Dr Porhoët spoke English fluently, with scarcely a trace of foreign accent, but with an elaboration which suggested that he had learned the language as much from study of the English classics as from conversation.
‘And how is Miss Dauncey?’ he asked, turning to his friend.
Arthur Burdon smiled.
‘Oh, I expect she’s all right. I’ve not seen her today, but I’m going to tea at the studio this afternoon, and we want you to dine with us at the Chien Noir.’
‘I shall be much pleased. But do you not wish to be by yourselves?’
‘She met me at the station yesterday, and we dined together. We talked steadily from half past six till midnight.’
‘Or, rather, she talked and you listened with the delighted attention of a happy lover.’
Arthur Burdon had just arrived in Paris. He was a surgeon on the staff of St Luke’s, and had come ostensibly to study the methods of the French operators; but his real object was certainly to see Margaret Dauncey. He was furnished with introductions from London surgeons of repute, and had already spent a morning at the Hôtel Dieu, where the operator, warned that his visitor was a bold and skilful surgeon, whose reputation in England was already considerable, had sought to dazzle him by feats that savoured almost of legerdemain. Though the hint of charlatanry in the Frenchman’s methods had not escaped Arthur Burdon’s shrewd eyes, the audacious sureness of his hand had excited his enthusiasm. During luncheon he talked of nothing else, and Dr Porhoët, drawing upon his memory, recounted the more extraordinary operations that he had witnessed in Egypt.
He had known Arthur Burdon ever since he was born, and indeed had missed being present at his birth only because the Khedive Ismaïl had summoned him unexpectedly to Cairo. But the Levantine merchant who was Arthur’s father had been his most intimate friend, and it was with singular pleasure that Dr Porhoët saw the young man, on his advice, enter his own profession and achieve a distinction which himself had never won.
Though too much interested in the characters of the persons whom chance threw in his path to have much ambition on his own behalf, it pleased him to see it in others. He observed with satisfaction the pride which Arthur took in his calling and the determination, backed by his confidence and talent, to become a master of his art. Dr Porhoët knew that a diversity of interests, though it adds charm to a man’s personality, tends to weaken him. To excel one’s fellows it is needful to be circumscribed. He did not regret, therefore, that Arthur in many ways was narrow. Letters and the arts meant little to him. Nor would he trouble himself with the graceful trivialities which make a man a good talker. In mixed company he was content to listen silently to others, and only something very definite to say could tempt him to join in the general conversation. He worked very hard, operating, dissecting, or lecturing at his hospital, and took pains to read every word, not only in English, but in French and German, which was published concerning his profession. Whenever he could snatch a free day he spent it on the golf-links of Sunningdale, for he was an eager and a fine player.
But at the operating-table Arthur was different. He was no longer the awkward man of social intercourse, who was sufficiently conscious of his limitations not to talk of what he did not understand, and sincere enough not to express admiration for what he did not like. Then, on the other hand, a singular exhilaration filled him; he was conscious of his power, and he rejoiced in it. No unforeseen accident was able to confuse him. He seemed to have a positive instinct for operating, and his hand and his brain worked in a manner that appeared almost automatic. He never hesitated, and he had no fear of failure. His success had been no less than his courage, and it was plain that soon his reputation with the public would equal that which he had already won with the profession.
Dr Porhoët had been making listless patterns with his stick upon the gravel, and now, with that charming smile of his, turned to Arthur.
‘I never cease to be astonished at the unexpectedness of human nature,’ he remarked. ‘It is really very surprising that a man like you should fall so deeply in love with a girl like Margaret Dauncey.’
Arthur made no reply, and Dr Porhoët, fearing that his words might offend, hastened to explain.
‘You know as well as I do that I think her a very charming young person. She has beauty and grace and sympathy. But your characters are more different than chalk and cheese. Notwithstanding your birth in the East and your boyhood spent amid the very scenes of the Thousand and One Nights, you are the most matter-of-fact creature I have ever come across.’
