“It seemed elegant and splendid to me, and the surprise of the evening was that there was a Christmas gift for everybody. They were vanity things and manicure sets and scarves and whatnot for the girls, and the men had those big boxes of cigarettes that one never sees any more and notecases and all the range of impersonal but pleasant stuff you would expect. But I had a bulky parcel, and it was a complete Shakespeare—one of those copies illustrated with photographs of actors in their best roles; this one had a coloured frontispiece of Sir John as Hamlet, looking extremely like me, and across it he had written, ‘A double blessing is a double grace—Christmas Greetings, John Tresize.’ Everybody wanted to see it, and the company was about equally divided between those who thought Sir John was a darling to have done that for a humble member of his troupe, and those who thought I must be gaining a power that was above my station; the latter group did not say anything, but their feelings could be deduced from the perfection of their silence.
“I was in doubt about what I should do, because it was the first time in my life that anybody had ever given me anything; I had earned things, and stolen things, but I had never been given anything before and I was embarrassed, suspicious, and clumsy in my new role.
“Milady was behind it, of course, and perhaps she expected me to bury myself in the book that night, and emerge, transformed by poetry and drama, a wholly translated Mungo Fetch. The truth is that I had a nibble at it, and read a few pages of the first play in the book, which was The Tempest, and couldn’t make head nor tail of it. There was a shipwreck, and then an old chap beefing to his daughter about some incomprehensible grievance in the past, and it was not my line at all, and I gave up.
“Milady was too well bred ever to question me about it, and when we were next alone I managed to say some words of gratitude, and I don’t know whether she ever knew that Shakespeare and I had not hit it off. But the gift was very far from being a dead loss: in the first place it was a gift, and the first to come my way; in the second it was a sign of something much akin to love, even if the love went no further than the benevolence of two people with a high sense of obligation to their dependants and colleagues, down to the humblest. So the book became something more than an unreadable volume; it was a talisman, and I cherished it and gave it an importance among my belongings that was quite different from what it was meant to be. If it had been a book of spells, and I a sorcerer’s apprentice who was afraid to use it, I could not have held it in greater reverence. It contained something that was of immeasurable value to the Tresizes, and I cherished it for that. I never learned anything about Shakespeare, and on the two or three occasions when I have seen Shakespearean plays in my life they have puzzled and bored me as much as The Tempest, but my superstitious veneration of that book has never failed, and I have it still.
“There’s evidence, if you need it, that I am not really a theatre person. I am an illusionist, which is a different and probably a lesser creature. I proved it that night. After the dinner and the gifts, we had an impromptu entertainment, a very mixed bag. Audrey Sevenhowes danced the Charleston, and did it very well; C. Pengelly Spickernell sang two or three songs, vaguely related to Christmas, and Home, and England. Grover Paskin sang a comic song about an old man who had a fat sow, and we all joined in making pig-noises on cue. I did a few tricks, and was the success of the evening.
“Combined with the special gift, that put me even more to the bad with the members of the company who were always looking for hidden meanings and covert grabs for power. My top trick was when I borrowed Milady’s Spanish shawl and produced from beneath it the large bouquet the company had clubbed together to give her; as I did it standing in the middle of the room, with no apparent place to conceal anything at all, not to speak of a thing the size of a rosebush, it was neatly done, but as sometimes happens with illusions, it won almost as much mistrust as applause. I know why. I had not at that time grasped the essential fact that an illusionist must never seem to be pleased with his own cleverness, and I suppose I strutted a bit. The Cantab and Sevenhowes and Charlton and Woulds sometimes spoke of me as The Outsider, and that is precisely what I was. I don’t regret it now. I’ve lived an Outsider’s life, though not in quite the way they meant; I was outside something beyond their comprehension.
“That was an ill-fated evening, as we discovered on the following day. There was champagne, and Morton W. Penfold, who was with us, gained heroic stature for finding it in what the English regarded as a desert. Everybody drank as much as they could get, and there were toasts, and these were Sir John’s downfall. The Spartan regime of a gouty man was always a burden to him, and he didn’t see why he should drink whisky when everybody else was drinking the wine he loved best. He proposed a toast to The Profession, and told stories about Irving; it called for several glasses, though not really a lot, and before morning he was very ill. A doctor came, and saw that there was more than gout wrong with him. It was an inflamed appendix, and it had to come out at once.
“Not a great calamity for most people, even though such an operation wasn’t as simple then as it is now, but it was serious for a star actor, half-way through a long tour. He would be off the stage for not less than three weeks.
“Sir John’s illness brought out the best and the worst in his company. All the old hands, and the people with a thoroughly professional attitude, rallied round at once, with all their abilities at top force. Holroyd called a rehearsal for ten o’clock Monday morning, and Gordon Barnard, who was our second lead, sailed through Scaramouche brilliantly; he was very different from Sir John, as a six-foot-two actor of the twentieth century must be different from a five-foot-two actor who is still in the nineteenth, but there was no worry whatever about him. Darton Flesher, who had to step into Barnard’s part, needed a good deal of help, solid man though he was. But then somebody had to fill in for Flesher, and that was your friend Leonard Woulds, Roly, who proved not to know the lines which, as an understudy, he should have had cold. So it was a busy day.
