by Unknown
“In the name of God,” said Mr. Henchy, “where’s the analogy between the two cases?”
“What I mean,” said Mr. Lyons, “is we have our ideals. Why, now, would we welcome a man like that? Do you think now after what he did Parnell was a fit man to lead us? And why, then, would we do it for Edward the Seventh?”
“This is Parnell’s anniversary,” said Mr. O’Connor, “and don’t let us stir up any bad blood. We all respect him now that he’s dead and gone — even the Conservatives,” he added, turning to Mr. Crofton.
Pok! The tardy cork flew out of Mr. Crofton’s bottle. Mr. Crofton got up from his box and went to the fire. As he returned with his capture he said in a deep voice:
“Our side of the house respects him, because he was a gentleman.”
“Right you are, Crofton!” said Mr. Henchy fiercely. “He was the only man that could keep that bag of cats in order. ‘Down, ye dogs! Lie down, ye curs!’ That’s the way he treated them. Come in, Joe! Come in!” he called out, catching sight of Mr. Hynes in the doorway.
Mr. Hynes came in slowly.
“Open another bottle of stout, Jack,” said Mr. Henchy. “O, I forgot there’s no corkscrew! Here, show me one here and I’ll put it at the fire.”
The old man handed him another bottle and he placed it on the hob.
“Sit down, Joe,” said Mr. O’Connor, “we’re just talking about the Chief.”
“Ay, ay!” said Mr. Henchy.
Mr. Hynes sat on the side of the table near Mr. Lyons but said nothing.
“There’s one of them, anyhow,” said Mr. Henchy, “that didn’t renege him. By God, I’ll say for you, Joe! No, by God, you stuck to him like a man!”
“O, Joe,” said Mr. O’Connor suddenly. “Give us that thing you wrote — do you remember? Have you got it on you?”
“O, ay!” said Mr. Henchy. “Give us that. Did you ever hear that. Crofton? Listen to this now: splendid thing.”
“Go on,” said Mr. O’Connor. “Fire away, Joe.”
Mr. Hynes did not seem to remember at once the piece to which they were alluding, but, after reflecting a while, he said:
“O, that thing is it.... Sure, that’s old now.”
“Out with it, man!” said Mr. O’Connor.
“‘Sh, ‘sh,” said Mr. Henchy. “Now, Joe!”
Mr. Hynes hesitated a little longer. Then amid the silence he took off his hat, laid it on the table and stood up. He seemed to be rehearsing the piece in his mind. After a rather long pause he announced:
THE DEATH OF PARNELL
6th October, 1891
He cleared his throat once or twice and then began to recite:
He is dead. Our Uncrowned King is dead.
O, Erin, mourn with grief and woe
For he lies dead whom the fell gang
Of modern hypocrites laid low.
He lies slain by the coward hounds
He raised to glory from the mire;
And Erin’s hopes and Erin’s dreams
Perish upon her monarch’s pyre.
In palace, cabin or in cot
The Irish heart where’er it be
Is bowed with woe — for he is gone
Who would have wrought her destiny.
He would have had his Erin famed,
The green flag gloriously unfurled,
Her statesmen, bards and warriors raised
Before the nations of the World.
He dreamed (alas, ’twas but a dream!)
Of Liberty: but as he strove
To clutch that idol, treachery
Sundered him from the thing he loved.
Shame on the coward, caitiff hands
That smote their Lord or with a kiss
Betrayed him to the rabble-rout
Of fawning priests — no friends of his.
May everlasting shame consume
The memory of those who tried
To befoul and smear the exalted name
Of one who spurned them in his pride.
He fell as fall the mighty ones,
Nobly undaunted to the last,
And death has now united him
With Erin’s heroes of the past.
No sound of strife disturb his sleep!
Calmly he rests: no human pain
Or high ambition spurs him now
The peaks of glory to attain.
They had their way: they laid him low.
But Erin, list, his spirit may
Rise, like the Phoenix from the flames,
When breaks the dawning of the day,
The day that brings us Freedom’s reign.
