by Thomas Hardy
At that moving mighty time.
VIII
So, I ask the wives of Lodi
For traditions of that day;
But alas! not anybody
Seems to know of such a fray.
IX
And they heed but transitory
Marketings in cheese and meat,
Till I judge that Lodi’s story
Is extinct in Lodi’s street.
X
Yet while here and there they thrid them
In their zest to sell and buy,
Let me sit me down amid them
And behold those thousands die . . .
XI
- Not a creature cares in Lodi
How Napoleon swept each arch,
Or where up and downward trod he,
Or for his memorial March!
XII
So that wherefore should I be here,
Watching Adda lip the lea,
When the whole romance to see here
Is the dream I bring with me?
XIII
And why sing “The Bridge of Lodi”
As I sit thereon and swing,
When none shows by smile or nod he
Guesses why or what I sing? . . .
XIV
Since all Lodi, low and head ones,
Seem to pass that story by,
It may be the Lodi-bred ones
Rate it truly, and not I.
XV
Once engrossing Bridge of Lodi,
Is thy claim to glory gone?
Must I pipe a palinody,
Or be silent thereupon?
XVI
And if here, from strand to steeple,
Be no stone to fame the fight,
Must I say the Lodi people
Are but viewing crime aright?
XVII
Nay; I’ll sing “The Bridge of Lodi” -
That long-loved, romantic thing,
Though none show by smile or nod he
Guesses why and what I sing!
ON AN INVITATION TO THE UNITED STATES
I
My ardours for emprize nigh lost
Since Life has bared its bones to me,
I shrink to seek a modern coast
Whose riper times have yet to be;
Where the new regions claim them free
From that long drip of human tears
Which peoples old in tragedy
Have left upon the centuried years.
II
For, wonning in these ancient lands,
Enchased and lettered as a tomb,
And scored with prints of perished hands,
And chronicled with dates of doom,
Though my own Being bear no bloom
I trace the lives such scenes enshrine,
Give past exemplars present room,
And their experience count as mine.
THE MOTHER MOURNS
When mid-autumn’s moan shook the night-time,
And sedges were horny,
And summer’s green wonderwork faltered
On leaze and in lane,
I fared Yell’ham-Firs way, where dimly
Came wheeling around me
Those phantoms obscure and insistent
That shadows unchain.
Till airs from the needle-thicks brought me
A low lamentation,
As ‘twere of a tree-god disheartened,
Perplexed, or in pain.
And, heeding, it awed me to gather
That Nature herself there
Was breathing in aerie accents,
With dirgeful refrain,
Weary plaint that Mankind, in these late days,
Had grieved her by holding
Her ancient high fame of perfection
In doubt and disdain . . .
- “I had not proposed me a Creature
(She soughed) so excelling
All else of my kingdom in compass
And brightness of brain
“As to read my defects with a god-glance,
Uncover each vestige
Of old inadvertence, annunciate
Each flaw and each stain!
“My purpose went not to develop
Such insight in Earthland;
Such potent appraisements affront me,
And sadden my reign!
“Why loosened I olden control here
To mechanize skywards,
Undeeming great scope could outshape in
A globe of such grain?
“Man’s mountings of mind-sight I checked not,
Till range of his vision
Has topped my intent, and found blemish
Throughout my domain.
“He holds as inept his own soul-shell -
My deftest achievement -
Contemns me for fitful inventions
Ill-timed and inane:
“No more sees my sun as a Sanct-shape,
My moon as the Night-queen,
My stars as august and sublime ones
That influences rain:
“Reckons gross and ignoble my teaching,
Immoral my story,
My love-lights a lure, that my species
May gather and gain.
“‘Give me,’ he has said, ‘but the matter
And means the gods lot her,
My brain could evolve a creation
More seemly, more sane.’
- “If ever a naughtiness seized me
To woo adulation
From creatures more keen than those crude ones
That first formed my train -
“If inly a moment I murmured,
’The simple praise sweetly,
But sweetlier the sage’ — and did rashly
Man’s vision unrein,
“I rue it! . . . His guileless forerunners,
Whose brains I could blandish,
To measure the deeps of my mysteries
Applied them in vain.
