Complete Works of Thomas Hardy (Illustrated)

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Complete Works of Thomas Hardy (Illustrated) Page 787

by Thomas Hardy


  TO A TREE IN LONDON

  (CLEMENT’S INN)

  Here you stay

  Night and day,

  Never, never going away!

  Do you ache

  When we take

  Holiday for our health’s sake?

  Wish for feet

  When the heat

  Scalds you in the brick-built street,

  That you might

  Climb the height

  Where your ancestry saw light,

  Find a brook

  In some nook

  There to purge your swarthy look?

  No. You read

  Trees to need

  Smoke like earth whereon to feed. . . .

  Have no sense

  That far hence

  Air is sweet in a blue immense,

  Thus, black, blind,

  You have opined

  Nothing of your brightest kind;

  Never seen

  Miles of green,

  Smelt the landscape’s sweet serene.

  192*.

  THE FELLED ELM AND SHE

  When you put on that inmost ring

  She, like you, was a little thing:

  When your circles reached their fourth,

  Scarce she knew life’s south from north:

  When your year-zones counted twenty

  She had fond admirers plenty:

  When you’d grown your twenty-second

  She and I were lovers reckoned:

  When you numbered twenty-three

  She went everywhere with me:

  When you, at your fortieth line,

  Showed decay, she seemed to pine:

  When you were quite hollow within

  She was felled — mere bone and skin:

  You too, lacking strength to grow

  Further trunk-rings, were laid low,

  Matching her; both unaware

  That your lives formed such a pair.

  HE DID NOT KNOW ME

  (WOMAN’S SORROW SONG)

  He said: “I do not know you;

  You are not she who came

  And made my heart grow tame?”

  I laughed: “The same!”

  Still said he: “I don’t know you.”

  “But I am your Love!” laughed I:

  “Yours — faithful ever — till I die,

  And pulseless lie!”

  Yet he said: “I don’t know you.”

  Freakful, I went away,

  And met pale Time, with “Pray,

  What means his Nay?”

  Said Time: “He does not know you

  In your mask of Comedy.”

  “But,” said I, “that I have chosen to be:

  Tragedy he.”

  “True; hence he did not know you.”

  “But him I could recognize?”

  “Yea. Tragedy is true guise,

  Comedy lies.”

  SO VARIOUS

  You may have met a man — quite young —

  A brisk-eyed youth, and highly strung:

  One whose desires

  And inner fires

  Moved him as wires.

  And you may have met one stiff and old,

  If not in years; of manner cold;

  Who seemed as stone,

  And never had known

  Of mirth or moan.

  And there may have crossed your path a lover,

  In whose clear depths you could discover

  A staunch, robust,

  And tender trust,

  Through storm and gust.

  And you may have also known one fickle,

  Whose fancies changed as the silver sickle

  Of yonder moon,

  Which shapes so soon

  To demilune!

  You entertained a person once

  Whom you internally deemed a dunce: —

  As he sat in view

  Just facing you

  You saw him through.

  You came to know a learned seer

  Of whom you read the surface mere:

  Your soul quite sank;

  Brain of such rank

  Dubbed yours a blank.

  Anon you quizzed a man of sadness,

  Who never could have known true gladness:

  Just for a whim

  You pitied him

  In his sore trim.

  You journeyed with a man so glad

  You never could conceive him sad:

  He proved to be

  Indubitably

  Good company.

  You lit on an unadventurous slow man,

  Who, said you, need be feared by no man;

  That his slack deeds

  And sloth must needs

  Produce but weeds.

  A man of enterprise, shrewd and swift,

  Who never suffered affairs to drift,

  You eyed for a time

  Just in his prime,

  And judged he might climb.

  You smoked beside one who forgot

  All that you said, or grasped it not.

  Quite a poor thing,

  Not worth a sting

  By satirizing!

  Next year you nearly lost for ever

  Goodwill from one who forgot slights never;

  And, with unease,

  Felt you must seize

  Occasion to please . . .

  Now. . . . All these specimens of man,

  So various in their pith and plan,

  Curious to say

  Were one man. Yea,

  I was all they.

  A SELF-GLAMOURER

  My little happiness,

  How much I have made of it! —

  As if I had been not less

  Than a queen, to be straight obeyed of it.

  “Life, be fairer far,”

  I said, “Than you are.”

  So I counted my springtime-day’s

  Dream of futurity

  Enringed with golden rays

  To be quite a summer surety;

  And my trustful daring undoubt

  Brought it about!

