by Alison Lurie
“Excuse me.” It is a real voice that Vinnie now hears, the voice of the passenger in the aisle seat: a bulky, balding man in a tan Western-cut suit and rawhide tie.
“Yes?”
“I just said, mind if I take a look at your newspaper?”
Though Vinnie does mind, she is constrained by convention from saying so. “Not at all.”
“Thanks.”
She acknowledges the man’s grin with the faintest possible nod; then, to protect herself from his conversation and her own thoughts, picks up Vogue. Listlessly she turns its shiny pages, stopping at an article on winter soups and again at one on indoor gardening. The references to marrowbones, parsnips, and partridges, to Christmas roses and ivy, the erudite yet cosily confiding style—so different from the hysterical exhortation of American fashion magazines—make her smile as if recognizing an old friend. The pieces on clothes and beauty, on the other hand, she passes over rapidly. She has now no use for, and has never derived any benefit from, their advice.
For nearly forty years Vinnie has suffered from the peculiar disadvantages of the woman born without physical charms. Even as a child she had a nondescript sort of face, which gave the impression of a small wild rodent: the nose sharp and narrow, the eyes round and rather too close-set, the mouth a nibbling slit. For the first eleven years of her life, however, her looks gave no one any concern. But as she approached puberty, first her suddenly anxious mother and then Vinnie herself attempted to improve upon her naturally meager endowments. Faithfully, they followed the changing recommendations of acquaintances and of the media, but never with any success. The ringlets and ruffles popular in Vinnie’s late childhood did not become her; the austerely cut, square-shouldered clothes of World War II emphasized her adolescent scrawniness; the New Look drowned her in excess yardage, and so on through every subsequent change of fashion. Indeed, it would be kinder to draw a veil over some of Vinnie’s later attempts at stylishness: her bony forty-year-old legs in an orange leather miniskirt; her narrow mouse’s face peering from behind teased hair and an oversized pair of mirrored aviator sunglasses.
When she reached fifty, however, Vinnie began to abandon these strenuous efforts. She ceased tinting her hair a juvenile and unnatural shade of auburn and let it grow out its natural piebald gray-beige; she gave away half her clothes and threw out most of her makeup. She might as well face facts, she told herself: she was a disadvantaged woman, doubly disadvantaged now by age; someone men would not charge at with bullish enthusiasm no matter how many brightly colored objects she waved to attract their attention. Well, at least she could avoid being a figure of fun. If she couldn’t look like an attractive woman, she could at least look like a lady.
But just as she was resigning herself to total defeat, the odds began to alter in Vinnie’s favor. Within the last couple of years she has in a sense caught up with, even passed, some of her better-equipped contemporaries. The comparison of her appearance to that of other women of her age is no longer a constant source of mortification. She is no better looking than she ever was, but they have lost more ground. Her slim, modestly proportioned figure has not been made bulgy and flabby by childbearing or by overeating and overdieting; her small but rather nice breasts (creamy, pink-tipped) have not fallen. Her features have not taken on the injured, strained expression of the former beauty, nor does she paint and decorate or simper and coo in a desperate attempt to arouse the male interest she feels to be her due. She is not consumed with rage and grief at the cessation of attentions that were in any case moderate, undependable, and intermittent.
As a result men—even men she has been intimate with—do not now gaze upon her with dismay, as upon a beloved landscape devastated by fire, flood, or urban development. They do not mind that Vinnie Miner, who was never much to look at, now looks old. After all, they hadn’t slept with her out of romantic passion, but out of comradeship and temporary mutual need—often almost absent-mindedly, to relieve the pressure of their desire for some more glamorous female. It wasn’t uncommon for a man who had just made love to Vinnie to sit up naked in bed, light a cigarette, and relate to her the vicissitudes of his current romance with some temperamental beauty—breaking off occasionally to say how great it was to have a pal like her.
