Book Read Free

Big Bosoms and Square Jaws: Russ Meyer, King of the Sex Film

Page 54

by Jimmy McDonough


  Russ Meyer had Eve. For me it’s Natalia Wisdom, and I’ll never let her go.

  Index

  * The following items may be used as a guide to search for information in this eBook.

  A

  Abrams, Gene

  Accomando, Mike

  Adelman, Gary

  Aivazian, Arshalouis

  Albee, Edward

  Ali, Muhammad

  Alperstein, Glenn

  Anderson, Andy

  Andre, Maria

  Ansen, David

  Antz, Bob

  Ashmun, Dale

  Ashton, Linda

  B

  Babb, Kroger

  Bacon, James

  Bane, Monte

  Bardot, Babette

  Barlow, Ray

  Barnum, Les

  Barringer, Pat

  Beiersdorf, Fred

  Bell, Virginia “Ding Dong,”

  Berens, Jessica

  Berkowitz, Stan

  Berliner, Oliver

  Bernard, Ruth “Brandy”

  Bernard, Susan

  Bethune, Ivy

  Beyond the Valley of the Dolls

  abortionist character

  absurd personal touches in

  box-office business

  casting of

  critical reaction

  as cult classic

  Diez’s casting-couch incident

  editing of

  emptiness of

  inauthenticity of

  masquerade orgy scene

  Meyer’s assessment of

  Meyer’s control of production

  Meyer’s hiring for

  music for

  screenplay for

  shooting of

  X rating

  Z-Man and Ashley St. Ives characters

  Bibo, Walter

  Binstein, Michael

  Bixby, Bill

  Black, Louis

  Blackman, Lee

  Bloch, Charlie

  Blodgett, Michael

  Blum, Irving

  Bolger, Franklin J.

  Bowden, Charles

  Bowen, Henrye

  Bowers, James

  Bowers, John

  Bowman, Brent

  Brandt, Bingo

  Brauner, Artur

  Breckenridge, Paul G.

  Brien, Alan

  Briggs, Joe Bob

  Bromberg, Craig

  Brotman, Oscar

  Brown, David

  Brummer, Andre

  Brummer, Richard

  Meyer’s relationship with

  Bryner, Jesse

  Bucci, Eleanor

  Burn, Gordon

  Burton, Tim

  Busch, Dennis

  Butler, Jack A.

  Butterfield, Ralph

  Buxton, Janet (Miss Mattress)

  C

  Canby, Vincent

  Capri, Alaina

  Carey, Lynn

  Carey, Philip

  Carll, George “King”

  Carradine, John

  Carroll, Mike

  Cash, Johnny

  Cellini, Joe

  Chambers, John

  Champlin, Charles

  Chapman, Anne

  Christiani, Larry

  Ciral, Karen

  Citizens for Decent Literature

  Cocks, Jay

  Cohen, Mickey

  Collins, Joan

  Cook, Paul

  Cooperman, Phil

  Corliss, Richard

  Coshow, Bill

  Costello, George

  break with Meyer

  Couch, Don

  Cowart, Janice

  Dottavio and

  involvement in Meyer’s life

  Meyer’s death and funeral

  personal qualities

  Cramps, the

  Crawley, Tony

  Cresse, Bob

  D

  Daalder, Rene

  D’Arcy, Alex

  Dean, James

  DeCarlo, Yvonne

  DeCenzie, Pete

  break with Meyer

  The Immoral Mr. Teas

  DeCenzie, Yvonne

  De La Croix, Raven

  DeMoss, George

  Denielle, Dawn

  De Vere, Ed

  Devereaux, Shawn “Baby Doll”

  Dewey, Thomas

  Didion, Joan

  Diez, Manny

  Digard, Uschi

  break with Meyer

  Cherry, Harry and Raquel

  Supervixens

  Disney, Walt

  Divine

  Donnelly, John

  Dottavio, Julio

  Downard, Harry

  Downe, Taime

  Duran, Jean

  Durgnat, Raymond

  Duvall, Denise

  E

  Ebert, Roger

  background of

  Beneath the Valley of the Ultra-Vixens,

  Beyond the Valley of the Dolls,

  Film Comment article on Meyer

  The Immoral Mr. Teas

  on meaning of Meyer’s films

  on Meyer’s historical significance

  Meyer’s relationship with

  musical preferences

  sexual proclivities

  Supervixens

  Up!

  Who Killed Bambi? project

  Eden, Barbara

  Ekberg, Anita

  Ely, Larissa

  Emerson, Ken

  Erickson, Veronica

  Escalera, Rudy

  Eubank, Shari

  Evans, Dixie

  Ewing, Dave

  Exploitation picture business

  F

  Faithfull, Marianne

  Fassbinder, R. W.

  Faster, Pussycat (band)

  Faster, Pussycat! Kill! Kill!,

  box-office failure

  casting of

  critical reaction

  editing of

  feminist perspective on

  music for

  opening minutes

  popularity over time

  rerelease in

  shooting of

  storyline of

  title for

  Varla character

  Waters’s championing of

  Fenton, Harvey

  Fiedler, Leslie

  Fields, W. C.

