Complete Works of Thomas Hardy (Illustrated)

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Complete Works of Thomas Hardy (Illustrated) Page 836

by Thomas Hardy


  ALL [fervidly]

  We'll do our utmost, by the Holy Heaven!

  NAPOLEON

  Ah—what was that? [He pulls back the window-curtain.]

  SEVERAL

  It is our enemies,

  Whose southern hosts are signalling to their north.

  [A white rocket is beheld high in the air. It is followed by a

  second, and a third. There is a pause, during which NAPOLEON and

  the rest wait motionless. In a minute or two, from the opposite

  side of the city, three coloured rockets are sent up, in evident

  answer to the three white ones. NAPOLEON muses, and lets the

  curtain drop.]

  NAPOLEON

  Yes, Schwarzenberg to Blucher.... It must be

  To show that they are ready. So are we!

  [He goes out without saying more. The marshals and other officers

  withdraw. The room darkens and ends the scene.]

  SCENE II

  THE SAME. THE CITY AND THE BATTLEFIELD

  [Leipzig is viewed in aerial perspective from a position above the

  south suburbs, and reveals itself as standing in a plain, with

  rivers and marshes on the west, north, and south of it, and higher

  ground to the east and south-east.

  At this date it is somewhat in she shape of the letter D, the

  straight part of which is the river Pleisse. Except as to this

  side it is surrounded by armies—the inner horseshoe of them

  being the French defending the city; the outer horseshoe being

  the Allies about to attack it.

  Far over the city—as it were at the top of the D—at Lindenthal,

  we see MARMONT stationed to meet BLUCHER when he arrives on that

  side. To the right of him is NEY, and further off to the right,

  on heights eastward, MACDONALD. Then round the curve towards the

  south in order, AUGEREAU, LAURISTON [behind whom is NAPOLEON

  himself and the reserve of Guards], VICTOR [at Wachau], and

  PONIATOWSKI, near the Pleisse River at the bottom of the D. Near

  him are the cavalry of KELLERMANN and MILHAUD, and in the same

  direction MURAT with his, covering the great avenues of approach

  on the south.

  Outside all these stands SCHWARZENBERG'S army, of which, opposed

  to MACDONALD and LAURISTON, are KLEINAU'S Austrians and ZIETEN'S

  Prussians, covered on the flank by Cossacks under PLATOFF.

  Opposed to VICTOR and PONIATOWSKI are MEERFELDT and Hesse-Homburg's

  Austrians, WITTGENSTEIN'S Russians, KLEIST'S Prussians, GUILAY'S

  Austrians, with LICHTENSTEIN'S and THIELMANN'S light troops: thus

  reaching round across the Elster into the morass on our near left—

  the lower point of the D.]

  SEMICHORUS I OF RUMOURS [aerial music]

  This is the combat of Napoleon's hope,

  But not of his assurance! Shrunk in power

  He broods beneath October's clammy cope,

  While hemming hordes wax denser every hour.

  SEMICHORUS II

  He knows, he knows that though in equal fight

  He stand s heretofore the matched of none,

  A feeble skill is propped by numbers' might,

  And now three hosts close round to crush out one!

  DUMB SHOW

  The Leipzig clocks imperturbably strike nine, and the battle which

  is to decide the fate of Europe, and perhaps the world, begins with

  three booms from the line of the allies. They are the signal for

  a general cannonade of devastating intensity.

  So massive is the contest that we soon fail to individualize the

  combatants as beings, and can only observe them as amorphous drifts,

  clouds, and waves of conscious atoms, surging and rolling together;

  can only particularize them by race, tribe, and language.

  Nationalities from the uttermost parts of Asia here meet those from

  the Atlantic edge of Europe for the first and last time. By noon

  the sound becomes a loud droning, uninterrupted and breve-like, as

  from the pedal of an organ kept continuously down.

  CHORUS OF RUMOURS

  Now triple battle beats about the town,

  And now contracts the huge elastic ring

  Of fighting flesh, as those within go down,

  Or spreads, as those without show faltering!

