by neetha Napew
Once I had convinced the women that I had indeed come to their islands inadvertently, unknowing of their existence—not even believing in them—their Kukú gave me leave to stay awhile, long enough to regain my strength and to carve for myself a new canoe paddle, both of which I would need to get back to the mainland. The young woman who had first succored me with a spongeful of water was commanded to see to my sustenance, and to see that I behaved myself, and she seldom let me out of her sight during the first days of my stay.
Her name was Ixínatsi, which is the Poré word for that tiny chirping insect called a cricket. The name was apt, for she was as perky and sprightly and good-humored as is that little cricket creature. To the casual eye, Ixínatsi would have seemed just another Purémpe woman, though of a countenance unusually gorgeous to look at and a demeanor never less than vivacious. Any observer could admire her sparkling eyes, glossy hair, luminous complexion, beautifully rounded, firm breasts and buttocks, shapely legs and arms, dainty hands. But only I and the gods who made her would ever know that Cricket was in fact very different—darlingly and deliciously different—from all other women. However, I am getting ahead of my chronicle.
As old Kukú had bidden her, Cricket cooked for me—all kinds of fish, and garnished the dishes with a yellow flower called tirípetsi; the flower, she said, possesses curative properties. Between meals she plied me with raw oysters and mussels and scallops—in much the same way that some of our mainland peoples forcibly feed their techíchi dogs before slaughtering them for food. When the comparison occurred to me, it made me uneasy. I wondered if the women were manless because they were man-eaters, and I inquired, which made Ixínatsi laugh.
"We have no men, for eating or for anything else," she said, in that dialect of Poré which I was hurrying to learn. "I feed you, Tenamáxtli, to make you healthy again. The more quickly you get strong, the more quickly you can go away."
Before I went away, though, I wished to know more about those legendary islands, besides the obvious fact that they were no baseless legend. I could surmise for myself that the women had had Purémpe ancestors, but that those ancestors had departed from their native Michihuácan long, long ago. The women's altered language was evidence of that. So was the fact that they did not follow the very old Purémpe fashion of shaving their heads bald. When Cricket was not busy gorging me with food, she had no qualms about answering my many questions. The first thing I asked was about the women's houses, which were not houses at all.
The islands, in addition to their being fringed with coconut palms, are heavily forested with hardwood trees on their upper slopes. But the women live all day in the open and at night, to sleep, they crawl into crude shelters underneath the many fallen trees. They had dug small caves under them or, where a trunk leaned at an angle, they had walled in the space with palm leaves or slabs of bark. I was lent one of those makeshift nooks for my own, next to the one occupied by Ixínatsi and her four-year-old daughter (named Tirípetsi, after that yellow flower).
I asked, "Why, with all these trees, do you not cut them into boards for building decent houses? Or at least use the saplings, which do not require slicing?"
She said, "It would be of no use, Tenamáxtli. Too often, the rainy season brings such terrible storms that they scour these islands bare of anything movable. Even the strong trees, many of them are blown down each year. So we make our shelters under the fallen ones, that we may not be blown away. We build nothing that cannot easily be rebuilt. That is also why we do not try to grow crops of any sort. But the sea gives us abundant food, we have good streams for drink, coconuts for sweets. Our only harvest is of the kinúcha, and we trade them for the other things we need. Which are few," she concluded and, as if to illustrate, swept her hand down her all but naked body.
The word kinúcha of course means "pearls." And there was good reason why the island women needed little from the world across the sea. All except the youngest girls spent every day hard at work, which tired them so that they passed their nights in deep slumber. Barring the brief intervals they allowed themselves for eating and obligatory functions, they worked or they slept, and they could imagine no other activities. They were as indifferent to the ideas of diversion and leisure as they were to the lack of male mates and boy children.
