Complete Works of Thomas Hardy (Illustrated)

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Complete Works of Thomas Hardy (Illustrated) Page 747

by Thomas Hardy


  How self-regard in her was slain by her large tenderness.

  I said: “The only chance for us in a crisis of this kind

  Is going it thorough!” — ”Yes,” she calmly breathed. “Well, I don’t

  mind.”

  And we blanched her dark locks ruthlessly: set wrinkles on her

  brow;

  Ay — she was a right rare woman then, whatever she may be now.

  That night we heard a coach drive up, and questions asked below.

  “A gent with an elderly wife, sir,” was returned from the bureau.

  And the wheels went rattling on, and free at last from public ken

  We washed all off in her chamber and restored her youth again.

  How many years ago it was! Some fifty can it be

  Since that adventure held us, and she played old wife to me?

  But in time convention won her, as it wins all women at last,

  And now she is rich and respectable, and time has buried the past.

  I ROSE UP AS MY CUSTOM IS

  I rose up as my custom is

  On the eve of All-Souls’ day,

  And left my grave for an hour or so

  To call on those I used to know

  Before I passed away.

  I visited my former Love

  As she lay by her husband’s side;

  I asked her if life pleased her, now

  She was rid of a poet wrung in brow,

  And crazed with the ills he eyed;

  Who used to drag her here and there

  Wherever his fancies led,

  And point out pale phantasmal things,

  And talk of vain vague purposings

  That she discredited.

  She was quite civil, and replied,

  ”Old comrade, is that you?

  Well, on the whole, I like my life. -

  I know I swore I’d be no wife,

  But what was I to do?

  “You see, of all men for my sex

  A poet is the worst;

  Women are practical, and they

  Crave the wherewith to pay their way,

  And slake their social thirst.

  “You were a poet — quite the ideal

  That we all love awhile:

  But look at this man snoring here -

  He’s no romantic chanticleer,

  Yet keeps me in good style.

  “He makes no quest into my thoughts,

  But a poet wants to know

  What one has felt from earliest days,

  Why one thought not in other ways,

  And one’s Loves of long ago.”

  Her words benumbed my fond frail ghost;

  The nightmares neighed from their stalls

  The vampires screeched, the harpies flew,

  And under the dim dawn I withdrew

  To Death’s inviolate halls.

  A WEEK

  On Monday night I closed my door,

  And thought you were not as heretofore,

  And little cared if we met no more.

  I seemed on Tuesday night to trace

  Something beyond mere commonplace

  In your ideas, and heart, and face.

  On Wednesday I did not opine

  Your life would ever be one with mine,

  Though if it were we should well combine.

  On Thursday noon I liked you well,

  And fondly felt that we must dwell

  Not far apart, whatever befell.

  On Friday it was with a thrill

  In gazing towards your distant vill

  I owned you were my dear one still.

  I saw you wholly to my mind

  On Saturday — even one who shrined

  All that was best of womankind.

  As wing-clipt sea-gull for the sea

  On Sunday night I longed for thee,

  Without whom life were waste to me!

  HAD YOU WEPT

  Had you wept; had you but neared me with a frail uncertain ray,

  Dewy as the face of the dawn, in your large and luminous eye,

  Then would have come back all the joys the tidings had slain that

  day,

  And a new beginning, a fresh fair heaven, have smoothed the things

  awry.

  But you were less feebly human, and no passionate need for clinging

  Possessed your soul to overthrow reserve when I came near;

  Ay, though you suffer as much as I from storms the hours are

  bringing

  Upon your heart and mine, I never see you shed a tear.

  The deep strong woman is weakest, the weak one is the strong;

  The weapon of all weapons best for winning, you have not used;

  Have you never been able, or would you not, through the evil times

  and long?

  Has not the gift been given you, or such gift have you refused?

  When I bade me not absolve you on that evening or the morrow,

  Why did you not make war on me with those who weep like rain?

  You felt too much, so gained no balm for all your torrid sorrow,

  And hence our deep division, and our dark undying pain.

  BEREFT, SHE THINKS SHE DREAMS

  I dream that the dearest I ever knew

  Has died and been entombed.

  I am sure it’s a dream that cannot be true,

  But I am so overgloomed

  By its persistence, that I would gladly

  Have quick death take me,

  Rather than longer think thus sadly;

  So wake me, wake me!

  It has lasted days, but minute and hour

  I expect to get aroused

  And find him as usual in the bower

  Where we so happily housed.

