"This is my town," Owens said, his hand still heavy on Quincey's shoulder. "I took it, and I mean to keep it."
Quincey opened his mouth. A gout of blood bubbled over his lips. He couldn't find words. Only blood, rushing away, running down his leg, spilling over his lips. It seemed his blood was everywhere, rushing wild, like once-still waters escaping the rubble of a collapsed dam.
He sagged against Owens. The big man laughed.
And then the big man screamed.
Quincey's teeth were at Owens' neck. He ripped through flesh, tore muscle and artery. Blood filled his mouth, and the Peacemaker thundered again and again in his hand, and then Owens was nothing but a leaking mess there in his arms, a husk of a man puddling red, washing away to nothing so fast, spurting red rich blood one second, then stagnant-pool dead the next.
Quincey's gun was empty. He fumbled for his bowie, arming himself against Owens' compadres.
There was no need.
Mrs. Danvers stood over them, a smoking shotgun in her hands.
Quincey released Owens' corpse. Watched it drop to the floor.
"Let me get a look at you," Mrs. Danvers said.
"There ain't no time for that," he said.
Dracula chuckled. "I can't believe it is you they sent. The American cowboy. The romantic."
Quincey studied the count's amused grin. Unnatural canines gleamed in the moonlight. In the ruined wasteland of Carfax, Dracula seemed strangely alive.
"Make your play," Quincey offered.
Icy laughter rode the shadows. "There is no need for such melodrama, Mr. Morris. I only wanted the blood. Nothing else. And I have taken that."
"That ain't what Seward says." Quincey squinted, his eyes adjusting to the darkness. "He claims you're after Miss Lucy's soul."
Again, the laughter. "I am a man of science, Mr. Morris. I accept my condition, and my biological need. Disease, and the transmission of disease, make for interesting study. I am more skeptical concerning the mythology of my kind. Fairy stories bore me. Certainly, powers exist which I cannot explain. But I cannot explain the moon and the stars, yet I know that these things exist because I see them in the night sky. It is the same with my special abilities—they exist, I use them, hence I believe in them. As for the human soul, I cannot see any evidence of such a thing. What I cannot see, I refuse to believe."
But Quincey could see. He could see Dracula, clearer every second. The narrow outline of his jaw. The eyes burning beneath his heavy brow. The long, thin line of his lips hiding jaws that could gape so wide.
"You don't want her," Quincey said. "That's what you're saying."
"I only want a full belly, Mr. Morris. That is the way of it." He stepped forward, his eyes like coals. "I only take the blood. Your kind is different. You want everything. The flesh, the heart, the. . .soul, which of course has a certain tangibility fueled by your belief. You take it all. In comparison, I demand very little—"
"We take. But we give, too."
"That is what your kind would have me believe. I have seen little evidence that this is the truth." Red eyes swam in the darkness. "Think about it, Mr. Morris. They have sent you here to kill me. They have told you how evil I am. But who are they—these men who brought me to your Miss Lucy? What do they want?" He did not blink; he only advanced. "Think on it, Mr. Morris. Examine the needs of these men, Seward and Holmwood. Look into your own heart. Examine your needs."
And now Quincey smiled. "Maybe I ain't as smart as you, Count." He stepped forward. "Maybe you could take a look for me. . .let me know just what you see."
Their eyes met.
The vampire stumbled backward. He had looked into Quincey Morris' eyes. Seen a pair of empty green wells. Bottomless green pits. Something was alive there, undying, something that had known pain and hurt, and, very briefly, ecstasy.
Very suddenly, the vampire realized that he had never known real hunger at all.
The vampire tried to steady himself, but his voice trembled. "What I can see. . .I believe."
Quincey Morris did not blink.
He took the stake from Seward's bag.
"I want you to know that this ain't something I take lightly," he said.
FOUR
He'd drawn a sash around his belly, but it hadn't done much good. His jeans were stiff with blood, and his left boot seemed to be swimming with the stuff. That was his guess, anyway—there wasn't much more than a tingle of feeling in his left foot, and he wasn't going to stoop low and investigate.
Seeing himself in the mirror was bad enough. His face was so white. Almost like the count's.
Almost like her face, in death.
Mrs. Danvers stepped away from the coffin, tucking a pair of scissors into a carpet bag. "I did the best I could," she said.
"I'm much obliged, ma'am." Quincey leaned against the lip of the box, numb fingers brushing the yellow ribbon that circled Lucy's neck.
"You can't see them stitches at all," the whiskey-breathed preacher said, and the seamstress cut him off with a glance.
"You did a fine job, Mrs. Danvers." Quincey tried to smile. "You can go on home now."
"If you don't mind, I think I'd like to stay."
"That'll be fine," Quincey said.
