David looked at the strange boy. His eyes were wide and fixed intently on the screen, and his lips were moving unconsciously with the words. David felt queer. He knew now very strongly that he didn’t want to watch the film at all. He let his eyes go back to the screen, but tried to make them out of focus so that he couldn’t see clearly.
A few minutes passed. There was no more commentary from the film, but suddenly the strange boy said something.
“What?” said Martin.
“I says it’s a nice house, ain’t it?” said the boy.
Kevin, frowning concentratedly, took no notice. Martin grunted, but David looked at the boy again. Anything to get his eyes off the screen; but nothing had happened yet.
“Must be nice living there,” said the boy, still staring. But his expression was strange; David couldn’t understand it.
“Yeah,” he said to the boy.
There was a woman on the screen. She was doing normal things, like washing up and ironing. She was talking to the camera about housework or something. David felt full of fear, almost ready to be sick, because it was all so ordinary, and you knew she was real, and you knew it had really happened, like this, and you knew you were going to see her murdered.
“This is boring,” said Kevin. “What’s she on about?”
“Shut up,” said Martin. “They got the camera in there to get her confidence.”
“But there ain’t nothing happening,” said Kevin. “She’s just bloody talking.”
“She’s pretty, ain’t she?” said the boy.
The other two fell silent, and turned to him for a moment. Even David sensed it was an odd thing to say.
“Eh?” said Martin.
“I says she’s pretty, ain’t she. She’s really nice.”
“What d’you mean?” said Kevin.
“She’s my mum,” said the boy.
There was another silence then. Everything had suddenly changed, and David felt it, but didn’t know how or why.
“Eh?” said Martin.
“I says she’s my mum. She loves me and I love her.”
The boys shifted in their seats. The pictures on the screen had changed. It was night-time, and the camera was outside the house looking in through the kitchen window. The room was warmly lit; the woman was moving about, alone, watering some big green plants. She bent down and picked up a little baby from what must have been a carry-cot, and cuddled it. But none of the three boys were taking this in: they were paralysed by what the strange boy had said. No-one said that sort of thing.
“He’s mad,” said Kevin uneasily.
“Hey, what’s your name?” said Martin.
There was no reply. Instead the commentary began again:
“Alone. There is no-one to help. Little does she know that an unseen hand has cut the phone wire. And now . . . the fear begins.”
The boy was mouthing the words as if he knew them by heart. Suddenly from the darkness a stone shattered the kitchen window, and the woman gasped and turned wildly, clutching the baby to her. Her wide-eyed face stared out at them, and then they all saw at once that she was his mother.
She was bending now, putting the baby down swiftly. And then another window shattered, and she jumped and cried out.
David’s heart was beating like a captured bird.
“Martin—” he started to say, but Martin himself spoke at the same time, loudly, sitting up tensely in his chair and turning to the strange boy.
“What d’you want?” he cried. “What you come here for?”
Kevin was shifting himself next to David, making himself look small and inconspicuous, like he did in class. Martin’s face was twisted and full of hate.
“Just wanted to see—” began the strange boy, but his dry rustling voice was drowned by a scream from the TV. David flicked a sideways look at the screen: a man with a stocking mask had burst into the kitchen. There was a blur in the sound, as if two pieces of film had been joined carelessly, and then the camera was suddenly inside the kitchen with them.
“Martin!” cried David.
“What’s the matter?” shouted Martin. He was shaking, glaring at the screen, staring wildly, gripping the remote control. “You scared? You seen enough?” He pressed the volume switch, and terrible sounds flooded the room. David put his hands over his ears. Kevin was still watching, but he’d curled up very small, and he was holding his fists in front of his mouth.
And the strange boy was still gazing at the screen. The woman was speaking, gabbling desperately, and the boy’s eyes followed her and his lips moved with her words.
“Shut up!” Martin yelled. “Shut up!”
