by Thomas Hardy
   My patience to offer them.” And she smiles
   As if necessity were unknown;
   “But the truth of it is that oftenwhiles
   I have wished, as I am fond of art,
   To make my rooms a little smart.”
   And lightly still she laughs to him,
   As if to sell were a mere gay whim,
   And that, to be frank, Life were indeed
   To her not vinegar and gall,
   But fresh and honey-like; and Need
   No household skeleton at all.
   IX — AT THE ALTAR-RAIL
   “My bride is not coming, alas!” says the groom,
   And the telegram shakes in his hand. “I own
   It was hurried! We met at a dancing-room
   When I went to the Cattle-Show alone,
   And then, next night, where the Fountain leaps,
   And the Street of the Quarter-Circle sweeps.
   “Ay, she won me to ask her to be my wife -
   ‘Twas foolish perhaps! — to forsake the ways
   Of the flaring town for a farmer’s life.
   She agreed. And we fixed it. Now she says:
   ‘It’s sweet of you, dear, to prepare me a nest,
   But a swift, short, gay life suits me best.
   What I really am you have never gleaned;
   I had eaten the apple ere you were weaned.’“
   X — IN THE NUPTIAL CHAMBER
   “O that mastering tune?” And up in the bed
   Like a lace-robed phantom springs the bride;
   “And why?” asks the man she had that day wed,
   With a start, as the band plays on outside.
   “It’s the townsfolks’ cheery compliment
   Because of our marriage, my Innocent.”
   “O but you don’t know! ‘Tis the passionate air
   To which my old Love waltzed with me,
   And I swore as we spun that none should share
   My home, my kisses, till death, save he!
   And he dominates me and thrills me through,
   And it’s he I embrace while embracing you!”
   XI — IN THE RESTAURANT
   “But hear. If you stay, and the child be born,
   It will pass as your husband’s with the rest,
   While, if we fly, the teeth of scorn
   Will be gleaming at us from east to west;
   And the child will come as a life despised;
   I feel an elopement is ill-advised!”
   “O you realise not what it is, my dear,
   To a woman! Daily and hourly alarms
   Lest the truth should out. How can I stay here,
   And nightly take him into my arms!
   Come to the child no name or fame,
   Let us go, and face it, and bear the shame.”
   XII — AT THE DRAPER’S
   “I stood at the back of the shop, my dear,
   But you did not perceive me.
   Well, when they deliver what you were shown
   I shall know nothing of it, believe me!”
   And he coughed and coughed as she paled and said,
   ”O, I didn’t see you come in there -
   Why couldn’t you speak?” — ”Well, I didn’t. I left
   That you should not notice I’d been there.
   “You were viewing some lovely things. ‘Soon required
   For a widow, of latest fashion’;
   And I knew ‘twould upset you to meet the man
   Who had to be cold and ashen
   “And screwed in a box before they could dress you
   ’In the last new note in mourning,’
   As they defined it. So, not to distress you,
   I left you to your adorning.”
   XIII — ON THE DEATH-BED
   “I’ll tell — being past all praying for -
   Then promptly die . . . He was out at the war,
   And got some scent of the intimacy
   That was under way between her and me;
   And he stole back home, and appeared like a ghost
   One night, at the very time almost
   That I reached her house. Well, I shot him dead,
   And secretly buried him. Nothing was said.
   “The news of the battle came next day;
   He was scheduled missing. I hurried away,
   Got out there, visited the field,
   And sent home word that a search revealed
   He was one of the slain; though, lying alone
   And stript, his body had not been known.
   “But she suspected. I lost her love,
   Yea, my hope of earth, and of Heaven above;
   And my time’s now come, and I’ll pay the score,
   Though it be burning for evermore.”
   XIV — OVER THE COFFIN
   They stand confronting, the coffin between,
   His wife of old, and his wife of late,
   And the dead man whose they both had been
   Seems listening aloof, as to things past date.
   — ”I have called,” says the first. “Do you marvel or not?”
   “In truth,” says the second, “I do — somewhat.”
   “Well, there was a word to be said by me! . . .
   I divorced that man because of you -
   It seemed I must do it, boundenly;
   But now I am older, and tell you true,
   For life is little, and dead lies he;
   I would I had let alone you two!
   And both of us, scorning parochial ways,
   Had lived like the wives in the patriarchs’ days.”
   XV — IN THE MOONLIGHT
   “O lonely workman, standing there
   In a dream, why do you stare and stare
   At her grave, as no other grave there were?