  Filipovitch, Darlene

  Filipovitch, Lou

  Filipovitch, Martha

  Filipovitch, Pete

  Firestone, Paulette

  Fishbein, Paul

  Fishburn, Paul and Donna

  Fleischer, Richard

  Flippen, J. C.

  Floodbank, Chester

  Flynt, Jimmy

  Flynt, Larry

  Ford, Luke

  Fore, Jet

  Fox, Dolores

  Fox, Fred “F.F.”

  Fox, Paul

  Foxx, Mickey

  France, Mikki

  Frasier, David K.

  Friedan, Betty

  Friedlander, Marvin

  Friedman, Bruce Jay

  Friedman, Carol

  Friedman, David F.

  sexploitation career

  Fromer, Jill

  Furlong, John

  G

  Gabriel, Veronique

  Gaffney, Glenn

  Gall, Pete

  Gardner, Ava

  Gaspar, James

  Gavin, Erica

  background of

  Beyond the Valley of the Dolls,

  Costello and

  Meyer’s relationship with

  physical appearance

  post-Vixen life

  Vixen

  Gebhard, Paul

  Gertz, Elmer

  Glendale, Miss

  Goebbels, Joseph

  Goldstein, Al

  Goosenberg, Ellen

  Grant, Ray

  Grass, Clancy, III

  Gray, Darlene

  Gray, Mora

  Green, Doyle

  Greenspun, Roger


  Gregory, James

  Grey, Rudolph

  Grier, Pam

  Griffith, James

  H

  Hagara, Andrew

  Hagen, Morgan “Tex”

  Haimson, Gil

  Haji

  background and personal qualities

  Faster, Pussycat! Kill! Kill!,

  Good Morning ... and Goodbye!,

  Motorpsycho

  Hall, Buck

  Hall, Ed

  Hannah, Sam

  Harding, Warren

  Harmetz, Aljean

  Harry (wolf-dog)

  Hartburg, Christy

  Hatch, Kristen

  Hathaway, Henry

  Haywood, Howard

  Haywood, Lucinda

  death and funeral

  mental illness

  Haywood, Lydia Meyer

  bust size

  final years

  Lucinda Haywood and

  malice of

  marriage to Haywood

  marriage to William Meyer

  mental illness

  Meyer’s childhood

  Meyer’s relationship with

  Meyer’s visits to grave of

  physical appearance

  serial matrimony

  sexuality of

  Hedrick, Betsy

  Heffner, Richard

  Hefner, Hugh

  Meyer’s relationship with

  Hemingway, Ernest

  Hempel, Anouska

  Hitchcock, Alfred

  Hitler, Adolf

  Hively, Kay

  Holm, D. K.

  Hopkins, Miriam

  Hopper, Hal

  Horten, Rena

  Meyer’s relationship with

  Hower, Jane

  Hunt, Lillian

  Hurrell, George

  Huse, Emery

  I

  Immoral Mr. Teas, The

  box-office business

  casting of

  censorship problems

  cost of

  critical reaction

  cultural context

  Ebert’s assessment of

  editing of

  historical significance

  music for

  narration for

  origins of

  shooting of

  storyline of

  Teas’s payment

  title for

  Interior, Lux

  J

  Jackson, Jean-Pierre

  Jarrard, Rick

  Jeremy, Ron

  Johnson, Don

  Jones, Steve

  Jong, Erica

  K

  Kahrl, William

  Kantor, Igo

  Kauffman, Stanley

  Keating, Charles, Jr.

  anti-pornography crusade

  downfall of

  Flynt and

  Vixen censorship case

  Kehr, Dave

  Keisha

  Kelly, Grace

  Kerr, Ken

  Kilpin, Kris

  Kilty, Jerome

  Klaw, Irving

  Klawans, Stuart

  Knight, Arthur

  Knight, Sherri

  Koenekamp, Fred

  Kramer, Stanley

  Kubrick, Stanley

  Kues, Wilfred “Bud”

  L

  Lakso, Edward J.

  Lamar, Trena (Donna X)

  Lamb, John

  La Mont, Lilly

  Lancaster, Stuart

  Lansing, Joi

  La Touche, Gigi

  Law, John

  La Zar, John

  Leaf, Earl

  Lean, David

  Lee, Ruta

  Leighton, Ava

  Leis, Simon, Jr.

  Leis, Simon, Sr.

  Lewis, Herschell Gordon

  Lewis, Jon

  Lieberson, Sandy

  Linee, Sin

  Link, John

  Livingston, Princess

  Lloyd, Arthur

  Lloyd, Harold

  Lockwood, Paul

  Lollobrigida, Gina

  Lommel, Ulli

  London, John

  Longo, Joe

  Loose, Bill

  Louie, Bebe

  Louise, Tina

  Lovelady, Steven M.