He jumped up and dropped the remote control. The picture faded at once, and the last thing David saw was Martin’s face, wet with sweat.
They were in darkness.
No one moved.
David heard Martin gulping and breathing heavily. He felt sick with fear and shame.
The strange boy said, “It ain’t finished.”
“Shut up!” said Martin fiercely. “Get out!”
“I can’t till it’s finished. I always see the end.”
“What you want to watch it for?”
“I always watch it. That’s the only time I see her. I like seeing my mum.”
In the darkness his voice sounded more than ever distant, and cold, and strange. David’s skin was crawling. Everything was horrible. It had been horrible all day, but this was worse than anything. He thought of his own mum, and nearly sobbed out loud, but stifled it just in time.
“And the baby.” The strange boy spoke again. “It’s a nice baby, ain’t it? It looks nice. It must be nice being picked up like that, like what she does. I wish I could remember.”
“What d’you mean?” said Martin hoarsely.
The boy’s voice was even quieter now: hardly more than dead leaves falling.
“They killed her and then they set fire to the house. It all burnt up, the baby and all. That was me, that was, that baby. I burnt up all with my mum. But I didn’t stop growing up, getting older, like. It must be the video. Sort of kept me going. I seen it hundreds of times. The best bit is where she picks me up. I reckon she must have loved me a lot. That’s all I do, watch that video. There ain’t nothing else . . .”
He stopped.
Martin stumbled to the door and felt for the light-switch. The room sprang into being around them, all solid and bright, but there was no-one else there. Only a sharp, distant smell remained, and that dwindled after a moment and then vanished completely as if it had never existed. The boy was gone.
My Beautiful House
Louis de Berniéres
Location: Abbots Notwithstanding, Surrey.
Time: December, 2004.
Eyewitness Account: “The house is alive. It watches over me always, and it’s watching me now as I sit here, not feeling the cold, looking at it from the end of the garden . . .”
Author: Louis de Bernières (1954–) has been named one of the most outstanding British novelists of his generation and the international success of his novel, Captain Corelli’s Mandolin (1994), has transformed his life. Born in London, he joined the Army but dropped out of the 2nd Queen’s Dragoon Guards and led something of a hippie lifestyle in countless jobs – including mechanic, motorcycle messenger and gaucho in Argentina – before succeeding as a writer. Supplementing his income restoring old guitars and mandolins, he hit on the idea of writing about the German and Italian occupying forces on the Greek island of Cephalonia. The story of the troubled captain was the result and apart from generating huge sales, was made into a movie and turned the island into a tourist hot spot. With each of his subsequent works, de Bernieres has set himself a new challenge: most recently delving into the ghost story genre with “Mrs Mac” (1997) and “My Beautiful House” written for The Times in December 2004. It is a wonderfully evocative, beautifully crafted and chilling tale in the very best supernatural tradition and proves, if any such proof is necessary, that the ghost st
ory is alive and well and certain to hold its interest for readers as successfully in the 21st century as it has done in the past one. No doubt developing, entertaining and surprising us all, too.
I love it at Christmas. I just sit here at the end of the garden on top of Ithe rockery, like a garden gnome. I don’t find the stones uncomfortable. I sit here and look at the house. It’s very beautiful, I always did think so. I grew up here, and I am still here now, although I spend much of my time out in the garden just looking.