And on that day may Erin well
Pledge in the cup she lifts to Joy
One grief — the memory of Parnell.
Mr. Hynes sat down again on the table. When he had finished his recitation there was a silence and then a burst of clapping: even Mr. Lyons clapped. The applause continued for a little time. When it had ceased all the auditors drank from their bottles in silence.
Pok! The cork flew out of Mr. Hynes’ bottle, but Mr. Hynes remained sitting flushed and bare-headed on the table. He did not seem to have heard the invitation.
“Good man, Joe!” said Mr. O’Connor, taking out his cigarette papers and pouch the better to hide his emotion.
“What do you think of that, Crofton?” cried Mr. Henchy. “Isn’t that fine? What?”
Crofton said that it was a very fine piece of writing.
A MOTHER
MR HOLOHAN, assistant secretary of the Eire Abu Society, had been walking up and down Dublin for nearly a month, with his hands and pockets full of dirty pieces of paper, arranging about the series of concerts. He had a game leg and for this his friends called him Hoppy Holohan. He walked up and down constantly, stood by the hour at street corners arguing the point and made notes; but in the end it was Mrs. Kearney who arranged everything.
Miss Devlin had become Mrs. Kearney out of spite. She had been educated in a high-class convent, where she had learned French and music. As she was naturally pale and unbending in manner she made few friends at school. When she came to the age of marriage she was sent out to many houses, where her playing and ivory manners were much admired. She sat amid the chilly circle of her accomplishments, waiting for some suitor to brave it and offer her a brilliant life. But the young men whom she met were ordinary and she gave them no encouragement, trying to console her romantic desires by eating a great deal of Turkish Delight in secret. However, when she drew near the limit and her friends began to loosen their tongues about her, she silenced them by marrying Mr. Kearney, who was a bootmaker on Ormond Quay.
He was much older than she. His conversation, which was serious, took place at intervals in his great brown beard. After the first year of married life, Mrs. Kearney perceived that such a man would wear better than a romantic person, but she never put her own romantic ideas away. He was sober, thrifty and pious; he went to the altar every first Friday, sometimes with her, oftener by himself. But she never weakened in her religion and was a good wife to him. At some party in a strange house when she lifted her eyebrow ever so slightly he stood up to take his leave and, when his cough troubled him, she put the eider-down quilt over his feet and made a strong rum punch. For his part, he was a model father. By paying a small sum every week into a society, he ensured for both his daughters a dowry of one hundred pounds each when they came to the age of twenty-four. He sent the older daughter, Kathleen, to a good convent, where she learned French and music, and afterward paid her fees at the Academy. Every year in the month of July Mrs. Kearney found occasion to say to some friend:
“My good man is packing us off to Skerries for a few weeks.”
If it was not Skerries it was Howth or Greystones.
When the Irish Revival began to be appreciable Mrs. Kearney determined to take advantage of her daughter’s name and brought an Irish teacher to the house. Kathleen and her sister sent Irish picture postcards to their friends and these friends sent back other Irish pictur
e postcards. On special Sundays, when Mr. Kearney went with his family to the pro-cathedral, a little crowd of people would assemble after mass at the corner of Cathedral Street. They were all friends of the Kearneys — musical friends or Nationalist friends; and, when they had played every little counter of gossip, they shook hands with one another all together, laughing at the crossing of so man hands, and said good-bye to one another in Irish. Soon the name of Miss Kathleen Kearney began to be heard often on people’s lips. People said that she was very clever at music and a very nice girl and, moreover, that she was a believer in the language movement. Mrs. Kearney was well content at this. Therefore she was not surprised when one day Mr. Holohan came to her and proposed that her daughter should be the accompanist at a series of four grand concerts which his Society was going to give in the Antient Concert Rooms. She brought him into the drawing-room, made him sit down and brought out the decanter and the silver biscuit-barrel. She entered heart and soul into the details of the enterprise, advised and dissuaded: and finally a contract was drawn up by which Kathleen was to receive eight guineas for her services as accompanist at the four grand concerts.
