harmony.

  My time was much occupied with affairs of restorations and repairs that day, but I did a little private thinking about Wedge, and made up my mind that I would not tell Hugh Grainger any of my experiences on the previous evening. Indeed, they seemed now of no great evidential value: the shape that had passed my window might so easily have been some queer shadow cast by the kindling of my match; the lantern-light I had seen up the road – if, indeed, it was a lantern at all – might easily have been a real lantern, and who knew whether those knocks at the door might not have been vastly exaggerated by my excitement and loneliness, and be found only to have been the tapping of some spray of ivy or errant creeper? As for the sudden recollection of Wedge, which had eluded me before, it was but natural that I should sooner or later have recaptured the memory of him. Besides, supposing there was anything supernormal about these things, and supposing that they or similar phenomena appeared to Hugh also, his evidence would be far more weighty, if it was come at independently, without the prompting of suggestions from me. He arrived, as I had done the day before, a little before sunset, big and jovial, and rather disposed to reproach me for holding out trout-fishing as an attraction, when the stream was so dwindled by the drought.

  “But there’s rain coming,” said he. “Can’t you smell it?”

  The sky certainly was thickly overcast and sultry with storm, and before dinner was over the shrubs outside began to whisper underneath the first drops. But the shower soon passed, and while I was busy with some estimate which I had promised the contractor to look at before he came again next morning, Hugh strolled out along the road up to the house for a breath of air. I had finished before he came back, and we sat down to picquet. As he cut, he said:

  “I thought you told me the house above was unoccupied. But I passed a man apparently coming down from there, carrying a lantern.”

  “I don’t know who that could be,” said I. “Did you see him at all clearly?”

  “No, he put out his lantern as I approached; I turned immediately afterwards, and caught him up, and passed him again.”

  There came a knock at the front door, then silence, and then a repetition.

  “Shall I see who it is while you are dealing?” he said.

  He took a candle from the table, but, leaving the deal incomplete, I followed him, and saw him open the door. The candlelight shone out into the darkness, and under Hugh’s uplifted arm I beheld, vaguely and indistinctly, the shape of a man. Then the light fell full on to his face, and I recognised him.

  “Yes, what do you want?” said Hugh, and just as had happened last night a puff of wind blew the flame off the candle-wick and left us in the dark.

  Then Hugh’s voice, suddenly raised, came again.

  “Here, get out,” he said. “What do you want?”

  I threw open the door into the sitting-room close at hand, and the light within illuminated the narrow passage of the entry. There was no one there but Hugh and myself.

  “But where’s the beggar gone?” said Hugh. “He pushed in by me. Did he go into the sitting-room? And where on earth is he?”

  “Did you see him?” I asked.

  “Of course I saw him. A little man, hook-nosed, with eyes close together. I never liked a man less . . . Look here, we must search through the house. He did come in.”

  Together, not singly, we went through the few rooms which the cottage contained, the two living rooms and the kitchen below, and the three bedrooms upstairs. All was empty and quiet.

  “It’s a ghost,” said Hugh; and then I told him my experience on the previous evening. I told him also all that I knew of Wedge, and of his wife, and of her sudden death when on her holiday. Once or twice as I spoke I saw that Hugh put up his hand as if to shade the flame of the candle from shining out into the garden, and as I finished he suddenly blew it out and came close to me.

  “I thought it was the reflection of the candle-light on the panes,” he said, “but it isn’t. Look out there.”

  There was a light burning at the far end of the garden, visible in glimpses through a row of tall peas, and there was something moving beside it. A piece of an arm appeared there, as of a man digging, a shoulder and head . . .

  “Come out,” whispered Hugh. “That’s our man. And what is he doing?”

  Next moment we were gazing into blackness: the light had vanished.

  We each took a candle and went out through the kitchen door. The flames burned steady in the windless air as in a room, and in five minutes we had peered behind every bush, and looked into every cranny. Then suddenly Hugh stopped.

  “Did you leave a light in the kitchen?” he asked.

  “No.”

  “There’s one there now,” he said, and my eye followed his pointing finger.

  There was a communicating door between our bedrooms, both of which looked out on to the garden, and before getting into bed I made myself some trivial excuse of wanting to speak to Hugh, and left it open. He was already in bed.

  “You’d like to fish tomorrow?” I asked.

