by Tom Knox
‘Dan, I’m fine! You don’t have to keep ringing me – I mean, I’m glad you do but I’m fine.’
‘Where are you now?’
Jess squinted out of the little window, at the thundering fishmeal trucks heading Lima-wards. ‘Pan-American, about sixty klicks south of Chiclayo. I’ll be in Zana in an hour.’
‘OK. That’s good. Great. So, uh, do they know any more about the truck? The driver?’
‘No, not really.’ Jess drank a cold gulp of the water, refreshing the memory she would prefer to leave undisturbed. ‘The cops think, now, it may have been just some guy with a grudge. Apparently he was sacked by Texaco a week before, he was working off his notice. No one really knows. But Pablo paid the price.’
A sad brief silence. ‘Jesus F. Poor Pablo. Still can’t get over it, the museum was totally destroyed: all the Moche pottery, the best collection outside Lima!’
‘Yep.’
One of the men in the cowboy hats brushed past Jess, opening the door to the noisy highway. He turned, for a second, and glanced at her from beneath the brim of his hat. The glance was long, and odd, and obscurely hostile. The image of the eerie Moche pot, with the toads copulating, filled her mind. But she shook the stupidity away, and listened to Dan as he went on.
‘Jess, I do have, however, some pretty good news. It might cheer you up. We got results. From your friend the bone guy.’
Her alertness returned, even a hint of excitement. ‘What? Steve Venturi? The necks? He called you?’
‘Yes. He kept trying to reach you, apparently, but you were in the police station. So he called here and I picked up this morning and … well bone analysis confirms it all, Jess. You were right. Cut marks to the neck vertebrae, coincident with death. Made with the tumi.’
‘The cuts were made deliberately?’
‘Yes. No question.’
‘Wow … Just. Wow.’ Jess felt half-bewildered, half-exhilarated. Her theory was expanding, but the concept was still a little sickening. She pushed away her glass of water. ‘So we finally know for sure?’
‘Yep we do, thanks to you …’ Dan’s voice drifted and returned, with the vagaries of the Claro Móvil signal, across the vast Sechura.
‘Wait, Dan – wait a moment! I’ll take it outside.’
Jess stood and left a few soles on the table. She needed the fresh, dirty air of the Pan-American. The two remaining men in cowboy hats watched her depart, their gaze fixed and unblinking. As if they were wax statues.
Outside she breathed deep, watching the traffic: the SUVs of the rich, the trucks of the workers, the three-wheeled motokars of the poor.
‘Go on, Dan.’
‘This is it. The sacrifice ceremony really happened. You were spot on. They really did it, Jess. The Moche. They stripped the prisoners, lined them up, and ritually cut their throats, hence the strange cut marks on the neck bones. And then they probably drank the blood, judging by the ceramics. Extraordinary, eh? So the scenes on the pottery depict a real ceremony! I’m sorry I doubted you, Jessica. You are a credit to UCLA Anthropology. Hah. Steve Venturi actually called you his prize pupil.’
Jessica felt like blushing. She watched as a turkey vulture descended from the sky, and pecked at a fat-smeared piece of plastic, half-wrapped around a lamppost. A dog came running over to investigate; the animals squabbled over it. A shudder ran through her: surely another aftershock, from the explosion.
‘Jess, are you still there?’
‘Sorry, yes, I’m still here.’
‘There’s something else. Something else you need to know. More good news.’ His pause was a little melodramatic.
‘Dan, tell me!’
‘An untouched tomb.’
‘Huaca D?’
‘Yes.’ He paused. ‘And you’ll be there to see it, when we go in tomorrow. If you want, of course!’
Jess smiled at the endless desert. ‘Of course I want to be there! An untouched tomb. Yay!’
Saying her goodbyes, she closed the call, and walked to the truck with renewed vigour. Her moments of fear and self-doubt had passed; she was already dreaming of what lay inside the tomb. An untouched Moche tomb! This was a fine prize; this would be perfect for her thesis. Now perhaps they would get to the heart of the matter: the ultimate Moche deity. The identity of the mysterious god, at the heart of the Moche’s mysterious religion, was one of the great puzzles of north Peruvian archaeology.
And maybe the solution was coming into reach.
