The paraphernalia of butchery may be repulsive to some. But to me, hacksaws, cleavers, and band saws all looked manageable and appealing. I loved going to Maresca’s, the Italian butcher shop up the road on the Jersey side, and always asked to be taken along on errands if Maresca’s was on the list. There was no “artisanal” at this point, no “organic” or “diver-picked” or “free-range” or “heirloom” anything. In 1976, there was no such thing, even, as 2 percent milk. We just had milk. And the Marescas were still just butchers, father and sons butchers—Salvatore, Joe, and Emil—working in a shop with sawdust on the floor. The father Salvatore and his son Joe looked exactly like butchers—with girth, flannel shirts under their long jackets and aprons, and greasy, beefy catcher’s-mitt hands. Emil, on the other hand, looked like he could have been a chemist in a lab or a home ec teacher—in an apron, always, but with a V-neck sweater vest over his flannel shirt and a pair of nice brown corduroys. He wanted to be a baseball player, I had heard, but ended up in the family business. Emil spent most of his day in the old kitchen open and adjacent to the butcher shop, skewering and marinating cubed meats and making all the shop’s sausages and cooking the daily lunch for the family.
All three Marescas knew as much about an animal as anyone could. They could judge how old an animal was when it was slaughtered by touching the cartilage, how often and what it was fed by examining the fat deposits and marbling in the meat. Pointing out a thick streak of fat in a side of beef, Joe said, “Here you can see the lightning bolt where the rancher started to feed him fast and furious at the end to fatten him up, but what you really want is steady feeding so the fat is marbled throughout.”
Outside the shop were two huge forsythia bushes, bursting optimistic and sunny yellow branches. Inside, the refrigerated enamel cases were packed with bloody meat, ground meat, tied meat, and birds, whole and in parts. On the long white tile wall behind the cases, where the Marescas did their actual bloody work, was a giant mural in friendly colors, depicting a roly-poly, mustachioed butcher in a clean white apron, frolicking in a round, green curlicue fenced-in pasture, with cottony white sheep with little soft pink ears and porky, bristle-less pink piggies, smiling while sniffing the yellow buttercups. The sky overhead was robin’s egg blue, the few clouds were pure white, and the birds and the butterflies went about their song-filled business even though the butcher was wielding a giant cleaver in one hand, headed for one of them. To the right of the mural, hanging from pegs were all manner of hacksaws, cleavers, and giant knives.
Besides meat, the Maresca’s sold canned goods, and in the spring and summer, a few of the vegetables that Mr. Maresca grew in his garden behind the shop. They were always arranged casually, in a plain carton or basket, on the floor by the refrigerated case, with a handwritten sign on the back of a piece of brown paper bag advertising the price: PEAS 20¢/lb.
I spied those fresh peas in a bushel basket at the end of the counter. While my dad and the guys were talking and leisurely loading the four whole dressed lambs onto newspaper in the back of the truck, I snagged a handful of them and hid behind a display case.
I love how you can snap a pea’s stem and pull the string and how it leaves a perfect seam that opens easily under your thumbnail. And then you find those sweet, starchy peas in their own canoe of crisp, watery, and almost sugary pod.
When Mr. Maresca found me eating the pilfered peas, instead of scolding me, he grabbed the hem of my dress and pulled it out to make a kind of pouch into which he placed a big handful of them for me to eat, not in hiding but openly, in the sawdust-floored shop. Every time his son Joe opened the heavy wooden cooler door, I caught a good eyeful of carcasses hanging upside down with their tongues flopping out the sides of their bloody mouths and their eyes filmed-over, milky, and bulging, along with disembodied parts—legs, heads, haunches, sides, ribs, looking like something in a Jack London story. I wanted to follow him in there. I wanted to be in with the meat and the knives and to wear the long bloody coat.
