by Iceberg Slim
“Sweet heard the mob’s horses galloping toward the shack. He hid in the loft just as the crazy gang came through the shack slammer. Sweet peeped through a crack and watched them beat his old man’s head bloody. They dragged him outside. Sweet saw the whole mob rape his mother.
“Finally all was quiet except for his mother whimpering on the bed. He sneaked out of the loft. Through the open door he saw his old man swinging in the moonlight from a peach tree in front of the shack.
“His mammy went to the funny farm. Sweet was taken in by a share-cropper on the same plantation. He worked the fields until he got seventeen. He ran away and caught a freight train North. He was eighteen when he got his first whore. She was a white girl. He drove her to suicide before he got nineteen. Sweet’s gotta be sixty now.”
He paused. He steered the Hog with one hand. He took a cigarette from his jacket pocket. He punched in the dashboard lighter.
I thought, “No wonder Sweet’s off his rocker. I wonder why Top really gave me that tight rundown on Sweet?”
The lighter popped. Top lit his cigarette. He sucked hard. He blew out a white cloud against the windshield that for an instant blotted out the moon.
He said, “I ain’t insane like Sweet. My skull is clear and cool. I ain’t no mixed-up Southern Nigger. I was born in the North I grew up with white kids. I don’t hate white people or any other people. I ain’t no black brute. I’m a pretty brown-skin lover. I love people.
“When I was a square, I was even engaged to marry a white girl. Her parents and friends put pressure on her and she chickened out. I guess I loved her. Right after we quit I went to a hospital for my nerves. I ain’t had nothing but whores since. It’s like I told you when I met you. Sweet’s a Ford and I’m a Duesenberg. He’s just an ugly lucky nut.”
I said, “But Top you cracked your booby-box score was higher than Sweet’s. Those three gibbering bitches upstate sure don’t show no love for whore people.”
He said, “There you go, fool. A young chump is just like a dumb bitch. He can’t figure nothing out himself. He’s gotta have a rundown on everything. Of course I drove those whores crazy, but for a sane reason, sucker.
“A pimp cops a whore. He cons her maybe if she stays in his corner humping his pockets fat, at the end of the rainbow she’s got a husband and a soft easy chair. To hold her beak to the grindstone, he pumps air castles into her skull.
“She takes all the stable grief. She humps her ass into a cramp to outshine the other whores in the family. At first, it’s easy for the bitch to star. As she gets older and uglier her competition gets younger and prettier.
“She don’t have to be no brain to wake up there ain’t no easy chair at the end. She gets hip there ain’t never even been a rainbow. She gets larceny in her heart. She bullshits herself that if she can drive all those young pretty whores away from the pimp that rainbow might come true after all. If it don’t, she’ll get her revenge anyway.
“It’s a violation of the pimp book to quit a whore. A bitch like that is a ticking bomb. Every day, her value to the pimp drops to the zero line. She’s old, tired, and dangerous. She can rattle a pimp into goofing his whole game. If the pimp is a sucker he’ll try to drive her away with his foot in her ass. She’s almost a cinch to croak him or cross him into the joint.
“I’m a genius. I’m hip that after a bitch has had maybe ten-thousand tricks drill her she ain’t too steady, skullwise. I don’t tip her I’m salty and disgusted. I talk like a sweet head-shrinker to her. Indeed of air castles, I pump her full of H.
“Her skull starts to jelly. I’ll be worried as hell about her. I’ll start sneaking slugs of morphine or chloral hydrate into her shots. While she’s out, I’ll maybe douse her with chicken blood. She comes to, I’ll tell her I brought her in from the street. I tell her I hope you didn’t croak anybody while you were sleepwalking.
“I got a thousand ways to drive ’em goofy. That last broad I flipped, I hung her out a fifth floor window. I had given her a jolt of pure cocaine so she’d wake up outside that window. I was holding her by both wrists. Her feet were dangling in the air. She opened her eyes. When she looked down she screamed like a scared baby. She was screaming when they came to get her. You see, kid, I’m all business. I ain’t got an ounce of hate in me.”
He had been driving for at least an hour. I had lost track of time and space. I saw no black faces in the streets around us. I saw tall gleaming apartment houses. Some so tall they seemed welded to the night sky.