‘I see no harm in your saying insular,’ smiled Arthur. ‘I confess that I have no imagination and no sense of humour. I am a plain, practical man, but I can see to the end of my nose with extreme clearness. Fortunately it is rather a long one.’
‘One of my cherished ideas is that it is impossible to love without imagination.’
Again Arthur Burdon made no reply, but a curious look came into his eyes as he gazed in front of him. It was the look which might fill the passionate eyes of a mystic when he saw in ecstasy the Divine Lady of his constant prayers.
‘But Miss Dauncey has none of that narrowness of outlook which, if you forgive my saying so, is perhaps the secret of your strength. She has a delightful enthusiasm for every form of art. Beauty really means as much to her as bread and butter to the more soberly-minded. And she takes a passionate interest in the variety of life.’
‘It is right that Margaret should care for beauty, since there is beauty in every inch of her,’ answered Arthur.
He was too reticent to proceed to any analysis of his feelings; but he knew that he had cared for her first on account of the physical perfection which contrasted so astonishingly with the countless deformities in the study of which his life was spent. But one phrase escaped him almost against his will.
‘The first time I saw her I felt as though a new world had opened to my ken.’
The divine music of Keats’s lines rang through Arthur’s remark, and to the Frenchman’s mind gave his passion a romantic note that foreboded future tragedy. He sought to dispel the cloud which his fancy had cast upon the most satisfactory of love affairs.
‘You are very lucky, my friend. Miss Margaret admires you as much as you adore her. She is never tired of listening to my prosy stories of your childhood in Alexandria, and I’m quite sure that she will make you the most admirable of wives.’
‘You can’t be more sure than I am,’ laughed Arthur.
He looked upon himself as a happy man. He loved Margaret with all his heart, and he was confident in her great affection for him. It was impossible that anything should arise to disturb the pleasant life which they had planned together. His love cast a glamour upon his work, and his work, by contrast, made love the more entrancing.
‘We’re going to fix the date of our marriage now,’ he said. ‘I’m buying furniture already.’
‘I think only English people could have behaved so oddly as you, in postponing your marriage without reason for two mortal years.’
‘You see, Margaret was ten when I first saw her, and only seventeen when I asked her to marry me. She thought she had reason to be grateful to me and would have married me there and then. But I knew she hankered after these two years in Paris, and I didn’t feel it was fair to bind her to me till she had seen at least something of the world. And she seemed hardly ready for marriage, she was growing still.’
‘Did I not say that you were a matter-of-fact young man?’ smiled Dr Porhoët.
‘And it’s not as if there had been any doubt about our knowing our minds. We both cared, and we had a long time before us. We could afford to wait.’
At that moment a man strolled past them, a big stout fellow, showily dressed in a check suit; and he gravely took off his hat to Dr Porhoët. The doctor smiled and returned the salute.
‘Who is your fat friend?’ asked Arthur.
‘That is a compatriot of yours. His name is Oliver Haddo.’
‘Art-student?’ in
quired Arthur, with the scornful tone he used when referring to those whose walk in life was not so practical as his own.
‘Not exactly. I met him a little while ago by chance. When I was getting together the material for my little book on the old alchemists I read a great deal at the library of the Arsenal, which, you may have heard, is singularly rich in all works dealing with the occult sciences.’
Burden’s face assumed an expression of amused disdain. He could not understand why Dr Porhoët occupied his leisure with studies so profitless. He had read his book, recently published, on the more famous of the alchemists; and, though forced to admire the profound knowledge upon which it was based, he could not forgive the waste of time which his friend might have expended more usefully on topics of pressing moment.
