He wheeled the wheelchair into position in front of the tree where the photographer had established his outdoor studio. Then, his rickety tripod perched in the dust, the photographer crouched behind his camera and waved a hand to attract his subject's attention. There was a clicking sound, followed by a whirring, and with the air of a magician completing a trick, the photographer peeled off the protective paper and blew across the photograph to dry it.
The girl took it, and smiled. Then the photographer positioned the boy, who stood, hands clasped behind him, mouth wide open in a smile; again the theatrical performance with the print and the pleasure on the child's face.
"There," said Mr J.L.B. Matekoni. "Now you can put those in your rooms. And one day we will have more photographs."
He turned round and prepared to take control of the wheelchair, but he stopped, and his arms fell to his sides, useless, paralysed.
There was Mma Ramotswe, standing before him, a basket laden with letters in her right hand. She had been making her way to the post office when she saw him and she had stopped. What was going on? What was Mr J.L.B. Matekoni doing, and who were these children?
CHAPTER FIFTEEN
THE SULLEN, BAD MAID ACTS
FLORENCE PEKO, the sour and complaining maid of Mr J.L.B. Matekoni, had suffered from headaches ever since Mma Ramotswe had first been announced as her employer's future wife. She was prone to stress headaches, and anything untoward could bring them on. Her brother's trial, for instance, had been a season of headaches, and every month, when she went to visit him in the prison near the Indian supermarket she would feel a headache even before she took her place in the shuffling queue of relatives waiting to visit. Her brother had been involved in stolen cars, and although she had given evidence on his behalf, testifying to having witnessed a meeting at which he had agreed to look after a car for a friend-a skein of fabrication-she knew that he was every bit as guilty as the prosecution had made him out to be. Indeed, the crimes for which he received his five-year prison sentence were probably only a fraction of those he had committed. But that was not the point: she had been outraged at his conviction, and her outrage had taken the form of a prolonged shouting and gesturing at the police officers in the court. The magistrate, who was on the point of leaving, had resumed her seat and ordered Florence to appear before her.
"This is a court of law," she had said. 'You must understand that you cannot shout at police officers, or anybody else in it. And moreover, you are lucky that the prosecutor has not charged you with perjury for all the lies you told here today."
Florence had been silenced, and had been allowed free. Yet this only increased her sense of injustice. The Republic of Botswana had made a great mistake in sending her brother to jail. There were far worse people than he, and why were they left untouched? Where was the justice of it if people like... The list was a long one, and, by curious coincidence, three of the men on it were known by her, two of them intimately.
And it was to one of these, Mr Philemon Leannye, that she now proposed to turn. He owed her a favour. She had once told the police that he was with her, when he was not, and this was after she had received her judicial warning for perjury and was wary of the authorities. She had met Philemon Leannye at a take-out stall in the African Mall. He was tired of bar girls, he had said, and he wanted to get to know some honest girls who would not take his money from him and make him buy drinks for them.
"Somebody like you," he had said, charmingly.
She had been flattered, and their acquaintance had blossomed. Months might go by when she would not see him, but he would appear from time to time and bring her presents-a silver clock once, a bag (with the purse still in it), a bottle of Cape Brandy. He lived over at Old Naledi, with a woman by whom he had had three children.
"She is always shouting at me, that woman," he complained. "I can't do anything right as far as she is concerned. I give her money every month but she always says that the children are hungry and how is she to buy the food? She is never satisfied."
Florence was sympathetic.
"You should leave her and marry me," she said. "I am not one to shout at a man. I would make a good wife for a man like you."
Her suggestion had been serious, but he had treated it as a joke, and had cuffed her playfully.
"You would be just as bad," he said. "Once women are married to men, they start to complain. It is a well-known fact. Ask any married man."
So their relationship remained casual, but, after her risky and rather frightening interview with the police-an interview in which his alibi was probed for over three hours-she felt that there was an obligation which one day could be called in.
"Philemon," she said to him, lying beside him on Mr. J.L.B. Matekoni's bed one hot afternoon. "I want you to get me a gun."
He laughed, but became serious when he turned over and saw her expression.
"What are you planning to do? Shoot Mr J.L.B. Matekoni? Next time he comes into the kitchen and complains about the food, you shoot him? Hah!"
"No. I am not planning to shoot anybody. I want the gun to put in somebody's house. Then I will tell the police that there is a gun there and they will come and find it."
"And so I don't get my gun back?"
"No. The police will take it. But they will also take the person whose house it was in. What happens if you are found with an illegal gun?"
Philemon lit a cigarette and puffed the air straight up towards Mr J.L.B. Matekoni's ceiling.
"They don't like illegal weapons here. You get caught with an illegal gun and you go to prison. That's it. No hanging about. They don't want this place to become like Johannesburg."
Florence smiled. "I am glad that they are so strict about guns. That is what I want."