Some may be surprised to learn that there is this side to Professor Miner’s life. But it is a mistake to believe that plain women are more or less celibate. The error is common, since in the popular mind—and especially in the media—the idea of sex is linked with the idea of beauty. Partly as a result, men are not eager to boast of their liaisons with unattractive women, or to display such liaisons in public. As for the women, painful experience and a natural sense of self-preservation often keep them from publicizing these relationships, in which they seldom have the status of a declared lover, though often that of a good friend.
As has sometimes been remarked, almost any woman can find a man to sleep with if she sets her standards low enough. But what must be lowered are not necessarily standards of character, intelligence, sexual energy, good looks, and worldly achievement. Rather, far more often, she must relax her requirements for commitment, constancy, and romantic passion; she must cease to hope for declarations of love, admiring stares, witty telegrams, eloquent letters, birthday cards, valentines, candy, and flowers. No; plain women often have a sex life. What they lack, rather, is a love life.
Vinnie has now reached an article in Vogue devoted to new ideas for children’s birthday parties, which arouses her professional dismay because of its emphasis on adult-directed commercial entertainment: the hiring of professional magicians and clowns, the organization of sightseeing trips, etc.—just the sort of thing that is tending more and more to replace the traditional rituals and games. Partly as a result of such articles, the ancient and precious folk culture of childhood is rapidly being destroyed. Meanwhile, those who hope to record and preserve this vanishing heritage are sneered at, denigrated, slandered in popular magazines. Woof, woof.
“Here’s your paper.” Vinnie’s seatmate holds out the London Times, clumsily refolded.
“Oh. Thank you.” To avoid further requests for it from other passengers, she places the newspaper in her lap beneath Vogue.
“Thank you. Not much in it.”
Since this is not phrased as a question, Vinnie is not obliged to respond, and does not. Not much of what? she wonders. Perhaps of American news, sports events, middlebrow comment, or even advertisements, in comparison to whatever paper he habitually reads. Or perhaps, being used to screaming headlines and exclamatory one-sentence paragraphs, he has been misled by the typographical and stylistic restraint of the Times into thinking that nothing of importance occurred in the world yesterday. And perhaps nothing has, though to her, to V. A. Miner, arf, arf, awooo! Stop that, Fido.
Setting aside Vogue, she unfolds the newspaper. Gradually, the leisurely Times style, with its air of measured consideration and its undertone of educated irony, begins to calm her, as the voice of an English nanny might quiet a hurt, overwrought child.
“You on your way to London?”
“What? Yes.” Caught as it were in the act, she admits her destination, and returns her glance to the story Nanny is telling her about Prince Charles.
“Glad to get out of that New York weather, I bet.”
Again Vinnie agrees, but in such a way as to make it clear that she does not choose to converse. She shifts her body and the tissuey sheets of the paper toward the window, though nothing can be seen there. The plane seems to stand still, shuddering with a monotonous regularity, while ragged gray billows of cloud churn past.
However long the flight, Vinnie always tries to avoid striking up acquaintance with anyone, especially on transatlantic journeys. According to her calculations, there is far more chance of having to listen to some bore for seven-and-a-half hours than of meeting someone interesting—and after all, whom even among her friends would she want to converse with for so long?
Besides, this man looks l
ike someone Vinnie would hardly want to converse with for seven-and-a-half minutes. His dress and speech proclaim him to be, probably, a Southern Plains States businessman of no particular education or distinction; the sort of person who goes on package tours to Europe. And indeed the carry-on bag that rests between his oversize Western-style leather boots is pasted with the same SUN TOURS logo she had noticed earlier: fat comic-book letters enclosing a grinning Disney sun. Physically too he is of a type she has never cared for: big, ruddy, blunt-featured, with cropped coarse graying red hair. Some women would consider him attractive in a weather-beaten Western way; but Vinnie has always preferred in men an elegant slimness, fair fine hair and skin, small well-cut features—the sort of looks that are an idealized male version of her own.
Half an hour later, as she refolds the Times and gets out a novel, she glances again at her companion. He is wedged heavily in his seat, neither dozing nor reading, although the airline magazine lies limp on his broad knees. For a moment she speculates as to what sort of man would embark on a transatlantic flight without reading materials, categorizing him as philistine and as improvident. It was foolish of him to count on passing the time in conversation: even if he didn’t happen to be seated beside someone like Vinnie, he might well have been placed next to foreigners or children. What will he do now, just sit there?
