The Inquisitor's Apprentice

Home > Other > The Inquisitor's Apprentice > Page 20
The Inquisitor's Apprentice Page 20

by Chris Moriarty


  He passed it up to her. A moment later he heard a sharp crack! and the bright tinkle of falling glass.

  "Darn!" Lily said. "All I can see is more rooftops. Unless the dybbuk's chasing pigeons, we're plumb out of luck."

  "Lily! I think I hear someone coming. Maybe we should go back down."

  "In a minute." More crackling and tinkling. "I think I might just be able to—"

  Before Sacha could protest, Lily had broken several more panes of stained glass and squeezed herself out the window to her waist.

  "Wolf told us to stay in the library!"

  "I am in the library," Lily said. "Or at least most of me is."

  Then she gave a sudden gasp of surprise—and her legs and feet vanished as if she'd been pulled out the window by her armpits.

  It took less than a second to climb the last few rungs of the ladder, but it felt like the longest second in Sacha's life.

  When he looked out, he saw nothing at first but open sky. The library's soaring vaulted roof stuck out above the rest of Morgaunt's mansion like the prow of a clipper ship. From up here you saw just how vast the place was. Acres of slate-tiled roof rolled away on all sides, folding into high tors and steep ridgelines. It was like one of those impassable mountain ranges that travelers in old stories were always getting waylaid in. And, like real mountains, the roof's ridgelines enclosed hidden ravines so narrow that you could walk right past them without ever knowing they existed.

  It was one of those ravines that drew Sacha's attention now. Though he couldn't see into it, he could hear Lily Astral's voice coming out of it.

  "Do you live up here?" she was asking. "I can't tell you how jealous I am! I always dreamed of running away from home and joining a Gypsy band that camped out on the rooftops! You must have some ripping good times!"

  Sacha squirmed through the broken window and picked his way down the slope of the roof until he caught sight of her. She looked completely in her element. She was balanced on the slope of the roof like a pirate ready to board an enemy ship. She even had a broken-off broomstick clutched in one hand like a sword.

  "What's with the stick?" Sacha asked as he reached her side.

  "Oh, when they first pulled me out the window, I thought I might have to thrash 'em. But they're just kids." A wistful tone crept into her voice. "And anyway they're already leaving."

  Only then did Sacha notice the little group of children standing at the bottom of the ravine looking up at them.

  Lily was right; they were just kids. Most of them were small for their age too, even by Hester Street standards. They were olive-skinned and dark-haired and brown-eyed, and they were dressed like Italians. But not like the prosperous Italians who ran the greengrocers on Prince Street, or even like the poor Italians of Ragpickers' Row. These children were dressed in brightly embroidered peasant costumes like the newly arrived immigrants Sacha had seen coming off the boats from Ellis Island.

  And they were definitely leaving. As Sacha and Lily watched, a harried-looking woman in a flowered head scarf popped around the corner, grabbed two of the kids, and dragged them away, scolding furiously.

  "Is that Italian?" Lily asked doubtfully.

  "I guess so. But it doesn't sound like any Italian I ever heard."

  "Come on!" Lily called over her shoulder, already trotting off without waiting to see if Sacha was following. "Let's see where they're going!"

  The ravine opened onto an undulating valley that stretched for acres in all directions. And Sacha could barely believe what he saw there: an entire shantytown, set up on the roof of Morgaunt's mansion, where some several dozen women and children seemed to be going about the business of life as naturally and unconcernedly as if they were living at street level instead of hundreds of feet up in the air.

  Or rather they had lived there. Now they were leaving—and in a hurry.

  "Does anyone here speak English?" Lily called out.

  A few of the women stared at them, but the rest just kept packing. Then a sturdy-looking boy a little younger than Sacha came forward. His eyes were red, and his face was streaked with tears. "I speak English," he said. "What do you want with us?"

  "Who are you?" Sacha asked. "What are you doing up here? And why are you leaving?"

  "We're the stonemasons' families. And we live here. Or we used to. But now we have to leave because my father died, and the police are coming."

  Lily and Sacha stared at the boy, dumbfounded.

  "I—I'm sorry," Sacha said. "Was it the dybbuk?"

  The boy shuddered. "If that's what you call that thing."

  "Did you see it?" Lily asked.

  "My mother did. She said it was a shadow in the shape of a person. She said it was made of smoke, and its eyes were blacker than Gesù Bambino."