Their work is certainly demanding—and unique among feminine occupations. As soon as the day is light enough, most of the girls and women either swim out into the sea or push out on rafts made of vine-lashed tree limbs. Each woman carries looped to her arm a basket made of loosely woven withes. From then until the light fades at dusk, those women dive repeatedly to the bottom of the sea, to pry loose the oysters that abound there. They surface with a basket full of the things, empty them onto the beach or their raft, then dive to fill it again. Meanwhile, the girls too young and the women too old to dive do the drudgery of opening the oysters—and throwing away almost all of them.
The women do not want the oysters, except for the comparatively few they eat. What they seek are the oysters' kinúcha, the hearts, the pearls. During my stay in the islands, I saw pearls enough to have paid for raising an entire modern city there, if a city had been wanted. Most of the pearls were perfectly round and smooth, some were irregularly bulbous; some were as small as a fly's eye, some as large as my thumb end; most were of sizes varying between those extremes. Most, also, were a softly glowing white, but there were pinks and pale blues and even an occasional kinú the silver-gray color of a thundercloud. What makes pearls so esteemed and so valuable are their rarity and difficulty of acquisition, though one would suppose that if any oyster has a heart, they all should.
"They all do," said Cricket. "But only a very few have the right sort." She tilted her pretty head, gazing at me. "Your own heart, Tenamáxtli, it is for feeling emotions, yes? Like love?"
"So it seems," I said, and laughed. "It thumps more noticeably when I love somebody."
She nodded. "As does mine, when I look at my little Tirípetsi and feel love for her. But oysters do not all have hearts that know emotion as human hearts do. Most oysters just lie inert, and wait for the water currents to bring them nourishment, and aspire to nothing more than oyster-bed placidity, and do nothing but exist as long as they can."
I started to remark that she might be describing her own island sisters or, for that matter, the majority of humankind, but she went on:
"Only one oyster in many—perhaps one in a hundred hundreds—has a heart that can feel, that can want to be something more than a slime in a shell. That one oyster among so many, that one with a feeling heart, well, his is the heart that becomes a kinú, visible and beautiful and precious."
Surely that nonsense could be believed nowhere except in The Islands of the Women, but it was such a sweet fancy that my own heart would not let me dispute it. And, now that I think back, that must have been the moment when I fell in love with Ixínatsi.
At any rate, her belief in questing for unoysterlike oysters seemed to console her on those days when she might dive a hundred hundreds of times between first and last light, and bring up whole nations of oysters without a kinú among them. So she never once—as I would have done—cursed the oysters or the gods or even spat angrily into the sea when a whole day's work was done in vain.
And cursedly hard work that is, too. I know, for I tried it one day, in secret, in waters the women were not then working—staying underwater long enough to pry just one oyster off a rock down there. That was as long as I could stay. But the women begin their diving when they are mere children. By the time they are grown, they have so developed in the upper body that they can hold their breath and remain submerged for an astonishingly long time. Indeed, those women of the islands have bosoms more remarkable than I have ever seen elsewhere.
"Look at them," said Cricket, holding one of her magnificent breasts in either hand. "It is because of these that the islands have come to be the domain of women only. You see, we worship the big-bosomed goddess Xarátanga. Her name means New Moon
, and in the arc of every new moon you can see the curve of her ample breast."
The similarity had never occurred to me before, but it is so.
Cricket continued, "New Moon long ago ordained that these islands should be inhabited only by females, and all men have respected that commandment, for they fear that Xarátanga would take away the oysters—or at least their valuable kinúcha—if any but women tried to harvest them. Anyway, the men could not do that. As you confessed to me, Tenamáxtli, you proved your own ineptitude at it. We women are fitted by New Moon to be superior divers." She jiggled her breasts again. "These help our lungs to be capable of holding much more air than any man's can."
I could not divine any connection between milk-giving and air-breathing organs, but I was no tícitl, so I did not argue the matter. I could only admire. Whatever extra function the women's breasts might or might not serve, their superb development and ageless firmness indubitably add to the women's handsomeness. And there is another thing that makes the islanders differ from mainland women, and makes them attractive in a striking way, but to explain that aspect I must digress slightly.