  Events all human-wrought

  Had look of divinity,

  And what I foreframed in thought

  Grew substanced, by force of affinity:

  Visions to verities came,

  Seen as the same.

  My years in trusting spent

  Make to shape towardly,

  And fate and accident

  Behave not perversely or frowardly.

  Shall, then, Life’s winter snow

  To me be so?

  THE DEAD BASTARD

  Many and many a time I thought,

  “Would my child were in its grave!”

  Such the trouble and shame it brought.

  Now ‘tis there. And now I’d brave

  Opinion’s worst, in word or act,

  To have that child alive; yes, slave

  To dress and flaunt it to attract;

  Show it the gossips brazenly,

  And let as nothing be the fact

  That never its father married me.

  THE CLASPED SKELETONS

  SURMISED DATE 1800 B.C.

  (In an Ancient British barrow near the writer’s house)

  O why did we uncover to view

  So closely clasped a pair?

  Your chalky bedclothes over you,

  This long time here!

  Ere Paris lay with Helena —

  The poets’ dearest dear —

  Ere David bedded Bathsheba

  You two were bedded here.

  Aye, even before the beauteous Jael

  Bade Sisera doff his gear

  And lie in her tent; then drove the nail,

  You two lay here.

  Wicked Aholah, in her youth,

  Colled loves from far and near

  Until they slew her without ruth;

  But you had long colled here.

  Aspasia lay with Pericles,

  And Philip’s son found cheer


  At eves in lying on Thais’ knees

  While you lay here.

  Cleopatra with Antony,

  Resigned to dalliance sheer,

  Lay, fatuous he, insatiate she,

  Long after you’d lain here.

  Pilate by Procula his wife

  Lay tossing at her tear

  Of pleading for an innocent life;

  You tossed not here.

  Ages before Monk Abélard

  Gained tender Héloïse’ ear,

  And loved and lay with her till scarred,

  Had you lain loving here.

  So long, beyond chronology,

  Lovers in death as ‘twere,

  So long in placid dignity

  Have you lain here!

  Yet what is length of time? But dream!

  Once breathed this atmosphere

  Those fossils near you, met the gleam

  Of day as you did here;

  But so far earlier theirs beside

  Your life-span and career,

  That they might style of yestertide

  Your coming here!

  IN THE MARQUEE

  It was near last century’s ending,

  And, though not much to rate

  In a world of getting and spending,

  To her it was great.

  The scene was a London suburb

  On a night of summer weather,

  And the villas had back gardens

  Running together.

  Her neighbours behind were dancing

  Under a marquee;

  Two violoncellos played there,

  And violins three.

  She had not been invited,

  Although her lover was;

  She lay beside her husband,

  Perplexed at the cause.

  Sweet after sweet quadrille rang:

  Absence made her weep;

  The tears dried on her eyelids

  As she fell asleep.

  She dreamt she was whirling with him

  In this dance upon the green

  To which she was not invited

  Though her lover had been.

  All night she danced as he clasped her —

  That is, in the happy dream

  The music kept her dreaming

  Till the first daybeam.

  “O damn those noisy fiddles!”

  Her husband said as he turned:

  “Close to a neighbour’s bedroom:

  I’d like them burned!”

  At intervals thus all night-long

  Her husband swore. But she

  Slept on, and danced in the loved arms,

  Under the marquee.

  Next day she found that her lover,

  Though asked, had gone elsewhere,

  And that she had possessed him in absence

  More than if there.

  AFTER THE BURIAL

  The family had buried him,

  Their bread-bringer, their best:

  They had returned to the house, whose hush a dim

  Vague vacancy expressed.

  There sat his sons, mute, rigid-faced,

  His daughters, strained, red-eyed,

  His wife, whose wan, worn features, vigil-traced,

  Bent over him when he died.

  At once a peal bursts from the bells

  Of a large tall tower hard by:

  Along the street the jocund clangour swells,

  And upward to the sky.

  Probably it was a wedding-peal,

  Or possibly for a birth,

  Or townsman knighted for political zeal,

  This resonant mark of mirth.

  The mourners, heavy-browed, sat on

  Motionless. Well they heard,

  They could not help it; nevertheless thereon

  Spoke not a single word,

  Nor window did they close, to numb

  The bells’ insistent calls

  Of joy; but suffered the harassing din to come

  And penetrate their souls.

  THE MONGREL

  In Havenpool Harbour the ebb was strong,

  And a man with a dog drew near and hung,

  And taxpaying day was coming along,

  So the mongrel had to be drowned.

