Complete Works of Thomas Hardy (Illustrated)

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Complete Works of Thomas Hardy (Illustrated) Page 840

by Thomas Hardy

In Europe all is past and over with me....

  Yes—all is lost in Europe for me now!

  BERTRAND

  I fear so, sire.

  NAPOLEON [after some moments]

  But Asia waits a man,

  And—who can tell?

  OFFICER OF GUARD [to postillions]

  Ahead now at full speed,

  And slacken not till you have slipped the town.

  [The postillions urge the horses to a gallop, and the carriages

  are out of sight in a few seconds. The scene shuts.]

  SCENE VII

  MALMAISON. THE EMPRESS JOSEPHINE'S BEDCHAMBER

  [The walls are in white panels, with gilt mouldings, and the

  furniture is upholstered in white silk with needle-worked flowers.

  The long windows and the bed are similarly draped, and the toilet

  service is of gold. Through the panes appears a broad flat lawn

  adorned with vases and figures on pedestals, and entirely

  surrounded by trees—just now in their first fresh green under

  the morning rays of Whitsunday. The notes of an organ are audible

  from a chapel below, where the Pentecostal Mass is proceeding.

  JOSEPHINE lies in the bed in an advanced stage of illness, the

  ABBE BERTRAND standing beside her. Two ladies-in-waiting are

  seated near. By the door into the ante-room, which is ajar,

  HOREAU the physician-in-ordinary and BOURDOIS the consulting

  physician are engaged in a low conversation.]

  HOREAU

  Lamoureux says that leeches would have saved her

  Had they been used in time, before I came.

  In that case, then, why did he wait for me?

  BOURDOIS

  Such whys are now too late! She is past all hope.

  I doubt if aught had helped her. Not disease,

  But heart-break and repinings are the blasts

  That wither her long bloom. Soon we must tell

  The Queen Hortense the worst, and the Viceroy.

  HOREAU

  Her death was made the easier task for grief

  [As I regarded more than probable]

  By her rash rising from a sore-sick bed

  And donning thin and dainty May attire

  To hail King Frederick-William and the Tsar

  As banquet-guests, in the old regnant style.

  A woman's innocent vanity!—but how dire.

  She argued that amenities of State

  Compelled the effort, since they had honoured her

  By offering to come. I stood against it,

  Pleaded and reasoned, but to no account.

  Poor woman, what she did or did not do

  Was of small moment to the State by then!

  The Emperor Alexander has been kind

  Throughout his stay in Paris. He came down

  But yester-eve, of purpose to inquire.

  BOURDOIS

  Wellington is in Paris, too, I learn,

  After his wasted battle at Toulouse.

  HOREAU

  Has his Peninsular army come with him?

  BOURDOIS

  I hear they have shipped it to America,

  Where England has another war on hand.

  We have armies quite sufficient here already—

  Plenty of cooks for Paris broth just now!

  —Come, call we Queen Hortense and Prince Eugene.

  [Exeunt physicians. The ABBE BERTRAND also goes out. JOSEPHINE

  murmurs faintly.]

  FIRST LADY [going to the bedside]

  I think I heard you speak, your Majesty?

  JOSEPHINE

  I asked what hour it was—-if dawn or eve?

  FIRST LADY

  Ten in the morning, Madame. You forget

  You asked the same but a brief while ago.

  JOSEPHINE

  Did I? I thought it was so long ago!...

  I wish to go to Elba with him so much,

  But the Allies prevented me. And why?

  I would not have disgraced him, or themselves!

  I would have gone to him at Fontainebleau,

  With my eight horses and my household train

  In dignity, and quitted him no more....

  Although I am his wife no longer now,

  I think I should have gone in spite of them,

  Had I not feared perversions might be sown

  Between him and the woman of his choice

  For whom he sacrificed me.

  SECOND LADY

  It is more

  Than she thought fit to do, your Majesty.

