by Thomas Hardy
Lord Mountclere had so far recovered from the sprain as to be nominally quite well, under pressure of a wish to receive guests. The sprain had in one sense served him excellently. He had now a reason, apart from that of years, for walking with his stick, and took care to let the reason be frequently known. To-day he entertained a larger number of persons than had been assembled within his walls for a great length of time.
Until after dinner Ethelberta felt as if she were staying at an hotel. Few of the people whom she had met at the meeting of the Imperial Association greeted her here. The viscount’s brother was not present, but Sir Cyril Blandsbury and his wife were there, a lively pair of persons, entertaining as actors, and friendly as dogs. Beyond these all the faces and figures were new to her, though they were handsome and dashing enough to satisfy a court chronicler. Ethelberta, in a dress sloped about as high over the shoulder as would have drawn approval from Reynolds, and expostulation from Lely, thawed and thawed each friend who came near her, and sent him or her away smiling; yet she felt a little surprise. She had seldom visited at a country-house, and knew little of the ordinary composition of a group of visitors within its walls; but the present assemblage seemed to want much of that old-fashioned stability and quaint monumental dignity she had expected to find under this historical roof. Nobody of her entertainer’s own rank appeared. Not a single clergyman was there. A tendency to talk Walpolean scandal about foreign courts was particularly manifest. And although tropical travellers, Indian officers and their wives, courteous exiles, and descendants of Irish kings, were infinitely more pleasant than Lord Mountclere’s landed neighbours would probably have been, to such a cosmopolite as Ethelberta a calm Tory or old Whig company would have given a greater treat. They would have struck as gratefully upon her senses as sylvan scenery after crags and cliffs, or silence after the roar of a cataract.
It was evening, and all these personages at Enckworth Court were merry, snug, and warm within its walls. Dinner-time had passed, and everything had gone on well, when Mrs. Tara O’Fanagan, who had a gold-clamped tooth, which shone every now and then, asked Ethelberta if she would amuse them by telling a story, since nobody present, except Lord Mountclere, had ever heard one from her lips.
Seeing that Ethelberta had been working at that art as a profession, it can hardly be said that the question was conceived with tact, though it was put with grace. Lord Mountclere evidently thought it objectionable, for he looked unhappy. To only one person in the brilliant room did the request appear as a timely accident, and that was to Ethelberta herself. Her honesty was always making war upon her manoeuvres, and shattering their delicate meshes, to her great inconvenience and delay. Thus there arose those devious impulses and tangential flights which spoil the works of every would-be schemer who instead of being wholly machine is half heart. One of these now was to show herself as she really was, not only to Lord Mountclere, but to his friends assembled, whom, in her ignorance, she respected more than they deserved, and so get rid of that self-reproach which had by this time reached a morbid pitch, through her over-sensitiveness to a situation in which a large majority of women and men would have seen no falseness.
Full of this curious intention, she quietly assented to the request, and laughingly bade them put themselves in listening order.
‘An old story will suit us,’ said the lady who had importuned her. ‘We have never heard one.’
‘No; it shall be quite new,’ she replied. ‘One not yet made public; though it soon will be.’
The narrative began by introducing to their notice a girl of the poorest and meanest parentage, the daughter of a serving-man, and the fifth of ten children. She graphically recounted, as if they were her own, the strange dreams and ambitious longings of this child when young, her attempts to acquire education, partial failures, partial successes, and constant struggles; instancing how, on one of these occasions, the girl concealed herself under a bookcase of the library belonging to the mansion in which her father served as footman, and having taken with her there, like a young Fawkes, matches and a halfpenny candle, was going to sit up all night reading when the family had retired, until her father discovered and prevented her scheme. Then followed her experiences as nursery-governess, her evening lessons under self-selected masters, and her ultimate rise to a higher grade among the teaching sisterhood. Next came another epoch. To the mansion in which she was engaged returned a truant son, between whom and the heroine an attachment sprang up. The master of the house was an ambitious gentleman just knighted, who, perceiving the state of their hearts, harshly dismissed the homeless governess, and rated the son, the consequence being that the youthful pair resolved to marry secretly, and carried their resolution into effect. The runaway journey came next, and then a moving description of the death of the young husband, and the terror of the bride.
