Complete Works of Thomas Hardy (Illustrated)

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Complete Works of Thomas Hardy (Illustrated) Page 743

by Thomas Hardy


  My patience to offer them.” And she smiles

  As if necessity were unknown;

  “But the truth of it is that oftenwhiles

  I have wished, as I am fond of art,

  To make my rooms a little smart.”

  And lightly still she laughs to him,

  As if to sell were a mere gay whim,

  And that, to be frank, Life were indeed

  To her not vinegar and gall,

  But fresh and honey-like; and Need

  No household skeleton at all.

  IX — AT THE ALTAR-RAIL

  “My bride is not coming, alas!” says the groom,

  And the telegram shakes in his hand. “I own

  It was hurried! We met at a dancing-room

  When I went to the Cattle-Show alone,

  And then, next night, where the Fountain leaps,

  And the Street of the Quarter-Circle sweeps.

  “Ay, she won me to ask her to be my wife -

  ‘Twas foolish perhaps! — to forsake the ways

  Of the flaring town for a farmer’s life.

  She agreed. And we fixed it. Now she says:

  ‘It’s sweet of you, dear, to prepare me a nest,

  But a swift, short, gay life suits me best.

  What I really am you have never gleaned;

  I had eaten the apple ere you were weaned.’“

  X — IN THE NUPTIAL CHAMBER

  “O that mastering tune?” And up in the bed

  Like a lace-robed phantom springs the bride;

  “And why?” asks the man she had that day wed,

  With a start, as the band plays on outside.

  “It’s the townsfolks’ cheery compliment

  Because of our marriage, my Innocent.”

  “O but you don’t know! ‘Tis the passionate air

  To which my old Love waltzed with me,

  And I swore as we spun that none should share

  My home, my kisses, till death, save he!

  And he dominates me and thrills me through,

  And it’s he I embrace while embracing you!”

  XI — IN THE RESTAURANT

  “But hear. If you stay, and the child be born,

  It will pass as your husband’s with the rest,

  While, if we fly, the teeth of scorn

  Will be gleaming at us from east to west;

  And the child will come as a life despised;

  I feel an elopement is ill-advised!”

  “O you realise not what it is, my dear,

  To a woman! Daily and hourly alarms

  Lest the truth should out. How can I stay here,

  And nightly take him into my arms!

  Come to the child no name or fame,

  Let us go, and face it, and bear the shame.”

  XII — AT THE DRAPER’S

  “I stood at the back of the shop, my dear,

  But you did not perceive me.

  Well, when they deliver what you were shown

  I shall know nothing of it, believe me!”

  And he coughed and coughed as she paled and said,

  ”O, I didn’t see you come in there -

  Why couldn’t you speak?” — ”Well, I didn’t. I left

  That you should not notice I’d been there.

  “You were viewing some lovely things. ‘Soon required

  For a widow, of latest fashion’;

  And I knew ‘twould upset you to meet the man

  Who had to be cold and ashen

  “And screwed in a box before they could dress you

  ’In the last new note in mourning,’

  As they defined it. So, not to distress you,

  I left you to your adorning.”

  XIII — ON THE DEATH-BED

  “I’ll tell — being past all praying for -

  Then promptly die . . . He was out at the war,

  And got some scent of the intimacy

  That was under way between her and me;

  And he stole back home, and appeared like a ghost

  One night, at the very time almost

  That I reached her house. Well, I shot him dead,

  And secretly buried him. Nothing was said.

  “The news of the battle came next day;

  He was scheduled missing. I hurried away,

  Got out there, visited the field,

  And sent home word that a search revealed

  He was one of the slain; though, lying alone

  And stript, his body had not been known.

  “But she suspected. I lost her love,

  Yea, my hope of earth, and of Heaven above;

  And my time’s now come, and I’ll pay the score,

  Though it be burning for evermore.”

  XIV — OVER THE COFFIN

  They stand confronting, the coffin between,

  His wife of old, and his wife of late,

  And the dead man whose they both had been

  Seems listening aloof, as to things past date.

  — ”I have called,” says the first. “Do you marvel or not?”

  “In truth,” says the second, “I do — somewhat.”

  “Well, there was a word to be said by me! . . .

  I divorced that man because of you -

  It seemed I must do it, boundenly;

  But now I am older, and tell you true,

  For life is little, and dead lies he;

  I would I had let alone you two!

  And both of us, scorning parochial ways,

  Had lived like the wives in the patriarchs’ days.”

  XV — IN THE MOONLIGHT

  “O lonely workman, standing there

  In a dream, why do you stare and stare

  At her grave, as no other grave there were?