“Busy for Morton W. Penfold, who had to tell the papers what had happened, and get the news on the Canadian Press wire, and generally turn a misfortune into some semblance of publicity. Busy for Felicity Larcombe, who showed herself a first-rate person as well as a first-rate actress; she undertook to keep an eye on Milady, so far as anyone could, because Milady was in a state—busy also for Gwenda Lewis, who was a dull actress and silly about her dull husband, Jim Hailey; but Gwenda had been a nurse before she went on the stage, and she helped Felicity to keep Milady in trim to act that evening. Busy for old Frank Moore and Macgregor, who both spread calm and assurance through the company—you know how easily a company can be rattled—and lent courage where it was wanted.
“The consequence was that that night we played Scaramouche very well, to a capacity audience, and did excellent business until it was time for us to leave Vancouver. The only hitch, which both the papers mentioned humorously, was that when Scaramouche walked the tightrope, it looked as if Sir John had mischievously broken out of the hospital and taken the stage. But there was nothing anybody could do about that, though I did what I could by wearing my red mask.
It seemed as though the public were determined to help us through our troubles, because we played to full houses all week. Whenever Milady made her first entrance, there was warm applause, and this was a change indeed, because usually Morton W. Penfold had to arrange for the local theatre manager to be in the house at that time to start the obligatory round when she came on. Indeed, by the end of the week, Penfold was able to circulate a funny story to the papers that Sir John had announced from his hospital bed that it was obvious that the most profitable thing a visiting star could do was to go to bed and send his understudy on in his place. Dangerous publicity, but it worked.
“So everything appeared to be in good order, except that we had to defer polishing up The Lyons Mail, which we had intended to put into the repertory instead of The Corsican Brothers for our return journey across Canada.
“Not everything was satisfactory, however, because the Sevenhowes, Charlton, and Woulds faction were making mischief. Not very serious mischief in the theatre, because Holroyd would not have put up with that, but personal mischief in the company was much more difficult to check. They tried sucking up to Gordon Barnard, who was now the leading man, telling him how much easier it was to act with him than with Sir John. Barnard wouldn’t have any of that, because he was a decent fellow, and he knew his own shortcomings. One of these was that in The Master and Scaramouche we used a certain number of extras, and these inexperienced people tended to look wooden on the stage unless they were jollied, or harried, into more activity than they could generate by themselves; Sir John was an expert jollier and harrier—as I understand Irving also was—and he had his own ways of hissing remarks and encouragement to these inexperienced people that kept them up to the mark; Barnard couldn’t manage it, because when he hissed the extras immediately froze in their places, and looked at him in terror. Just a question of personality, but there it was; he was a good actor, but a poor inspirer. When this happened, Charlton and Woulds laughed, sometimes so that the audience could see them, and Macgregor had to speak to them about it.
“They also made life hard for poor old C. Pengelly Spickemell, in ways that only actors understand; when they were on stage with him, they would contrive to be in his way when he had to make a move, and in a few seconds the whole stage picture was a little askew, and it looked as if it were his fault; also, in Scaramouche, where he played one of the Commedia dell’ Arte figures, and wore a long, dragging cloak, one or other of them would contrive to be standing on the end of it when he had a move to make, pinning him to the spot; it was only necessary for them to do this two or three times to put him in terror lest it should happen every time, and he was a man with no ability to defend himself against such harassment.
“They were ugly to Gwenda Lewis, overrunning her very few cues, but Jim Hailey settled that by going to their dressing-room and talking it over with them in language he had learned when he had been in the Navy. Trivial things, but enough to make needless trouble, because a theatrical production is a mechanism of exquisitely calculated details. On tour it was useless to threaten them with dismissal, because they could not be replaced, and although there was a tariff of company fines for unprofessional conduct it was hard for Macgregor to catch them red-handed.Their great triumph had nothing to do with performance, but with the private life of the company. I fear this will embarrass you, Roly, but I think it has to be told. The great passion the Cantab felt for Audrey Sevenhowes was everybody’s business; love and a cough cannot be hid, as the proverb says. I don’t think Audrey was really an ill-disposed girl, but her temperament was that of a flirt of a special order; such girls used to be called cock-teasers; she liked to have somebody mad about her, without being obliged to do anything about it. She saw herself, I suppose, as lovely Audrey, who could not be blamed for the consequences of her fatal attraction. I am pretty sure she did not know what was going on, but Charlton and Woulds began a campaign to bring that affair to the boil; they filled the Cantab full of the notion that he must enjoy the favours of Miss Sevenhowes to the fullest—in the expression they used, he must ‘tear off a branch’ with Audrey—or lose all claim to manhood. This put the Cantab into a sad state of self-doubt, because he had never torn off a branch with anybody, and they assured him that he mustn’t try to begin with the Sevenhowes, as he might expose himself as a novice, and become an object of ridicule. Might make a Horlicks of it, in fact. They bustled the poor boob into thinking that he must have a crash course in the arts of love, as a preparation for his great conquest; they would help him in this educational venture.