The guests began to look perplexed, and one or two exchanged whispers. This was not at all the kind of story that they had expected; it was quite different from her usual utterances, the nature of which they knew by report. Ethelberta kept her eye upon Lord Mountclere. Soon, to her amazement, there was that in his face which told her that he knew the story and its heroine quite well. When she delivered the sentence ending with the professedly fictitious words: ‘I thus was reduced to great distress, and vainly cast about me for directions what to do,’ Lord Mountclere’s manner became so excited and anxious that it acted reciprocally upon Ethelberta; her voice trembled, she moved her lips but uttered nothing. To bring the story up to the date of that very evening had been her intent, but it was beyond her power. The spell was broken; she blushed with distress and turned away, for the folly of a disclosure here was but too apparent.
Though every one saw that she had broken down, none of them appeared to know the reason why, or to have the clue to her performance. Fortunately Lord Mountclere came to her aid.
‘Let the first part end here,’ he said, rising and approaching her. ‘We have been well entertained so far. I could scarcely believe that the story I was listening to was utterly an invention, so vividly does Mrs. Petherwin bring the scenes before our eyes. She must now be exhausted; we will have the remainder to-morrow.’
They all agreed that this was well, and soon after fell into groups, and dispersed about the rooms. When everybody’s attention was thus occupied Lord Mountclere whispered to Ethelberta tremulously, ‘Don’t tell more: you think too much of them: they are no better than you! Will you meet me in the little winter garden two minutes hence? Pass through that door, and along the glass passage.’ He himself left the room by an opposite door.
She had not set three steps in the warm snug octagon of glass and plants when he appeared on the other side.
‘You knew it all before!’ she said, looking keenly at him. ‘Who told you, and how long have you known it?’
‘Before yesterday or last week,’ said Lord Mountclere. ‘Even before we met in France. Why are you so surprised?’
Ethelberta had been surprised, and very greatly, to find him, as it were, secreted in the very rear of her position. That nothing she could tell was new to him was a good deal to think of, but it was little beside the recollection that he had actually made his first declaration in the face of that knowledge of her which she had supposed so fatal to all her matrimonial ambitions.
‘And now only one point remains to be settled,’ he said, taking her hand. ‘You promised at Rouen that at our next interview you would honour me with a decisive reply — one to make me happy for ever.’
‘But my father and friends?’ said she.
‘Are nothing to be concerned about. Modern developments have shaken up the classes like peas in a hopper. An annuity, and a comfortable cottage — ’
‘My brothers are workmen.’
‘Manufacture is the single vocation in which a man’s prospects may be said to be illimitable. Hee-hee! — they may buy me up before they die! And now what stands in the way? It would take fifty alliances with fifty families so little disreputabl
e as yours, darling, to drag mine down.’
Ethelberta had anticipated the scene, and settled her course; what had to be said and done here was mere formality; yet she had been unable to go straight to the assent required. However, after these words of self-depreciation, which were let fall as much for her own future ease of conscience as for his present warning, she made no more ado.
‘I shall think it a great honour to be your wife,’ she said simply.
CHAPTER 39.
KNOLLSEA — MELCHESTER
The year was now moving on apace, but Ethelberta and Picotee chose to remain at Knollsea, in the brilliant variegated brick and stone villa to which they had removed in order to be in keeping with their ascending fortunes. Autumn had begun to make itself felt and seen in bolder and less subtle ways than at first. In the morning now, on coming downstairs, in place of a yellowish-green leaf or two lying in a corner of the lowest step, which had been the only previous symptoms around the house, she saw dozens of them playing at corkscrews in the wind, directly the door was opened. Beyond, towards the sea, the slopes and scarps that had been muffled with a thick robe of cliff herbage, were showing their chill grey substance through the withered verdure, like the background of velvet whence the pile has been fretted away. Unexpected breezes broomed and rasped the smooth bay in evanescent patches of stippled shade, and, besides the small boats, the ponderous lighters used in shipping stone were hauled up the beach in anticipation of the equinoctial attack.