Other people may not think it beautiful, but it’s beautiful to me mainly because I always loved it. I loved my childhood in this house, and I loved it when I had to go abroad on military service, because it represented everything I was fighting for, and I loved it when I came back to Notwithstanding from Korea, and settled into the life I was born to. Here is the clump of bamboos behind which I used to conceal myself when playing hide and seek with my brothers and sister. Further up there on the left is a bird-table that I made when I was at school. It’s amazing that it hasn’t rotted away by now. The lawn isn’t very smooth, there’s too much couch grass, but we used to set up a putting green on it in the summer, and it ruined my father’s scores at the real golf course because he kept hitting the ball a long way past the hole. Here is the big apple tree that was so easy to climb, and produced great Bramleys that my mother made into pies. One year we tried to make cider, but it was very sharp. We had rabbits in the orchard, in a big wire enclosure that was movable. They kept the grass mown if you remembered to move the cage around. Of course they’d escape quite often by burrowing underneath, and they’d go and raid the vegetable patch, but they came when you called them anyway. The cage started life as a chicken run, but we found them too ill-natured. There used to be a modest fruit cage just here as well, and I often had to go into it to free the robins and blackbirds that got stuck inside. They would fly about in a silly panic, and didn’t know you were trying to be helpful. “Funny kind of fruit-cage,” my father used to say. “Keeps birds in instead of out.”
The house isn’t very old. It’s Edwardian, and it’s made of nice red brick with tiles coming half way down the walls, in the Surrey farmhouse style. I remember when the Virginia creeper and the wistaria were planted, and now they’re all over the walls. I don’t know who the architect was, but it’s a very conventional design. Most of the other family houses around here are quite similar. The first people to live here came down from the North. I think they were in textiles. Then it belonged to a writer who was quite famous in his time, but now no one’s even heard of him. Then it belonged to a retired naval officer and his wife, and then it was ours. I have so many happy memories. I don’t ever want to leave.
Inside there were about five bedrooms. My parents had the one at the back. Mine was above the kitchen. Every morning the smell of frying eggs and sausages would get me out of bed in a good mood. My room wasn’t big, but it was big enough for my model aeroplanes to hang from the ceiling on string, and for my toy soldiers to have decent-sized battles. I had a little cannon that worked on a spring, and you could put ball-bearings or matches into it, pull back the lever, release it, and mow down the troops. When I grew up I would find little ball-bearings all over the place.
My brother Michael shared a room with my other brother Sebastian. They were twins, but not identical. My sister Catherine had the room opposite my parents, and sometimes I would creep into her room at night with a sheet over my head, and give her a fright, or I’d listen for when she went to the loo, and I’d lie down at the corner of the corridor and grab her ankle as she went past in the dark. It worked every time. Then my mother told me to stop doing it, because it was unnerving being woken up by screaming in the middle of the night. Catherine used to get revenge by leaning over the banisters of the landing, and spitting on my head when I was underneath in the hallway. It’s hard to imagine that she grew up to be so beautiful and refined, and married a baronet.
On the top floor up the back stairs, under the roof, is a lovely big dusty attic. I think it had been fitted out for a servant to live in, because it had a proper little fireplace, and the rafters were all boarded in. I spent hours up there. I fixed a dartboard to the wall, and I threw darts at it, backhand, underarm, over my shoulder, every possible way. I got very good at it. It was one of my party tricks. I used to go up there when I was miserable as well, because no one would know I was weeping.
I always liked the bells. You’d press a button on the wall in any room, and it would ring in the pantry, and a little brown semaphore would wave back and forth in a box above the door, and indicate which room you were ringing from. Catherine and I used to push the buttons to make my mother go to the front door and find nobody there. Once we did it, and my mother went to the door, and when she opened it, the cat was sitting there on the mat in the porch, looking up at her as if he’d pressed it himself. The cat just walked past her into the hallway, and my mother was astonished for a short time, until she realised that it couldn’t possibly have been Tobermory that rang the bell. Tobermory was named after a talking cat in a story that my father read to us once. The moral of the story was that if you can talk, it’s better not to tell the truth.
Our phone number was 293, amazing when you consider how long the numbers are nowadays.