“From them my waste aimings and futile
I subtly could cover;
‘Every best thing,’ said they, ‘to best purpose
Her powers preordain.’ -
“No more such! . . . My species are dwindling,
My forests grow barren,
My popinjays fail from their tappings,
My larks from their strain.
“My leopardine beauties are rarer,
My tusky ones vanish,
My children have aped mine own slaughters
To quicken my wane.
“Let me grow, then, but mildews and mandrakes,
And slimy distortions,
Let nevermore things good and lovely
To me appertain;
“For Reason is rank in my temples,
And Vision unruly,
And chivalrous laud of my cunning
Is heard not again!”
I SAID TO LOVE
I said to Love,
“It is not now as in old days
When men adored thee and thy ways
All else above;
Named thee the Boy, the Bright, the One
Who spread a heaven beneath the sun,”
I said to Love.
I said to him,
“We now know more of thee than then;
We were but weak in judgment when,
With hearts abrim,
We clamoured thee that thou would’st please
Inflict on us thine agonies,”
I said to him.
I said to Love,
“Thou art not young, thou art not fair,
No faery darts, no cherub air,
Nor swan, nor dove
Are thine; but features pitiless,
And iron daggers of distress,”
I said to Love.
”Depart then, Love! . . .
- Man’s race shall end, dost threaten thou?
The age to come the man of now
Know nothing of? -
> We fear not such a threat from thee;
We are too old in apathy!
Mankind shall cease. — So let it be,”
I said to Love.
A COMMONPLACE DAY
The day is turning ghost,
And scuttles from the kalendar in fits and furtively,
To join the anonymous host
Of those that throng oblivion; ceding his place, maybe,
To one of like degree.
I part the fire-gnawed logs,
Rake forth the embers, spoil the busy flames, and lay the ends
Upon the shining dogs;
Further and further from the nooks the twilight’s stride extends,
And beamless black impends.
Nothing of tiniest worth
Have I wrought, pondered, planned; no one thing asking blame or
praise,
Since the pale corpse-like birth
Of this diurnal unit, bearing blanks in all its rays -
Dullest of dull-hued Days!
Wanly upon the panes
The rain slides as have slid since morn my colourless thoughts; and
yet
Here, while Day’s presence wanes,
And over him the sepulchre-lid is slowly lowered and set,
He wakens my regret.
Regret — though nothing dear
That I wot of, was toward in the wide world at his prime,
Or bloomed elsewhere than here,
To die with his decease, and leave a memory sweet, sublime,
Or mark him out in Time . . .
— Yet, maybe, in some soul,
In some spot undiscerned on sea or land, some impulse rose,
Or some intent upstole
Of that enkindling ardency from whose maturer glows
The world’s amendment flows;
But which, benumbed at birth
By momentary chance or wile, has missed its hope to be
Embodied on the earth;
And undervoicings of this loss to man’s futurity
May wake regret in me.
AT A LUNAR ECLIPSE
Thy shadow, Earth, from Pole to Central Sea,
Now steals along upon the Moon’s meek shine
In even monochrome and curving line
Of imperturbable serenity.
How shall I link such sun-cast symmetry
With the torn troubled form I know as thine,
That profile, placid as a brow divine,
With continents of moil and misery?
And can immense Mortality but throw
So small a shade, and Heaven’s high human scheme
Be hemmed within the coasts yon arc implies?
Is such the stellar gauge of earthly show,
Nation at war with nation, brains that teem,
Heroes, and women fairer than the skies?
THE LACKING SENSE
SCENE. — A sad-coloured landscape, Waddon Vale
I
“O Time, whence comes the Mother’s moody look amid her labours,
As of one who all unwittingly has wounded where she loves?
Why weaves she not her world-webs to according lutes and tabors,
With nevermore this too remorseful air upon her face,
As of angel fallen from grace?”
II
- “Her look is but her story: construe not its symbols keenly:
In her wonderworks yea surely has she wounded where she loves.
The sense of ills misdealt for blisses blanks the mien most
queenly,
Self-smitings kill self-joys; and everywhere beneath the sun
Such deeds her hands have done.”