  The man threw a stick from the paved wharf-side

  Into the midst of the ebbing tide,

  And the dog jumped after with ardent pride

  To bring the stick aground.

  But no: the steady suck of the flood

  To seaward needed, to be withstood,

  More than the strength of mongrelhood

  To fight its treacherous trend.

  So, swimming for life with desperate will,

  The struggler with all his natant skill

  Kept buoyant in front of his master still

  There standing to wait the end.

  The loving eyes of the dog inclined

  To the man he held as a god enshrined,

  With no suspicion in his mind

  That this had all been meant.

  Till the effort not to drift from shore

  Of his little legs grew slower and slower,

  And, the tide still outing with brookless power,

  Outward the dog, too, went.

  Just ere his sinking what does one see

  Break on the face of that devotee?

  A wakening to the treachery

  He had loved with love so blind?

  The faith that had shone in that mongrel’s eye

  That his owner would save him by and by

  Turned to much like a curse as he sank to die,

  And a loathing of mankind.

  CONCERNING AGNES

  I am stopped from hoping what I have hoped before —

  Yes, many a time! —

  To dance with that fair woman yet once more

  As in the prime

  Of August, when the wide-faced moon looked through

  The boughs at the faery lamps of the Larmer Avenue.

  I could not, though I should wish, have over again

  That old romance,

  And sit apart in the shade as we sat then

  After the dance

  The while I held her hand, and, to the booms

  Of contrabassos, feet still pulsed from the distant rooms.

  I could not. And you do not ask me why.

  Hence you infer

  That what may chance to the fairest under the sky

  Has chanced to her.

  Yes. She lies white, straight, features marble-keen,

  Unapproachable, mute, in a nook I have never seen.

  There she may rest like some vague goddess, shaped

  As out of snow;

  Say Aphrodite sleeping; or bedraped

  Like Kalupso;

  Or Amphitrite stretched on the Mid-sea swell,

  Or one of the Nine grown stiff from thought. I cannot tell!

  HENLEY REGATTA

  She looks from the window: still it pours down direly,

  And the avenue drips. She cannot go, she fears;

  And the Regatta will be spoilt entirely;

  And she sheds half-crazed tears.

  Regatta Day and rain come on together

  Again, years after. Gutters trickle loud;

  But Nancy cares not. She knows nought of weather,

  Or of the Henley crowd:

  She’s a Regatta quite her own. Inanely

  She laughs in the asylum as she floats

  Within a water-tub, which she calls “Henley,”

  Her little paper boats.

  AN EVENING IN GALILEE

  She looks far west towards Carmel, shading her eyes with her hand,

  And she then looks east to the Jordan, and the smooth Tiberias’ strand.

  “Is my son mad?” she asks; and never an answer has she,

  Save from herself, aghast at the possibility.

  “He professes as his firm faiths things far too grotesque to be true,

  And his vesture is
odd — too careless for one of his fair young hue! . . .

  “He lays down doctrines as if he were old — aye, fifty at least:

  In the Temple he terrified me, opposing the very High-Priest!

  Why did he say to me, ‘Woman, what have I to do with thee?’

  O it cuts to the heart that a child of mine thus spoke to me!

  And he said, too, ‘Who is my mother?’ — when he knows so very well.

  He might have said, ‘Who is my father?’ — and I’d found it hard to tell!

  That no one knows but Joseph and — one other, nor ever will;

  One who’ll not see me again. . . . How it chanced! — I dreaming no ill! . . .

  “Would he’d not mix with the lowest folk — like those fishermen —

  The while so capable, culling new knowledge, beyond our ken! . . .

  That woman of no good character, ever following him,

  Adores him if I mistake not: his wish of her is but a whim

  Of his madness, it may be, outmarking his lack of coherency;

  After his ‘Keep the Commandments!’ to smile upon such as she!

  It is just what all those do who are wandering in their wit.

  I don’t know — dare not say — what harm may grow from it.

  O a mad son is a terrible thing; it even may lead

  To arrest, and death! . . . And how he can preach, expound, and read!

  “Here comes my husband. Shall I unveil him this tragedy-brink?

  No. He has nightmares enough. I’ll pray, and think, and think.” . . .

  She remembers she’s never put on any pot for his evening meal,

  And pondering a plea looks vaguely to south of her — towards Jezreel.

  THE BROTHER

  O know you what I have done

  To avenge our sister? She,

 

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