  "She needs to talk to Inquisitor Wolf right now!"

  "What are you, crazy? Why do you think we're leaving? The last thing we want to do is talk to any cops!"

  "But you have to!" Lily pleaded.

  It wasn't going to do any good. Sacha knew that even if Lily didn't. There was no way these people were ever going to talk to the Inquisitors.

  "What's your name?" Lily demanded.

  "Antonio."

  "Antonio what?"

  "Why should I tell you?"

  "You can't just run away!" Lily cried. "The Inquisitors are trying to catch the man who killed your father! Don't you want him caught? Don't you want him stopped?"

  "The police don't care about my father any more than you do," Antonio scoffed. "And as for stopping his killer, the police don't need to worry. I'll take care of that myself."

  Suddenly a woman ran up behind Antonio and began tugging him away from Sacha and Lily. She looked like Antonio, and she would have been very pretty if her hair hadn't been so disheveled and her eyes so swollen from crying.

  As she pulled Antonio away, she was whispering furiously into his ear. Finally he seemed to grasp what she was saying. His dark eyes flashed toward Sacha, and he tried to struggle free. But two more women had come to help his mother, and finally the three of them managed to drag him away.

  As Antonio vanished behind a looming Gothic turret, he looked back one more time at Sacha.

  In Sacha's whole life up to that moment, no one had ever looked at him with such naked hatred.

  CHAPTER TWENTY-FIVE

  The Lone Gunman

  WOLF WAS WAITING for them when they got back to the library, and he was furious.

  Not that you could tell that easily. It turned out that Wolf got angry just like Sacha's father did: no yelling, just a deafening silence that made you feel like getting boxed on the ear would be a welcome relief.

  "Go back to the office," he interrupted when they tried to tell him about Antonio and the stonemasons' children. "Maybe a day of filing papers for Payton will remind you that this is a real job, not a game."

  Sacha caught the undercurrent of anger in Wolf's voice immediately and knew they were on seriously thin ice. But Lily just forged right ahead.

  "But—"

  "Forgive me, Miss Astral," Wolf murmured in a tone that made the hair on the back of Sacha's neck stand up. "I must have failed to make myself clear—"

  "But—"

  Wolf leveled a stare at Lily that froze the words on her lips and had her backing toward the door before he even spoke again. "Just go!"

  "So," Lily asked as soon as they had passed through Morgaunt's monumental front gate and were out on the sidewalk. "How are we going to find Antonio?"

  "We're not. Didn't you hear Wolf? We're going back to file papers for Payton."

  "But he didn't give us a chance to tell him about Antonio. He doesn't know there's an eyewitness."

  "Lily," Sacha said warningly.

  "Look at it this way," she told him in her most reasonable voice. "We're only doing what Wolf would want us to do if he knew what we know."

  "Lily!"

  "Besides." She was warming to her argument. "Wolf's hands are tied. You heard Morgaunt threateni
ng Shen, didn't you?"

  "Lily!"

  "Listen, Sacha, you ever read Boys Weekly?"

  "Sometimes," Sacha said grudgingly. He knew that this wasn't a real change of subject and that she was probably going to use the admission to trap him into something.

  "So, you know the Westerns?" Her blue eyes flashed with enthusiasm. "They always start out with some poor bunch of bean farmers. You know the type I'm talking about. They're good men. Principled men. But they're tied down. They've got wives and children and mortgages. So when the cattle barons try to run them off their land, what can they do? Nothing. But then"—her voice sank to an excited whisper—"then there's always the lone gunman who rides in over the horizon. No name, no woman, no strings attached. Just a hero and his horse and his gun. A hero who can take on the bad guys with no holds barred and no punches pulled." She nodded decisively and tapped Sacha on the chest. "That's us, Sach. The lone gunman on the horizon riding in to save the day."

  "But there's two of us," Sacha protested. "Unless you're saying I'm the horse. And what does that make Wolf, anyway? A bean farmer?"

  Still, even as he said it, his feet were following Lily of their own accord.

  "So how are you going to find Antonio?" he asked after half a block. "We don't even know anyone in Little Italy."

  "Oh, yes we do! Think carrots!"

  "If you're talking about Rosie DiMaggio, then I think you're just being jealous. Most people would call her hair auburn. I understand the color is quite fashionable."