‘Not many people study in that library,’ pursued the doctor, ‘and I soon knew by sight those who were frequently there. I saw this gentleman every day. He was immersed in strange old books when I arrived early in the morning, and he was reading them still when I left, exhausted. Sometimes it happened that he had the volumes I asked for, and I discovered that he was studying the same subjects as myself. His appearance was extraordinary, but scarcely sympathetic; so, though I fancied that he gave me opportunities to address him, I did not avail myself of them. One day, however, curiously enough, I was looking up some point upon which it seemed impossible to find authorities. The librarian could not help me, and I had given up the search, when this person brought me the very book I needed. I surmised that the librarian had told him of my difficulty. I was very grateful to the stranger. We left together that afternoon, and our kindred studies gave us a common topic of conversation. I found that his reading was extraordinarily wide, and he was able to give me information about works which I had never even heard of. He had the advantage over me that he could apparently read, Hebrew as well as Arabic, and he had studied the Kabbalah in the original.’
‘And much good it did him, I have no doubt,’ said Arthur. ‘And what is he by profession?’
Dr Porhoët gave a deprecating smile.
‘My dear fellow, I hardly like to tell you. I tremble in every limb at the thought of your unmitigated scorn.’
‘Well?’
‘You know, Paris is full of queer people. It is the chosen home of every kind of eccentricity. It sounds incredible in this year of grace, but my friend Oliver Haddo claims to be a magician. I think he is quite serious.’
‘Silly ass!’ answered Arthur with emphasis.
II
MARGARET DAUNCEY SHARED a flat near the Boulevard du Montparnasse with Susie Boyd; and it was to meet her that Arthur had arranged to come to tea that afternoon. The young women waited for him in the studio. The kettle was boiling on the stove; cups and petits fours stood in readiness on a model stand. Susie looked forward to the meeting with interest. She had heard a good deal of the young man, and knew that the connexion between him and Margaret was not lacking in romance. For years Susie had led the monotonous life of a mistress in a school for young ladies, and had resigned herself to its dreariness for the rest of her life, when a legacy from a distant relation gave her sufficient income to live modestly upon her means. When Margaret, who had been her pupil, came, soon after this, to announce her intention of spending a couple of years in Paris to study art, Susie willingly agreed to accompany her. Since then she had worked industriously at Colarossi’s Academy, by no means under the delusion that she had talent, but merely to amuse herself. She refused to surrender the pleasing notion that her environment was slightly wicked. After the toil of many years it relieved her to be earnest in nothing; and she found infinite satisfaction in watching the lives of those around her.
She had a great affection for Margaret, and though her own stock of enthusiasms was run low, she could enjoy thoroughly Margaret’s young enchantment in all that was exquisite. She was a plain woman; but there was no envy in her, and she took the keenest pleasure in Margaret’s comeliness. It was almost with maternal pride that she watched each year add a new grace to that exceeding beauty. But her common sense was sound, and she took care by good-natured banter to temper the praises which extravagant admirers at the drawing-class lavished upon the handsome girl both for her looks and for her talent. She was proud to think that she would hand over to Arthur Burdon a woman whose character she had helped to form, and whose loveliness she had cultivated with a delicate care.
Susie knew, partly from fragments of letters which Margaret read to her, partly from her conversation, how passionately he adored his bride; and it pleased her to see that Margaret loved him in return with a grateful devotion. The story of this visit to Paris touched her imagination. Margaret was the daughter of a country barrister, with whom Arthur had been in the habit of staying; and when he died, many years after his wife, Arthur found himself the girl’s guardian and executor. He sent her to school; saw that she had everything she could possibly want; and when, at seventeen, she told him of her wish to go to Paris and learn drawing, he at once consented. But though he never sought to assume authority over her, he suggested that she should not live alone, and it was on this account that she went to Susie. The preparations for the journey were scarcely made when Margaret discovered by chance that her father had died penniless and she had lived ever since at Arthur’s entire expense. When she went to see him with tears in her eyes, and told him what she knew, Arthur was so embarrassed that it was quite absurd.
‘But why did you do it?’ she asked him. ‘Why didn’t you tell me?’
‘I didn’t think it fair to put you under any obligation to me, and I wanted you to feel quite free.’
She cried. She couldn’t help it.
