“Be careful!” Wicherly called out to McCorkle. “If this tomb follows the usual plan, up ahead is the well.”
“The well?” McCorkle’s voice floated back.
“A deep pit designed to send unwary tomb robbers to their death. But it was also a way to keep water from flooding the tomb, during those rare periods when the Valley of the Kings flash-flooded.”
“Even if it remains intact, the well will surely be bridged over,” Menzies said. “Recall that this was once an exhibit.”
They moved forward cautiously, their beams finally revealing a rickety wooden bridge spanning a pit at least fifteen feet deep. McCorkle, gesturing for them to remain behind, examined the bridge carefully with his light, then advanced out onto it. A sudden crack! caused Nora to jump. McCorkle grabbed desperately for the railing. But it was merely the sound of settling wood, and the bridge held.
“It’s still safe,” said McCorkle. “Cross one at a time.”
Nora walked gingerly across the narrow bridge. “I can’t believe this was once part of an exhibit. How did they ever install a well like this in the sub-basement of the museum?”
“It must have been cut into the Manhattan bedrock,” Menzies said from behind. “We’ll have to bring this up to code.”
On the far side of the bridge, they passed over another threshold. “Now we’re in the middle tomb,” said Wicherly. “There would have been another sealed door here. What marvelous frescoes! Here’s an image of Senef meeting the gods. And more verses from the Book of the Dead.”
“Any more curses?” Nora asked, glancing at another Eye of Horus painted prominently above the once-sealed door.
Wicherly shone his light toward it. “Hmmm. I’ve never seen an inscription like this before. The place which is sealed. That which lieth down in the closed place is reborn by the Ba-soul which is in it; that which walketh in the closed space is dispossessed of the Ba-soul. By the Eye of Horus I am delivered or damned, O great god Osiris.”
“Sure sounds like another curse to me,” said McCorkle.
“I would guess it’s merely an obscure quotation from the Book of the Dead. The bloody thing runs to two hundred chapters and nobody’s figured all of it out.”
The tomb now opened up onto a stupendous hall, with a vaulted roof and six great stone pillars, all densely covered with hieroglyphics and frescoes. It seemed incredible to Nora that this huge, ornate space had been asleep in the bowels of the museum for more than half a century, forgotten by almost all.
Wicherly turned, playing his light across the extensive paintings. “This is rather extraordinary. The Hall of the Chariots, which the ancients called the Hall of Repelling Enemies. This was where all the war stuff the pharaoh needed in the afterlife would have been stored-his chariot, bows and arrows, horses, swords, knives, war club and staves, helmet, leather armor.”
His beam paused at a frieze depicting beheaded bodies laid out by the hundreds on the ground, their heads lying in rows nearby. The ground was splattered with blood, and the ancient artist had added such realistic details as lolling tongues.
They moved through a long series of passageways until they came to a room that was smaller than the others. A large fresco on one side showed the same scene of weighing the heart depicted earlier, only much larger. The hideous, slavering form of Ammut squatted nearby.
“The Hall of Truth,” Wicherly said. “Even the pharaoh was judged, or in this case, Senef, who was almost as powerful as a pharaoh.”
McCorkle grunted, then disappeared into the next chamber, and the rest followed. It was another spacious room with a vaulted ceiling, painted with a night sky full of stars, the walls dense with hieroglyphics. An enormous granite sarcophagus sat in the middle, empty. The walls on each side were interrupted by four black doors.
“This is an extraordinary tomb,” said Wicherly, shining the light around. “I had no idea. When you called me, Dr. Menzies, I thought it would be something small but charming. This is stupendous. Where in the world did the museum get it?”
“An interesting story,” Menzies replied. “When Napoleon conquered Egypt in 1798, one of his prizes was this tomb, which he had disassembled, block by block, to take back to France. But when Nelson defeated the French in the Battle of the Nile, a Scottish naval captain finagled the tomb for himself and reassembled it at his castle in the Highlands. In the nineteenth century, his last descendant, the 7th Baron of Rattray, finding himself strapped for cash, sold it to one of the museum’s early benefactors, who had it shipped across the Atlantic and installed while they were building the museum.”