  Lucas, Jack

  M

  Mack, June

  Mahar, Ted

  Maitland, Lorna

  Mandell, Sheldon

  Mandl, Fred “Fritz”

  Mansfield, Irving

  Mansfield, Jayne

  Margold, Bill

  Marie, Ann

  Marli, Ysobel

  Marshall, Thurgood

  Marx Brothers

  Maunder, Wayne

  Mayo, Jacqueline

  McBroom, Marcia

  McCalla, Irish

  McCarthy, Todd

  McCormick, John

  McDonald, Jeff

  McGovern, Kevin

  McGowan, Tom

  McGuire, Deborah

  McLaren, Malcolm

  McLeod, Duncan

  McLeod, Gordon

  Medowar, Wady

  Meisel, Myron

  Metzger, Radley

  Meyer, Betty Valdovinos (first wife)

  Meyer, Eve Turner (second wife)

  background of

  business acumen

  children, desire for

  death of

  divorce from Meyer

  drinking problem

  Eve and the Handyman

  first encounter with Meyer

  marriage to Meyer

  Meyer’s love for

  Meyer’s photographic career, involvement in

  Meyer’s sexual relationship with

  modeling career

  physical appearance

  women, attraction to

  Meyer, Lydia Howe (mother). See Haywood, Lydia Meyer

  Meyer, Russ

  American culture, influence on

  assault incident in

  auto accident

  birth of

  bowel function, obsession with

  as caricature of himself in 1980s

  cartooning by

  childhood years

  child of

  children, attitude toward

  A Clean Breast (autobiography); description of; writing of

  critics, relations with

  death and funeral

  dementia, fear of developing

  dementia of

  depressions of

  “Dirty Dozen” incident

  drinking problem

  end days

  generosity of

  gun ownership

  hard-core pornography, distaste for

  hipness, lack of

  Hitler-Goebbels incident

  house in Coldwater Canyon

  house on Arrowhead Drive–

  late-life changes under Cowart’s influence

  libel case

  loneliness of

  male friendships

  male role model in childhood, lack of

  mammary obsession

  marriages. See Meyer, Betty Valdovinos; Meyer, Eve Turner; Williams, Edy

  McDonough’s attraction to

  military buddies, post-war contacts with

  military career

  musical preferences

  paranoia of

  physical appearance

  politics of

  posterity, concern about

  religious beliefs

  self-mythologizing by

  self-revelation, avoidance of

  sentimentalism of

  sex life

  sexuality of

  stinginess of

  Thissen’s biography of

  tombstone preference

  unusualness of

  video appearances

  will left by

  women, attitude toward

  women’s attitude toward

  “working class American” persona

  See also Meyer, Russ, filmmaking c
areer of; Meyer, Russ, photographic career of; specific persons

  Meyer, Russ, filmmaking career of

  accolades in 1980s

  appeal of Meyer’s sexual message

  auteur status

  Beneath the Valley of the Ultra-Vixens,

  Blacksnake,

  blinking eyes, editing of

  Blitzen, Vixen and Harry project

  breaks with long-time collaborators

  The Breast of Russ Meyer project

  car imagery in films

  cast members, treatment of

  censorship problems

  Cherry, Harry and Raquel

  Choice Cuts project

  Common Law Cabin

  coverage, approach to

  criticism, reaction to

  decision on

  The Desperate Women,

  DVD versions of films

  The Eleven project

  energy of untamed youth

  Erotica

  Europe in the Raw!

  Eve and the Handyman

  Eve Productions

  Everything in the Garden project

  Fanny Hill

  feminist perspective on

  The Final Steal project

  Finders Keepers, Lovers Weepers,

  “floor’s-eye-view of sexual congress” image

  The French Peep Show,

  Good Morning ... and Goodbye!, 104, n

  Heavenly Bodies

  historical significance

  humor in films

  industrial films

  influences on

  limitation as filmmaker

  Lorna,

  loss of interest in filmmaking

  male characters

  “meaning of films” issue

  Meyer’s on-set sexual activity

  Meyer’s relationship with mother and

  military experience’s impact on commercial films

  military filmmaking

  Mondo Topless

  montage style

  Motorpsycho

  Mudhoney,

  musicality of films

  music videos

  Nazi characters, source of

  overview of

  PAD-RAM Enterprises

  Pandora Peaks,

  post-war disappointments

  pregnant actresses, use of

  Meyer, Russ, filmmaking career of (cont.)

  recognition as filmmaker, desire for

  retrospective showings

  The Seven Minutes

  sexual combat in films

  six periods of

  status of Meyer catalogue today

  Storm film

  tastelessness of films

  technological innovations

  teenage filmmaking

  This Is My Body

  three-picture deal with 20th Century Fox

  training in filmmaking

  universe depicted in films

  unpretentious approach

  Up!,

  video versions of films

  violence in films

  Viva Foxy project

  Waters’s assessment of

  Who Killed Bambi? project

  Wild Gals of the Naked West,

  women’s portrayal

  X ratings problem

  See also Beyond the Valley of the Dolls; Faster, Pussycat! Kill! Kill!; Immoral Mr. Teas, The; Supervixens; Vixen

  Meyer, Russ, photographic career of

  bosoms, focus on

  “female explosion” pictures

  first session with undressed woman

  freelance decision

  genius for capturing female form

  The Glamour Camera of Russ Meyer,

  glamour photography

 

‹ Prev