There are on those islands many other inhabitants besides the women. Various kinds of sea turtles lumber from shore to sea and back, and there are crabs everywhere, and of course there is a multitude of birds, raucous of voice and promiscuous of droppings. But the most distinctive creature is the animal the women call the pukiitsí, which is to say a sea-dwelling version of the beast called cuguar in Náhuatl. The name must have come down to them from their Michihuácan ancestors, for none of the islanders could ever have seen a cuguar.
The pukiitsí does vaguely resemble the mountain-dwelling cuguar, though its expression is not fierce, rather winningly mild and inquisitive. A pukiitsí is similarly whiskered about the muzzle, but its teeth are blunt, its ears tiny and its finlike paws are not killer-clawed. We of Aztlan saw these sea animals only rarely—when an injured or dead one washed up on our shores—because they do not care for sandy or swampy places, but prefer rocky ones. And we called them sea-does, simply because of their big, warm, brown doe eyes.
There might be hundreds of the sea-cuguars about The Islands of the Women at any one time, but they live on fish and are not at all to be feared, as real cuguars are. They would gambol in the waters right alongside the diving women, or lazily sun themselves on the offshore rocks, or even sleep floating on their backs in the sea. The women never killed them for food—the meat is not very tasty—but occasionally a sea-cuguar would die of some other cause, and the women would hasten to skin it. The glossy brown pelt is valued as a garment, both for its beauty and for its water-shedding properties. (Ixínatsi made me an elegant overmantle from one of the skins.) That coat of hair is dense enough that the sea-cuguars can live in the sea without their bodies ever getting cold or waterlogged, and the sleekness of the coat enables them to arrow through the water as swiftly as any fish.
The perpetually diving women have developed a trace of a similar coat. Now, I long ago made the point that our peoples of The One World are usually devoid of body hair, but I should amend that assertion. Every human being, even the newest and apparently hairless baby, wears an almost invisibly fine down over most of his or her body. Stand a naked man or woman between you and the sun and you will see. But the down of those island women has grown longer—encouraged, I imagine, by their having been sea divers for so many generations.
I do not mean that they are furred with coarse hair like that of white men's beards. The down is as fine and delicate and colorless as milkweed floss, but it covers their coppery bodies with a sheen like that of the sea-cuguars and serves the same purpose of making them more agile in the water. When an island woman stands with the sunlight falling from behind her, she is edged and outlined in shining gold. In moonlight she glistens silver. Even when she is long out of the sea and completely dry, she looks delightfully dewy, and more supple than other women are, and as if she could slip easily from the embrace of the strongest man...
Which brings me to the subject that had, all this while, been uppermost in my mind. I have mentioned the many generations of the women divers. But how did one generation beget the next?
The answer is so simple as to be ridiculous, even vulgar, even somewhat revolting. But I did not summon up enough nerve to ask the question until the night of my seventh day in the islands, on which day old Kukú had decreed that I must depart the next morning.
XXVI
I had finished cutting and shaping my paddle, and Ixínatsi had stocked my acáli with dried fish and coconut meat, plus a line and a bone hook with which I could catch fresh fish. She added five or six green coconuts from which she had sliced the stem end of each, so it remained closed only by a thin membrane. The heavy shell would keep the contents cool even in the sun; I had only to puncture the membrane to drink the sweet and refreshing coconut milk.
She gave me the directions which all the women had memorized, though none of them had ever had reason or wish to visit The One World. Between the islands and the mainland, she said, the tidal currents were always southerly, mild and stable. I was to paddle directly east each day at a steady but not overstrenuous pace. She rightly presumed that I knew how to maintain an eastward course, and she said that what southward drifting my acáli would do—while I slept at night—was allowed for in the instructions. On the fourth day I would sight a seaside village. Cricket did not know its name, but I did; it had to be Yakóreke.