I love sitting here at Christmas time, at the end of the garden. I don’t feel the cold. I like to sit here because the house looks so wonderful with the Christmas tree behind the french windows. There’s a full moon, and I can see everything around me with perfect clarity. The stars are out, and I can never remember which ones are the planets. Perhaps they’re the very bright ones. Sebastian used to point them out to me, but I don’t know how he knew. I used to point them out to girlfriends when I was being romantic, but I was bluffing. I knew that they didn’t know either. The house and the garden and the sky look like something out of a Christmas card, appropriately enough. The only thing missing is snow. I only ever remember one white Christmas, when it snowed as we came out of church, and Catherine was wearing a lilac coat with a hood that had a lining of white rabbit fur that framed her face and made me think that she was the prettiest sister that anyone ever had. Everything is silver and shadow now, except for the Christmas tree, which is glowing with all sorts of different coloured lights, that reflect off the tinsel and the glass balls.
It reminds me, it can’t be helped, of that dreadful night of the fire. We had little candles in those days, little candles that sat on cups that clipped to the branches of the Christmas tree, along with all the tatty taffeta angels that we’d inherited. It looked magical, but it wasn’t ever a good idea. The trees dry out, and they’re full of resin. They go up like a torch.
We all went to midnight Mass, and when we got home we had a nightcap. We talked about plans for Christmas Day. My father used to like to go shooting, but my mother more or less forbade him. She said it wasn’t nice to go round bowling over rabbits and blasting birds out of the sky on the day when our Saviour was born to bring peace and harmony to the world. We decided we’d all walk to Abbot’s Notwithstanding and back again before lunch, but my mother would have to drop out because someone had to baste the goose. I think she was probably relieved, because she wasn’t a great one for unnecessary exercise.
The whole family were there, including the baronet. We liked the baronet. He didn’t put on any airs, and he didn’t have any side. He had a quiet charm and a confidence. He gave up the army for Catherine’s sake, because she didn’t want to have to be sent off all over the world at a moment’s notice. It was decent of him because he was a Coldstreamer, he was doing well, and he obviously loved it. He and Catherine came down from Cambridgeshire in the Riley to be with us for Christmas. Sebastian and Michael came down from Merton, and I was living at home anyway, because I’d always loved that house, and didn’t want to move anywhere else, not unless I married, and anyway I’d found a decent job in Guildford. I paid rent to my mother without my father knowing, which seemed the best thing. Knowing her, s
he spent the money on shoes.
That night, what with us being tired and having a tot of whisky inside us, we forgot to put out the candles on the tree, just as anyone might, but the next thing I knew, I woke up choking. I got out of bed, hacking and coughing, and I groped about in the smoke, but I couldn’t find the lightswitch, and there was a terrible pain in my lungs, and I was coughing so much that it was agony. I felt that I was vomiting my lungs up. My eyes stung so badly from the smoke that I couldn’t open them, and even so they were still streaming with tears. I remember the pain, the coughing, the stinging in my eyes, and the insuperable fear, the not knowing where I was in the room, the roaring noise, and then it was as if my chest and my brain were full of molten lead, and I must have passed out. I don’t really know what happened next.
As I sit here at the end of the garden, on the rockery, looking at the Christmas tree with its electric lights, it’s hard to believe that the house was almost gutted. The tree must have set the curtains alight, and so on. Anyway, it’s all been repaired, and you’d never know that anything happened. It’s part of the wonder of the house. It doesn’t die, it just keeps on evolving. The house is alive. It watches over me always, and it’s watching me now as I sit here, not feeling the cold, looking at it from the end of the garden.
The house may be alive, but my family aren’t. They all perished in the fire, from inhaling the smoke, every one of them, including the cat. Even so, it doesn’t stop them turning up. Just now my father put his hand on my shoulder, and said: “Come on, my boy.” Death hasn’t changed him at all. He’s just as solid, he’s still got the same voice and even the same smell of Three Nuns Navy Cut pipe tobacco. He still smokes a pipe. He wears the plus fours and long socks and brogues that I used to find so embarrassing and old-fashioned. Every time I sit here, he comes and asks me to leave. I wish he wouldn’t. I love him, but he isn’t entitled to tell me what to do any more.
The Mammoth Book of Modern Ghost Stories Page 71