That night we slept by the fire in an otherwise pitch-black meadow, five kids vaguely chaperoned by my brother Jeffrey who was well on his way to becoming a teenage anthropologist, hunter-gatherer, and naturalist. He collected the deer and raccoons that had been hit and killed out on the dark country roads and dragged them back to hang from the trees bordering the meadow until they bled out. Then he cleaned the hides, burned off the hair, saved the teeth, and scraped the sinew from the bones and dried it to make thread with which he’d sew his pants, made of deerskin and raccoon fur. I was enthralled by him and his fastidious, artful, freakish habit. And in love with his boarding-school good looks dressed down by the chin length of his hair and new habit of wearing dashikis. I hadn’t totally understood, with the eleven years between our ages, that he may have also gotten into the habit of “turning on, tuning in, and dropping out,” and that there was likely a psychotropic reason he could go so long without blinking. My parents hadn’t totally understood this either, probably, because on that night, the night before the big party, Jeffrey was left in charge of the fire. He worked the stumps and branches into a fierce, burning domed pyre.
My brother Todd was with us but would have preferred being up in his room, with the door closed—you always had to knock to enter—counting his money, or losing himself in his few but in-good-working-condition acquisitions: his brand-new electric guitar, his reel-to-reel tape recorder, his dual cassette deck, his electric amplifier, and his brand-new soldering iron. With coils of solder and copper paper clips, he fashioned quirky little uninspired sculptures of boats and trains and skiers. Todd, the second oldest, lay in his sleeping bag tuning us out, playing air-guitar Led Zeppelin while listening on his headphones, which he bought himself with money earned busking in town for the tourists. A loan of five dollars was never denied; it was breezily granted but came with interest and was entered into Todd’s ledger. He hired me to give him leg massages after work with my lucky rabbit fur, a half hour I found uniquely intimate and a responsibility I took very seriously, and he paid me in dollar bills and mixed tapes.
Simon, who was closest to me in age, was having a pretty bad preadolescent, very high IQ, low attention span, pissed-at-everybody-and-everything summer vandalism spree. Every cop car he saw was an opportunity for a five-pound bag of white sugar in its gas tank. Glass panes in empty houses gamely blown out with rocks accurately pitched. He was turned on by his badass-ness and was waiting sullenly until we all fell asleep so he could sneak out of his sleeping bag and go relieve his boredom by walking into town and leaving his mark on it overnight.
My sister Melissa, the middle child, was only a teenager but already responsible and professional enough to have a negative white mark on her tanned arm from her wristwatch and a job as a lifeguard. A wristwatch at fourteen! She had the incomprehensible ability to open a whole scrumptious sugary package of chocolate-covered graham cookies, put two of them on a paper towel, reseal the package neatly for another day, and eat only those two crackers. Left to my nine-year-old devices, I would be sick on the whole package within ten minutes. Melissa would be the one in the kitchen with our mother the next day, dutifully shelling lima beans and cutting butter into flour and sugar while I was in the master bedroom rifling the jacket pockets and handbags of all of our guests, helping myself to twenty-dollar bills and quarters that I would later spend on Dr Pepper, Italian meat hoagies with oil and vinegar and hot peppers, and individually wrapped Tastykake iced fruit pies.
While we were all lying around the crackling and sparking pit, wondering how late it was and how late we would stay up, Jeffrey invented a little language and a nomenclature for our family. He started with my dad, “The Bone.” This was not his own invention. Some of the carpenters at the scenery shop had started calling my dad “The Bone” behind his back. Playing with words and language as they do, schoolmates had changed Hamilton to Hambone ever since the eighth grade. My father hated being called Hambone and worse, being called Ham, as that is what his own father was
called, by his own mother, no less. But someone clever at the skating rink had just cut to the chase and started calling him “The Bone.” Have you seen “The Bone?” Where’s “The Bone?” You better make sure “The Bone” signed off on that. “The Bone” is never gonna go for that.
From “Pa-Pa Boner,” the lewdness and double-entendre of which can still to this day put Jeffrey into a breathless laughing fit, it took nothing to get us going, and soon we were dubbed from oldest to youngest, J Jasper Bone, T-Bone, Bonette Major, Sly and the Family Bone, and me, finally, Bonette Minor. Our battered Volvo station wagon became the Bone Chariot. Something authentically, uniquely my dad’s—like the dimmer switches in our house never working, or the house almost being auctioned off at the sheriff’s sale because he hadn’t paid the property taxes in a year—was “bone-afide.” Real, expensive Champagne at Christmas in spite of the lien was “bone-issimo.” And parties—all of my dad’s parties—became “bone-a-thons.”