“The baron let go of one of England’s national treasures, I should say.”
Menzies smiled. “He received a thousand pounds for it.”
“Worse and worse! May Ammut swallow the greedy baron’s heart for selling the ruddy thing!” Wicherly laughed, casting his flashing blue eyes on Nora, who smiled politely. His attentiveness was becoming obvious, and he seemed not at all discouraged by the wedding band on her finger.
McCorkle began to tap his foot impatiently.
“This is the burial chamber,” Wicherly began, “which the ancients called the House of Gold. Those antechambers would be the Ushabti Room; the Canopic Room, where all the pharaoh’s preserved organs were stored in jars; the Treasury of the End; and the Resting Place of the Gods. Remarkable, isn’t it, Nora? What fun we’ll have!”
Nora didn’t answer immediately. She was thinking about just how massive the tomb was, and how dusty, and how much work lay ahead of them.
Menzies must have been thinking the same thing, because he turned to her with a smile that was half eager, half rueful.
“Well, Nora,” he said. “It should prove an interesting six weeks.”
Chapter 11
Gerry Fecteau slammed the door to solitary 44 hard, causing a deafening boom throughout the third floor of Herkmoor Correctional Facility 3. He smirked and winked at his companion as they paused outside the door, listening while the sound echoed through the vast cement spaces before dying slowly away.
The prisoner in 44 was a big mystery. All the guards were talking about him. He was important, that much was clear: FBI agents had come to visit him several times and the warden had taken a personal interest. But what most impressed Fecteau was the tight lid on information. For most new prisoners, it didn’t take long for the rumor mill to grind out the accusation, the crime, the gory details. But in this case, nobody even knew the prisoner’s name, let alone his crime. He was referred to simply by a single letter: A.
On top of that, the man was scary. True, he wasn’t physically imposing: tall and slender with skin so pale it looked like he might have been born in solitary. He rarely spoke, and when he did, you had to lean forward to hear him. No, it wasn’t that. It was the eyes. In his twenty-five years in corrections, Fecteau had never before seen eyes that were so utterly cold, like two glittering silvery chips of dry ice, so far below zero they just about smoked.
Christ, it gave Fecteau a chill just thinking about them.
There was no doubt in Fecteau’s mind this prisoner had committed a truly heinous crime. Or series of crimes, a Jeffrey Dahmer type, a cold-blooded serial killer. He looked that scary. That’s why it gave Fecteau such satisfaction when the order came down that the prisoner was to be moved to solitary 44. Nothing more needed to be said. It was where they sent the hard cases, the ones who needed softening up. Not that solitary 44 was any worse than the other cells in Herkmoor 3 Solitary-all the cells were identical: metal cot, toilet with no seat, sink with only cold running water. What made solitary 44 special, so useful in breaking a prisoner, was the presence of the inmate in solitary 45. The drummer.
Fecteau and his partner, Benjy Doyle, stood on either side of the cell door, making no noise, waiting for the drummer to start up again. He’d paused, as he always did for a few minutes when a new prisoner was installed. But the pause never lasted long.
Then, as if on schedule, Fecteau heard a faint soft-shoe s
huffle start up again inside solitary 45. This was followed by the popping sound of lips, and then a low tattoo of fingers drumming against the metal rail of the bed. A little more soft-shoe, some snatches of humming… and then, the drumming. It started slowly, and quickly accelerated, a rapid roll breaking off into syncopated riffs, punctuated with a pop or a shuffle, a never-ending sonic flood of inexhaustible hyperactivity.
A smile spread across Fecteau’s face and his eyes met those of Doyle.
The drummer was a perfect inmate. He never shouted, screamed, or threw his food. He never swore, threatened the guards, or trashed his cell. He was neat and tidy, keeping his hair groomed and his body washed. But he had two peculiar characteristics that kept him in solitary: he almost never slept, and he spent his waking hours-all his waking hours-drumming. Never loudly, never in-your-face. The drummer was utterly oblivious to the outside world and the many curses and threats directed at him. He did not even seem to be aware that there was an outside world, and he continued on, never varying, never ruffled or disturbed, totally focused. Curiously, the very softness of the drummer’s sounds were the most unendurable aspect of them: Chinese water torture of the ear.
