“Mother! I knew you’d be waiting for me!” He had her on his breast now, and his kisses were in her hair. “I’ve always said you knew everything that was happening to me, and now you’ve guessed that I wanted you tonight.”
She was struggling faintly against the dear endearments. “What has happened?” she murmured, drawing back for a dazzled look at him.
He had drawn her to the sofa, had dropped beside her, regaining his hold of her in the boyish need that his happiness should be touched and handled.
“My engagement has happened!” he cried out to her. “You stupid dear, do you need to be told?”
VII
She had indeed needed to be told: the surprise was complete and overwhelming. She sat silent under it, her hands trembling in his, till the blood mounted to his face and she felt his confident grasp relax.
“You didn’t guess it, then?” he exclaimed, starting up and moving away from her.
“No; I didn’t guess it,” she confessed in a dead-level voice.
He stood above her, half challenging, half defensive. “And you haven’t a word to say to me? Mother!” he adjured her.
She rose too, putting her arms about him with a kiss. “Dick! Dear Dick!” she murmured.
“She imagines you don’t like her; she says she’s always felt it. And yet she owns you’ve been delightful, that you’ve tried to make friends with her. And I thought you knew how much it would mean to me, just now, to have this uncertainty over, and that you’d actually been trying to help me, to put in a good word for me. I thought it was you who had made her decide.”
“I?”
“By your talk with her the other day. She told me of your talk with her.”
His mother’s hands slipped from his shoulders and she sank back into her seat. She felt the cruelty of her silence, but only an inarticulate murmur found a way to her lips. Before speaking she must clear a space in the suffocating rush of her sensations. For the moment she could only repeat inwardly that Clemence Verney had yielded before the final test, and that she herself was somehow responsible for this fresh entanglement of fate. For she saw in a flash how the coils of circumstance had tightened; and as her mind cleared it was filled with the perception that this, precisely, was what the girl intended, that this was why she had conferred the crown before the victory. By pledging herself to Dick she had secured his pledge in return: had put him on his honour in a cynical inversion of the term. Kate saw the succession of events spread out before her like a map, and the astuteness of the girl’s policy frightened her. Miss Verney had conducted the campaign like a strategist. She had frankly owned that her interest in Dick’s future depended on his capacity for success, and in order to key him up to his first achievement she had given him a foretaste of its results.
So much was almost immediately clear to Mrs. Peyton; but in a moment her inferences had carried her a point farther. For it was now plain to her that Miss Verney had not risked so much without first trying to gain her point at less cost: that if she had had to give herself as a prize, it was because no other bribe had been sufficient. This then, as the mother saw with a throb of hope, meant that Dick, who since Darrow’s death had held to his purpose unwaveringly, had been deflected from it by the first hint of Clemence Verney’s connivance. Kate had not miscalculated: things had happened as she had foreseen. In the light of the girl’s approval his act had taken an odious look. He had recoiled from it, and it was to revive his flagging courage that she had had to promise herself, to take him in the meshes of her surrender.
Kate, looking up, saw above her the young perplexity of her boy’s face, the suspended happiness waiting to brim over. With a fresh touch of misery she said to herself that this was his hour, his one irrecoverable moment, and that she was darkening it by her silence. Her memory went back to the same hour in her own life: she could feel its heat in her pulses still. What right had she to stand in Dick’s light? Who was she to decide between his code and hers? She put out her hand and drew him down to her.
“She’ll be the making of me, you know, mother,” he said, as they leaned together. “She’ll put new life in me—she’ll help me get my second wind. Her talk is like a fresh breeze blowing away the fog in my head. I never knew any one who saw so straight to the heart of things, who had such a grip on values. She goes straight up to life and catches hold of it, and you simply can’t make her let go.”
He got up and walked the length of the room; then he came back and stood smiling above his mother.
“You know you and I are rather complicated people,” he said. “We’re always walking around things to get new views of them—we’re always rearranging the furniture. And somehow she simplifies life so tremendously.” He dropped down beside her with a deprecating laugh. “Not that I mean, dear, that it hasn’t been good for me to argue things out with myself, as you’ve taught me to—only the man who stops to talk is apt to get shoved aside nowadays, and I don’t believe Milton’s archangels would have had much success in active business.”
He had begun in a strain of easy confidence, but as he went on she detected an effort to hold the note, she felt that his words were being poured out in a vain attempt to fill the silence which was deepening between them. She longed, in her turn, to pour something into that menacing void, to bridge it with a reconciling word or look; but her soul hung back, and she had to take refuge in a vague murmur of tenderness.
“My boy! My boy!” she repeated; and he sat beside her without speaking, their hand-clasp alone spanning the distance which had widened between their thoughts.
The engagement, as Kate subsequently learned, was not to be made known till later. Miss Verney had even stipulated that for the present there should be no recognition of it in her own family or in Dick’s. She did not wish to interfere with his final work for the competition, and had made him promise, as he laughingly owned, that he would not see her again till the drawings were sent in. His mother noticed that he made no other allusion to his work; but when he bade her good-night he added that he might not see her the next morning, as he had to go to the office early. She took this as a hint that he wished to be left alone, and kept her room the next day till the closing door told her that he was out of the house.