Philemon extracted a fragment of tobacco from the space between his two front teeth. "So," he said. "How do I pay for this gun? Five hundred pula. Minimum. Somebody has to bring it over from Johannesburg. You can't pick them up here so easily."
"I have not got five hundred pula," she said. "Why not steal the gun? You've got contacts. Get one of your boys to do it." She paused before continuing. "Remember that I helped you. That was not easy for me."
He studied her carefully. "You really want this?" "Yes," she said. "It's really important to me." He stubbed his cigarette out and swung his legs over the edge of the bed.
"All right," he said. "I'll get you a gun. But remember that if anything goes wrong, you didn't get the gun from me."
"I shall say I found it," said Florence. "I shall say that it was lying in the bush over near the prison. Maybe it was something to do with the prisoners."
"Sounds reasonable," said Philemon. "When do you want it?" "As soon as you can get it," she replied.
"I can get you one tonight," he said. "As it happens, I have a spare one. You can have that."
She sat up and touched the back of his neck gently. 'You are a very kind man. You can come and see me anytime, you know. Anytime. I am always happy to see you and make you happy."
"You are a very fine girl," he said, laughing. "Very bad. Very wicked. Very clever."
HE DELIVERED the gun, as he had promised, wrapped in a wax-proof parcel, which he put at the bottom of a voluminous OK Bazaars plastic bag, underneath a cluster of old copies of Ebony magazine. She unwrapped it in his presence and he started to explain how the safety catch operated, but she cut him short.
"I'm not interested in that," she said. "All I'm interested in is this gun, and these bullets."
He had handed her, separately, nine rounds of stubby, heavy ammunition. The bullets shone, as if each had been polished for its task, and she found herself attracted to their feel. They would make a fine necklace, she thought, if drilled through the base and threaded through with nylon string or perhaps a silver chain.
Philemon showed her how to load bullets into the magazine and how to wipe the gun afterwards, to remove fingerprints. Then he gave her a brief caress, planted a kiss on her cheek, and left. Th
e smell of his hair oil, an exotic rum-like smell, lingered in the air, as it always did when he visited her, and she felt a stab of regret for their languid afternoon and its pleasures. If she went to his house and shot his wife, would he marry her? Would he see her as his liberator, or the slayer of the mother of his children? It was difficult to tell.
Besides, she could never shoot anybody. She was a Christian, and she did not believe in killing people. She thought of herself as a good person, who was simply forced, by circumstances, to do things that good people did not do-or which ihey claimed they did not do. She knew better, of course. Everybody cut some corners, and if she was proposing to deal with Mma Ramotswe in this unconventional way, it was only because it was necessary to use such measures against somebody who was so patently a threat to Mr J.L.B. Matekoni. How could he defend himself against a woman as determined as that? It was clear that strong steps had to be taken, and a few years in prison would teach that woman to be more respectful of the rights of others. That interfering detective woman was the author of her own misfortune; she only had herself to blame.
NOW, THOUGHT Florence, I have obtained a gun. This gun must now be put into the place that I have planned for it, which is a certain house in Zebra Drive.
To do this, another favour had to be called in. A man known to her simply as Paul, a man who came to her for conversation and affection, had borrowed money from her two years previously. It was not a large sum, but he had never paid it back. He might have forgotten about it, but she had not, and now he would be reminded. And if he proved difficult, he, too, had a wife who did not know about the social visits that her husband paid to Mr J.L.B. Matekoni's house. A threat to reveal these might encourage compliance.
It was money, though, that had secured agreement. She mentioned the loan, and he stuttered out his inability to pay.
"Every pula I have has to be accounted for," he said. "We have to pay the hospital for one of the children. He keeps getting ill. I cannot spare any money. I will pay you back one day."
She nodded her understanding. "It will be easy to forget," she said. "I shall forget this money if you do something for me."
He had stared at her suspiciously. "You go to an empty house-nobody will be there. You break a window in the kitchen and you get in."
"I am not a thief," he interrupted. "I do not steal."
"But I am not asking you to steal," she said. "What kind of thief goes into a house and puts something into it? That is not a thief!"
She explained that she wanted a parcel left in a cupboard somewhere, tucked away where it could not be found.
"I want to keep something safe," she said. "This thing will be safe there."
He had cavilled at the idea, but she mentioned the loan again, and he capitulated. He would go the following afternoon, at a time when everybody was at work. She had done her homework: there would not even be a maid at the house, and there was no dog.
"It couldn't be easier," she promised him. 'You will get it done in fifteen minutes. In. Out."
She handed him the parcel. The gun had been replaced in its wax-proof paper and this had been itself wrapped in a further layer of plain brown paper. The wrapping disguised the nature of the contents, but the parcel was still weighty and he was suspicious.
"Don't ask," she said. "Don't ask and then you won't know."