  JOSEPHINE

  Perhaps she was influenced by her father's ire,

  Or diplomatic reasons told against her.

  And yet I was surprised she should allow

  Aught secondary on earth to hold her from

  A husband she has outwardly, at least,

  Declared attachment to.

  FIRST LADY

  Especially,

  With ever one at hand—his son and hers—

  Reminding her of him.

  JOSEPHINE

  Yes.... Glad am I

  I saw that child of theirs, though only once.

  But—there was not full truth—not quite, I fear—

  In what I told the Emperor that day

  He led him to me at Bagatelle,

  That 'twas the happiest moment of my life.

  I ought not to have said it. No! Forsooth

  My feeling had too, too much gall in it

  To let truth shape like that!—I also said

  That when my arms were round him I forgot

  That I was not his mother. So spoke I,

  But oh me,—I remembered it too well!—

  He was a lovely child; in his fond prate

  His father's voice was eloquent. One might say

  I am well punished for my sins against him!

  SECOND LADY

  You have harmed no creature, madame; much less him!

  JOSEPHINE

  O but you don't quite know!... My coquetries

  In our first married years nigh racked him through.

  I cannot think how I could wax so wicked!...

  He begged me come to him in Italy,

  But I liked flirting in fair Paris best,

  And would not go. The independent spouse

  At that time was myself; but afterwards

  I grew to be the captive, he the free.

  Always 'tis so: the man wins finally!

  My faults I've ransomed to the bottom sou

  If ever a woman did!... I'll write to him—

  I must—again, so that he understands.

  Yes, I'll write now. Get me a pen and paper.

  FIRST LADY [to Second Lady]

  'Tis futile! She is too far gone to write;

  But we must humour her.

  [They fetch writing materials. On returning to the bed they find

  her motionless. Enter EUGENE and QUEEN HORTENSE. Seeing the state

  their mother is in, they fall down on their knees by her bed.

  JOSEPHINE recognizes them and smiles. Anon she is able to speak

  again.]

  JOSEPHINE [faintly]

  I am dying, dears;

  And do not mind it—notwithstanding that

  I feel I die regretted. You both love me!—

  And as for France, I ever have desired

  Her welfare, as you know—have wrought all things

  A woman's scope could reach to forward it....

  And to you now who watch my ebbing here,

  Declare I that Napoleon's first-chose wife

  Has never caused her land a needless tear.

  Tell him—these things I have said—bear him my love—

  Tell him—I could not write!

  [An interval. She spasmodically flings her arms over her son and

  daughter, lets them fall, and becomes unconscious. They fetch a
/>
  looking-glass, and find that her breathing has ceased. The clock

  of the Chateau strikes noon. The scene is veiled.]

  SCENE VIII

  LONDON. THE OPERA HOUSE

  [The house is lighted up with a blaze of wax candles, and a State

  performance is about to begin in honour of the Allied sovereigns

  now on a visit to England to celebrate the Peace. Peace-devices

  adorn the theatre. A band can be heard in the street playing

  "The White Cockade."

  An extended Royal box has been formed by removing the partitions

  of adjoining boxes. It is empty as yet, but the other parts of

  the house are crowded to excess, and somewhat disorderly, the

  interior doors having been broken down by besiegers, and many

  people having obtained admission without payment. The prevalent

  costume of the ladies is white satin and diamonds, with a few in

  lilac.

  The curtain rises on the first act of the opera of "Aristodemo,"

  MADAME GRASSINI and SIGNOR TRAMEZZINI being the leading voices.

  Scarcely a note of the performance can be heard amid the exclamations

  of persons half suffocated by the pressure.

  At the end of the first act there follows a divertissement. The

  curtain having fallen, a silence of expectation succeeds. It is

  a little past ten o'clock.