  It becomes apparent that the French have a particular intention,

  the Allies only a general one. That of the French is to break

  through the enemy's centre and surround his right. To this end

  NAPOLEON launches fresh columns, and simultaneously OUDINOT supports

  VICTOR against EUGENE OF WURTEMBERG'S right, while on the other

  side of him the cavalry of MILHAUD and KELLERMAN prepares to charge.

  NAPOLEON'S combination is successful, and drives back EUGENE.

  Meanwhile SCHWARZENBERG is stuck fast, useless in the marshes

  between the Pleisse and the Elster.

  By three o'clock the Allied centre, which has held out against the

  assaults of the French right and left, is broken through by cavalry

  under MURAT, LATOUR-MAUBOURG, and KELLERMANN.

  The bells of Leipzig ring.

  CHORUS OF THE PITIES

  Those chimings, ill-advised and premature!

  Who knows if such vast valour will endure?

  The Austro-Russians are withdrawn from the marshes by SCHWARZENBERG.

  But the French cavalry also get entangled in the swamps, and

  simultaneously MARMONT is beaten at Mockern.

  Meanwhile NEY, to the north of Leipzig, having heard the battle

  raging southward, leaves his position to assist it. He has nearly

  arrived when he hears BLUCHER attacking at the point he came from,

  and sends back some of his divisions.

  BERTRAND has kept open the west road to Lindenau and the Rhine, the

  only French line of retreat.

  Evening finds the battle a drawn one. With the nightfall three blank

  shots reverberate hollowly.

  SEMICHORUS I OF RUMOURS

  They sound to say that, for this moaning night,

  As Nature sleeps, so too shall sleep the fight;

  Neither the victor.

  SEMICHORUS II

  But, for France and him,

  Half-won is losing!

  CHORUS

  Yea, his hopes drop dim,

  Since nothing less than victory to-day

  Had saved a cause whose ruin is delay!

  The night gets thicker and no more is seen.

  SCENE III

  THE SAME, FROM THE TOWER OF THE PLEISSENBURG

  [The tower commands a view of a great part of the battlefield.

  Day has just dawned, and citizens, saucer-eyed from anxiety and

  sleeplessness, are discover watching.]

  FIRST CITIZEN

  The wind increased at midnight while I watched,

  With flapping showers, and clouds that combed the moon,

  Till dawn began outheaving this huge day,

  Pallidly—as if scared by its own issue;

  This day that the Allies with bonded might

  Have vowed to deal their felling finite blow.

  SECOND CITIZEN

  So must it be! They have welded close the coop

  Wherein our luckless Frenchmen are enjailed

  With such compression that their front has shrunk

  From five miles' farness to but half as far.—

  Men say Napoleon made resolve last night

  To marshal a retreat. If so, his way

  Is by the Bridge of Lindenau.

  [They look across in the cold east light at the long
straight

  causeway from the Ranstadt Gate at the north-west corner of the

  town, and the Lindenau bridge over the Elster beyond.]

  FIRST CITIZEN

  Last night I saw, like wolf-packs, hosts appear

  Upon the Dresden road; and then, anon,

  The already stout arrays of Schwarzenberg

  Grew stoutened more. I witnessed clearly, too,

  Just before dark, the bands of Bernadotte

  Come, hemming in the north more thoroughly.

  The horizon glowered with a thousand fires

  As the unyielding circle shut around.

  [As it grows light they scan and define the armies.]

  THIRD CITIZEN

  Those lying there, 'twixt Connewitz and Dolitz,

  Are the right wing of horse Murat commands.

  Next, Poniatowski, Victor, and the rest.

  Out here, Napoleon's centre at Probstheida,

  Where he has bivouacked. Those round this way

  Are his left wing with Ney, that face the north

  Between Paunsdorf and Gohlis.—Thus, you see

  They are skilfully sconced within the villages,

  With cannon ranged in front. And every copse,

  Dingle, and grove is packed with riflemen.