As the plane drones on, Vinnie’s question is answered. At intervals her seatmate gets up and walks toward the rear, returning each time smelling unpleasantly of burnt tobacco. Vinnie, who detests cigarettes, wonders irritably why he didn’t request a seat in the smoking section. He rents headphones from the stewardess, fits the plastic pieces into his large red ears, and listens to the low-grade recorded noise—evidently without satisfaction, since he keeps switching channels. Finally he rises again and, standing in the aisle, converses with a member of his tour group in the seat ahead, and then for even longer with two others in the seats behind. Vinnie realizes that she is surrounded by Sun Tourists, the representatives of all she deplores and despises in her native land and is going to London to get away from.
Though she has no wish to eavesdrop, she cannot avoid hearing them complain in loud drawling guffawing Western voices about their delayed departure, the lack of movies on this flight, and the real bum steer given to them in this matter by their travel agent. As this phrase is repeated, Vinnie visualizes the Real Bum Steer as a passenger on the plane. Scrawny, swaybacked, probably lamed, it stands on three legs in the aisle with a SUN TOURS label glued on its scruffy brown haunch.
Unable to concentrate on her novel while the conversation continues, Vinnie gets up and walks toward the rear. She finds a washroom that looks reasonably clean and wipes the seat, first with a wet, then with a dry paper towel. Before leaving, she removes the plastic containers of Blue Grass cologne, skin freshener, and moisturizer from their rack and places them in her handbag, as is her custom. As is her custom, she tells herself that British Airways and Elizabeth Arden expect, perhaps even hope, that some passenger will appropriate these products; that they are offered to the public as a form of advertising.
This kind of confiscation—borrowing, some might call it, though nothing of course is ever returned—is habitual with Professor Miner. Stores are out of bounds—she is no common shoplifter, after all—and the possessions of her acquaintances are usually safe, though you must be careful when lending her your pen, particularly if it has an extra-fine point; she is apt to return it absent-mindedly to her own purse. But planes, restaurants, hotels, and offices are fair game. As a result, Vinnie has a rather nice collection of guest towels, and a very large revolving supply of coasters, matches, paper napkins, coat hangers, pencils, pens, chalk, and expensive magazines of the sort found in expensive doctors’ and dentists’ waiting rooms. She owns quantities of Corinth and University College (London) stationery and a quaint little pewter cream pitcher from a lobster house in Maine, about which her only regret is that she hadn’t taken the matching sugar bowl too. Well, perhaps one day . . .
It should not be imagined that these confiscations are of common occurrence. Weeks or months may pass without Vinnie feeling any need to add to her hoard of unpurchased objects. But when things are not going well she begins to look round, and annexations take place. Each one causes a tiny ascent in her spints, as if she sat on one of a pair of scales so delicately hung that even the weight of a free box of paper clips on the opposite pan would make hers rise in the air.
Now and then, instead of appropriating something she likes that doesn’t belong to her, Vinnie improves her world by getting rid of something she dislikes. During her short marriage, she caused several of her husband’s ties and a camp souvenir ashtray in the shape of a bathtub to vanish completely. Twice she has removed from the women’s faculty washroom in her building at Corinth an offensive sign reading WASH HANDS BEFORE LEAVING: YOUR HEALTH DEPENDS ON IT.
None of Vinnie’s acquaintances are aware of these habits of hers, which might best be explained as the consequence of a vague but recurrent belief that life owes her a little something. It is not miserliness: she pays her bills promptly, is generous with her possessions (both bought and borrowed), and scrupulous about splitting the check at lunch. As she sometimes says on these occasions, her salary is perfectly adequate for one person with no dependents.
Her superego does sometimes complain to Vinnie about this do-it-yourself justice, most often when her morale is so low that nothing can raise it. Now, for instance, as she stands in the narrow toilet cubicle surrounded by multilingual scolding and warning signs, a shrill and penetrating interior voice sounds above the roar of the plane. “Petty thief,” it whines. “Neurotic kleptomaniac. Author of a research proposal nobody needs.”