   “If your great gaunt eyes so importune
   Her soul by the shine of this corpse-cold moon,
   Maybe you’ll raise her phantom soon!”
   “Why, fool, it is what I would rather see
   Than all the living folk there be;
   But alas, there is no such joy for me!”
   “Ah — she was one you loved, no doubt,
   Through good and evil, through rain and drought,
   And when she passed, all your sun went out?”
   “Nay: she was the woman I did not love,
   Whom all the others were ranked above,
   Whom during her life I thought nothing of.”
   LYRICS AND REVERIES (continued)
   SELF-UNCONSCIOUS
   Along the way
   He walked that day,
   Watching shapes that reveries limn,
   And seldom he
   Had eyes to see
   The moment that encompassed him.
   Bright yellowhammers
   Made mirthful clamours,
   And billed long straws with a bustling air,
   And bearing their load
   Flew up the road
   That he followed, alone, without interest there.
   From bank to ground
   And over and round
   They sidled along the adjoining hedge;
   Sometimes to the gutter
   Their yellow flutter
   Would dip from the nearest slatestone ledge.
   The smooth sea-line
   With a metal shine,
   And flashes of white, and a sail thereon,
   He would also descry
   With a half-wrapt eye
   Between the projects he mused upon.
   Yes, round him were these
   Earth’s artistries,
   But specious plans that came to his call
   Did most engage
   His pilgrimage,
   While himself he did not see at all.
   Dead now as sherds
   Are the yellow birds,
   And all that mattered has passed away;
   Yet God, the Elf,
   Now shows him that self
   As he was, and should have been shown, that day.
  
 O it would have been good
   Could he then have stood
   At a focussed distance, and conned the whole,
   But now such vision
   Is mere derision,
   Nor soothes his body nor saves his soul.
   Not much, some may
   Incline to say,
   To see therein, had it all been seen.
   Nay! he is aware
   A thing was there
   That loomed with an immortal mien.
   THE DISCOVERY
   I wandered to a crude coast
   Like a ghost;
   Upon the hills I saw fires -
   Funeral pyres
   Seemingly — and heard breaking
   Waves like distant cannonades that set the land shaking.
   And so I never once guessed
   A Love-nest,
   Bowered and candle-lit, lay
   In my way,
   Till I found a hid hollow,
   Where I burst on her my heart could not but follow.
   TOLERANCE
   “It is a foolish thing,” said I,
   “To bear with such, and pass it by;
   Yet so I do, I know not why!”
   And at each clash I would surmise
   That if I had acted otherwise
   I might have saved me many sighs.
   But now the only happiness
   In looking back that I possess -
   Whose lack would leave me comfortless -
   Is to remember I refrained
   From masteries I might have gained,
   And for my tolerance was disdained;
   For see, a tomb. And if it were
   I had bent and broke, I should not dare
   To linger in the shadows there.
   BEFORE AND AFTER SUMMER
   I
   Looking forward to the spring
   One puts up with anything.
   On this February day,
   Though the winds leap down the street,
   Wintry scourgings seem but play,
   And these later shafts of sleet
   — Sharper pointed than the first -
   And these later snows — the worst -
   Are as a half-transparent blind
   Riddled by rays from sun behind.
   II
   Shadows of the October pine
   Reach into this room of mine:
   On the pine there stands a bird;
   He is shadowed with the tree.
   Mutely perched he bills no word;
   Blank as I am even is he.
   For those happy suns are past,
   Fore-discerned in winter last.
   When went by their pleasure, then?
   I, alas, perceived not when.
   AT DAY-CLOSE IN NOVEMBER
   The ten hours’ light is abating,
   And a late bird flies across,
   Where the pines, like waltzers waiting,
   Give their black heads a toss.
   Beech leaves, that yellow the noon-time,
   Float past like specks in the eye;
   I set every tree in my June time,
   And now they obscure the sky.
   And the children who ramble through here
   Conceive that there never has been
   A time when no tall trees grew here,
   A time when none will be seen.
   THE YEAR’S AWAKENING
   How do you know that the pilgrim track
   Along the belting zodiac
   Swept by the sun in his seeming rounds
   Is traced by now to the Fishes’ bounds
   And into the Ram, when weeks of cloud
   Have wrapt the sky in a clammy shroud,
   And never as yet a tinct of spring
   Has shown in the Earth’s apparelling;
   O vespering bird, how do you know,
   How do you know?