A few days after Ethelberta’s reception at Enckworth, an improved stanhope, driven by Lord Mountclere himself, climbed up the hill until it was opposite her door. A few notes from a piano softly played reached his ear as he descended from his place: on being shown in to his betrothed, he could perceive that she had just left the instrument. Moreover, a tear was visible in her eye when she came near him.
They discoursed for several minutes in the manner natural between a defenceless young widow and an old widower in Lord Mountclere’s position to whom she was plighted — a great deal of formal considerateness making itself visible on her part, and of extreme tenderness on his. While thus occupied, he turned to the piano, and casually glanced at a piece of music lying open upon it. Some words of writing at the top expressed that it was the composer’s original copy, presented by him, Christopher Julian, to the author of the song. Seeing that he noticed the sheet somewhat lengthily, Ethelberta remarked that it had been an offering made to her a long time ago — a melody written to one of her own poems.
‘In the writing of the composer,’ observed Lord Mountclere, with interest. ‘An offering from the musician himself — very gratifying and touching. Mr. Christopher Julian is the name I see upon it, I believe? I knew his father, Dr. Julian, a Sandbourne man, if I recollect.’
‘Yes,’ said Ethelberta placidly. But it was really with an effort. The song was the identical one which Christopher sent up to her from Sandbourne when the fire of her hope burnt high for less material ends; and the discovery of the sheet among her music that day had started eddies of emotion for some time checked.
‘I am sorry you have been grieved,’ said Lord Mountclere, with gloomy restlessness.
‘Grieved?’ said Ethelberta.
‘Did I not see a tear there? or did my eyes deceive me?’
‘You might have seen one.’
‘Ah! a tear, and a song. I think — ’
‘You naturally think that a woman who cries over a man’s gift must be in love with the giver?’ Ethelberta looked him serenely in the face.
Lord Mountclere’s jealous suspicions were considerably shaken.
‘Not at all,’ he said hastily, as if ashamed. ‘One who cries over a song is much affected by its sentiment.’
‘Do you expect authors to cry over their own words?’ she inquired, merging defence in attack. ‘I am afraid they don’t often do that.’
‘You would make me uneasy.’
‘On the contrary, I would reassure you. Are you not still doubting?’ she asked, with a pleasant smile.
‘I cannot doubt you!’
‘Swear, like a faithful knight.’
‘I swear, my fairy, my flower!’
After this the old man appeared to be pondering; indeed, his thoughts could hardly be said to be present when he uttered the words. For though the tabernacle was getting shaky by reason of years and merry living, so that what was going on inside might often be guessed without by the movement of the hangings, as in a puppet-show with worn canvas, he could be quiet enough when scheming any plot of particular neatness, which had less emotion than impishness in it. Such an innocent amusement he was pondering now.
Before leaving her, he asked if she would accompany him to a morning instrumental concert at Melchester, which was to take place in the course of that week for the benefit of some local institution.
‘Melchester,’ she repeated faintly, and observed him as searchingly as it was possible to do without exposing herself to a raking fire in return. Could he know that Christopher was living there, and was this said in prolongation of his recent suspicion? But Lord Mountclere’s face gave no sign.
‘You forget one fatal objection,’ said she; ‘the secrecy in which it is imperative that the engagement between us should be kept.’
‘I am not known in Melchester without my carriage; nor are you.’
‘We may be known by somebody on the road.’
