Margaret could not hear what he said. A gradual lethargy seized her under his baleful glance, and she had not even the strength to wish to free herself. She seemed bound to him already by hidden chains.
‘If you have powers, show them,’ she whispered, hardly conscious that she spoke.
Suddenly he released the enormous tension with which he held her. Like a man who has exerted all his strength to some end, the victory won, he loosened his muscles, with a faint sigh of exhaustion. Margaret did not speak, but she knew that something horrible was about to happen. Her heart beat like a prisoned bird, with helpless flutterings, but it seemed too late now to draw back. Her words by a mystic influence had settled something beyond possibility of recall.
On the stove was a small bowl of polished brass in which water was kept in order to give a certain moisture to the air. Oliver Haddo put his hand in his pocket and drew out a little silver box. He tapped it, with a smile, as a man taps a snuff-box, and it opened. He took an infinitesimal quantity of a blue powder that it contained and threw it on the water in the brass bowl. Immediately a bright flame sprang up, and Margaret gave a cry of alarm. Oliver looked at her quickly and motioned her to remain still. She saw that the water was on fire. It was burning as brilliantly, as hotly, as if it were common gas; and it burned with the same dry, hoarse roar. Suddenly it was extinguished. She leaned forward and saw that the bowl was empty.
The water had been consumed, as though it were straw, and not a drop remained. She passed her hand absently across her forehead.
‘But water cannot burn,’ she muttered to herself.
It seemed that Haddo knew what she thought, for he smiled strangely.
‘Do you know that nothing more destructive can be invented than this blue powder, and I have enough to burn up all the water in Paris? Who dreamt that water might burn like chaff?’
He paused, seeming to forget her presence. He looked thoughtfully at the little silver box.
‘But it can be made only in trivial quantities, at enormous expense and with exceeding labour; it is so volatile that you cannot keep it for three days. I have sometimes thought that with a little ingenuity I might make it more stable, I might so modify it that, like radium, it lost no strength as it burned; and then I should possess the greatest secret that has ever been in the mind of man. For there would be no end of it. It would continue to burn while there was a drop of water on the earth, and the whole world would be consumed. But it would be a frightful thing to have in one’s hands; for once it were cast upon the waters, the doom of all that existed would be sealed beyond repeal.’
He took a long breath, and his eyes glittered with a devilish ardour. His voice was hoarse with overwhelming emotion.
‘Sometimes I am haunted by the wild desire to have seen the great and final scene when the irrevocable flames poured down the river, hurrying along the streams of the earth, searching out the moisture in all growing things, tearing it even from the eternal rocks; when the flames poured down like the rushing of the wind, and all that lived fled from before them till they came to the sea; and the sea itself was consumed in vehement fire.’
Margaret shuddered, but she did not think the man was mad. She had ceased to judge him. He took one more particle of that atrocious powder and put it in the bowl. Again he thrust his hand in his pocket and brought out a handful of some crumbling substance that might have been dried leaves, leaves of different sorts, broken and powdery. There was a trace of moisture in them still, for a low flame sprang up immediately at the bottom of the dish, and a thick vapour filled the room. It had a singular and pungent odour that Margaret did not know. It was difficult to breathe, and she coughed. She wanted to beg Oliver to stop, but could not. He took the bowl in his hands and brought it to her.
‘Look,’ he commanded.
She bent forward, and at the bottom saw a blue fire, of a peculiar solidity, as though it consisted of molten metal. It was not still, but writhed strangely, like serpents of fire tortured by their own unearthly ardour.
‘Breathe very deeply.’
She did as he told her. A sudden trembling came over her, and darkness fell across her eyes. She tried to cry out, but could utter no sound. Her brain reeled. It seemed to her that Haddo bade her cover her face. She gasped for breath, and it was as if the earth spun under her feet. She appeared to travel at an immeasurable speed. She made a slight movement, and Haddo told her not to look round. An immense terror seized her. She did not know whither she was borne, and still they went quickly, quickly; and the hurricane itself would have lagged behind them. At last their motion ceased; and Oliver was holding her arm.
‘Don’t be afraid,’ he said. ‘Open your eyes and stand up.’