As Mr. Holohan was a novice in such delicate matters as the wording of bills and the disposing of items for a programme, Mrs. Kearney helped him. She had tact. She knew what artistes should go into capitals and what artistes should go into small type. She knew that the first tenor would not like to come on after Mr. Meade’s comic turn. To keep the audience continually diverted she slipped the doubtful items in between the old favourites. Mr. Holohan called to see her every day to have her advice on some point. She was invariably friendly and advising — homely, in fact. She pushed the decanter towards him, saying:
“Now, help yourself, Mr. Holohan!”
And while he was helping himself she said:
“Don’t be afraid! Don’t be afraid of it!”
Everything went on smoothly. Mrs. Kearney bought some lovely blush-pink charmeuse in Brown Thomas’s to let into the front of Kathleen’s dress. It cost a pretty penny; but there are occasions when a little expense is justifiable. She took a dozen of two-shilling tickets for the final concert and sent them to those friends who could not be trusted to come otherwise. She forgot nothing, and, thanks to her, everything that was to be done was done.
The concerts were to be on Wednesday, Thursday, Friday and Saturday. When Mrs. Kearney arrived with her daughter at the Antient Concert Rooms on Wednesday night she did not like the look of things. A few young men, wearing bright blue badges in their coats, stood idle in the vestibule; none of them wore evening dress. She passed by with her daughter and a quick glance through the open door of the hall showed her the cause of the stewards’ idleness. At first she wondered had she mistaken the hour. No, it was twenty minutes to eight.
In the dressing-room behind the stage she was introduced to the secretary of the Society, Mr. Fitzpatrick. She smiled and shook his hand. He was a little man, with a white, vacant face. She noticed that he wore his soft brown hat carelessly on the side of his head and that his accent was flat. He held a programme in his hand, and, while he was talking to her, he chewed one end of it into a moist pulp. He seemed to bear disappointments lightly. Mr. Holohan came into the dressingroom every few minutes with reports from the box-office. The artistes talked among themselves nervously, glanced from time to time at the mirror and rolled and unrolled their music. When it was nearly half-past eight, the few people in the hall began to express their desire to be entertained. Mr. Fitzpatrick came in, smiled vacantly at the room, and said:
“Well now, ladies and gentlemen. I suppose we’d better open the ball.”
Mrs. Kearney rewarded his very flat final syllable with a quick stare of contempt, and then said to her daughter encouragingly:
“Are you ready, dear?”
When she had an opportunity, she called Mr. Holohan aside and asked him to tell her what it meant. Mr. Holohan did not know what it meant. He said that the committee had made a mistake in arranging for four concerts: four was too many.
“And the artistes!” said Mrs. Kearney. “Of course they are doing their best, but really they are not good.”
Mr. Holohan admitted that the artistes were no good but the committee, he said, had decided to let the first three concerts go as they pleased and reserve all the talent for Saturday night. Mrs. Kearney said nothing, but, as the mediocre items followed one another on the platform and the few people in the hall grew fewer and fewer, she began to regret that she had put herself to any expense for such a concert. There was something she didn’t like in the look of things and Mr. Fitzpatrick’s vacant smile irritated her very much. However, she said nothing and waited to see how it would end. The concert expired shortly before ten, and everyone went home quickly.
The concert on Thursday night was better attended, but Mrs. Kearney saw at once that the house was filled with paper. The audience behaved indecorously, as if the concert were an informal dress rehearsal. Mr. Fitzpatrick seemed to enjoy himself; he was quite unconscious that Mrs. Kearney was taking angry note of his conduct. He stood at the edge of the screen, from time to time jutting out his head and exchanging a laugh with two friends in the corner of the balcony. In the course of the evening, Mrs. Kearney learned that the Friday concert was to be abandoned and that the committee was going to move heaven and earth to secure a bumper house on Saturday night. When she heard this, she sought out Mr. Holohan. She buttonholed him as he was limping out quickly with a glass of lemonade for a young lady and asked him was it true. Yes, it was true.
“But, of course, that doesn’t alter the contract,” she said. “The contract was for four concerts.”