  Yet stays this nightmare too appalling,

  And like a web shakes me,

  And piteously I keep on calling,

  And no one wakes me!

  IN THE BRITISH MUSEUM

  “What do you see in that time-touched stone,

  When nothing is there

  But ashen blankness, although you give it

  A rigid stare?

  “You look not quite as if you saw,

  But as if you heard,

  Parting your lips, and treading softly

  As mouse or bird.

  “It is only the base of a pillar, they’ll tell you,

  That came to us

  From a far old hill men used to name

  Areopagus.”

  - “I know no art, and I only view

  A stone from a wall,

  But I am thinking that stone has echoed

  The voice of Paul,

  “Paul as he stood and preached beside it

  Facing the crowd,

  A small gaunt figure with wasted features,

  Calling out loud

  “Words that in all their intimate accents

  Pattered upon

  That marble front, and were far reflected,

  And then were gone.

  “I’m a labouring man, and know but little,

  Or nothing at all;

  But I can’t help thinking that stone once echoed

  The voice of Paul.”

  IN THE SERVANTS’ QUARTERS

  “Man, you too, aren’t you, one of these rough followers of the

  criminal?

  All hanging hereabout to gather how he’s going to bear

  Examination in the hall.” She flung disdainful glances on

  The shabby figure standing at the fire with others there,

  Who warmed them by its flare.

  “No indeed, my skipping maiden: I know nothing of the trial here,

  Or criminal, if so he be. — I chanced to come this way,

  And the fire shone out into the dawn, and morning airs are cold now;

  I, too, was drawn in part by charms I see before me play,

  That I see not every day.”

  “Ha, ha!” then laughed the
constables who also stood to warm

  themselves,

  The while another maiden scrutinized his features hard,

  As the blaze threw into contrast every line and knot that wrinkled

  them,

  Exclaiming, “Why, last night when he was brought in by the guard,

  You were with him in the yard!”

  “Nay, nay, you teasing wench, I say! You know you speak mistakenly.

  Cannot a tired pedestrian who has footed it afar

  Here on his way from northern parts, engrossed in humble marketings,

  Come in and rest awhile, although judicial doings are

  Afoot by morning star?”

  “O, come, come!” laughed the constables. “Why, man, you speak the

  dialect

  He uses in his answers; you can hear him up the stairs.

  So own it. We sha’n’t hurt ye. There he’s speaking now! His

  syllables

  Are those you sound yourself when you are talking unawares,

  As this pretty girl declares.”

  “And you shudder when his chain clinks!” she rejoined. “O yes, I

  noticed it.

  And you winced, too, when those cuffs they gave him echoed to us

  here.

  They’ll soon be coming down, and you may then have to defend

  yourself

  Unless you hold your tongue, or go away and keep you clear

  When he’s led to judgment near!”

  “No! I’ll be damned in hell if I know anything about the man!

  No single thing about him more than everybody knows!

  Must not I even warm my hands but I am charged with blasphemies?” .

  . .

  - His face convulses as the morning cock that moment crows,

  And he stops, and turns, and goes.

  THE OBLITERATE TOMB

  ”More than half my life long

  Did they weigh me falsely, to my bitter wrong,

  But they all have shrunk away into the silence

  Like a lost song.

  ”And the day has dawned and come

  For forgiveness, when the past may hold it dumb

  On the once reverberate words of hatred uttered

  Half in delirium . . .

  ”With folded lips and hands

  They lie and wait what next the Will commands,

  And doubtless think, if think they can: ‘Let discord

  Sink with Life’s sands!’

  ”By these late years their names,

  Their virtues, their hereditary claims,

  May be as near defacement at their grave-place

  As are their fames.”

  — Such thoughts bechanced to seize

  A traveller’s mind — a man of memories -

  As he set foot within the western city

  Where had died these

  Who in their lifetime deemed

  Him their chief enemy — one whose brain had schemed

  To get their dingy greatness deeplier dingied

  And disesteemed.

  So, sojourning in their town,

  He mused on them and on their once renown,

  And said, “I’ll seek their resting-place to-morrow

  Ere I lie down,

  ”And end, lest I forget,

  Those ires of many years that I regret,

  Renew their names, that men may see some liegeness

  Is left them yet.”

  Duly next day he went

  And sought the church he had known them to frequent,

  And wandered in the precincts, set on eyeing

  Where they lay pent,

  Till by remembrance led

  He stood at length beside their slighted bed,

  Above which, truly, scarce a line or letter

  Could now be read.