I said, “Yeah Top, you’re a cold clever stud all right. I’m sure glad you’re yanking my coat. Jesus, Sweet must live in a white neighborhood.”
He said, “Yeah, Kid, he lives just around that next corner, in a penthouse. Like I told you he’s lucky as a shit-house rat. It’s a million-dollar building. The old white broad that owns it is Sweet’s freak white dog.”
I said, “But don’t the white tenants blow the roof because Sweet lives there?”
He said, “Sweet’s old white broad owns the building, but Sweet runs it. At least he runs it through a old ex-pimp pal. Sweet stuck him into a pad on the ground floor. Patch Eye, the old stud, collects the rents and keeps the porters and other flunkys on their toes. All the tenants are white gamblers and hustlers. Sweet is got the old ex-pimp running book wide open. The action a day just from the tenants runs two or three grand. I’ll say it a thousand times, Sweet is a lucky old stud.”
He turned the corner. He eased the Hog into the curb in front of a snow-white apartment building. A moss-green canvas canopy ran from the edge of the curb twenty-five yards to the kleig-lighted fancy front of the building. A gaunt white stud in a green monkey suit was standing in stooped attention at the curb. We got out. Top walked around the Hog to the doorman.
The doorman said, “Good evening, gentlemen.”
Top said, “Hello Jack, do me a favor. When you take my wheels to the back see that it’s parked close to an exit. When I come out I don’t wanna hassle outta there. Here’s a fin, Buster.”
The doorman said, “Thank you, Sir. I’ll relay your wish to Smitty.”
We walked into the green-painted, black-marbled foyer. I was trembling like maybe a hick virgin on a casting couch. We walked up the half-dozen marble steps to an almost invisible glass door.
A Boston Coffee-colored broad slid it open. We stepped into the green-and-pearl lobby. A tan broad as flashy as a Cotton Club pony sat behind a blond desk. We walked across the quicksand pearl carpet to the front of it. She flashed two perfect dozen of the thirty-two. Her voice was contralto silk.
She said, “Good evening, may I help you?”
Top said, “Stewart and Lancaster to see Mr. Jones.”
She turned to an elderly black broad sitting before a switchboard beside her.
She told her, “Penthouse, Misters Stewart and Lancaster.”
The old broad shifted her earphones from round her wrinkled neck to her horns. She plugged in and started batting her chops together. After a moment she nodded to the pony. We got the ivory flash again.
The pony said, “Thank you so much for waiting. Mr. Jones is at home and will see you.”
I followed Top to the elevators. A pretty brown-skin broad in a tight green uniform zipped us to the fifteenth floor. The brass door opened. We stepped out onto a gold-carpeted entrance hall. It was larger than Top’s living room.
A skinny Filipino in a gold lame outfit came toward us. He was grinning and bowing his head, his lank hair flopped across his skull like the wings of a wounded raven. The crystal chandelier overhead glittered his gold suit. He took my lid. He put it on the limb of a mock mother-of-pearl tree.
He said, “Good evening. Follow, please.”
We followed him to the brink of a sunken living room. It was like a Pasha’s passion pit. A green light inside the gurgling bowl of a huge fountain beamed on the vulgar face of a stone woman squatting over it. She was nude and big as a baby elephant. The red light inside her skull blazed, her eyes staring strai
ght ahead. Her giant hands pressed the tips of her long breasts into each corner of her wide open mouth. She was peeing serenely and endlessly into the fountain bowl.
We stepped down to the champagne, oriental carpet. Sweet was sitting across the dim room on a white velour couch. He was wearing a white satin smoking jacket. He looked like a huge black fly in a bucket of milk. Miss Peaches was curled at his side. She was resting her black spotted head on a silk turquoise pillow. Sweet was stroking her back. She purred and locked her yellow eyes on us. I got a whiff of her raw animal odor.
Sweet said, “Sit your black asses down. Sweetheart, you been dangling me. What happened? Did that raggedy nickel Hog break down? So this is your square country nephew?”
Top sat on a couch beside Miss Peaches. I sat in a blue velour chair several yards to the side of Top. Sweet’s gray eyes were flicking up and down me. I was nervous. I grinned at him.