She herself had waked early, and it seemed to her that the day was already old when she came downstairs. Never had the house appeared so empty. Even in Dick’s longest absences something of his presence had always hung about the rooms: a fine dust of memories and associations, which wanted only the evocation of her thought to float into a palpable semblance of him. But now he seemed to have taken himself quite away, to have broken every fibre by which their lives had hung together. Where the sense of him had been there was only a deeper emptiness: she felt as if a strange man had gone out of her house.
She wandered from room to room, aimlessly, trying to adjust herself to their solitude. She had known such loneliness before, in the years when most women’s hearts are fullest; but that was long ago, and the solitude had after all been less complete, because of the sense that it might still be filled. Her son had come: her life had brimmed over; but now the tide ebbed again, and she was left gazing over a bare stretch of wasted years. Wasted! There was the mortal pang, the stroke from which there was no healing. Her faith and hope had been marsh-lights luring her to the wilderness, her love a vain edifice reared on shifting ground.
In her round of the rooms she came at last to Dick’s study upstairs. It was full of his boyhood: she could trace the history of his past in its quaint relics and survivals, in the school-books lingering on his crowded shelves, the school-photographs and college-trophies hung among his later treasures. All his successes and failures, his exaltations and inconsistencies, were recorded in the warm huddled heterogeneous room. Everywhere she saw the touch of her own hand, the vestiges of her own steps. It was she alone who held the clue to the labyrinth, who could thread a way through the confusions and contradictions of his past; and her soul rejected the thought that h
is future could ever escape from her. She dropped down into his shabby college armchair and hid her face in the papers on his desk. VIII
The day dwelt in her memory as a long stretch of aimless hours: blind alleys of time that led up to a dead wall of inaction.
Toward afternoon she remembered that she had promised to dine out and go to the opera. At first she felt that the contact of life would be unendurable; then she shrank from shutting herself up with her misery. In the end she let herself drift passively on the current of events, going through the mechanical routine of the day without much consciousness of what was happening.
At twilight, as she sat in the drawing-room, the evening paper was brought in, and in glancing over it her eye fell on a paragraph which seemed printed in more vivid type than the rest. It was headed, The New Museum of Sculpture, and underneath she read: “The artists and architects selected to pass on the competitive designs for the new Museum will begin their sittings on Monday, and tomorrow is the last day on which designs may be sent in to the committee. Great interest is felt in the competition, as the conspicuous site chosen for the new building, and the exceptionally large sum voted by the city for its erection, offer an unusual field for the display of architectural ability.”
She leaned back, closing her eyes. It was as though a clock had struck, loud and inexorably, marking off some irrecoverable hour. She was seized by a sudden longing to seek Dick out, to fall on her knees and plead with him: it was one of those physical obsessions against which the body has to stiffen its muscles as well as the mind its thoughts. Once she even sprang up to ring for a cab; but she sank back again, breathing as if after a struggle, and gripping the arms of her chair to keep herself down.
“I can only wait for him—only wait for him—” she heard herself say; and the words loosened the sobs in her throat.
At length she went upstairs to dress for dinner. A ghostlike self looked back at her from her toilet-glass: she watched it performing the mechanical gestures of the toilet, dressing her, as it appeared, without help from her actual self. Each little act stood out sharply against the blurred background of her brain: when she spoke to her maid her voice sounded extraordinarily loud. Never had the house been so silent; or, stay—yes, once she had felt the same silence, once when Dick, in his school-days, had been ill of a fever, and she had sat up with him on the decisive night. The silence had been as deep and as terrible then; and as she dressed she had before her the vision of his room, of the cot in which he lay, of his restless head working a hole in the pillow, his face so pinched and alien under the familiar freckles. It might be his death-watch she was keeping: the doctors had warned her to be ready. And in the silence her soul had fought for her boy, her love had hung over him like wings, her abundant useless hateful life had struggled to force itself into his empty veins. And she had succeeded, she had saved him, she had poured her life into him; and in place of the strange child she had watched all night, at daylight she held her own boy to her breast.
That night had once seemed to her the most dreadful of her life; but she knew now that it was one of the agonies which enrich, that the passion thus spent grows fourfold from its ashes. She could not have borne to keep this new vigil alone. She must escape from its sterile misery, must take refuge in other lives till she regained courage to face her own. At the opera, in the illumination of the first entr’acte, as she gazed about the house, wondering through the numb ache of her wretchedness how others could talk and smile and be indifferent, it seemed to her that all the jarring animation about her was suddenly focussed in the face of Clemence Verney. Miss Verney sat opposite, in the front of a crowded box, a box in which, continually, the black-coated background shifted and renewed itself. Mrs. Peyton felt a throb of anger at the girl’s bright air of unconcern. She forgot that she too was talking, smiling, holding out her hand to newcomers, in a studied mimicry of life, while her real self played out its tragedy behind the scenes. Then it occurred to her that, to Clemence Verney, there was no tragedy in the situation. According to the girl’s calculations, Dick was virtually certain of success; and unsuccess was to her the only conceivable disaster.