He turned to the preacher, but he didn't look at him. Instead, he stared through the parlor window. Outside, the sky was going to blood red and bruise purple.
He reached into the box. His fingers were cold, clumsy. Lucy's delicate hand almost seemed warm by comparison.
Quincey nodded at the preacher. "Let's get on with it."
The preacher started in. Quincey had heard the words many times. He'd seen people stand up to them, and he'd seen people totter under their weight, and he'd seen plenty who didn't care a damn for them at all.
But this time it was him hearing those words. Him answering them. And when the preacher got to the part about taking. . .do you take this woman. . .Quincey said, "Right now I just want to give."
That's what the count couldn't understand, him with all the emotion of a tick. Seward and Holmwood, even Lucy's mother, they weren't much better. But Quincey understood. Now more than ever. He held tight to Lucy's hand.
"If you've a mind to, you can go ahead and kiss her now," the preacher said.
Quincey bent low. His lips brushed hers, ever so gently. He caught a faint whiff of Mrs. Murphy's soap, no trace of garlic at all.
With some effort, he straightened. It seemed some time had passed, because the preacher was gone, and the evening sky was veined with blue-pink streaks.
The piano player just sat there, his eyes closed tight, his hands fisted in his lap. "You can play it now," Quincey said, and the man got right to it, fingers light and shaky on the keys, voice no more than a whisper:
"Come and sit by my side if you love me,
Do not hasten to bid me adieu,
But remember the Red River Valley,
And the cowboy who loved you so true."
Quincey listened to the words, holding Lucy's hand, watching the night. The sky was going black now, blacker every second. There was no blood left in it at all.
Just like you, you damn fool, he thought.
He pulled his bowie from its sheath. Seward's words rang in his ears: "One moment's courage, and it is done."
But Seward hadn't been talking to Quincey when he'd said those words. Those words were for Holmwood. And Quincey had heard them, but he'd been about ten steps short of doing something about them. If he hadn't taken the time to discuss philosophy with Count Dracula, that might have been different. As it was, Holmwood had had plenty of time to use the stake, while Seward had done his business with a scalpel.
For too many moments, Quincey had watched them, too stunned to move. But when he did move, there was no stopping him.
He used the bowie, and he left Whitby that night.
He ran out. He wasn't proud of that. And all the time he was running, he'd thought, So much blood, all spilled for no good reason. Dracula, with the nee
ds of a tick. Holmwood and Seward, who wanted to be masters or nothing at all.
He ran out. Sure. But he came back. Because he knew that there was more to the blood, more than just the taking.
One moment's courage. . .
Quincey stared down at the stake jammed through his beloved's heart, the cold shaft spearing the blue-pink muscle that had thundered at the touch of his fingers. The bowie shook in his hand. The piano man sang:
"There never could be such a longing,
In the heart of a poor cowboy's breast,
As dwells in this heart you are breaking,
While I wait in my home in the West."
Outside, the sky was black. Every square in the quilt. No moon tonight.
Thunder rumbled, rattling the windows.
Quincey put the bowie to his neck. Lightning flashed, and white spiderwebs of brightness danced on Lucy's flesh. The shadows receded for the briefest moment, then flooded the parlor once more, and Quincey was lost in them. Lost in shadows he'd brought home from Whitby.
One moment's courage. . .
He sliced his neck, praying that there was some red left in him. A thin line of blood welled from the wound, overflowing the spot where Lucy had branded him with eager kisses.
He sagged against the box. Pressed his neck to her lips.
He dropped the bowie. His hand closed around the stake.
One moment's courage. . .
He tore the wooden shaft from her heart, and waited.
Minutes passed. He closed his eyes. Buried his face in her dark hair. His hands were scorpions, scurrying everywhere, dancing to the music of her tender thighs.
Her breast did not rise, did not fall. She did not breathe.
She would never breathe again.
But her lips parted. Her fangs gleamed. And she drank.
Together, they welcomed the night.
This Is Now
by Michael Marshall Smith
Michael Marshall Smith is the author of several novels, including Only Forward, which won the Philip K. Dick Award and the British Fantasy Award, and The Servants, which was a finalist for the World Fantasy Award. He also publishes under the name Michael Marshall; his most recent novels under that pen name are Bad Things and The Intruders, the latter of which is being adapted into a miniseries to air on the BBC. His short fiction has been collected in three volumes, most recently in More Tomorrow & Other Stories.
This story, which first appeared in the BBC's Vampire Cult Magazine, tells the story of a small group of friends, as they recall a formative event in their lives. It explores how big a gap there is between then and now, and all the things that can fall through that gap.
"Okay," Henry said. "So now we're here."