It's a gun, he thought. She wants me to plant a gun in that house in Zebra Drive.
"I don't want to carry this thing about with me," he said. "It is very dangerous. I know that it's a gun and I know what happens to you if the police find you with a gun. I do not want to go to jail. I will fetch it from you at the Matekoni house tomorrow.
She thought for a moment. She could take the gun with her to work, tucked away in a plastic bag. If he wished to fetch it from her from there, then she had no objection. The important thing was to get it into the Ramotswe house and then, two days later, to make that telephone call to the police.
"All right," she said. "I will put it back in its bag and take it with me. You come at 2:30. He will have gone back to his garage by then."
He watched her replace the parcel in the OK Bazaars bag in which it had first arrived.
"Now," she said. "You have been a good man and I want to make you happy."
He shook his head. "I am too nervous to be happy. Maybe some other time."
THE FOLLOWING afternoon, shortly after two o'clock, Paul Mon-sopati, a senior clerk at the Gaborone Sun Hotel, and a man marked by the hotel management for further promotion, slipped into the office of one of the hotel secretaries and asked her to leave the room for a few minutes.
"I have an important telephone call to make," he said. "It is a private matter. To do with a funeral."
The secretary nodded, and left the room. People were always dying and funerals, which were eagerly attended by every distant relative who was able to do so, and by almost every casual acquaintance, required a great deal of planning.
Paul picked up the telephone receiver and dialled a number which he had written out on a piece of paper.
"I wish to speak to an Inspector," he said. "Not a sergeant. I want an Inspector."
"Who are you, Rra?"
"That is not important. You get me an Inspector, or you will be in trouble."
Nothing was said, and, after a few minutes, a new voice came on the line.
"Now listen to me, please, Rra," said Paul. "I cannot speak for long. I am a loyal citizen of Botswana. I am against crime."
"Good," said the Inspector. "That is what we like to hear."
"Well," said Paul. "If you go to a certain house you will find that there is a lady there who has an illegal firearm. She is one who sells these weapons. It will be in a white OK Bazaars bag. You will catch her if you go right now. She is the one, not the man who lives in that house. It is in her bag, and she will have it with her in the kitchen. That is all I have to say."
He gave the address of the house and then rang off. At the other end of the line, the Inspector smiled with satisfaction. This would be an easy arrest, and he would be congratulated for doing something about illegal weapons. One might complain about the public and about their lack of a sense of duty, but every so often something like this happened and a conscientious citizen restored one's faith in ordinary members of the public. There should be awards for these people. Awards and a cash prize. Five hundred pula at least.
CHAPTER SIXTEEN
FAMILY
MR J.L.B. Matekoni was aware of the fact that he was standing directly under the branch of an acacia tree. He looked up, and saw for a moment, in utter clarity, the details of the leaves against the emptiness of the sky. Drawn in upon themselves for the midday heat, the leaves were like tiny hands clasped in prayer; a bird, a common butcher bird, scruffy and undistinguished, was perched farther up the branch, claws clasped tight, black eyes darting. It was the sheer enormity of Mr J.L.B. Matekoni's plight that made this perception so vivid; as a condemned man might peep out of his cell on his last morning and see the familiar, fading world. He looked down, and saw that Mma Ramotswe was still there, standing some ten feet away, her expression one of bemused puzzlement. She knew that he worked for the orphan farm, and she was aware of Mma Silvia Potokwane's persuasive ways. She would be imagining, he thought, that here was Mr J.L.B. Matekoni taking two of the orphans out for the day and arranging for them to have their photographs taken. She would not be imagining that here was Mr J.L.B. Matekoni with his two new foster children, soon to be her foster children too.
Mma Ramotswe broke the silence. "What are you doing?" she said simply. It was an entirely reasonable question-the sort of question that any friend or indeed fiancee may ask of another. Mr J.L.B. Matekoni looked down at the children. The girl had placed her photograph in a plastic carrier bag that was attached to the side of her wheelchair; the boy was clutching his photograph to his chest, as if Mma Ramotswe might wish to take it from him.
"These are two children from the orphan farm," stuttered Mr J
.L.B. Matekoni. "This one is the girl and this one is the boy."
Mma Ramotswe laughed. "Well!" she said. "So that is it. That is very helpful."
The girl smiled and greeted Mma Ramotswe politely.
"I am called Motholeli," she said. "My brother is called Puso. These are the names that we have been given at the orphan farm."
Mma Ramotswe nodded. "I hope that they are looking after you well, there. Mma Potokwane is a kind lady."
"She is kind," said the girl. "Very kind."
She looked as if she was about to say something else, and Mr J.L.B. Matekoni broke in rapidly.
"I have had the children's photographs taken," he explained, and turning to the girl, he said: "Show them to Mma Ramotswe, Motholeli."
Alexander McCall Smith - No 1 LDA 2 - Tears of the Giraffe Page 14