‘Then let it be arranged in this way. I will not call here to take you up, but will meet you at the station at Anglebury; and we can go on together by train without notice. Surely there can be no objection to that? It would be mere prudishness to object, since we are to become one so shortly.’ He spoke a little impatiently. It was plain that he particularly wanted her to go to Melchester.
‘I merely meant that there was a chance of discovery in our going out together. And discovery means no marriage.’ She was pale now, and sick at heart, for it seemed that the viscount must be aware that Christopher dwelt at that place, and was about to test her concerning him.
‘Why does it mean no marriage?’ said he.
‘My father might, and almost certainly would, object to it. Although he cannot control me, he might entreat me.’
‘Why would he object?’ said Lord Mountclere uneasily, and somewhat haughtily.
‘I don’t know.’
‘But you will be my wife — say again that you will.’
‘I will.’
He breathed. ‘He will not object — hee-hee!’ he said. ‘O no — I think you will be mine now.’
‘I have said so. But look to me all the same.’
‘You malign yourself, dear one. But you will meet me at Anglebury, as I wish, and go on to Melchester with me?’
‘I shall be pleased to — if my sister may accompany me.’
‘Ah — your sister. Yes, of course.’
They settled the time of the journey, and when the visit had been stretched out as long as it reasonably could be with propriety, Lord Mountclere took his leave.
When he was again seated on the driving-phaeton which he had brought that day, Lord Mountclere looked gleeful, and shrewd enough in his own opinion to outwit Mephistopheles. As soon as they were ascending a hill, and he could find time to free his hand, he pulled off his glove, and drawing from his pocket a programme of the Melchester concert referred to, contemplated therein the name of one of the intended performers. The name was that of Mr. C. Julian. Replacing it again, he looked ahead, and some time after murmured with wily mirth, ‘An excellent test — a lucky thought!’
Nothing of importance occurred during the intervening days. At two o’clock on the appointed afternoon Ethelberta stepped from the train at Melchester with the viscount, who had met her as proposed; she was followed behind by Picotee.
The concert was to be held at the Town-hall half-an-hour later. They entered a fly in waiting, and secure from recognition, were driven leisurely in that direction, Picotee silent and absorbed with her own thoughts.
/> ‘There’s the Cathedral,’ said Lord Mountclere humorously, as they caught a view of one of its towers through a street leading into the Close.
‘Yes.’
‘It boasts of a very fine organ.’
‘Ah.’
‘And the organist is a clever young man.’
‘Oh.’
Lord Mountclere paused a moment or two. ‘By the way, you may remember that he is the Mr. Julian who set your song to music!’
‘I recollect it quite well.’ Her heart was horrified and she thought Lord Mountclere must be developing into an inquisitor, which perhaps he was. But none of this reached her face.
They turned in the direction of the Hall, were set down, and entered.
The large assembly-room set apart for the concert was upstairs, and it was possible to enter it in two ways: by the large doorway in front of the landing, or by turning down a side passage leading to council-rooms and subsidiary apartments of small size, which were allotted to performers in any exhibition; thus they could enter from one of these directly upon the platform, without passing through the audience.
‘Will you seat yourselves here?’ said Lord Mountclere, who, instead of entering by the direct door, had brought the young women round into this green-room, as it may be called. ‘You see we have come in privately enough; when the musicians arrive we can pass through behind them, and step down to our seats from the front.’
The players could soon be heard tuning in the next room. Then one came through the passage-room where the three waited, and went in, then another, then another. Last of all came Julian.
Ethelberta sat facing the door, but Christopher, never in the least expecting her there, did not recognize her till he was quite inside. When he had really perceived her to be the one who had troubled his soul so many times and long, the blood in his face — never very much — passed off and left it, like the shade of a cloud. Between them stood a table covered with green baize, which, reflecting upwards a band of sunlight shining across the chamber, flung upon his already white features the virescent hues of death. The poor musician, whose person, much to his own inconvenience, constituted a complete breviary of the gentle emotions, looked as if he were going to fall down in a faint.