  ”Thus years obliterate

  Their graven worth, their chronicle, their date!

  At once I’ll garnish and revive the record

  Of their past state,

  ”That still the sage may say

  In pensive progress here where they decay,

  ‘This stone records a luminous line whose talents

  Told in their day.’“

  While speaking thus he turned,

  For a form shadowed where they lay inurned,

  And he beheld a stranger in foreign vesture,

  And tropic-burned.

  ”Sir, I am right pleased to view

  That ancestors of mine should interest you,

  For I have come of purpose here to trace them . . .

  They are time-worn, true,

  ”But that’s a fault, at most,

  Sculptors can cure. On the Pacific coast

  I have vowed for long that relics of my forbears

  I’d trace ere lost,

  ”And hitherward I come,

  Before this same old Time shall strike me numb,

  To carry it out.” — ”Strange, this is!” said the other;

  ”What mind shall plumb

  ”Coincident design!

  Though these my father’s enemies were and mine,

  I nourished a like purpose — to restore them

  Each letter and line.”

  ”Such magnanimity

  Is now not needed, sir; for you will see

  That since I am here, a thing like this is, plainly,

  Best done by me.”

  The other bowed, and left,

  Crestfallen in sentiment, as one bereft

  Of some fair object he had been moved to cherish,

  By hands more deft.

  And as he slept that night

  The phantoms of the ensepulchred stood up-right

  Before him, trembling that he had set him seeking

  Their charnel-site.

  And, as unknowing his ruth,

  Asked as with terrors founded not on truth

  Why he should want them. “Ha,” they hollowly hackered,

  ”You come, forsooth,

  ”By stealth to obliterate

  Our graven worth, our chronicle, our date,

  That our descendant may not gild the record

  Of our past state,

  ”And that no sage may say

  In pensive progress near where we decay:

  ‘This stone records a luminous line whose talents

  Told in their day.’“

  Upon the morrow he went

  And to that town and churchyard never bent

  His ageing footsteps till, some twelvemonths onward,

  An accident

  Once more detained him there;

  And, stirred by hauntings, he must needs repair

  To where the tomb was. Lo, it stood still wasting

  In no man’s care.

  ”The travelled man you met

  The last time,” said the sexton, “has not yet

  Appeared again, though wealth he had in plenty.

  — Can he forget?

  ”The architect was hired

  And came here on smart summons as desired,

  But never the descendant came to tell him

  What he required.”

  And so the tomb remained

  Untouched, untended, crumbling, weather-stained,

  And though the one-time foe was fain to right it

  He still refrained.

  ”I’ll set about it when

  I am sure he’ll come no more. Best wait till then.”

  But so it was that never the stranger entered

  That city again.

  And the well-meaner died

  While waiting tremulously unsatisfied

  That no return of the family’s foreign scion

  Would still betide.

  And many years slid by,

  And active church-restorers cast their eye

  Upon the ancient garth and hoary building

  The tomb stood nigh.

  And when they had scraped each wall,

  Pulled out the
stately pews, and smartened all,

  “It will be well,” declared the spruce church-warden,

  ”To overhaul

  ”And broaden this path where shown;

  Nothing prevents it but an old tombstone

  Pertaining to a family forgotten,

  Of deeds unknown.

  ”Their names can scarce be read,

  Depend on’t, all who care for them are dead.”

  So went the tomb, whose shards were as path-paving

  Distributed.

  Over it and about

  Men’s footsteps beat, and wind and water-spout,

  Until the names, aforetime gnawed by weathers,

  Were quite worn out.

  So that no sage can say

  In pensive progress near where they decay,

  “This stone records a luminous line whose talents

  Told in their day.”

  REGRET NOT ME

  Regret not me;

  Beneath the sunny tree

  I lie uncaring, slumbering peacefully.

  Swift as the light

  I flew my faery flight;

  Ecstatically I moved, and feared no night.

  I did not know

  That heydays fade and go,

  But deemed that what was would be always so.

  I skipped at morn

  Between the yellowing corn,

  Thinking it good and glorious to be born.

  I ran at eves

  Among the piled-up sheaves,

  Dreaming, “I grieve not, therefore nothing grieves.”

  Now soon will come

  The apple, pear, and plum

  And hinds will sing, and autumn insects hum.

  Again you will fare

  To cider-makings rare,

  And junketings; but I shall not be there.

 

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