Jessica started the truck and pulled away. Above her, unseen, the turkey vulture had won the day; with a flap of grimy wings it swung across the sky, carrying its prize.
5
Braid Hills, Edinburgh
The hotel was overheated, and reeked of beer from last night’s raucous wedding, which had kept him awake until three.
As he packed his bag, Adam wasn’t sad to be leaving. He’d done his job here in dark, wintry and rather depressing Edinburgh. The Guardian had run his Rosslyn Chapel story, with a gratifying double-page spread and some nice quirky photos by Jason. The paper had also taken a small but judicious personal addition, by Adam, to its unsigned obituary of Dr Archibald McLintock, expert and author in medieval history – ‘in his last days I met Professor McLintock once again, and he was as courteous and enlightening as ever …’
Yet even as he stuffed his dirty shirts into his suitcase, Adam felt a nagging sense of unease. Of course the suicide of Archie McLintock had been upsetting, but it was also those last words the professor had used, in the chapel.
It’s all true, Rosslyn is the key.
Adam had, with some reluctance, omitted their brief and eccentric encounter from his article on Rosslyn. The professor had obviously been mentally unbalanced at the end, and Adam had not wanted to trash McLintock’s memory by using those uncharacteristic quotes, which made the man look a fool. Not so close to his death. But the unanswered questions were still out there.
Frowning, Adam gazed through the bay windows of his second-floor bedroom. The hotel was a converted Victorian villa, with creaky corridors, wilting pot plants, a conservatory where old ladies ate scones; and a very decent view across the medieval skyline of Edinburgh Old Town, down towards the docklands of Leith.
That view was already darkening. Two o’clock in the afternoon and the onset of night was palpable, enshrouding the city like a sort of dread. Down there, on the Firth of Forth, vast swathes of winter rain, great theatre curtains of it, were sweeping westwards – past Prestonpans and Musselburgh, past Seafield and Restalrig.
A Nordic doominess prevailed even in the names. Alicia Hagen. Norwegian.
Adam hastened his packing, zipping up the suitcase with a rush of vigour, sealing any morbid thoughts inside, with his dirty washing. Jobless now, he could not waste time. He had done his last article for the Guardian, his pay-off was being wired into his account, now he really should bog off to Afghanistan. Or at least go right back to London, and look for more work.
He turned to the phone on the bedside table, and picked up. The receptionist greeted him cheerily, and gave him the number for a taxi. He re-dialled the cab firm. ‘Yes, Waverley Station. Straight away?’
Straight away turned out to be impossible: he’d have to wait twenty minutes. But that was OK: his train wasn’t leaving until four thirty.
Strolling to the window, he lingered. Edinburgh Castle brooded on the skyline, dour and clichéd and impressive. The dark Scottish streets glistened in the smirr.
Then his own phone rang. Adam took the call, though he didn’t recognize the number. An Edinburgh prefix … ‘Hello.’
The answering voice was young, and female, and rich with Scottish vowels. ‘Hello, is that Adam Blackwood of … the Guardian?’
‘Yes.’
‘You wrote the piece about my father?’
‘Sorry?’
A short, distinctive pause. Then, ‘My name is Nina McLintock. Archibald McLintock was my father. I’m sorry to bother you but …’
‘Go on. Please.’
<
br /> ‘Ach, it’s just …’
She sounded distracted, maybe even distraught. Adam felt a sudden rush of sympathy. He blurted, ‘I’m so sorry for what happened, Miss McLintock, it’s so shocking. I mean I was there, I spoke to your father just moments before, before the suicide, I actually saw the crash …’ Even as he said this Adam chastened himself. It felt like a silly boast, or something presumptuous, and using the word suicide was just graceless. But the girl seemed encouraged by his words, rather than offended.
‘Call me Nina. Please call me Nina. I want to talk with you. You saw it all. The police told me, you spoke to my dad just before.’
‘Yes, but I—’
Nina McLintock was not for pausing. ‘So you know! My father was not in any way depressed. He was happy. These last weeks he was really happy. I know my dad. He wasn’t suicidal. Just wasn’t.’
The first raindrops rattled on the window.
‘I think he was murdered.’
‘Sorry?’
‘Murdered. He was killed. I’m sure of it, but meet me and I’ll tell you why. Tell you everything.’