Mr. Holohan seemed to be in a hurry; he advised her to speak to Mr. Fitzpatrick. Mrs. Kearney was now beginning to be alarmed. She called Mr. Fitzpatrick away from his screen and told him that her daughter had signed for four concerts and that, of course, according to the terms of the contract, she should receive the sum originally stipulated for, whether the society gave the four concerts or not. Mr. Fitzpatrick, who did not catch the point at issue very quickly, seemed unable to resolve the difficulty and said that he would bring the matter before the committee. Mrs. Kearney’s anger began to flutter in her cheek and she had all she could do to keep from asking:
“And who is the Cometty pray?”
But she knew that it would not be ladylike to do that: so she was silent.
Little boys were sent out into the principal streets of Dublin early on Friday morning with bundles of handbills. Special puffs appeared in all the evening papers, reminding the music loving public of the treat which was in store for it on the following evening. Mrs. Kearney was somewhat reassured, but he thought well to tell her husband part of her suspicions. He listened carefully and said that perhaps it would be better if he went with her on Saturday night. She agreed. She respected her husband in the same way as she respected the General Post Office, as something large, secure and fixed; and though she knew the small number of his talents she appreciated his abstract value as a male. She was glad that he had suggested coming with her. She thought her plans over.
The night of the grand concert came. Mrs. Kearney, with her husband and daughter, arrived at the Antient Concert Rooms three-quarters of an hour before the time at which the concert was to begin. By ill luck it was a rainy evening. Mrs. Kearney placed her daughter’s clothes and music in charge of her husband and went all over the building looking for Mr. Holohan or Mr. Fitzpatrick. She could find neither. She asked the stewards was any member of the committee in the hall and, after a great deal of trouble, a steward brought out a little woman named Miss Beirne to whom Mrs. Kearney explained that she wanted to see one of the secretaries. Miss Beirne expected them any minute and asked could she do anything. Mrs. Kearney looked searchingly at the oldish face which was screwed into an expression of trustfulness and enthusiasm and answered:
“No, thank you!”
The little woman hoped they would have a good house. She looked
out at the rain until the melancholy of the wet street effaced all the trustfulness and enthusiasm from her twisted features. Then she gave a little sigh and said:
“Ah, well! We did our best, the dear knows.”
Mrs. Kearney had to go back to the dressing-room.
The artistes were arriving. The bass and the second tenor had already come. The bass, Mr. Duggan, was a slender young man with a scattered black moustache. He was the son of a hall porter in an office in the city and, as a boy, he had sung prolonged bass notes in the resounding hall. From this humble state he had raised himself until he had become a first-rate artiste. He had appeared in grand opera. One night, when an operatic artiste had fallen ill, he had undertaken the part of the king in the opera of Maritana at the Queen’s Theatre. He sang his music with great feeling and volume and was warmly welcomed by the gallery; but, unfortunately, he marred the good impression by wiping his nose in his gloved hand once or twice out of thoughtlessness. He was unassuming and spoke little. He said yous so softly that it passed unnoticed and he never drank anything stronger than milk for his voice’s sake. Mr. Bell, the second tenor, was a fair-haired little man who competed every year for prizes at the Feis Ceoil. On his fourth trial he had been awarded a bronze medal. He was extremely nervous and extremely jealous of other tenors and he covered his nervous jealousy with an ebullient friendliness. It was his humour to have people know what an ordeal a concert was to him. Therefore when he saw Mr. Duggan he went over to him and asked:
“Are you in it too?”
“Yes,” said Mr. Duggan.
Mr. Bell laughed at his fellow-sufferer, held out his hand and said:
“Shake!”
Mrs. Kearney passed by these two young men and went to the edge of the screen to view the house. The seats were being filled up rapidly and a pleasant noise circulated in the auditorium. She came back and spoke to her husband privately. Their conversation was evidently about Kathleen for they both glanced at her often as she stood chatting to one of her Nationalist friends, Miss Healy, the contralto. An unknown solitary woman with a pale face walked through the room. The women followed with keen eyes the faded blue dress which was stretched upon a meagre body. Someone said that she was Madam Glynn, the soprano.