The night had fallen; but it was not the comfortable night that soothes the troubled minds of mortal men; it was a night that agitated the soul mysteriously so that each nerve in the body tingled. There was a lurid darkness which displayed and yet distorted the objects that surrounded them. No moon shone in the sky, but small stars appeared to dance on the heather, vague night-fires like spirits of the damned. They stood in a vast and troubled waste, with huge stony boulders and leafless trees, rugged and gnarled like tortured souls in pain. It was as if there had been a devastating storm, and the country reposed after the flood of rain and the tempestuous wind and the lightning. All things about them appeared dumbly to suffer, like a man racked by torments who has not the strength even to realize that his agony has ceased. Margaret heard the flight of monstrous birds, and they seemed to whisper strange things on their passage. Oliver took her hand. He led her steadily to a cross-road, and she did not know if they walked amid rocks or tombs.
She heard the sound of a trumpet, and from all parts, strangely appearing where before was nothing, a turbulent assembly surged about her. That vast empty space was suddenly filled by shadowy forms, and they swept along like the waves of the sea, crowding upon one another’s heels. And it seemed that all the mighty dead appeared before her; and she saw grim tyrants, and painted courtesans, and Roman emperors in their purple, and sultans of the East. All those fierce evil women of olden time passed by her side, and now it was Mona Lisa and now the subtle daughter of Herodias. And Jezebel looked out upon her from beneath her painted brows, and Cleopatra turned away a wan, lewd face; and she saw the insatiable mouth and the wanton eyes of Messalina, and Fustine was haggard with the eternal fires of lust. She saw cardinals in their scarlet, and warriors in their steel, gay gentlemen in periwigs, and ladies in powder and patch. And on a sudden, like leaves by the wind, all these were driven before the silent throngs of the oppressed; and they were innumerable as the sands of the sea. Their thin faces were earthy with want and cavernous from disease, and their eyes were dull with despair. They passed in their tattered motley, some in the fantastic rags of the beggars of Albrecht Dürer and some in the grey cerecloths of Le Nain; many wore the blouses and the caps of the rabble in France, and many the dingy, smoke-grimed weeds of English poor. And they surged onward like a riotous crowd in narrow streets flying in terror before the mounted troops. It seemed as though all the world were gathered there in strange confusion.
Then all again was void; and Margaret’s gaze was riveted upon a great, ruined tree that stood in that waste place, alone, in ghastly desolation; and though a dead thing, it seemed to suffer a more than human pain. The lightning had torn it asunder, but the wind of centuries had sought in vain to drag up its roots. The tortured branches, bare of any twig, were like a Titan’s arms, convulsed with intolerable anguish. And in a moment she grew sick with fear, for a change came into the tree, and the tremulousness of life was in it; the rough bark was changed into brutish flesh and the twisted branches into human arms. It became a monstrous, goat-legged thing, more vast than the creatures of nightmare. She saw the horns and the long beard, the great hairy legs with their hoofs, and the man’s rapacious hands. The face was horrible with lust and cruelty, and yet it was divine. It was Pan, playing on his pipes, and the lecherous
eyes caressed her with a hideous tenderness. But even while she looked, as the mist of early day, rising, discloses a fair country, the animal part of that ghoulish creature seemed to fall away, and she saw a lovely youth, titanic but sublime, leaning against a massive rock. He was more beautiful than the Adam of Michelangelo who wakes into life at the call of the Almighty; and, like him freshly created, he had the adorable languor of one who feels still in his limbs the soft rain on the loose brown earth. Naked and full of majesty he lay, the outcast son of the morning; and she dared not look upon his face, for she knew it was impossible to bear the undying pain that darkened it with ruthless shadows. Impelled by a great curiosity, she sought to come nearer, but the vast figure seemed strangely to dissolve into a cloud; and immediately she felt herself again surrounded by a hurrying throng. Then came all legendary monsters and foul beasts of a madman’s fancy; in the darkness she saw enormous toads, with paws pressed to their flanks, and huge limping scarabs, shelled creatures the like of which she had never seen, and noisome brutes with horny scales and round crabs’ eyes, uncouth primeval things, and winged serpents, and creeping animals begotten of the slime. She heard shrill cries and peals of laughter and the terrifying rattle of men at the point of death. Haggard women, dishevelled and lewd, carried wine; and when they spilt it there were stains like the stains of blood. And it seemed to Margaret that a fire burned in her veins, and her soul fled from her body; but a new soul came in its place, and suddenly she knew all that was obscene. She took part in some festival of hideous lust, and the wickedness of the world was patent to her eyes. She saw things so vile that she screamed in terror, and she heard Oliver laugh in derision by her side. It was a scene of indescribable horror, and she put her hands to her eyes so that she might not see.