  [The heavy sky begins to clear with the full arrival of the

  morning. The sun bursts out, and the previously dark and gloomy

  masses glitter in the rays. It is now seven o'clock, and with the

  shining of the sun, the battle is resumed.

  The army of Bohemia to the south and east, in three great columns,

  marches concentrically upon NAPOLEON'S new and much-contracted line

  —the first column of thirty-five thousand under BENNIGSEN; the

  second, the central, forty-five thousand under BARCLAY DE TOLLY;

  the third, twenty-five thousand under the PRINCE OF HESSE-HOMBURG.

  An interval of suspense.]

  FIRST CITIZEN

  Ah, see! The French bend, falter, and fall back.

  [Another interval. Then a huge rumble of artillery resounds from

  the north.]

  SEMICHORUS OF RUMOURS [aerial music]

  Now Blucher has arrived; and now falls to!

  Marmont withdraws before him. Bernadotte

  Touching Bennigsen, joins attack with him,

  And Ney must needs recede. This serves as sign

  To Schwarzenberg to bear upon Probstheida—

  Napoleon's keystone and dependence here.

  But for long whiles he fails to win his will,

  The chief being nigh—outmatching might with skill.

  SEMICHORUS II

  Ney meanwhile, stung still sharplier, still withdraws

  Nearer the town, and met by new mischance,

  Finds him forsaken by his Saxon wing—

  Fair files of thrice twelve thousand footmanry.

  But rallying those still true with signs and calls,

  He warely closes up his remnant to the walls.

  SEMICHORUS I

  Around Probstheida still the conflict rolls

  Under Napoleon's eye surpassingly.

  Like sedge before the scythe the sections fall

  And bayonets slant and reek. Each cannon-blaze

  Makes the air thick with human limbs; while keen

  Contests rage hand to hand. Throats shout "advance,"

  And forms walm, wallow, and slack suddenly.

  Hot ordnance split and shiver and rebound,

  And firelocks fouled and flintless overstrew the ground.

  SEMICHORUS II

  At length the Allies, daring tumultuously,

  Find them inside Probstheida. There is fixed

  Napoleon's cardinal and centre hold.

  But need to loose it grows his gloomy fear

  As night begins to brown and treacherous mists appear.

  CHORUS

  Then, on the three fronts of this reaching field,

  A furious, far, and final cannonade

  Burns from two thousand mouths and shakes the plain,

  And hastens the sure end! Towards the west

  Bertrand keeps open the retreating-way,

  Along which wambling waggons since the noon

  Have crept in closening file. Dusk draws around;

  The marching remnants drowse amid their talk,

  And worn and harrowed horses slumber as the walk.

  [In the darkness of the distance spread cries from the maimed

  animals and the wounded men. Multitudes of the latter contrive to

  crawl into the city, until the streets are full of them. Their

  voices are heard calling.]

  SECOND CITIZEN

  They cry for water! Let us go down,

  And do what mercy may.

  [Exeunt citizens from the tower.]

  SPIRIT OF THE PITIES

  A fire is lit

  Near to the Thonberg wind-wheel. Can it be

  Napoleon tarries yet? Let us go see.

  [The distant firelight becomes clearer and closer.]

  SCENE IV

  THE SAME. AT THE THONBERG WINDMILL

  [By the newly lighted fire NAPOLEON is seen walking up and down,

  much agitated and worn. With him are MURAT, BERTHIER, AUGEREAU,

  VICTOR, and other marshals of corps that have been engaged in this

  part of the field—all perspiring, muddy, and fatigued.]

  NAPOLEON

  Baseness so gross I had not guessed of them!—

  The thirty thousand false Bavarians

  I looked on losing not unplacidly;

  But these troth-swearing sober Saxonry

  I reckoned staunch by virtue of their king!

  Thirty-five thousand and gone! It magnifies

  A failure into a catastrophe....