  Enter the Royal box the PRINCE REGENT, accompanied by the EMPEROR

  OF RUSSIA, demonstrative in manner now as always, the KING OF

  PRUSSIA, with his mien of reserve, and many minor ROYAL PERSONAGES

  of Europe. There are moderate acclamations. At their back and in

  neighbouring boxes LORD LIVERPOOL, LORD CASTLEREAGH, officers in

  the suite of the sovereigns, interpreters, and others take their

  places.

  The curtain rises again, and the performers are discovered drawn

  up in line on the stage. They sing "God save the King." The

  sovereigns stand up, bow, and resume their seats amid more

  applause.]

  A VOICE [from the gallery]

  Prinny, where's your wife? [Confusion.]

  EMPEROR OF RUSSIA [to Regent]

  To which of us is the inquiry addressed, Prince?

  PRINCE REGENT

  To you, sire, depend upon't—by way of compliment.

  [The second act of the Opera proceeds.]

  EMPEROR OF RUSSIA

  Any later news from Elba, sir?

  PRINCE REGENT

  Nothing more than rumours, which, 'pon my honour, I can hardly

  credit. One is that Bonaparte's valet has written to say the

  ex-Emperor is becoming imbecile, and is an object of ridicule to

  the inhabitants of the island.

  KING OF PRUSSIA

  A blessed result, sir, if true. If he is not imbecile he is worse

  —planning how to involve Europe in another way. It was a short-

  sighted policy to offer him a home so near as to ensure its becoming

  a hot-bed of intrigue and conspiracy in no long time!

  PRINCE REGENT

  The ex-Empress, Marie-Louise, hasn't joined him after all, I learn.

  Has she remained at Schonbrunn since leaving France, sires?

  EMPEROR OF RUSSIA

  Yes, sir; with her son. She must never go back to France. Metternich

  and her father will know better than let her do that. Poor young

  thing, I am sorry for her all the same. She would have joined

  Napoleon if she had been left to herself.—And I was sorry for the

  other wife, too. I called at Malmaison a few days before she died.

  A charming woman! SHE would have gone to Elba or to the devil with

  him. Twenty thousand people crowded down from Paris to see her lying

  in state last week.

  PRINCE REGENT

  Pity she didn't have a child by him, by God.

  KING OF PRUSSIA

  I don't think the other one's child is going to trouble us much.

  But I wish Bonaparte himself had been sent farther away.

  PRINCE REGENT

  Some of our Government wanted to pack him off to St. Helena—an

  island somewhere in the Atlantic, or Pacific, or Great South Sea.

  But they were over-ruled. 'Twould have been a surer game.

  EMPEROR OF RUSSIA

  One hears strange stories of his saying and doings. Some of my

  people were telling me to-day that he says it is to Austria that

  he really owes his fall, and that he ought to have destroyed her

  when he had her in his power.

  PRINCE REGENT

  Dammy, sire, don't ye think he owes his fall to his ambition to

  humble England by rupture of the Peace of Amiens, and trying to

  invade us, and wasting his strength against us in the Peninsula?

  EMPEROR OF RUSSIA

  I incline to think, with the greatest deference, that it was Moscow

  that broke him.

  KING OF PRUSSIA

  The rejection of my conditions in the terms of peace at Prague, sires,

  was the turning-point towards his downfall.

  [Enter a box on the opposite side of the house the PRINCESS OF

  WALES, attended by LADY CHARLOTTE CAMPBELL, SIR W. GELL, and

  others. Louder applause now rings through the theatre, drowning

  the sweet voice of the GRASSINI in "Aristodemo."]

  LADY CHARLOTTE CAMPBELL

  It is meant for your Royal Highness!

  PRINCESS OF WALES

  I don't think so, my dear. Punch's wife is nobody when Punch himself

  is present.

  LADY CHARLOTTE CAMPBELL

  I feel convinced that it is by their looking this way.

  SIR W. GELL

  Surely ma'am you will acknowledge their affection? Otherwise we may

  be hissed.

  PRINCESS OF WALES

  I know my business better than to take that morsel out of my husband's

  mouth. There—you see he enjoys it! I cannot assume that it is

  meant for me unless they call my name.