So, on the night that Kukú had said would be my last there, Cricket and I sat side by side, leaning against the fallen tree trunk that roofed our two shelters, and I asked her, "Ixínatsi, who was your father?"
She said simply, "We have no fathers. Only mothers and daughters. My mother is dead. You are acquainted with my daughter."
"But your mother could not have created you all by herself. Nor you your Tirípetsi. Sometime, somehow, in each case, there had to have been a man involved."
"Oh, that," she said negligently. "Akuáreni. Yes, the men come to do that once a year."
I said, "So that is what you meant when you first spoke to me. You told me I had come too soon."
"Yes. The men come from that mainland village to which you are going. They come for just one day in the eighteen months of the year. They come with loaded freight canoes, and we select what we need, and we trade our kinúcha for them. One kinú for a good comb made of bone or tortoiseshell, two kinúcha for an obsidian knife or a braided fishing line—"
"Ayya!" I interrupted. "You are being outrageously cheated! Those men exchange those pearls for countless times that value, and the next buyers trade them for another profit, and the next and the next. By the time the pearls have passed through all the hands between here and some city market..."
Cricket shrugged her moon-radiant bare shoulders. "The men could have the kinúcha for no payment at all, if Xarátanga should choose to let them learn to dive. But the trading brings us what we need and want, and what more could we ask? Then, when the trading is all done, Kukú gathers those women who want to have a daughter—even those who may not be so eager, if Kukú says it is their turn—and Kukú selects the more robust of the men. The women lie in a row on the beach, and the men do that akuáreni we must endure if we are to have daughters."
"You keep saying daughters. There must be some boys born."
"Yes, some. But the goddess New Moon ordained that these be The Islands of the Women, and there is only one way to keep them so. Any male children, being forbidden by the goddess, are drowned at birth."
Even in the dark, she must have seen the expression on my face, but she misinterpreted it, hastening to add:
"That is not a waste, as you may think. They become nourishment for the oysters, and that is a very worthwhile use for them."
Well, as a male myself, I could hardly applaud that merciless weeding out of the newborn. On the other hand, like most god-commanded doings, it had the purity of stark simplicity. Keep the islands a female preserve by feeding
the oysters on whose hearts the islanders depend.
Cricket went on, "My daughter is almost of an age to commence diving. So I expect Kukú will order me to do akuáreni with one of the men when they come next time."
At that I did speak up. "You make it sound as enjoyable as being attacked by a sea monster. Does none of you ever lie with a man just for the pleasure of it?"
"Pleasure?!" she exclaimed. "What pleasure can there be in having a pole of flesh painfully stuck inside you and painfully moved back and forth a few times and then painfully pulled out? During that while, it is like being constipated in the wrong place."
I muttered, "Gallant and gracious men you women invite for consorts," then said aloud, "My dear Ixínatsi, what you describe is rape, not the loving act it should be. When it is done with love—and you yourself have spoken of the loving heart—it can be an exquisite pleasure."
"Done how with love?" she asked, sounding interested.
"Well... the loving can start long before a pole of flesh is involved. You know that you have a loving heart, but you may not know that you also have a kinú. It is infinitely more capable of being loved than that of the most emotional oyster. It is there."
I pointed to the place, and she seemed immediately to lose interest.
"Oh, that," she said again. She unwound her single garment and shifted to move her abdomen into a moonbeam, and with her fingers she parted the petals of her tipíli, and looked incuriously at her pearl-like xacapíli, and said, "A child's plaything."
"What?"
"A girl learns very young that that little part of her is sensitive and excitable, and she makes much use of it. Yes—as you are doing now with your fingertip, Tenamáxtli. But, as a girl matures, she grows bored with that childish practice and finds it unwomanly. Also, our Kukú has taught us that such activity depletes one's strength and endurance. Oh, a grown woman does it once in a while. I do it myself—exactly as you are doing it to me this moment—but only for relief when I feel tense or ill-humored. It is like scratching an itch."