In transferring the prisoner known as A to solitary, Fecteau and Doyle had had orders to deprive the man of all his possessions, including-especially including, the warden had made clear-writing instruments. They had taken everything: books, sketches, photographs, journals, notebooks, pens and inks. The prisoner was left with nothing-and with nothing to do but listen:
Ba-da-ba-da-ditty-ditty-bop-hup-hup-huppa-huppa-be-bop-be-bop-ditty-ditty-ditty-boom! Ditty-boom! Ditty-boom! Ditty-bada-boom-bada-boom-ba-ba-ba-boom! Ba-da-ba-da-pop! Ba-pop! Ba-pop! Ditty-ditty-datty-shuffle-shuffle-ditty-da-da-da-dit! Ditty-shuffle-tap-shuffle-tap-da-da-dadadada-pop! Dit-ditty-dit-ditty-dap! Dit-ditty…
Fecteau had heard enough. It was already getting under his skin. He gestured toward the exit with his chin, and he and Doyle headed hurriedly back down the hall, the sounds of the drummer dying away.
“I give him a week,” said Fecteau.
“A week?” Doyle replied with a snort. “The poor bastard won’t last twenty-four hours.”
Chapter 12
Lieutenant Vincent D’Agosta lay on his belly, in a freezing drizzle, on a barren hill above the Herkmoor Federal Correctional and Holding Facility in Herkmoor, New York. Next to him crouched the dark form of the man named Proctor. The time was midnight. The great prison spread out in a flat valley below them, brilliantly illuminated by the yellow glare of overhead lights, as surreal an industrial confection as a giant oil refinery.
D’Agosta raised a pair of powerful digital binoculars and once again examined the general layout of the facility. It covered at least twenty acres, consisting of three low, enormous concrete building blocks, set in a U shape, surrounded by asphalt yards, lookout towers, fenced service areas, and guardhouses. D’Agosta knew the first building was the Federal Maximum Security Unit, filled with the very worst violent offenders contemporary America could produce-and that, D’Agosta thought grimly, was saying quite a bit. The second, much smaller area bore the official title of Federal Capital Sentence Holding and Transfer Facility. While New York State had no death penalty, there was a federal death penalty, and this is where those few who had been sentenced to death by the federal courts were held.
The third unit also had a name that could only have been invented by a prison bureaucrat: the Federal High-Risk Violent Offender Pretrial Detention Facility. It contained those awaiting trial for a small list of heinous federal crimes: men who had been denied bail and who were considered at especially high risk of escape or flight. This facility held drug kingpins, domestic terrorists, serial killers who had exercised their trade across state boundaries, and those accused of killing federal agents. In the lingo of Herkmoor, this was the Black Hole.
It was this unit that currently housed Special Agent A. X. L. Pendergast.
While some of the storied state prisons, such as Sing Sing and Alcatraz, were famed for never having had an escape, Herkmoor was the only federal facility that could boast a similar record.
D’Agosta’s binoculars continued to roam the facility, taking in even the minute details he had already spent three weeks studying on paper. Slowly, he worked his way from the central buildings to the outbuildings and, finally, to the perimeter.
At first glance, the perimeter of Herkmoor looked unremarkable. Security consisted of the standard triple barrier. The first was a twenty-four-foot chain-link fence, topped by concertina wire, illuminated by the multimillion-candlepower brilliance of xenon stadium lights. A series of twenty-yard spaces spread with gravel led to the second barrier: a forty-foot cinder-block wall topped with spikes and wire. Along this wall, every hundred yards, was a tower kiosk with an armed guard; D’Agosta could see them moving about, wakeful and alert. A hundred-foot gap roamed by Dobermans led to the final perimeter, a chain-link fence identical to the first. From there, a three-hundred-yard expanse of lawn extended to the edge of the woods.
What made Herkmoor unique was what you couldn’t see: a state-of-the-art electronic surveillance and security system, said to be the finest in the country. D’Agosta had seen the specs to this system-he had, in fact, been poring over them for days-but he still barely understood it. He did not see that as a problem: Eli Glinn, his strange and silent partner-holed up in a high-tech surveillance van a mile down the road-understood it, and that’s what counted.
