Hercule Poirot: The Complete Short Stories

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Hercule Poirot: The Complete Short Stories Page 108

by Agatha Christie


  “Eh bien, then, what other explanation could there be? I simply could not think of a reasonable explanation. And I was worried! The incident was all wrong. It did not fit! I have an orderly mind and I like things to fit. Mr. Gascoigne’s dinner order worried me.

  “Then you told me that the man had disappeared. He had missed a Tuesday and a Thursday the first time for years. I liked that even less. A queer hypothesis sprang up in my mind. If I were right about it the man was dead. I made inquiries. The man was dead. And he was very neatly and tidily dead. In other words the bad fish was covered up with the sauce!

  “He had been seen in the King’s Road at seven o’clock. He had had dinner here at seven thirty—two hours before he died. It all fitted in—the evidence of the stomach contents, the evidence of the letter. Much too much sauce! You couldn’t see the fish at all!

  “Devoted nephew wrote the letter, devoted nephew had beautiful alibi for time of death. Death very simple—a fall down the stairs. Simple accident? Simple murder? Everyone says the former.

  “Devoted nephew only surviving relative. Devoted nephew will inherit—but is there anything to inherit? Uncle notoriously poor.

  “But there is a brother. And brother in his time had married a rich wife. And brother lives in a big rich house on Kingston Hill, so it would seem that rich wife must have left him all her money. You see the sequence—rich wife leaves money to Anthony, Anthony leaves money to Henry, Henry’s money goes to George—a complete chain.”

  “All very pretty in theory,” said Bonnington. “But what did you do?”

  “Once you know—you can usually get hold of what you want. Henry had died two hours after a meal—that is all the inquest really bothered about. But supposing the meal was not dinner, but lunch. Put yourself in George’s place. George wants money—badly. Anthony Gascoigne is dying—but his death is no good to George. His money goes to Henry, and Henry Gascoigne may live for years. So Henry must die too—and the sooner the better—but his death must take place after Anthony’s, and at the same time George must have an alibi. Henry’s habit of dining regularly at a restaurant on two evenings of the week suggest an alibi to George. Being a cautious fellow, he tries his plan out first. He impersonates his uncle on Monday evening at the restaurant in question. It goes without a hitch. Everyone there accepts him as his uncle. He is satisfied. He has only to wait till Uncle Anthony shows definite signs of pegging out. The time comes. He writes a letter to his uncle on the afternoon of the second November but dates it the third. He comes up to town on the afternoon of the third, calls on his uncle, and carries his scheme into action. A sharp shove and down the stairs goes Uncle Henry. George hunts about for the letter he has written, and shoves it in the pocket of his uncle’s dressing gown. At seven thirty he is at the Gallant Endeavour, beard, bushy eyebrows all complete. Undoubtedly Mr. Henry Gascoigne is alive at seven thirty. Then a rapid metamorphosis in a lavatory and back full speed in his car to Wimbledon and an evening of bridge. The perfect alibi.”

  Mr. Bonnington looked at him.

  “But the postmark on the letter?”

  “Oh, that was very simple. The postmark was smudgy. Why? It had been altered with lamp black from second November to third November. You would not notice it unless you were looking for it. And finally there were the blackbirds.”

  “Blackbirds?”

  “Four and twenty blackbirds baked in a pie! Or blackberries if you prefer to be literal! George, you comprehend, was after all not quite a good enough actor. Do you remember the fellow who blacked himself all over to play Othello? That is the kind of actor you have got to be in crime. George looked like his uncle and walked like his uncle and spoke like his uncle and had his uncle’s beard and eyebrows, but he forgot to eat like his uncle. He ordered the dishes that he himself liked. Blackberries discolour the teeth—the corpse’s teeth were not discoloured, and yet Henry Gascoigne ate blackberries at the Gallant Endeavour that night. But there were no blackberries in the stomach. I asked this morning. And George had been fool enough to keep the beard and the rest of the makeup. Oh! plenty of evidence once you look for it. I called on George and rattled him. That finished it! He had been eating blackberries again, by the way. A greedy fellow—cared a lot about his food. Eh bien, greed will hang him all right unless I am very much mistaken.”

  A waitress brought them two portions of blackberry and apple tart.

  “Take it away,” said Mr. Bonnington. “One can’t be too careful. Bring me a small helping of sago pudding.”

  About the Author

  AGATHA CHRISTIE is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She is the author of eighty crime novels and short-story collections, nineteen plays, two memoirs, and six novels written under the name Mary Westmacott.

  She first tried her hand at detective fiction while working in a hospital dispensary during World War I, creating the now legendary Hercule Poirot with her debut novel The Mysterious Affair at Styles. With The Murder in the Vicarage, published in 1930, she introduced another beloved sleuth, Miss Jane Marple. Additional series characters include the husband-and-wife crime-fighting team of Tommy and Tuppence Beresford, private investigator Parker Pyne, and Scotland Yard detectives Superintendent Battle and Inspector Japp.