6
The Hinnie Tavern, Edinburgh Old Town
The Hinnie was one of those Edinburgh pubs that seemed to contain a slightly rancid, off-putting darkness, in the heart of the Old Town, under the louring stone bulwarks of the castle, down a tiny medieval wynd so obscured and sooted by history that only the initiated knew those ancient, uninviting steps led down to an equally ancient, uninviting pub.
Glum drinkers stared into glasses of The Famous Grouse. Old men ignored each other at the bar, drinking pints of 80 Shilling. Another young man gazed aggressively at Adam, with the stare of an antlered male stag on a hillside in the rutting season: fuck you.
Adam raised his glass and toasted him, staring right back, making the boy visibly seethe. Come on then, Adam thought, I am descended from some of the worst English criminals in the history of transportation. My grandfather killed dingoes with his bare hands. You think you’re harder than me?
Adam felt guilty about his temper, but he also had a pleasing confidence in his physical capabilities, which sometimes came in handy. He recalled the day they beat up the Lebanese boys in Cronulla, gave them a hiding for nearly gang-raping his sister’s friend when the police wouldn’t do anything. Too racially sensitive, mate.
His father, of course, was – or at least had been in his prime – exactly the same. A bit of a drinker, a bit of a bruiser. Almost liked a fight; he and Adam used to wrestle and box when Adam was a lad. So the propensity must’ve come from Dad.
Don’t let anyone push you around, son, unless they have a gun. Then go get a gun. That was what his dad used to say. Dad was a real larrikin, a true Aussie, albeit descended from centuries of English cutpurses and highwaymen. Mum had been very different.
‘Hello?’
Startled from his thoughts, he looked up – to see a young woman, standing directly opposite, extending a delicate white hand.
Nina McLintock.
She didn’t look anything like he had expected; she had remarkable pale skin, and lush dark hair. She was also petite and slim and wearing dark clothes and a white shirt or blouse: she looked like a figure in a monochrome photo. The only thing that told him this was sandy-haired Archie McLintock’s daughter was the eyes, they were the same intelligent grey-green. The sad eyes he had seen in Rosslyn Chapel.
‘Recognize you from the paper. I’m sorry I’m so late.’
He lifted hands as if to say no worries.
She hastily explained, ‘We’ve got this Facebook page. For my dad. Seeking info. Look. Ach. Sorry. Do you mind if I get a drink first?’
She was obviously a local: the barman, who had stared at Adam as if he was a large and ugly centipede, smiled at her shouted request and brought her drinks over. An action almost unheard of in a British pub.
Nina smiled, introspectively. There was true sadness there, which made her look quite beautiful – and a little haunting, Adam thought.
‘This is your local?’
She nodded and shot down her Scotch in one gulp. Then she turned to her glass of Tennants, which seemed a bit too big for her very small hands, but she managed to down a quarter of it anyway. Then she said, ‘I’ve got a flat down the road, in the Grassmarket. I like it here, the fact it’s so rough. The fights can be fun. You know in Scottish we have five hundred words for fight: a stramash. A fash. A brulzie. All different.’
He gazed at her pint glass.
‘Yes. And I’m a recovering teetotaller.’ Her eyes twinkled. ‘I tried to be sober. But my God, the boredom. Like Byron said, Man, being reasonable, must get drunk. I like Byron. You?’
‘Uh …’
‘Sorry I talk too much. Drink too much and talk too much. Too quickly.’ She set her pint down. ‘Sorry …’ And for a moment the vivacious energy seemed to leave her.
Adam said, ‘What’s this about a Facebook page, then?’
‘My sister. Hannah. Teaching in London, lecturer. She and I both believe it wasn’t suicide. So we’ve set up a Facebook page, asking for help. ’Cause the police won’t do anything. Muppets. They say the car was fine, not tampered with. And I don’t buy it. Hence the page.’ She turned slightly as if to address the pub. ‘Adam, my father was not mad. Not a nutter. I don’t believe it.’
‘You really want to talk about this?’
‘Yes! I want to know what you think. You spoke to him last.’ Her eyes fixed earnestly on his. ‘What was he like? His mood that day?’