  “If your great gaunt eyes so importune

  Her soul by the shine of this corpse-cold moon,

  Maybe you’ll raise her phantom soon!”

  “Why, fool, it is what I would rather see

  Than all the living folk there be;

  But alas, there is no such joy for me!”

  “Ah — she was one you loved, no doubt,

  Through good and evil, through rain and drought,

  And when she passed, all your sun went out?”

  “Nay: she was the woman I did not love,

  Whom all the others were ranked above,

  Whom during her life I thought nothing of.”

  LYRICS AND REVERIES (continued)

  SELF-UNCONSCIOUS

  Along the way

  He walked that day,

  Watching shapes that reveries limn,

  And seldom he

  Had eyes to see

  The moment that encompassed him.

  Bright yellowhammers

  Made mirthful clamours,

  And billed long straws with a bustling air,

  And bearing their load

  Flew up the road

  That he followed, alone, without interest there.

  From bank to ground

  And over and round

  They sidled along the adjoining hedge;

  Sometimes to the gutter

  Their yellow flutter

  Would dip from the nearest slatestone ledge.

  The smooth sea-line

  With a metal shine,

  And flashes of white, and a sail thereon,

  He would also descry

  With a half-wrapt eye

  Between the projects he mused upon.

  Yes, round him were these

  Earth’s artistries,

  But specious plans that came to his call

  Did most engage

  His pilgrimage,

  While himself he did not see at all.

  Dead now as sherds

  Are the yellow birds,

  And all that mattered has passed away;

  Yet God, the Elf,

  Now shows him that self

  As he was, and should have been shown, that day.

 
O it would have been good

  Could he then have stood

  At a focussed distance, and conned the whole,

  But now such vision

  Is mere derision,

  Nor soothes his body nor saves his soul.

  Not much, some may

  Incline to say,

  To see therein, had it all been seen.

  Nay! he is aware

  A thing was there

  That loomed with an immortal mien.

  THE DISCOVERY

  I wandered to a crude coast

  Like a ghost;

  Upon the hills I saw fires -

  Funeral pyres

  Seemingly — and heard breaking

  Waves like distant cannonades that set the land shaking.

  And so I never once guessed

  A Love-nest,

  Bowered and candle-lit, lay

  In my way,

  Till I found a hid hollow,

  Where I burst on her my heart could not but follow.

  TOLERANCE

  “It is a foolish thing,” said I,

  “To bear with such, and pass it by;

  Yet so I do, I know not why!”

  And at each clash I would surmise

  That if I had acted otherwise

  I might have saved me many sighs.

  But now the only happiness

  In looking back that I possess -

  Whose lack would leave me comfortless -

  Is to remember I refrained

  From masteries I might have gained,

  And for my tolerance was disdained;

  For see, a tomb. And if it were

  I had bent and broke, I should not dare

  To linger in the shadows there.

  BEFORE AND AFTER SUMMER

  I

  Looking forward to the spring

  One puts up with anything.

  On this February day,

  Though the winds leap down the street,

  Wintry scourgings seem but play,

  And these later shafts of sleet

  — Sharper pointed than the first -

  And these later snows — the worst -

  Are as a half-transparent blind

  Riddled by rays from sun behind.

  II

  Shadows of the October pine

  Reach into this room of mine:

  On the pine there stands a bird;

  He is shadowed with the tree.

  Mutely perched he bills no word;

  Blank as I am even is he.

  For those happy suns are past,

  Fore-discerned in winter last.

  When went by their pleasure, then?

  I, alas, perceived not when.

  AT DAY-CLOSE IN NOVEMBER

  The ten hours’ light is abating,

  And a late bird flies across,

  Where the pines, like waltzers waiting,

  Give their black heads a toss.

  Beech leaves, that yellow the noon-time,

  Float past like specks in the eye;

  I set every tree in my June time,

  And now they obscure the sky.

  And the children who ramble through here

  Conceive that there never has been

  A time when no tall trees grew here,

  A time when none will be seen.

  THE YEAR’S AWAKENING

  How do you know that the pilgrim track

  Along the belting zodiac

  Swept by the sun in his seeming rounds

  Is traced by now to the Fishes’ bounds

  And into the Ram, when weeks of cloud

  Have wrapt the sky in a clammy shroud,

  And never as yet a tinct of spring

  Has shown in the Earth’s apparelling;

  O vespering bird, how do you know,

  How do you know?