III
- “And how explains thy Ancient Mind her crimes upon her creatures,
These fallings from her fair beginnings, woundings where she
loves,
Into her would-be perfect motions, modes, effects, and features
Admitting cramps, black humours, wan decay, and baleful blights,
Distress into delights?”
IV
- “Ah! know’st thou not her secret yet, her vainly veiled deficience,
Whence it comes that all unwittingly she wounds the lives she
loves?
That sightless are those orbs of hers? — which bar to her
omniscience
Brings those fearful unfulfilments, that red ravage through her zones
Whereat all creation groans.
V
“She whispers it in each pathetic strenuous slow endeavour,
When in mothering she unwittingly sets wounds on what she loves;
Yet her primal doom pursues her, faultful, fatal is she ever;
Though so deft and nigh to vision is her facile finger-touch
That the seers marvel much.
VI
“Deal, then, her groping skill no scorn, no note of malediction;
Not long on thee will press the hand that hurts the lives it
loves;
And while she dares dead-reckoning on, in darkness of affliction,
Assist her where thy creaturely dependence can or may,
For thou art of her clay.”
TO LIFE
O life with the sad seared face,
I weary of seeing thee,
And thy draggled cloak, and thy hobbling pace,
And thy too-forced pleasantry!
I know what thou would’st tell
Of Death, Time, Destiny -
I have known it long, and know, too, well
What it all means for me.
But canst thou not array
Thyself in rare disguise,
And feign like truth, for one mad day,
That Earth is Paradise?
I’ll tune me to the mood,
And mumm with thee till eve;
And maybe what as interlude
I feign, I shall believe!
DOOM AND SHE
I
There dwells a mighty pair -
Slow, statuesque, intense -
Amid the vague Immense:
None can their chronicle declare,
Nor why they be, nor whence.
II
Mother of all things made,
Matchless in artistry,
Unlit with sight is she. -
And though her ever well-obeyed
Vacant of feeling he.
III
The Matron mildly asks -
A throb in every word -
”Our clay-made creatures, lord,
How fare they in their mortal tasks
Upon Earth’s bounded bord?
IV
”The fate of those I bear,
Dear lord, pray turn and view,
And notify me true;
Shapings that eyelessly I dare
Maybe I would undo.
V
”Sometimes from lairs of life
Methinks I catch a groan,
Or multitudinous moan,
As though I had schemed a world of strife,
Working by touch alone.”
VI
”World-weaver!” he replies,
”I scan all thy domain;
But since nor joy nor pain
Doth my clear substance recognize,
I read thy realms in vain.
VII
”World-weaver! what IS Grief?
And what are Right, and Wrong,
And Feeling, that belong
To creatures all who owe thee fief?
What worse is Weak than Strong?” . . .
VIII
— Unlightened, curious, meek,
She broods in sad surmise . . .
— Some say they have heard her sighs
On Alpine height or Polar peak
When the night tempests rise.
THE PROBLEM
Shall we conceal the Case, or tell it -
We who believe the evidence?
Here and there the
watch-towers knell it
With a sullen significance,
Heard of the few who hearken intently and carry an eagerly upstrained
sense.
Hearts that are happiest hold not by it;
Better we let, then, the old view reign;
Since there is peace in it, why decry it?
Since there is comfort, why disdain?
Note not the pigment the while that the painting determines
humanity’s joy and pain!
THE SUBALTERNS
I
“Poor wanderer,” said the leaden sky,
”I fain would lighten thee,
But there be laws in force on high
Which say it must not be.”
II
- “I would not freeze thee, shorn one,” cried
The North, “knew I but how
To warm my breath, to slack my stride;
But I am ruled as thou.”
III
- “To-morrow I attack thee, wight,”
Said Sickness. “Yet I swear
I bear thy little ark no spite,
But am bid enter there.”
IV
- “Come hither, Son,” I heard Death say;
”I did not will a grave
Should end thy pilgrimage to-day,
But I, too, am a slave!”
V
We smiled upon each other then,
And life to me wore less
That fell contour it wore ere when