I jerked my eyes away to a large picture on the wall over the couch. A naked white broad was on her hands and knees. A Great Dane with his red tongue lolling out was astraddle her back. He had his paws hooked under her breasts. Her blonde head was turned looking back at him. Her blue eyes were popped wide open.
Top said, “Man, that Hog ain’t no plane. I got here quick as I could. You know I don’t play no games on you, Honey.”
I said, “Thank you, Mr. Jones, for letting me come up with ‘unc.’”
My voice triggered the Roost memory. He stiffened and glared at me. He smashed his hooks together. It sounded like pistol shots. Peaches growled and sneered.
He said, “Ain’t you the little shit ball I chased outta the Roost?”
I said, “Yeah, I’m one and the same. I want to beg your pardon for making you salty that night. Maybe I coulda gotten a pass if I had told you I’m your pal’s nephew. I ain’t got no sense, Mr. Jones. I took after my idiot father.”
Sweet said, “Top, this punk ain’t hopeless. He’s silly as a bitch grinning all the time, but dig how he butters out the con to keep his balls outta the fire. He sure ain’t got no tender dick to turn down my pretty big-ass Mimi. Kid, I love black boys with the urge to pimp. Ain’t no surer way to amount to something. Your uncle ain’t but a good pimp. I’m the greatest in the world. He wired me he’s hoping you’ll fold on this track and split back to the sticks.
“You got one whore he tells me. You could have the makings. This joint is going to be crawling with fast whores in a coupla hours. I’m gonna be pinning you. I’m gonna watch how you handle yourself. Maybe I’m gonna make you my protege. You gotta be icy; understand, Kid, icy, icy? You gotta stop that grinning. Freeze your map and keep it that way. Maybe I’m gonna prove to your half-ass pimp uncle that I can train even a mule to win the Kentucky Derby.”
Top said, “Shit Honey, you didn’t have to tip him. I’m pulling for his split. I love the kid. I just don’t think he can cut the pimp game. The kid raps good. I ain’t denying it. He should be maybe a Murphy player or even a mitt man. His ticker ain’t icy enough to pimp on this track.”
I thought, “Top’s pad is a pigsty compared to this layout. It looks like I’m in.”
Sweet said, “Sweetheart, let’s go in a bedroom and cap up and bag that stuff for those jokers. I’m gonna have old Patch Eye come up here and deal it off. I ain’t no dope peddler. I’m a pimp. Kid, you can cool it. Have the Filipino bring you a taste. If you want get it yourself from the bar over there.”
They went around a hand-painted gold silk screen through a doorway. Peaches padded behind them. I saw a bronze bell on a table beside the couch. I decided to get my own taste. I walked across the room to a turquoise bar. I went behind it. I took a tall crystal glass off the mirrored shelf on the wall. I mixed creme de menthe and bubbly water.
I took my green, cool drink and walked toward the floor-to-ceiling glass door. I slid it open and stepped up into the patio. I looked up; the April zephyrs were balleting the burnt-orange and pale-green Japanese lanterns. They danced on glowing jade cords strung high above the lime floor.
The ice-cream-yellow moon seemed close enough to lick. I walked to the pearl parapet. I looked out at a brilliant sea of emerald and ruby neon bursting pastel skyrockets toward the cobalt blue sky bejeweled with sapphire stars.
I thought, “Sweet sure has caught lightning in a thimble. He came out of the white man’s cotton fields. He’s pimped himself up to this. He’s living high in the sky like a black God in heaven with the white people. He ain’t no Nigger doctor. He ain’t no hot-sheet Nigger preacher, but he’s here.
“He pimped up his scratch passport. That barbed-wire stockade is a million miles away. I got more education, I’m better looking, and younger than he is. I know I can do it too.”
I remembered Henry and how religious he was. Look what happened to him. I remembered how I used to kneel every night by the side of the bed to pray. I really believed in God then. I knew he existed. Now I wasn’t so sure. I guess the first prison rap started to hack away at my belief in him.
I often wondered in the cell how, if he existed, he could let the Dummy destroy Oscar who loved him. I told myself at the time, maybe he’s got complicated long-range plans. Maybe even he’s got divine reasons for letting the white folks butcher black people down South.