“It would have been nothing more than rather nasty joking and manipulation of a simpleton if they had kept their mouths shut, but of course that was not their way. I disliked them greatly at that time, but since then I have met many people of their kind, and I know them to be much more conceited and stupid than really cruel. They both fancied themselves as lady-killers, and such people are rarely worse than fools.
“They babbled all they were up to around the company; they chattered to Eric Foss, who was about their own age, but a different sort of chap; they let Eugene Fitzwarren in on their plan, because he looked worldly and villainous, and they were too stupid to know that he was a past president of the Anglican Stage Guild and a great worker on behalf of the Actors’ Orphanage, and altogether a highly moral character. So very soon everybody in the company knew about it, and thought it a shame, but didn’t know precisely what to do to stop the nonsense.
“It was agreed that there was no use talking to the Cantab, who wasn’t inclined to take advice from anybody who could have given him advice worth having. It was also pretty widely felt that interfering with a young man’s sexual initiation was rather an Old Aunty sort of thing to do, and that they had better let nature take its course. The Cantab must tear off a branch some time; even C. Pengelly Spickernell agreed to that; and if he was fool enough to be manipulated by a couple of cads, whose job was it to protect him?
“It became clear in the end that Mungo Fetch was elected to protect him, though only in a limited sense.—No, Roly, you can’t possibly want to go to the loo again. You’d better sit down and hear this out.—The great worriers about the Cantab were Holroyd and Macgregor, and they were worrying on behalf of Sir John and Milady. Not that the Tresizes knew about the great plot to deprive the Cantab of his virginity; Sir John would have dealt with the matter summarily, but he was in hospital in Vancouver, and Milady was much bereft by his absence and telephoned to the hospital wherever we were. But Macgregor and Holroyd felt that this tasteless practical joke somehow reflected on those two, whom they admired wholeheartedly, and whose devotion to each other established a standard of sexual behaviour for the company that must be respected, if not fully maintained.
“Holroyd kept pointing out to Macgregor that the Cantab was in a special way a charge delivered over to Sir John by his Mum, and that it was therefore incumbent on the company as a whole—or the sane part of it, he said—to watch over the Cantab while Sir John and Milady were unable to do so. Macgregor agreed, and added Calvinist embroideries to the theme; he was no great friend to sex, and I think he held it against the Creator that the race could not be continued without some recourse to it; but he felt that such recourse should be infrequent, hallowed by church and law, and divorced as far as possible from pleasure. It seems odd, looking back, that nobody felt any concern about Audrey Sevenhowes; some people assumed that she was in on the joke, and the others were confident she could take care of herself.
“Charlton and Woulds laid their plan with gloating attention to detail. Charlton explained to the Cantab, and to any man who happened to be near, that women are particularly open to seduction in the week just preceding the onset of their menstrual period; during this time, he said, they simply ravened for intercourse. Furthermore, they had to be approached in the right way; nothing coarsely direct, no grabbing at the bosom or anything of that sort, but a psychologically determined application of a particular caress; this was a firm, but not rough, placing of the hand on the waist, on the right side, just below the ribs; the hand should be as warm as possible, and this could easily be achieved by keeping it in the trousers pocket for a few moments before the approach. This was supposed to impart special, irresistible warmth to the female liver; Liesl tells me it is a very old belief.”
“I think Galen mentions it,” said Liesl, “and like so much of Galen, it is just silly.”
“Charlton considered himself an expert at detecting the menstrual state of women, and he had had his eye on Miss Sevenhowes; she would be ripe and ready to fall when we were in Moose Jaw, and therefore the last place in which the Cantab could achieve full manhood would be Medicine Hat. He approached Morton W. Penfold for information about the altars to Aphrodite in Medidne Hat, and was informed that, so far as the advance agent knew, they were few and of a Spartan sim
plicity. Penfold advised against the whole plan; if that was the kind of thing they wanted, they had better put it on ice till they got to Toronto. Anyhow he wanted no part of it. But Charlton and Woulds had no inclination to let their great plan rest until after Sir John had rejoined the company, for though they mocked him, they feared him.
They played on the only discernible weakness in the strong character of Morton W. Penfold. His whole reputation, Charlton pointed out, rested on his known ability to supply anything, arrange anything, and do anything that a visiting theatrical company might want in Canada; here they were, asking simply for an address, and he couldn’t supply it. They weren’t asking him to take the Cantab to a bawdy-house, wait, and escort him home again; they just wanted to know where a bawdy-house might be found. Penfold was touched in his vanity. He made some inquiries among the locomotive crew, and returned with the address of a Mrs. Quiller in Medicine Hat, who was known to have obliging nieces.
“We were playing a split week, of which Thursday, Friday, and Saturday were spent in Medicine Hat. On Thursday, with Charlton and Woulds at his elbow, the Cantab telephoned Mrs. Quiller. She had no idea what he was talking about, and anyways she never did business over the phone. Might he drop in on Friday night? It all depended; was he one of them actors? Yes, he was. Well, if he come on Friday night she supposed she’d be at home but she made no promises. Was he comin’ alone? Yes, he would be alone.
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