It was more than a security system: it was a state of mind. Although Herkmoor had suffered many escape attempts, some extraordinarily clever, none had succeeded-and every guard at Herkmoor, every employee, was acutely aware of that fact and proud of it. There would be no bureaucratic turpitude or self-satisfaction here, no sleeping guards or malfunctioning security cameras.
That troubled D’Agosta most of all.
He finished his scrutiny and glanced over at Proctor. The chauffeur was lying prone on the ground beside him, taking pictures with a digital Nikon equipped with a miniature tripod, a 2600mm lens, and specially made CCD chips, so sensitive to light they were able to record the arrival of single photons.
D’Agosta ran over the list of questions Glinn wanted answered. Some were obviously important: how many dogs there were, how many guards occupied each tower, how many guards manned the gates. Glinn had also requested a description of the arrival and departure of all vehicles, with as much information as possible on them. He wanted detailed pictures of the clusters of antennas, dishes, and microwave horns on the building roofs. But other requests were not so clear. Glinn wanted to know, for example, if the area between the wall and the outer fence was dirt, grass, or gravel. He had asked for a downstream sample from the brook running past the facility. Strangest of all, he had asked D’Agosta to collect all the trash he could find in a certain stretch of the brook. He had asked them to observe the prison through a full twenty-four-hour period, keeping a log of every activity they could note: prisoner exercise times, the movements of guards, the comings and goings of suppliers, contractors, and delivery people. He wanted to know the times when the lights went on and off. And he wanted it all recorded to the nearest second.
D’Agosta paused to murmur some observations into the digital recorder Glinn had given him. He heard the faint whirring of Proctor’s camera, the patter of rain on leaves.
He stretched. “Jesus, it really kills me to think of Pendergast in there.”
“It must be very hard on him, sir,” said Proctor in his usual impenetrable way. The man was no mere chauffeur-D’Agosta had figured that out as soon as he saw him break down and stow away a CAR-15/XM-177 Commando in less than sixty seconds-but he could never seem to penetrate Proctor’s Jeeves-like opacity. The soft click and whir of the camera continued.
The radio on his belt squawked. “Vehicle,” came Glinn’s voice.
A moment later, a pair of headlights flashed through the bare branches of the trees, approaching on the single road leading to Herkmo
or, which ran up the hill from the town two miles away. Proctor quickly swung the lens of his camera around. D’Agosta clapped the binoculars to his eyes, the gain automatically adjusting to compensate for the changing contrasts of dark and light.
The truck came out of the woods and into the glow of lights surrounding the prison. It looked like a food-service truck of some kind, and as it turned, D’Agosta could read the logo on the side, Helmer’s Meats and By-Products. It stopped at the guardhouse, presented a sheaf of documents, and was waved through. The three sets of gates opened automatically, one after the other, the gate ahead not opening until the one behind had closed. The soft clicking of the camera’s shutter continued. D’Agosta checked his stopwatch, murmured into the recorder. He turned to Proctor.
“Here comes tomorrow’s meat loaf,” he said, making a feeble joke.
“Yes, sir.”
D’Agosta thought of Pendergast, the supreme gourmet, eating whatever it was that truck was bringing. He wondered how the agent was handling it.
The truck entered the inner service drive, did a two-point turn, and backed up into a covered loading dock, where it was obscured from view. D’Agosta made another entry on the digital recorder, then settled down to wait. Sixteen minutes later, the vehicle drove back out.
He glanced at his watch. Almost one o’clock. “I’m heading down to get that water and air sample, and do the magnetic drag.”
“Be careful.”
D’Agosta shouldered his small knapsack and retreated to the back side of the hill, making his way down through bare trees, scrub, and mountain laurel. Everything was sopping wet, and water dripped from the trees. Here and there, small patches of damp snow glistened beneath the branches. He didn’t need a light once he’d rounded the hill-there was enough glow from Herkmoor to light up most of the mountain.
The Book of the Dead Page 6