She felt Oliver Haddo take her hands. She would not let him drag them away. Then she heard him speak.
‘You need not be afraid.’
His voice was quite natural once more, and she realized with a start that she was sitting quietly in the studio. She looked around her with frightened eyes. Everything was exactly as it had been. The early night of autumn was fallen, and the only light in the room came from the fire. There was still that vague, acrid scent of the substance which Haddo had burned.
‘Shall I light the candles?’ he said.
He struck a match and lit those which were on the piano. They threw a strange light. Then Margaret suddenly remembered all that she had seen, and she remembered that Haddo had stood by her side. Shame seized her, intolerable shame, so that the colour, rising to her cheeks, seemed actually to burn them. She hid her face in her hands and burst into tears.
‘Go away,’ she said. ‘For God’s sake, go.’
He looked at her for a moment; and the smile came to his lips which Susie had seen after his tussle with Arthur, when last he was in the studio.
‘When you want me you will find me in the Rue de Vaugiraud, number 209,’ he said. ‘Knock at the second door on the left, on the third floor.’
She did not answer. She could only think of her appalling shame.
‘I’ll write it down for you in case you forget.’
He scribbled the address on a sheet of paper that he found on the table. Margaret took no notice, but sobbed as though her heart would break. Suddenly, looking up with a start, she saw that he was gone. She had not heard him open the door or close it. She sank down on her knees and prayed desperately, as though some terrible danger threatened her.
But when she heard Susie’s key in the door, Margaret sprang to her feet. She stood with her back to the fireplace, her hands behind her, in the attitude of a prisoner protesting his innocence. Susie was too much annoyed to observe this agitation.
‘Why on earth didn’t you come to tea?’ she asked. ‘I couldn’t make out what had become of you.’
‘I had a dreadful headache,’ answered Margaret, trying to control herself.
Susie flung herself down wearily in a chair. Margaret forced herself to speak.
‘Had Nancy anything particular to say to you?’ she asked.
‘She never turned up,’ answered Susie irritably. ‘I can’t understand it. I waited till the train came in, but there was no sign of her. Then I thought she might have hit upon that time by chance and was not coming from England, so I walked about the station for half an hour.’
She went to the chimneypiece, on which had been left the telegram that summoned her to the Gare du Nord, and read it again. She gave a little cry of surprise.
‘How stupid of me! I never noticed the postmark. It was sent from the Rue Littré.’
This was less than ten minutes’ walk from the studio. Susie looked at the message with perplexity.
‘I wonder if someone has been playing a silly practical joke on me.’ She shrugged her shoulders. ‘But it’s too foolish. If I were a suspicious woman,’ she smiled, ‘I should think you had sent it yourself to get me out of the way.’
The idea flashed through Margaret that Oliver Haddo was the author of it. He might easily have seen Nancy’s name on the photograph during his first visit to the studio. She had no time to think before she answered lightly.
‘If I wanted to get rid of you, I should have no hesitation in saying so.’
‘I suppose no one has been here?’ asked Susie.
‘No one.’
The lie slipped from Margaret’s lips before she had made up her mind to tell it. Her heart gave a great beat against her chest. She felt herself redden.
Susie got up to light a cigarette. She wished to rest her nerves. The box was on the table and, as she helped herself, her eyes fell carelessly on the address that Haddo had left. She picked it up and read it aloud.
‘Who on earth lives there?’ she asked.
‘I don’t know at all,’ answered Margaret.
She braced herself for further questions, but Susie, without interest, put down the sheet of paper and struck a match.
Margaret was ashamed. Her nature was singularly truthful, and it troubled her extraordinarily that she had lied to her greatest friend. Something stronger than herself seemed to impel her. She would have given much to confess her two falsehoods, but had not the courage. She could not bear that Susie’s implicit trust in her straightforwardness should be destroyed; and the admission that Oliver Haddo had been there would entail a further acknowledgment of the nameless horrors she had witnessed. Susie would think her mad.