Decades later, when Melissa and I were in our separate homes with our own families, she left me a message about a bone density study that was being done at her local hospital, and all I could hear in the background of the message was Melissa herself, howling and shrieking into the phone “Bone Density! Bwa ha ha ha ha ha bwa ha ha ha ha ha!”
I won’t pretend that I was a humorous or clever part of this little word game we were playing out in the dark meadow by the big fire. Being the youngest, I had to work very hard to understand the joke, or to make like I understood, and as often as not I got caught up in my own mind, my own puzzle, my drifty imagination. I was the one out of the five kids who was always thrown in the car and taken on long errands with my parents because I was purely content to sit in the car and wander around my own mind. Watching the world itself, the people in it, and my whole internal life was more than enough to keep me entertained. My parents had an understanding at this time about disciplining me: Do not send that Scorpio girl to her room for punishment because she loves it there. So whatever it was that had them all cracking up—whatever jokes and jabs and teasing Jeffrey—now JJ Bone—had got going, like referring to my mother as the one who “got Boned”—I wasn’t really getting it. I had no idea. I held on to the leash of their banter, which ran like a rowdy sheepdog twice my own weight, but I would not let go.
I quietly thrilled to be packed into my sleeping bag right up next to them. I felt cocooned by the thick crescendoing song of the crickets, that voluptuous blanket of summer night humidity, the smell of wood smoke, the heavy dew of the tall grass around us, the necessary and anchoring voices, giggles, farts, and squeals of disgust of my older siblings. This whole perfect night when everyone is still, pretty much, intact and wholesome, is where I sometimes want the party to stop.
In the morning the sun will come up and the rest of life will resume—where it will become cliché to admire the beauty of the stars, facile to feel transported by the smell of wood smoke, childish to admit to loving your siblings, and weak to be made secure by the idea of your parents still married up in the house—and we will awaken and kick out of our sleeping bags and find in the pit a huge bed of glowing coals, perfect for the slow roasting of the lambs.
But on this last night that we all spend together fireside, being ravaged by mosquitoes and uncomfortably dampened by the dew absorbed by the cotton army-issue sleeping bags—when we have not yet even eaten the lambs—all that yet troubles us is whether, when it rang, you answered the Bone Phone or the Bone Touch Tone.
When we woke up, the mist was burning off as the sun got strong. My dad was throwing huge coils of sweet Italian sausage onto the grill. He split open big loaves of bread to toast over the coals, and for breakfast, instead of Cocoa Puffs and cartoons, we sat up in our sleeping bags, reeking of smoke, and ate these giant delicious, crusty, and charred sweet Italian sausage sandwiches.
Then there were a million chores to do, and my dad needed us to do them. I learned that I could drive, work, haul stone, hammer nails, handle knives, use a chainsaw, and tend fires—anything boys could do—simply because my dad was always so behind, so late, so overextended and ambitious and understaffed on every project that he was always in desperate need of another pair of hands, even if they were only a nine-year-old pair of girl hands. All of us had clocked enough hours with my dad backstage at theaters, watching the scenery go up or come down, that by the time he was throwing this party in our backyard and instructing us to light the paper bag luminarias right at sundown, we understood theater terms like “the fourth wall” and theatrical lighting expressions like “Close the barn doors!” and “Dimmer two segue to three, please!”
We had to roll up our pant legs and walk barefoot into the frigid stream, build a little corral with river rocks, and stock it with jugs of Chablis and cases and cases of Heineken and cream soda and root beer. Having to walk barefoot into the cold stream to get a beer instead of just comfortably reaching into one of those ice-packed bright red coolers that normal people would use was, in our new vernacular, bone-afide. I had to mow the meadow and rake it, and the smell of fresh cut grass was bone-issimo. We had to fill hundreds of brown paper lunch bags with sand and plumber’s candles, then set them out all along the stream’s edge under the weeping willows and at all the groundhog holes so nobody broke an ankle or fell drunk into the stream later when it got dark. And we had to juice up the glow-in-the-dark Frisbees in the car headlights so we could play later out at the far dark end of the meadow. Those glowing greenish discs arcing through the jet black night, sent and received by the invisible bodies of my older brothers, were bone-ificent.