  Many of Christie’s novels and short stories were adapted into plays, films, and television series. The Mousetrap, her most famous play of all, opened in 1952 and is the longest-running play in history. Among her best known film adaptations are Murder on the Orient Express (1974) and Death on the Nile (1978), with Albert Finney and Peter Ustinov playing Hercule Poirot, respectively. On the small screen Poirot has been most memorably portrayed by David Suchet, and Miss Marple by Joan Hickson and subsequently Geraldine McEwan and Julia McKenzie.

  Christie was first married to Archibald Christie and then to archaeologist Sir Max Mallowan, whom she accompanied on expeditions to countries that would also serve as the settings for many of her novels. In 1971 she achieved one of Britain’s highest honors when she was made a Dame of the British Empire. She died in 1976 at the age of eighty-five. Her one hundred and twentieth anniversary was celebrated around the world in 2010.

  www.AgathaChristie.com

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  The Agatha Christie Collection

  The Man in the Brown Suit

  The Secret of Chimneys

  The Seven Dials Mystery

  The Mysterious Mr. Quin

  The Sittaford Mystery

  Parker Pyne Investigates

  Why Didn’t They Ask Evans?

  Murder Is Easy

  The Regatta Mystery and Other Stories

  And Then There Were None

  Towards Zero

  Death Comes as the End

  Sparkling Cyanide

  The Witness for the Prosecution and Other Stories

  Crooked House

  Three Blind Mice and Other Stories

  They Came to Baghdad

  Destination Unknown

  Ordeal by Innocence

  Double Sin and Other Stories

  The Pale Horse

  Star over Bethlehem: Poems and Holiday Stories

  Endless Night

  Passenger to Frankfurt

  The Golden Ball and Other Stories

  The Mousetrap and Other Plays

  The Harlequin Tea Set and Other Stories

  The Hercule Poirot Mysteries

  The Mysterious Affair at Styles

  The Murder on the Links

  Poirot Investigates

  The Murder of Roger Ackroyd

  The Big Four

  The Mystery of the Blue Train

  Peril at End House

  Lord Edgware Dies

  Murder on the Orient Express

  Three Act Tragedy

  D
eath in the Clouds

  The A.B.C. Murders

  Murder in Mesopotamia

  Cards on the Table

  Murder in the Mews

  Dumb Witness

  Death on the Nile

  Appointment with Death

  Hercule Poirot’s Christmas

  Sad Cypress

  One, Two, Buckle My Shoe

  Evil Under the Sun

  Five Little Pigs

  The Hollow

  The Labors of Hercules

  Taken at the Flood

  The Under Dog and Other Stories

  Mrs. McGinty’s Dead

  After the Funeral

  Hickory Dickory Dock

  Dead Man’s Folly

  Cat Among the Pigeons

  The Clocks

  Third Girl

  Hallowe’en Party

  Elephants Can Remember

  Curtain: Poirot’s Last Case

  The Miss Marple Mysteries

  The Murder at the Vicarage

  The Body in the Library

  The Moving Finger

  A Murder Is Announced

  They Do It with Mirrors

  A Pocket Full of Rye

  4:50 from Paddington

  The Mirror Crack’d from Side to Side

  A Caribbean Mystery

  At Bertram’s Hotel

  Nemesis

  Sleeping Murder

  Miss Marple: The Complete Short Stories

  The Tommy and Tuppence Mysteries

  The Secret Adversary

  Partners in Crime

  N or M?

  By the Pricking of My Thumbs

  Postern of Fate

  Memoirs

  An Autobiography

  Come, Tell Me How You Live

  Credits

  Cover photograph © by Yuriy Boyko/Shutterstock Images

  Copyright

  This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

  The stories in this volume have all been previously published in the following books by Agatha Christie: Poirot Investigates © 1924; Murder in the Mews © 1937; The Regatta Mystery and Other Stories © 1939; The Labors of Hercules © 1947; Three Blind Mice © 1950; The Under Dog and Other Stories © 1960; and Double Sin and Other Stories © 1974. Copyright © Agatha Christie Limited. All rights reserved.

  An edition of this book was previously published in 1999 by HarperCollins Publishers in the United Kingdom.

  AGATHA CHRISTIE® and POIROT® are registered trademarks of Agatha Christie Limited in the UK and/or elsewhere. All rights reserved.

  HERCULE POIROT: THE COMPLETE SHORT STORIES™. Copyright © 2013 Agatha Christie Limited. All rights reserved. Published by permission of G.P. Putnam’s Sons, a member of Penguin Group (USA) Inc. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  FIRST WILLIAM MORROW PAPERBACK PUBLISHED 2013.

  ISBN 978-0-06-225167-1

  EPub Edition SEPTEMBER 2013 ISBN: 9780062251657

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