  He glanced sideways at Lily to gauge her reaction—and almost laughed out loud when he saw how annoyed she looked.

  "You're not as funny as you think you are," she snapped. "In the English language I speak, the name of that color is plain old orange. And you know what else? I bet I've got just the right stick to make Little Miss Carrot-top help us!"

  ***

  Rosie DiMaggio's home turned out to be a shabby but surprisingly large wood-frame house. It was in a working-class neighborhood—but still a lot better than anywhere Sacha's family could ever have afforded to live. Obviously the DiMaggios weren't doing too badly for themselves.

  "I can't understand why they let the outdoor paint go like that," Lily said with a judgmental shake of her head. "Somebody ought to tell them that keeping up with maintenance is always cheaper in the long run."

  "If you say so," Sacha said. "Let's just hope Rosie hasn't left for Coney Island already."

  But they were in luck. She was—as Mrs. DiMaggio explained—"between engagements."

  "I guess that means they fired her after the newspapers got hold of the Morgaunt story," Lily whispered. If Sacha suspected that there was a hint of satisfaction in her voice, he knew enough not to say anything about it.

  "And what do you children want to speak to Rosalind about?" Mrs. DiMaggio asked. She looked back and forth between them as if she couldn't decide whether to chase Sacha away or invite Lily Astral in.

  "Oh," Lily answered with an appalling giggle, "I just came over to ask her to my birthday party. Do you think that would be all right?"

  Mrs. DiMaggio blinked at Lily. "And what did you say your name was, dear?"

  "Lily As—" Sacha jabbed her in the side with his elbow. "Ow! Ah, I mean, Lily Asbury."

  Mrs. DiMaggio hesitated. She had taken Sacha's measure in the first glance, but Lily's uptown accent and expensive clothes were clearly puzzling her.

  "Oh, do let her come," Lily simpered, actually managing to bat her eyelashes at the woman. "It'll be such fun! We're going to have pony rides! And—and tea!"

  Sacha thought he was going to throw up. Mrs. DiMaggio, on the other hand, was entranced.

  "Oh, you dear, dear child!" the immense woman cooed. Then she waved them up the stairs. "Why don't you just run up and give her the invitation in person?"

  "Thank you, Mrs. DiMaggio!" Lily cried, with a sticky-sweet smile pasted on her lips. "Thankyouthankyouthankyou! You're such a darling!"

  "You're frighteningly good at that," Sacha teased, as soon as they were safely out of Mrs. DiMaggio's earshot. "I'm starting to think you could pass for a normal girl if you put a little effort into it."

  "Perish the thought! Now, how the heck do we find her room without stumbling around until darling Mrs. D. comes up to see if we're stealing her bath towels?"

  Now that they were inside the DiMaggios' house, Sacha understood why it was so big: It was a rooming house. One of the doors in the long hallway would lead to Rosie's room, but the rest belonged to lodgers. Not that Lily would balk at barging in on perfect strangers unannounced and uninvited. And if she surprised some poor fellow in his undershirt, she'd probably just give him advice about how to launder his linen better.

  Rosie herself rescued them, sticking her head out of a doorway at the end of the hall and greeting them as though they were all the best of friends. She still seemed pretty friendly even when they got inside her room and out of her mother's earshot.

  "So how's the Inquisiting going?" she asked around her usual gob of chewing gum. This gob was at least as big as the one she'd been chewing back on Coney Island, but instead of being lime green, it was electric blue.

  "Inquisiting is very interesting," Lily answered primly. "But we're here to ask for your assistance in locating some lost persons."

  "Some what?"

  "Lost persons. People who are—"

  "Yeah, I heard you," Rosie interrupted. "I just don't know why you need my help."

  "Well, you see," Lily began—and launched into the most convoluted and unconvincing lie Sacha had ever heard anyone try to tell. It featured truancy officers and lost orphans and princely rewards, and it sounded like she'd lifted it straight out of a bad Boys Weekly story—which, for all Sacha knew, she had. Uncle Mordechai at his wiliest couldn't have pulled off such a ridiculous story. And Lily was no Uncle Mordechai.

  Finally Sacha stepped in to rescue her.

  "Okay, so here's the truth," he told Rosie. "The dybbuk killed an Italian stonemason at Morgaunt's mansion this morning, and we met his son—"

  "Sacha!"