  Murat, we must retreat precipitately,

  And not as hope had dreamed! Begin it then

  This very hour.—Berthier, write out the orders.—

  Let me sit down.

  [A chair is brought out from the mill. NAPOLEON sinks into it, and

  BERTHIER, stooping over the fire, begins writing to the Emperor's

  dictation, the marshals looking with gloomy faces at the flaming

  logs.

  NAPOLEON has hardly dictated a line when he stops short. BERTHIER

  turns round and finds that he has dropt asleep.]

  MURAT [sullenly]

  Far better not disturb him;

  He'll soon enough awake!

  [They wait, muttering to one another in tones expressing weary

  indifference to issues. NAPOLEON sleeps heavily for a quarter of

  and hour, during which the moon rises over the field. At the end

  he starts up stares around him with astonishment.]

  NAPOLEON

  Am I awake?

  Or is this all a dream?—Ah, no. Too real!...

  And yet I have seen ere now a time like this.

  [The dictation is resumed. While it is in progress there can be

  heard between the words of NAPOLEON the persistent cries from the

  plain, rising and falling like those of a vast rookery far away,

  intermingled with the trampling of hoofs and the rumble of wheels.

  The bivouac fires of the engirdling enemy glow all around except

  for a small segment to the west—the track of retreat, still kept

  open by BERTRAND, and already taken by the baggage-waggons.

  The orders for its adoption by the entire army being completed,

  NAPOLEON bids adieu to his marshals, and rides with BERTHIER and

  CAULAINCOURT into Leipzig. Exeunt also the others.]

  SEMICHORUS I OF THE PITIES

  Now, as in the dream of one sick to death,

  There comes a narrowing room

  That pens him, body and limbs and breath,

  To wait a hideous doom,
/>   SEMICHORUS II

  So to Napoleon in the hush

  That holds the town and towers

  Through this dire night, a creeping crush

  Seems inborne with the hours.

  [The scene closes under a rimy mist, which makes a lurid cloud of

  the firelights.]

  SCENE V

  THE SAME. A STREET NEAR THE RANSTADT GATE

  [High old-fashioned houses form the street, along which, from the

  east of the city, is streaming a confusion of waggons, in hurried

  exit through the gate westward upon the highroad to Lindenau,

  Lutzen, and the Rhine.

  In front of an inn called the "Prussian Arms" are some attendants

  of NAPOLEON waiting with horses.]

  FIRST OFFICER

  He has just come from bidding the king and queen

  A long good-bye.... Is it that they will pay

  For his indulgence of their past ambition

  By sharing now his ruin? Much the king

  Did beg him to leave them to their lot,

  And shun the shame of capture needlessly.

  [He looks anxiously towards the door.]

  I would he'd haste! Each minute is of price.

  SECOND OFFICER

  The king will come to terms with the Allies.

  They will not hurt him. Though he has lost his all,

  His case is not like ours!

  [The cheers of the approaching enemy grow louder. NAPOLEON comes

  out from the "Prussian Arms," haggard and in disordered attire.

  He is about to mount, but, perceiving the blocked state of the

  street, he hesitates.]

  NAPOLEON

  God, what a crowd!

  I shall more quickly gain the gate afoot.

  There is a byway somewhere, I suppose?

  [A citizen approaches out of the inn.]

  CITIZEN

  This alley, sire, will speed you to the gate;

  I shall be honoured much to point the way.

  NAPOLEON

  Then do, good friend. [To attendants] Bring on the horses there;

  I if arrive soonest I will wait for you.

  [The citizen shows NAPOLEON the way into the alley.]

  CITIZEN

  A garden's at the end, your Majesty,

  Through which you pass. Beyond there is a door

  That opens to the Elster bank unbalked.

  [NAPOLEON disappears into the alley. His attendants plunge amid

  the traffic with the horses, and thread their way down the street.

  Another citizen comes from the door of the inn and greets the

  first.]

  FIRST CITIZEN

  He's gone!

 

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