He was using his "So entertain me" voice, and he was cold but trying not to show it. Pete and I were cold too. We were trying not to show it either. Being cold is not manly. You look at your condensing breath as if it's a surprise to you, what with it being so balmy and all. Even when you've known each other for over thirty years, you do these things. Why? I don't know.
"Yep," I agreed. It wasn't my job to entertain Henry.
Pete walked up to the thick wire fence. He tilted his head back until he was looking at the top, four feet above his head. A ten-foot wall of tautly criss-crossed wire.
"Who's going to test it?"
"Well, hey, you're closest." Like the others, I was speaking quietly, though we were half a mile from the nearest road or house or person.
This side of the fence, anyhow.
"I did it last time."
"Long while ago."
"Still," he said, stepping back. "Your turn, Dave."
I held up my hands. "These are my tools, man."
Henry sniggered. "You're a tool, that's for sure."
Pete laughed too, I had to smile, and for a moment it was like it was the last time. Hey presto: time travel. You don't need a machine, it turns out, you just need a friend to laugh like a teenager. Chronology shivers.
And so—quickly, before I could think about it—I flipped my hand out and touched the fence. My whole arm jolted, as if every bone in it had been tapped with a hammer. Tapped hard, and in different directions.
"Christ," I hissed, spinning away, shaking my hand like I was trying to rid myself of it. "Goddamn Christ that hurts."
Henry nodded sagely. "This stretch got current, then. Also, didn't we use a stick last time?"
"Always been the brains of the operation, right, Hank?"
Pete snickered again. I was annoyed, but the shock had pushed me over a line. It had brought it all back much more strongly.
I nodded up the line of the fence as it marched off into the trees. "Further," I said, and pointed at Henry. "And you're testing the next section, bro."
It was one of those things you do, one of those stupid, drunken things, that afterwards seem hard to understand. You ask yourself why, confused and sad, like the ghost of a man killed though a careless step in front of a car.
We could have not gone to The Junction, for a start, though it was a Thursday and the Thursday session is a winter tradition with us, a way of making January and February seem less like a living death. The two young guys could have given up the pool table, though, instead of bogarting it all night (by being better than us, and efficiently dismissing each of our challenges in turn): in which case we would have played a dozen slow frames and gone home around eleven, like usual—ready to get up the next morning feeling no more than a little fusty. This time of year it hardly matters if Henry yawns over the gas pump, or Pete zones out behind the counter in the Massaqua Mart, and I can sling a morning's home fries and sausage in my sleep. We've been doing these things so long that we barely have to be present. Maybe that's the point. Maybe that's the real problem right there.
By quarter after eight, proven pool-fools, we were sitting at the corner table. We always have, since back when it was Bill's place and beer tasted strange and metallic in our mouths. We were talking back and forth, laughing once in a while, none of us bothered about the pool but yes, a little bit bothered all the same. It wasn't some macho thing. I don't care about being beat by some guys who are passing through. I don't much care about being beat by anyone. Henry and Pete and I tend to win games about equally. If it weren't that way then probably we wouldn't play together. It's never been about winning. It was more that I just wished I was better. Had assumed I'd be better, one day, like I expected to wind up being something other than a short order cook. Don't get me wrong: you eat one of my breakfasts, you're set up for the day and tomorrow you'll come back and order the same thing. It just wasn't what I had in mind when I was young. Not sure what I did have in mind—I used to think maybe I'd go over the mountains to Seattle, be in a band or something, but the thought got vague after that—but it certainly wasn't being first in command at a hot griddle. None of ours are bad jobs, but they're the kind held by people in the background. People who are getting by. People who don't play pool that well.
It struck me, as I watched Pete banter with Nicole when she brought round number four or five, that I was still smoking. I had been assuming I would have given it up by now. Tried, once or twice. Didn't take. Would it happen? Probably not. Would it give me cancer sooner or later? Most likely. Better try again, then. At some point.
Henry watched Nicole's ass as it accompanied her back to the counter. "Cute as hell," he said, approvingly, not for the first time.
Pete and I grunted, in the way we would if he'd observed that the moon was smaller than the Earth. Henry's observation was both true and something that had little bearing on our lives. Nicole was twenty-three. We could give her fifteen years each. That's not the kind of gift that cute girls covet.
So we sat and talked, and smoked, and didn't listen to the sound of balls being efficiently slotted into pockets by people who weren't us.
You walk for long enough in the woods at night, you start getting a little jittery. Forests have a way of making civilisation seem less ine
vitable. In sunlight they may make you want to build yourself a cabin and get back to nature, get that whole Davy Crockett vibe going on. In the dark they remind you what a good thing chairs and hot meals and electric light really are, and you thank God you live now instead of then.
Selections from By Blood We Live Page 7