‘Don’t be so silly,’ he laughed. ‘You own me nothing at all. I’ve done very little for you, and what I have done has given me a great deal of pleasure.’
‘I don’t know how I can ever repay you.’
‘Oh, don’t say that,’ he cried. ‘It makes it so much harder for me to say what I want to.’
She looked at him quickly and reddened. Her deep blue eyes were veiled with tears.
‘Don’t you know that I’d do anything in the world for you?’ she cried.
‘I don’t want you to be grateful to me, because I was hoping—I might ask you to marry me some day.’
Margaret laughed charmingly as she held out her hands.
‘You must know that I’ve been wanting you to do that ever since I was ten.’
She was quite willing to give up her idea of Paris and be married without delay, but Arthur pressed her not to change her plans. At first Margaret vowed it was impossible to go, for she knew now that she had no money, and she could not let her lover pay.
‘But what does it matter?’ he said. ‘It’ll give me such pleasure to go on with the small allowance I’ve been making you. After all, I’m pretty well-to-do. My father left me a moderate income, and I’m making a good deal already by operating.’
‘Yes, but it’s different now. I didn’t know before. I thought I was spending my own money.’
‘If I died tomorrow, every penny I have would be yours. We shall be married in two years, and we’ve known one another much too long to change our minds. I think that our lives are quite irrevocably united.’
Margaret wished very much to spend this time in Paris, and Arthur had made up his mind that in fairness to her they could not marry till she was nineteen. She consulted Susie Boyd, whose common sense prevented her from paying much heed to romantic notions of false delicacy.
‘My dear, you’d take his money without scruple if you’d signed your names in a church vestry, and as there’s not the least doubt that you’ll marry, I don’t see why you shouldn’t now. Besides, you’ve got nothing whatever to live on, and you’re equally unfitted to be a governess or a typewriter. So it’s Hobson’s choice, and you’d better put your exquisite sentiments in your pocket.’
Miss Boyd, by one accident after another, had never seen Arthur, but she had heard so much that she loo
ked upon him already as an old friend. She admired him for his talent and strength of character as much as for his loving tenderness to Margaret. She had seen portraits of him, but Margaret said he did not photograph well. She had asked if he was good-looking.
‘No, I don’t think he is,’ answered Margaret, ‘but he’s very paintable.’
‘That is an answer which has the advantage of sounding well and meaning nothing,’ smiled Susie.
She believed privately that Margaret’s passion for the arts was a not unamiable pose which would disappear when she was happily married. To have half a dozen children was in her mind much more important than to paint pictures. Margaret’s gift was by no means despicable, but Susie was not convinced that callous masters would have been so enthusiastic if Margaret had been as plain and old as herself.
Miss Boyd was thirty. Her busy life had not caused the years to pass easily, and she looked older. But she was one of those plain women whose plainness does not matter. A gallant Frenchman had to her face called her a belle laide, and, far from denying the justness of his observation, she had been almost flattered. Her mouth was large, and she had little round bright eyes. Her skin was colourless and much disfigured by freckles. Her nose was long and thin. But her face was so kindly, her vivacity so attractive, that no one after ten minutes thought of her ugliness. You noticed then that her hair, though sprinkled with white, was pretty, and that her figure was exceedingly neat. She had good hands, very white and admirably formed, which she waved continually in the fervour of her gesticulation. Now that her means were adequate she took great pains with her dress, and her clothes, though they cost much more than she could afford, were always beautiful. Her taste was so great, her tact so sure, that she was able to make the most of herself. She was determined that if people called her ugly they should be forced in the same breath to confess that she was perfectly gowned. Susie’s talent for dress was remarkable, and it was due to her influence that Margaret was arrayed always in the latest mode. The girl’s taste inclined to be artistic, and her sense of colour was apt to run away with her discretion. Except for the display of Susie’s firmness, she would scarcely have resisted her desire to wear nondescript garments of violent hue. But the older woman expressed herself with decision.
The Great Novels and Short Stories of Somerset Maugham Page 43