‘OK well …’ Adam hesitated. ‘I suppose you could say he seemed pretty happy when I met him. However, he did say something very odd. Which might imply he was – ah – a little unbalanced. Sorry.’
‘What? Nina leaned close, but not angrily. ‘What did he say?’
Adam felt uncomfortable. ‘I mean, well, all his life he wrote those academic books, very scholarly works, sceptical, rigorous, highly respected. But then, suddenly, in Rosslyn that day he said to me: oh it’s all true, there really is some truth here. Rosslyn, the Templars, the Norse elements. He appeared to reverse everything he believed. I was quite shocked.’
‘You weren’t the only one! He said exactly the same to me. A few weeks ago.’
Her face was flushed. ‘On the phone. He made this strange, passing remark. That his whole life’s work had been pointless, that he had been wrong about the Templars, there really was a deep deep secret. Some mega-conspiracy. Yet he laughed when he said it. I thought he was talking blethers—’
‘Sorry?’
‘Thought he was talking nonsense. Thought maybe he was drunk. ’Cause he was fond of a dram. The McLintock genes.’
‘So what convinced you? And how does that lead to …’
‘My thinking he was murdered? Loads of things – his behaviour over the last year or two, for a start. About eighteen months ago he just disappeared, went off on some crazy walkabout. Spain, France, South America even. We had no idea where, or why, he told me and Hannah nothing. When he came back he was richer, quite a lot richer. I mean he was never poor, but he was never rich either, writing books about how there is no Holy Grail and all your favourite fairy tales are pathetic and gibbering nonsense does not necessarily make you loadsamoney, y’know?’
‘I can see why.’
‘But now suddenly he had some money, he bought a flash new car, he indulged himself in antiques. Bought a TV maybe bigger than Canada. And he gave me some cash, and also Hannah, and I’m told there is more cash coming, in the estate: but where did all that come from? And … another thing. He got so happy by the end, he was a changed man. He’d been depressed for a while but when he got back he was happier, more enthusiastic, like he really had discovered something. And then, right at the very end …’
The dark pub seemed to have become even darker. The atmosphere smokier, though no one was smoking. She leaned close, whispering. ‘Two weeks ago, almost the last time I saw him, he was anxious. Still happy, but anxious. Like he was being me
naced, or chased. Or at least watched.’
Nina drank a quick half-pint of Tennants, then said, ‘He didn’t say much, at first. He was jokey. Offhand. But I’d had enough, and finally I confronted him. I said, “Dad, what is going on? You’ve got all this money, you went away, you seem different, moody, happy one minute, weird the next. Now you say there are people watching you.” And I badgered him. I wouldn’t take no for an answer. I insisted, and finally he said, “OK, it’s true, I have discovered a secret, an extraordinary truth, a revelation … but it must remain with me. Don’t go after this secret unless you want to die, unless you want to get yourself killed” …’
‘He was drunk when he said this?’
‘A bit. Maybe. A wee bit, aye. But also quite coherent. He wasn’t rambling. And then soon after that he gets himself killed.’
Adam sat back. Nina finished her beer. She sought his gaze with her own.
‘So. Will you help me? Adam? Will you help me find the truth? The cops are divvies.’
‘How can I help you?’
‘Come with me to his flat. Find all his notes! He was a diligent note-taker. You know. ’Cause he was an author. Then we can see what he had found.’
‘Why do you need me? Surely you are his executors, you and Hannah?’
‘No. His wife is. Second wife. Mum died a decade back. Car accident. He remarried five years ago, some Irish woman. I’ve tried to like her but she’s – she’s just an idiot. Guess she’s got her own issues, but life is too short, I can’t be arsed. Besides, she thinks it’s suicide and she hates all this Facebook stuff. But she’s away tomorrow night: we can break in.’
‘Break in?’
‘And find the notes. You’re an investigative journalist. You must know how to do all this. Find the secret that can get you killed, that got my father killed. What do you think, Adam?’
Adam said nothing. He was trying to reconcile two conflicting thoughts. The first was: that this girl reminded him of Alicia. It was unmistakable: she had the same intelligence and vivacity mixed with the same damaged quality. Even the poetry quoting was similar. And anything that reminded Adam of Alicia was bad news, set off sirens in his mind, red lights strobing danger.