Maybe some morning about dawn all the black folks will sing Hallelujah! God’s white board of directors will untie the red tape. God will roll up his sleeves. He’ll smash down the invisible stockades. He’ll kill all the rats in the black ghettos. Fill all the black bellies and con all the white folks that Niggers are his children, too.
Now I couldn’t wait. If he were up there or not, I had to go with the odds. I stared into the sky. It was the first time I’d prayed since Steve, the tramp. I know now it was more a fearful alibi than anything else.
I said, “Lord, if you’re up there, you know I’m black and you know my thoughts. Lord, if the Bible is really your divine book then I know it’s a sin to pimp. If you’re up there and listening you know I’m not trying to con you.
“Lord, I’m not asking you to bless my pimping. I ain’t that stupid. Lord, I know you ain’t black. Surely you know, if you’re up there, what it’s like to be black down here. These white folks are doing all the fine living and sucking up all the gravy. I gotta have some of that living and some of that gravy.
“I don’t wanta be a stickup man or a dope peddler. I sure as hell won’t be a porter or dishwasher. I just wanta pimp that’s all. It’s not too bad, because whores are rotten. Besides I ain’t going to croak them or drive them crazy. I’m just going to pimp some real whitetype living out of them.
“So Lord, if you’re up there listening, do one thing for me. Please don’t let me croak before I live some and get to be somebody down here in the white man’s world. I don’t care what happens after that.”
I looked down over the parapet. I wondered if the undertaker had been born yet who was slick enough to paste a sucker’s ass together after a Brodie fifteen-stories down. I heard “Tuxedo Junction” pulsing behind me. I had pitched my pipes dry. I upended my drink.
I turned and walked toward the glass door. I saw the Japanese lanterns splashing color on the polished alabaster-topped tables. The Filipino had sure been busy flopping his mop. I slid the door open to a chorus of profanity. The whore scent flared my nostrils. There must have been thirty yapping pimps and whores lounging around the spacious pit.
I stepped down and slid the door shut. An ebony satin-skinned pimp was sprawled in the blue velour chair. A tawny tan tigress was kneeling before him between his legs. She had her chin rammed into his crotch. She clutched him around the waist like a humping twodollar trick in an alley.
Her dreamy maroon eyes rolled toward the top of her long skull. She was staring at his fat blue lips. It was maybe she expected him to whistle the “Lost Chord.” The rock on his finger exploded blue-white, frozen fireworks. He raised his glass to curse all square bitches. He was con-toasting all whores. The room got silent. Somebody had stra
ngled the gold phonograph in the corner.
He toasted:
“Before I’d touch a square bitch’s slit,
I’d suck a thousand clappy pricks and swim through liquid shit.
They got green puke between their rotten toes and snot runs from their funky noses.
I hope all square bitches become syphilitic wrecks. I hope they fall through their own ass-holes and break their mother-fucking necks.”
It was the first time I’d heard it. It was the first time for the crowd, too. They roared and begged him to do it again. He looked toward the hand-painted Chinese screen.
All eyes turned to Top and Sweet coming into the room. An old black stud wearing a white silk patch over his right eye trailed behind them. Peaches followed him. He looked like a vulture decked out in a gray mohair vine. Peaches stood before the white velour couch and bared her fangs.
The three pimps sitting on it scattered off it like quail under a double-barreled shotgun. They thumped their rear ends to the carpet. Sweet, Top, and Peaches sat on the couch.
I sat on a satin pillow in the corner near the glass door. I watched the show. I saw Patch Eye go and sit behind the bar. Everybody was in a big half-circle around the couch. It was like the couch was a stage, and Sweet the star.
Sweet said, “Well how did you silly bastards like the fight? Did the Nigger murder that peckerwood or did his black ass turn shit yellow?”
A Southern white whore with a wide face and a sultry voice like Bankhead’s drawled, “Mistah Jones, Ahm happy to repoat thet the Niggah run the white stud back intu his mammy’s ass in thu fust round.”
Everybody laughed except Sweet. He was crashing together his mitts. I wondered what madness bubbled in his skull as he stared at her. A high-ass yellow broad flicked life back into the phonograph. “Gloomy Sunday,” the suicide’s favorite, dirged through the room. She stared at me as she came away.