  Before he could answer the room leaped into light, and simultaneously the thunder burst overhead. The fountains of the clouds were unsealed, and the deluge of the rain descended. I took a step across to the window with the idea of shutting it, and across the dark streaming cave of the night outside, again, and now unobscured from the height of the upper floor, I saw the lantern light at the far end of the garden, and the figure of a man bending and rising again as he plied his secret task . . . The downpour continued; sometimes I dozed for a little, but through dozing and waking alike, my mind was delving and digging as to why out there i
n the hurly-burly of the storm, the light burned and the busy figure rose and fell. There was haste and bitter urgency in that hellish gardening, which recked nothing of the rain.

  I awoke suddenly from an uneasy doze, and felt the skin of my scalp grow tight with some nameless terror. Hugh apparently had lit his candle again, for light came in through the open door between our rooms. Then came the click of a turned handle, and the other door into the passage slowly opened. I was sitting up in bed now with my eyes fixed on it, and round it came the figure of Wedge. He carried a lantern, and his hands were black with mould. And at that sight the whole of my self-control was shattered.

  “Hugh!” I yelled. “Hugh! He is here.”

  Hugh came hurrying in, and for one second I turned my eyes to him.

  “There by the door!” I cried.

  When I looked back again the apparition was no longer there. But the door was open, and on the floor by it fragments of mud and soaked soil . . .

  The sequel is soon told. Where we had seen the figure digging in the garden was a row of lavender bushes. These we pulled up, and three feet below came on the huddled remains of a woman’s body. The skull had been beaten in by some crashing blow; fragments of clothing and the malformation of one of the feet were sufficient to establish identification. The bones lie now in the churchyard close by the grave of her husband and murderer.

  The Prescription

  Marjorie Bowen

  Location: Verrall Hall, Sunford, Bucks.

  Time: Christmas Eve, 1928.

  Eyewitness Description: “We got, however, our surprise and our shock because Mrs Mahogany began suddenly to writhe into ugly contortions and called out in a loud voice, quite different from the one that she had hitherto used: ‘Murder!’ . . .”

  Author: Marjorie Bowen (1886–1952) was no relation of Elizabeth Bowen: she had been born Gabrielle Margaret Long to a poor family on Hayling Island in Hampshire where she spent the early years of her career writing prolifically to support her extravagant mother and sister. She used a variety of pen names to conceal her huge output of over 150 novels, using the Bowen pseudonym on her supernatural stories, starting with Black Magic (1909), which was a best seller. She also used the name on The Haunted Vintage (1921); but chose Robert Paye for the eerie Julia Roseing Rave (1933); and Joseph Shearing for The Spectral Bride (1942), based on a real Victorian case. Despite this productivity, the best of her books brilliantly conjure up haunted landscapes along with a unique mixture of cruelty and pathos among her characters. The best of the Bowen short stories – or “twilight tales,” as she liked to call them – were collected in several volumes between 1917 and 1932, her own favourites appearing in The Bishop of Hell (1949). However, “The Prescription”, which was originally published in the Christmas issue of the London Magazine in 1928, did not find a place in any of these – an undeserved fate for a story about a professional medium by a writer recently described by Jack Sullivan unequivocally as “one of the great supernatural writers of the 20th century.”

  John Cuming collected ghost stories; he always declared that this I was the best that he knew, although it was partially second-hand and contained a mystery that had no reasonable solution, while most really good ghost stories allow of a plausible explanation, even if it is one as feeble as a dream, excusing all; or a hallucination or a crude deception. Cuming told the story rather well. The first part of it at least had come under his own observation and been carefully noted by him in the flat green book which he kept for the record of all curious cases of this sort. He was a shrewd and a trained observer; he honestly restrained his love of drama from leading him into embellishing facts. Cuming told the story to us all on the most suitable possible occasion – Christmas Eve – and prefaced it with a little homily.

  “You all know the good old saw – ‘The more it changes the more it is the same thing’ – and I should like you to notice that this extremely up-to-date ultra-modern ghost story is really almost exactly the same as the one that might have puzzled Babylonian or Assyrian sages. I can give you the first start of the tale in my own words, but the second part will have to be in the words of someone else. They were, however, most carefully and scrupulously taken down. As for the conclusion, I must leave you to draw that for yourselves – each according to your own mood, fancy and temperament; it may be that you will all think of the same solution, it may be that you will each think of a different one, and it may be that everyone will be left wondering.”