The lambs were arranged over the coals head to toe to head to toe the way you’d put a bunch of kids having a sleepover into a bed. We kept a heavy metal garden rake next to the pit to arrange the coals as the day passed and the ashes built up, moving the spent coals to the edges and revealing the hot glowing red embers. The lambs roasted so slowly and patiently that their blood dripped down into the coals with a hypnotic and rhythmic hiss, which sounded like the hot tip of a just-blown-out match being dipped into a cup of water. My dad basted them by dipping a branch of wood about as thick and long as an axe handle, with a big swab of cheesecloth tied at its end, into a clean metal paint can filled with olive oil, crushed rosemary and garlic, and big chunks of lemons. He then mopped the lambs, slowly, gently, and thoroughly, back and forth with soft careful strokes like you might paint your brand-new sailboat. Then the marinade, too, dripped down onto the coals, hissing and atomizing, its scent lifting up into the air. So all day long, as we did our chores, the smell of gamey lamb, apple-wood smoke, and rosemary garlic marinade commingled and became etched into our brains. I have clung to it for thirty years, that smell. I have a chronic summertime yearning to build large fires outdoors and slowly roast whole animals. I could sit fireside and baste until sundown. Hiss. Hiss. Hiss.
The rest of the meal was simple but prepared in such quantities that the kitchen felt hectic and brimming and urgent. There were giant bowls of lima bean and mushroom salad with red onion and oregano and full sheet pans of shortcake. Melissa, with a pair of office scissors, snipped cases of red and black globe grapes into perfect portioned clusters while my mom mimosaed eggs—forcing hard-cooked whites and then hard-cooked yolks through a fine sieve—over pyramids of cold steamed asparagus vinaigrette. Melissa and my mom worked quickly, efficiently, and cleanly—mother and daughter together in the kitchen, both in bib aprons each with a dish towel neatly folded and tucked into her apron string, “doing the bones” of our lamb roast.
Todd gave the lambs a quarter turn every half hour. Simon parked the cars. Jeffrey politely kissed the older guests, who arrived more than punctually, on both cheeks. And I plunged in and out of the stream to retrieve beer and wine and soda.
Then they started pouring in, all these long-haired, bell-bottomed artist friends of my dad’s and former ballet dancer friends of my mother’s, with long necks and eternally erect posture, and our friends, too—the Drevers and Mellmans
and Bentleys and Shanks—the whole pack of us dogs, muddy, grass-stained, and soaking wet in the first fifteen minutes. I hardly recognized the washed and neatly groomed Maresca brothers with their father, Mr. Maresca, out of their butcher coats.
Slowly the meadow filled with people and fireflies and laughter—just as my father had imagined—and the lambs on their spits were hoisted off the pit onto the shoulders of men, like in a funeral procession, and set down on the makeshift plywood-on-sawhorse tables to be carved. Then the sun started to set and we lit the paper bag luminaria, which burned soft glowing amber, punctuating the meadow and the night, and the lamb was crisp-skinned and sticky from slow roasting, and the root beer was frigid and it caught, like an emotion, in the back of my throat.
2
I HAD NO CLUE THAT MY PARENTS WERE UNHAPPY WITH EACH OTHER until I was sweeping up cornichons and hard salami and radishes off the kitchen floor. It was a Sunday, and my dad had been outside building a stone wall all morning, which was a decades-long kind of joke because of the nature of the burnt-out old mill, which we called “the ruins” for good reason. He had come in for lunch.
My mother had been cooking that morning, standing at the six-burner in her apron with her wooden spoon in hand, as usual, something elaborate and involved with her many ingredients laid out at her reach on the butcher block kitchen table. My dad came in from outside, powdery with lime and concrete and sand, washed his hands in the deep stainless sink, and then opened the refrigerator. He eked out some space among the diced onions and paprika and wine and cubed beef my mother had arranged on the table, and set up his Kronenbourg beer and his salami and a hunk of Jarlsberg. He pulled out of the fridge some radishes and butter and some cornichons and Dijon mustard and set these things out, with a Sunday’s unique sense of pleasure, in front of his wooden chair. Impossibly, he managed to arrange the fat Sunday New York Times right there next to him on this small, already laden table. Triumphantly, he spread out his elbows and sat down. They did not seem to speak to each other.
Blood, Bones, and Butter: The Inadvertent Education of a Reluctant Chef Page 2