  [The PRINCE REGENT rises and bows, the TSAR and the KING OF PRUSSIA

  doing the same.]

  LADY CHARLOTTE CAMPBELL

  He and the others are bowing for you, ma'am!

  PRINCESS OF WALES

  Mine God, then; I will bow too! [She rises and bends to them.]

  PRINCE REGENT

  She thinks we rose on her account.—A damn fool. [Aside.]

  EMPEROR OF RUSSIA

  What—didn't we? I certainly rose in homage to her.

  PRINCE REGENT

  No, sire. We were supposed to rise to the repeated applause of the

  people.

  EMPEROR OF RUSSIA

  H'm. Your customs sir, are a little puzzling.... [To the King of

  Prussia.] A fine-looking woman! I must call upon the Princess of

  Wales to-morrow.

  KING OF PRUSSIA

  I shall, at any rate, send her my respects by my chamberlain.

  PRINCE REGENT [stepping back to Lord Liverpool]

  By God, Liverpool, we must do something to stop 'em! They don't

  know what a laughing-stock they'll make of me if they go to her.

  Tell 'em they had better not.

  LIVERPOOL

  I can hardly tell them now, sir, while we are celebrating the Peace

  and Wellington's victories.

  PRINCE REGENT

  Oh, damn the peace, and damn the war, and damn Boney, and damn

  Wellington's victories!—the question is, how am I to get over this

  infernal woman!—Well, well,—I must write, or send Tyrwhitt to-

  morrow morning, begging them to abandon the
idea of visiting her

  for politic reasons.

  [The Opera proceeds to the end, and is followed by a hymn and

  chorus laudatory to peace. Next a new ballet by MONSIEUR VESTRIS,

  in which M. ROZIER and MADAME ANGIOLINI dance a pas-de-deux. Then

  the Sovereigns leave the theatre amid more applause.

  The pit and gallery now call for the PRINCESS OF WALES unmistakably.

  She stand up and is warmly acclaimed, returning three stately

  curtseys.]

  A VOICE

  Shall we burn down Carlton House, my dear, and him in it?

  PRINCESS OF WALES

  No, my good folks! Be quiet. Go home to your beds, and let me do

  the same.

  [After some difficulty she gets out of the house. The people thin

  away. As the candle-snuffers extinguish the lights a shouting is

  heard without.]

  VOICES OF CROWD

  Long life to the Princess of Wales! Three cheers for a woman wronged!

  [The Opera-house becomes lost in darkness.]

  ACT FIFTH

  SCENE I

  ELBA. THE QUAY, PORTO FERRAJO

  [Night descends upon a beautiful blue cove, enclosed on three sides

  by mountains. The port lies towards the western [right-hand] horn

  of the concave, behind it being the buildings of the town; their

  long white walls and rows of windows rise tier above tier on the

  steep incline at the back, and are intersected by narrow alleys

  and flights of steps that lead up to forts on the summit.

  Upon a rock between two of these forts stands the Palace of the

  Mulini, NAPOLEONS'S residence in Ferrajo. Its windows command

  the whole town and the port.]

  CHORUS OF IRONIC SPIRITS [aerial music]

  The Congress of Vienna sits,

  And war becomes a war of wits,

  Where every Power perpends withal

  Its dues as large, its friends' as small;

  Till Priests of Peace prepare once more

  To fight as they have fought before!

  In Paris there is discontent;

  Medals are wrought that represent

  One now unnamed. Men whisper, "He

  Who once has been, again will be!"

  DUMB SHOW

  Under cover of the dusk there assembles in the bay a small flotilla

  comprising a brig called l'Inconstant and several lesser vessels.

  SPIRIT OF RUMOUR

  The guardian on behalf of the Allies

  Absents himself from Elba. Slow surmise

  Too vague to pen, too actual to ignore,

  Have strained him hour by hour, and more and more.

  He takes the sea to Florence, to declare

 

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