  How do you know, deep underground,

  Hid in your bed from sight and sound,

  Without a turn in temperature,

  With weather life can scarce endure,

  That light has won a fraction’s strength,

  And day put on some moments’ length,

  Whereof in merest rote will come,

  Weeks hence, mild airs that do not numb;

  O crocus root, how do you know,

  How do you know?

  February 1910.

  UNDER THE WATERFALL

  “Whenever I plunge my arm, like this,

  In a basin of water, I never miss

  The sweet sharp sense of a fugitive day

  Fetched back from its thickening shroud of gray.

  Hence the only prime

  And real love-rhyme

  That I know by heart,

  And that leaves no smart,

  Is the purl of a little valley fall

  About three spans wide and two spans tall

  Over a table of solid rock,

  And into a scoop of the self-same block;

  The purl of a runlet that never ceases

  In stir of kingdoms, in wars, in peaces;

  With a hollow boiling voice it speaks

  And has spoken since hills were turfless peaks.”

  “And why gives this the only prime

  Idea to you of a real love-rhyme?

  And why does plunging your arm in a bowl

  Full of spring water, bring throbs to your soul?

  Well, under the fall, in a crease of the stone,

  Though where precisely none ever has known,

  Jammed darkly, nothing to show how prized,

  And by now with its smoothness opalised,

  Is a drinking-glass:

  For, down that pass

  My lover and I

  Walked under a sky

  Of blue with a leaf-woven awning of green,

  In the burn of August, to paint the scene,

  And we placed our basket of fruit and wine

  By the runlet’s rim, where we sat to dine;

  And when we had drunk from the glass together,

  Arched by the oak-copse from the weather,

  I held the vessel to rinse in the fall,

  Where it slipped, and sank, and was past recall,

  Though we stooped and plumbed the little abyss

  With long bared arms. There the glass still is.

  And, as said, if I thrust my arm below

  Cold water in basin or bowl, a throe

  From the past awakens a sense of that time,

  And the glass both used, and the cascade’s rhyme.

  The basin seems the pool, and its edge

  The hard smooth face of the brook-side ledge,

  And the leafy pattern of china-ware

  The hanging plants that were bathing there.

  By night, by day, when it shines or lours,

  There lies intact that chalice of ours,

  And its presence adds to the rhyme of love

  Persistently sung by the fall above.

  No lip has touched it since his and mine

  In turns therefrom sipped lovers’ wine.”

  THE SPELL OF THE ROSE

  ”I mean to build a hall anon,

  And shape two turrets there,

  And a broad newelled stair,

  And a cool well for crystal water;

  Yes; I will build a hall anon,

  Plant roses love shall feed upon,

  And apple trees and pear.”

  He set to build the manor-hall,

  And shaped the turrets there,

  And the broad newelled stair,

  And the cool well for crystal water;

  He built for me that manor-hall,

  And planted many trees withal,

  But no rose anywhere.

  And as he planted never a rose

  That bears the flower of love,

  Though other flowers throve

  A frost-wind moved our souls to sever

  Since he had planted never a rose;

  And misconceits raised horrid shows,

  An
d agonies came thereof.

  ”I’ll mend these miseries,” then said I,

  And so, at dead of night,

  I went and, screened from sight,

  That nought should keep our souls in severance,

  I set a rose-bush. “This,” said I,

  ”May end divisions dire and wry,

  And long-drawn days of blight.”

  But I was called from earth — yea, called

  Before my rose-bush grew;

  And would that now I knew

  What feels he of the tree I planted,

  And whether, after I was called

  To be a ghost, he, as of old,

  Gave me his heart anew!

  Perhaps now blooms that queen of trees

  I set but saw not grow,

  And he, beside its glow -

  Eyes couched of the mis-vision that blurred me -

  Ay, there beside that queen of trees

  He sees me as I was, though sees

  Too late to tell me so!

  ST. LAUNCE’S REVISITED

  Slip back, Time!

  Yet again I am nearing

  Castle and keep, uprearing

  Gray, as in my prime.

  At the inn

  Smiling close, why is it

  Not as on my visit

  When hope and I were twin?

  Groom and jade

  Whom I found here, moulder;

  Strange the tavern-holder,

  Strange the tap-maid.

  Here I hired

  Horse and man for bearing

  Me on my wayfaring

  To the door desired.

  Evening gloomed

  As I journeyed forward

  To the faces shoreward,

  Till their dwelling loomed.

  If again

  Towards the Atlantic sea there

  I should speed, they’d be there

  Surely now as then? . . .

  Why waste thought,

  When I know them vanished

  Under earth; yea, banished

 

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