All through the opera the sense of that opposing force, that negation of her own beliefs, burned itself into Mrs. Peyton’s consciousness. The space between herself and the girl seemed to vanish, the throng about them to disperse, till they were face to face and alone, enclosed in their mortal enmity. At length the feeling of humiliation and defeat grew unbearable to Mrs. Peyton. The girl seemed to flout her in the insolence of victory, to sit there as the visible symbol of her failure. It was better after all to be at home alone with her thoughts.
As she drove away from the opera she thought of that other vigil which, only a few streets away, Dick was perhaps still keeping. She wondered if his work were over, if the final stroke had been drawn. And as she pictured him there, signing his pact with evil in the loneliness of the conniving night, an uncontrollable impulse possessed her. She must drive by his windows and see if they were still alight. She would not go up to him,—she dared not,—but at least she would pass near to him, would invisibly share his watch and hover on the edge of his thoughts. She lowered the window and called out the address to the coachman.
The tall office-building loomed silent and dark as she approached it; but presently, high up, she caught a light in the familiar windows. Her heart gave a leap, and the light swam on her through tears. The carriage drew up, and for a moment she sat motionless. Then the coachman bent down toward her, and she saw that he was asking if he should drive on. She tried to shape a yes, but her lips refused it, and she shook her head. He continued to lean down perplexedly, and at length, under the interrogation of his attitude, it became impossible to sit still, and she opened the door and stepped out. It was equally impossible to stand on the sidewalk, and her next steps carried her to the door of the building. She groped for the bell and rang it, feeling still dimly accountable to the coachman for some consecutiveness of action, and after a moment the night watchman opened the door, drawing back amazed at the shining apparition which confronted him. Recognizing Mrs. Peyton, whom he had seen about the building by day, he tried to adapt himself to the situation by a vague stammer of apology.
“I came to see if my son is still here,” she faltered.
“Yes, ma’am, he’s here. He’s been here most nights lately till after twelve.”
“And is Mr. Gill with him?”
“No: Mr. Gill he went away just after I come on this evening.”
She glanced up into the cavernous darkness of the stairs.
“Is he alone up there, do you think?”
“Yes, ma’am, I know he’s alone, because I seen his men leaving soon after Mr. Gill.”
Kate lifted her head quickly. “Then I will go up to him,” she said.
The watchman apparently did not think it proper to offer any comment on this unusual proceeding, and a moment later she was fluttering and rustling up through the darkness, like a night-bird hovering among rafters. There were ten flights to climb: at every one her breath failed her, and she had to stand still and press her hands against her heart. Then the weight on her breast lifted, and she went on again, upward and upward, the great dark building dropping away from her, in tier after tier of mute doors and mysterious corridors. At last she reached Dick’s floor, and saw the light shining down the passage from his door. She leaned against the wall, her breath coming short, the silence throbbing in her ears. Even now it was not too late to turn back. She bent over the stairs, letting her eyes plunge into the nether blackness, with the single glimmer of the watchman’s lights in its depths; then she turned and stole toward her son’s door.
There again she paused and listened, trying to catch, through the hum of her pulses, any noise that might come to her from within. But the silence was unbroken—it seemed as though the office must be empty. She pressed her ear to the door, straining for a sound. She knew he never sat long at his work, and it seemed unaccountable that sh
e should not hear him moving about the drawing-board. For a moment she fancied he might be sleeping; but sleep did not come to him readily after prolonged mental effort—she recalled the restless straying of his feet above her head for hours after he returned from his night work in the office.
She began to fear that he might be ill. A nervous trembling seized her, and she laid her hand on the latch, whispering “Dick!”
Her whisper sounded loudly through the silence, but there was no answer, and after a pause she called again. With each call the hush seemed to deepen: it closed in on her, mysterious and impenetrable. Her heart was beating in short frightened leaps: a moment more and she would have cried out. She drew a quick breath and turned the door-handle.
The outer room, Dick’s private office, with its red carpet and easy-chairs, stood in pleasant lamp-lit emptiness. The last time she had entered it, Darrow and Clemence Verney had been there, and she had sat behind the urn observing them. She paused a moment, struck now by a fault sound from beyond; then she slipped noiselessly across the carpet, pushed open the swinging door, and stood on the threshold of the workroom. Here the gas-lights hung a green-shaded circle of brightness over the great draughting-table in the middle of the floor. Table and floor were strewn with a confusion of papers—torn blue-prints and tracings, crumpled sheets of tracing-paper wrenched from the draughting-boards in a sudden fury of destruction; and in the centre of the havoc, his arms stretched across the table and his face hidden in them, sat Dick Peyton.
He did not seem to hear his mother’s approach, and she stood looking at him, her breast tightening with a new fear.
“Dick!” she said, “Dick!—” and he sprang up, staring with dazed eyes. But gradually, as his gaze cleared, a light spread in it, a mounting brightness of recognition.
“You’ve come—you’ve come—” he said, stretching his hands to her; and all at once she had him in her breast as in a shelter.
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