There was a knock at the door; and Margaret, her nerves shattered by all that she had endured, could hardly restrain a cry of terror. She feared that Haddo had returned. But it was Arthur Burdon. She greeted him with a passionate relief that was unusual, for she was by nature a woman of great self-possession. She felt excessively weak, physically exhausted as though she had gone a long journey, and her mind was highly wrought. Margaret remembered that her state had been the same on her first arrival in Paris, when, in her eagerness to get a preliminary glimpse of its marvels, she had hurried till her bones ached from one celebrated monument to another. They began to speak of trivial things. Margaret tried to join calmly in the conversation, but her voice sounded unnatural, and she fancied that more than once Arthur gave her a curious look. At length she could control herself no longer and burst into a sudden flood of tears. In a moment, uncomprehending but affectionate, he caught her in his arms. He asked tenderly what was the matter. He sought to comfort her. She wept ungovernably, clinging to him for protection.
‘Oh, it’s nothing,’ she gasped. ‘I don’t know what is the matter with me. I’m only nervous and frightened.’
Arthur had an idea that women were often afflicted with what he described by the old-fashioned name of vapours, and was not disposed to pay much attention to this vehement distress. He soothed her as he would have done a child.
‘Oh, take care of me, Arthur. I’m so afraid that some dreadful thing will happen to me. I want all your strength. Promise that you’ll never forsake me.’
He laughed, as he kissed away her tears,
and she tried to smile.
‘Why can’t we be married at once?’ she asked. ‘I don’t want to wait any longer. I shan’t feel safe till I’m actually your wife.’
He reasoned with her very gently. After all, they were to be married in a few weeks. They could not easily hasten matters, for their house was not yet ready, and she needed time to get her clothes. The date had been fixed by her. She listened sullenly to his words. Their wisdom was plain, and she did not see how she could possibly insist. Even if she told him all that had passed he would not believe her; he would think she was suffering from some trick of her morbid fancy.
‘If anything happens to me,’ she answered, with the dark, anguished eyes of a hunted beast, ‘you will be to blame.’
‘I promise you that nothing will happen.’
IX
MARGARET’S NIGHT WAS disturbed, and next day she was unable to go about her work with her usual tranquillity. She tried to reason herself into a natural explanation of the events that had happened. The telegram that Susie had received pointed to a definite scheme on Haddo’s part, and suggested that his sudden illness was but a device to get into the studio. Once there, he had used her natural sympathy as a means whereby to exercise his hypnotic power, and all she had seen was merely the creation of his own libidinous fancy. But though she sought to persuade herself that, in playing a vile trick on her, he had taken a shameful advantage of her pity, she could not look upon him with anger. Her contempt for him, her utter loathing, were alloyed with a feeling that aroused in her horror and dismay. She could not get the man out of her thoughts. All that he had said, all that she had seen, seemed, as though it possessed a power of material growth, unaccountably to absorb her. It was as if a rank weed were planted in her heart and slid long poisonous tentacles down every artery, so that each part of her body was enmeshed. Work could not distract her, conversation, exercise, art, left her listless; and between her and all the actions of life stood the flamboyant, bulky form of Oliver Haddo. She was terrified of him now as never before, but curiously had no longer the physical repulsion which hitherto had mastered all other feelings. Although she repeated to herself that she wanted never to see him again, Margaret could scarcely resist an overwhelming desire to go to him. Her will had been taken from her, and she was an automaton. She struggled, like a bird in the fowler’s net with useless beating of the wings; but at the bottom of her heart she was dimly conscious that she did not want to resist. If he had given her that address, it was because he knew she would use it. She did not know why she wanted to go to him; she had nothing to say to him; she knew only that it was necessary to go. But a few days before she had seen the Phèdre of Racine, and she felt on a sudden all the torments that wrung the heart of that unhappy queen; she, too, struggled aimlessly to escape from the poison that the immortal gods poured in her veins. She asked herself frantically whether a spell had been cast over her, for now she was willing to believe that Haddo’s power was all-embracing. Margaret knew that if she yielded to the horrible temptation nothing could save her from destruction. She would have cried for help to Arthur or to Susie, but something, she knew not what, prevented her. At length, driven almost to distraction, she thought that Dr Porhoët might do something for her. He, at least, would understand her misery. There seemed not a moment to lose, and she hastened to his house. They told her he was out. Her heart sank, for it seemed that her last hope was gone. She was like a person drowning, who clings to a rock; and the waves dash against him, and beat upon his bleeding hands with a malice all too human, as if to tear them from their refuge.
The Great Novels and Short Stories of Somerset Maugham Page 52