With effort Vinnie pulls her clothes together and returns to her seat. The red-faced man rises to let her in, looking uncomfortable and rumpled. An inexperienced traveler, he has worn a too-tight suit of some synthetically woolly material that crumples under pressure.
“Pain in the neck,” he mutters. “They oughta build these seats farther apart.”
“Yes, that would be nice,” she agrees politely.
“What it is, they’re trying to save dough.” He sits down again heavily. “Packing the customers in like cattle in a damn boxcar.”
“Mm,” Vinnie utters vaguely, picking up her novel.
“I guess they’re all pretty much the same, though, the airlines. I don’t travel all that much myself.”
Vinnie sighs. It is clear to her that unless she takes definite action this Western businessman or rancher or whatever he is will prevent her reading The Singapore Grip and make the rest of the flight very boring.
“No, it’s never awfully comfortable,” she says. “Really I think the best thing to do is bring along something interesting to read, so one doesn’t notice.”
“Yeh. I shoulda thought of that, I guess.” He gives Vinnie a sad, baffled look, arousing the irritation she feels at her more helpless students—students on athletic scholarship, often, who should never have come to Corinth in the first place.
“I have some other books with me, if you’d like to look at them.” Vinnie reaches down and pulls from her tote bag The Oxford Book of Light Verse; a pocket guide to British flowers; and Little Lord Fauntleroy, which she has to reread for a scholarly article. She places the volumes on the middle seat, aware as she does so of their individual and collective inappropriateness.
“Hey. Thanks,” her seatmate exclaims as each one appears. “Wal, if you’re sure you don’t need them now.”
Vinnie assures him that she does not. She is already reading a book, she points out, suppressing a sigh of impatience. Then, with a sigh of relief, she returns to The Singapore Grip. For a few moments she is aware of the flipping of pages on her right, but soon she is absorbed.
While the shadows of war darken over Singapore in Jim Farrell’s last completed novel, the atmosphere outside the cabin windows brightens. The damp grayness becomes suffused with gold; the plan
e, breaking through the cloudbank, levels off in sunlight over an expanse of whipped cream. Vinnie looks at her watch; they are halfway to London. Not only has the light altered, she senses a change in the sound of the engines: a shift to a lower, steadier hum as the plane passes midpoint on its homeward journey. Within too she feels a more harmonic vibration, a brightening of anticipation.
England, for Vinnie, is and has always been the imagined and desired country. For a quarter of a century she visited it in her mind, where it had been slowly and lovingly shaped and furnished out of her favorite books, from Beatrix Potter to Anthony Powell. When at last she saw it she felt like the children in John Masefield’s The Box of Delights who discover that they can climb into the picture on their sitting-room wall. The landscape of her interior vision had become life-size and three-dimensional; she could literally walk into the country of her mind. From the first hour England seemed dear and familiar to her; London, especially, was almost an experience of déjà vu. She also felt that she was a nicer person there and that her life was more interesting. These sensations increased rather than diminished with time, and have been repeated as often as Vinnie could afford. Over the past decade she has visited England nearly every year—though usually, alas, for only a few weeks. Tonight she will begin her longest stay yet: an entire six months. Her fantasy is that one day she will be able to live in London permanently, even perhaps become an Englishwoman. A host of difficulties—legal, financial, practical—are involved in this fantasy, and Vinnie has no idea how she could ever solve them all; but she wants it so much that perhaps one day it can be managed.
Many teachers of English, like Vinnie, fall in love with England as well as with her literature. With familiarity, however, their infatuation often declines into indifference or even contempt. If they long for her now, it is as she was in the past—most often, in the period of their own specialization: for the colorful, vital England of Shakespeare’s time, or the lavish elegance and charm of the Edwardian period. With the bitterness of disillusioned lovers, they complain that contemporary Britain is cold, wet, and overpriced; its natives unfriendly; its landscape and even its climate ruined. England is past her prime, they say; she is worn-out and old; and, like most of the old, boring.