  "Just be quiet, Lily. You should never, ever lie. You're really bad at it. Anyway, like I was saying, we met the dead stonemason's son and a bunch of other kids who were living up on the roof. But they ran away before we could get any information out of them. So we need to find them."

  "So where were they from?"

  "Who?"

  "The stonemasons."

  "I told you, Italy."

  "Come on! Gimme a little help here!" Rosie held up her hand with her thumb and fingers pressed together and shook it in front of Sacha's nose as if she were trying to shake the information out of thin air. "I mean, tell me he's from Napoli. Or Palermo. Or Abruzzo. Then I could find him for you in half an hour flat. But Italy? Do you know how many Italians there are on this island?"

  "Oh," Sacha said disappointedly. "But how would we even know where he was from?"

  "I dunno. What language were they speaking?"

  "Uh ... Italian?"

  Rosie sighed and rolled her eyes. It made her look surprisingly like Bekah. "What kind of Italian?"

  "Is there more than one?" Lily asked, completely mystified.

  "Wait a minute," Sacha said. "He did say something that I thought was really strange. Not that I know anything about ... well..." He flailed around for a minute trying to find a polite word for goyim, but then gave up. "Anyway, he said the dybbuk's eyes were blacker than Gesú Bambino. I always thought that meant 'Baby Jesus.' But that's definitely the first time I ever heard anyone call Jesus bl—"

  Suddenly Rosie was jumping up and down and hugging him. "Sacha," she cried, "you're a genius!"

  "Really?"

  "They're not just stonemasons—t hey're Sicilian stonemasons. From Tindari. Betcha dollars to dybbuks! And not just that, but I know exactly where they'd go if they were looking for a safe place to get away from the cops!"

  By the time they got to Twelfth Street, Rosie had explained her reasoning—t
hough her whirlwind explanation left Sacha's head spinning.

  "It's like this, see. The only person who'd say someone was nero come it bambino Gesú, is a person who's seen a Black Madonna. And the only Black Madonna I ever heard of is the Madonna of Tindari. Which I happen to know about because of the Saint's Feast they have every year up on Twelfth Street. Hey, look! They've got fresh pizza at Vesuvio's. Wanna slice?"

  "That's pizza?" Lily asked. "Wow. Well, if you're getting a slice anyway..."

  "What about you, Sacha? Don't worry, it's kosher!"

  "It is?" Sacha asked eagerly.

  "Sure," Rosie said with a laugh. "Just like wonton soup."

  "Wonton soup? Who told you that? Your cousin's boyfriend?" Sacha was starting to have some serious doubts about the fellow.

  "It's a joke," Rosie said, laughing. "You know: Why is wonton soup kosher? What, you never heard that one? Come on, ask me!"

  "Uh ... okay ... why is wonton soup kosher?"

  "'Cause it's Chinese, stupid!"

  "Oh," Sacha said, feeling disappointed. The pizza really had looked good.

  "So anyway," Rosie continued when she'd finished her pizza, "they used to have this street fair every year up on Twelfth Street. You know, get out the Madonna, dress her up in fancy clothes, parade her around, play with snakes. All good fun. I used to go every year 'cause they had the best fried squid in town."

  "Fried squid?" Lily said in tones of intense interest. "When is this fair again?"

  "Yeah, well, unfortunately the health inspectors shut them down for sanitary reasons—someone complained about the squid, probably."

  "People are so stupid," Lily sighed.

  "Tell me about it," Rosie agreed. "That was some really good squid!"

  Sacha rolled his eyes. All he needed to do now was get them in a room with his mother, and every city health inspector would be run out of town on a rail.

  "So anyway," Rosie went on, "after the street festival was shut down, the Sicilian Stonemasons Fraternal Association volunteered to build a chapel for the Black Madonna if someone would donate the space for it. So who steps up to the plate? Mr. Rotella of Rotella's Funeral Home on Twelfth Street. He donates his whole basement—well, except for the part where they keep the corpsicles. So the Order of the Santissima Madonna di Tindari builds their chapel there. Which my Uncle Louie just happened to be the guy who did the electrical wiring on it. Which I just happen to have overheard him telling my mother that those Tindari Sicilians were practically moving into the place, and Mr. Rotella was going to get shut down by the city if he started letting people sleep in his basement. Well, live people, I mean. I guess you don't need a health inspection for dead people. Hey, look, fried dough! Want some, Sacha? No? Well, maybe later."

 

‹ Prev