   How do you know, deep underground,
   Hid in your bed from sight and sound,
   Without a turn in temperature,
   With weather life can scarce endure,
   That light has won a fraction’s strength,
   And day put on some moments’ length,
   Whereof in merest rote will come,
   Weeks hence, mild airs that do not numb;
   O crocus root, how do you know,
   How do you know?
   February 1910.
   UNDER THE WATERFALL
   “Whenever I plunge my arm, like this,
   In a basin of water, I never miss
   The sweet sharp sense of a fugitive day
   Fetched back from its thickening shroud of gray.
   Hence the only prime
   And real love-rhyme
   That I know by heart,
   And that leaves no smart,
   Is the purl of a little valley fall
   About three spans wide and two spans tall
   Over a table of solid rock,
   And into a scoop of the self-same block;
   The purl of a runlet that never ceases
   In stir of kingdoms, in wars, in peaces;
   With a hollow boiling voice it speaks
   And has spoken since hills were turfless peaks.”
   “And why gives this the only prime
   Idea to you of a real love-rhyme?
   And why does plunging your arm in a bowl
   Full of spring water, bring throbs to your soul?
   Well, under the fall, in a crease of the stone,
   Though where precisely none ever has known,
   Jammed darkly, nothing to show how prized,
   And by now with its smoothness opalised,
   Is a drinking-glass:
   For, down that pass
   My lover and I
   Walked under a sky
   Of blue with a leaf-woven awning of green,
   In the burn of August, to paint the scene,
   And we placed our basket of fruit and wine
   By the runlet’s rim, where we sat to dine;
   And when we had drunk from the glass together,
   Arched by the oak-copse from the weather,
   I held the vessel to rinse in the fall,
   Where it slipped, and sank, and was past recall,
   Though we stooped and plumbed the little abyss
   With long bared arms. There the glass still is.
   And, as said, if I thrust my arm below
   Cold water in basin or bowl, a throe
   From the past awakens a sense of that time,
   And the glass both used, and the cascade’s rhyme.
   The basin seems the pool, and its edge
   The hard smooth face of the brook-side ledge,
   And the leafy pattern of china-ware
   The hanging plants that were bathing there.
   By night, by day, when it shines or lours,
   There lies intact that chalice of ours,
   And its presence adds to the rhyme of love
   Persistently sung by the fall above.
   No lip has touched it since his and mine
   In turns therefrom sipped lovers’ wine.”
   THE SPELL OF THE ROSE
   ”I mean to build a hall anon,
   And shape two turrets there,
   And a broad newelled stair,
   And a cool well for crystal water;
   Yes; I will build a hall anon,
   Plant roses love shall feed upon,
   And apple trees and pear.”
   He set to build the manor-hall,
   And shaped the turrets there,
   And the broad newelled stair,
   And the cool well for crystal water;
   He built for me that manor-hall,
   And planted many trees withal,
   But no rose anywhere.
   And as he planted never a rose
   That bears the flower of love,
   Though other flowers throve
   A frost-wind moved our souls to sever
   Since he had planted never a rose;
   And misconceits raised horrid shows,
   An
d agonies came thereof.
   ”I’ll mend these miseries,” then said I,
   And so, at dead of night,
   I went and, screened from sight,
   That nought should keep our souls in severance,
   I set a rose-bush. “This,” said I,
   ”May end divisions dire and wry,
   And long-drawn days of blight.”
   But I was called from earth — yea, called
   Before my rose-bush grew;
   And would that now I knew
   What feels he of the tree I planted,
   And whether, after I was called
   To be a ghost, he, as of old,
   Gave me his heart anew!
   Perhaps now blooms that queen of trees
   I set but saw not grow,
   And he, beside its glow -
   Eyes couched of the mis-vision that blurred me -
   Ay, there beside that queen of trees
   He sees me as I was, though sees
   Too late to tell me so!
   ST. LAUNCE’S REVISITED
   Slip back, Time!
   Yet again I am nearing
   Castle and keep, uprearing
   Gray, as in my prime.
   At the inn
   Smiling close, why is it
   Not as on my visit
   When hope and I were twin?
   Groom and jade
   Whom I found here, moulder;
   Strange the tavern-holder,
   Strange the tap-maid.
   Here I hired
   Horse and man for bearing
   Me on my wayfaring
   To the door desired.
   Evening gloomed
   As I journeyed forward
   To the faces shoreward,
   Till their dwelling loomed.
   If again
   Towards the Atlantic sea there
   I should speed, they’d be there
   Surely now as then? . . .
   Why waste thought,
   When I know them vanished
   Under earth; yea, banished