  Having thus enjoyed himself by whetting our curiosity, Cuming settled himself down comfortably in his deep armchair and unfolded his tale:

  It was about five years ago. I don’t wish to be exact with time, and of course I shall alter names – that’s one of the first rules of the game, isn’t it? Well, whenever it was, I was the guest of a – Mrs Janey we will call her – who was, to some extent, a friend of mine; an intelligent, lively, rather bustling sort of woman who had the knack of gathering interesting people about her. She had lately taken a new house in Buckinghamshire. It stood in the grounds of one of those large estates which are now so frequently being broken up. She was very pleased with the house, which was quite new and had only been finished about a year, and seemed, according to her own rather excited imagination, in every way desirable. I don’t want to emphasize anything about the house except that it was new and did stand on the verge, as it were, of this large old estate, which had belonged to one of those notable English families now extinct and completely forgotten. I am no antiquarian or connoisseur in architecture, and the rather blatant modernity of the house did not offend me. I was able to appreciate its comfort and to enjoy what Mrs Janey rather maddeningly called “the old-world garden”, which were really a section of the larger gardens of the vanished mansion which had once commanded this domain. Mrs Janey, I should tell you, knew nothing about the neighbourhood nor anyone who lived there, except that for the first it was very convenient for town and for the second she believed that they were all “nice” people, not likely to bother one. I was slightly disappointed with the crowd she had gathered together at Christmas. They were all people whom either I knew too well or whom I didn’t wish to know at all, and at first the party showed signs of being extremely flat. Mrs Janey seemed to perceive this too, and with rather nervous haste produced, on Christmas Eve, a trump card in the way of amusement – a professional medium, called Mrs Mahogany, because that could not possibly have been her name. Some of us “believed in”, as the saying goes, mediums, and some didn’t; but we were all willing to be diverted by the experiment. Mrs Janey continually lamented that a certain Dr Dilke would not be present. He was going to be one of the party, but had been detained in town and would not reach Verrall, which was the name of the house, until later, and the medium, it seemed, could not stay; for she, being a personage in great demand, must go on to a further engagement. I, of course, like everyone else possessed of an intelligent curiosity and a certain amount of leisure, had been to mediums before. I had been slightly impressed, slightly disgusted, and very much bewildered, and on the whole had decided to let the matter alone, considering that I really preferred the more direct old-fashioned method of getting in touch with what we used to call “the Unseen”. This sitting in the great new house seemed rather banal. I could understand in some haunted old manor that a clairvoyant, or a clairaudient, or a trance-medium might have found something interesting to say, but what was she going to get out of Mrs Janey’s bright, brilliant and comfortable dwelling?

  Mrs Mahogany was a nondescript sort of woman – neither young nor old, neither clever nor stupid, neither dark nor fair, placid, and not in the least self-conscious. After an extremely good luncheon (it was a gloomy, stormy afternoon) we all sat down in a circle in the cheerful drawing-room; the curtains were pulled across the dreary prospect of grey sky and grey landscape, and we had merely the light of the fire. We sat quite close together in order to increase “the power”, as Mrs Mahogany said, and the medium sat in the middle, with no special
precautions against trickery; but we all knew that trickery would have been really impossible, and we were quite prepared to be tremendously impressed and startled if any manifestations took place. I think we all felt rather foolish, as we did not know each other very well, sitting round there, staring at this very ordinary, rather common, stout little woman, who kept nervously pulling a little tippet of grey wool over her shoulders, closing her eyes and muttering, while she twisted her fingers together. When we had sat silent for about ten minutes Mrs Janey announced in a rather raw whisper that the medium had gone into a trance. “Beautifully,” she added. I thought that Mrs Mahogany did not look at all beautiful. Her communication began with a lot of rambling talk which had no point at all, and a good deal of generalisation under which I think we all became a little restive. There was too much of various spirits who had all sorts of ordinary names, just regular Toms, Dicks and Harrys of the spirit world, floating round behind us, their arms full of flowers and their mouths full of good will – all rather pointless. And though, occasionally, a Tom, a Dick, or a Harry was identified by some of us, it wasn’t very convincing and, what was worse, not very interesting. We got, however, our surprise and our shock, because Mrs Mahogany began suddenly to writhe into ugly contortions and called out in a loud voice, quite different from the one that she had hitherto used:

 

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