Because one morning Mary didn't come into the store, which had gotten to being a regular sort of thing, and Billy wasn't out there in the square. After the way things had been the last few weeks that could only be bad news and so I left the boy John in charge of the store and hurried over to have a word with Tom. I was kind of worried.
I was no more than halfway across to him when I saw Billy come running from the opposite corner of the square, going straight to Tom. He was crying fit to burst and just leapt up at Tom and clung to him, his arms wrapped tight round his neck. Then his mother came across from the same direction, running as best she could. She got to Tom and they just looked at each other. Mary's a real pretty girl but you wouldn't have believed it then. It looked like he'd actually broken her nose this time, and blood was streaming out of her lip. She started sobbing, saying Sam had lost his job because he was back on the drink and what could she do and then suddenly there was a roar and I was shoved aside and Sam was standing there, still wearing his slippers, weaving back and forth and radiating that aura of violence that keeps men like him safe. He started shouting at Mary to take the kid the fuck back home and she just flinched and cowered closer to Tom like she was huddling round a fire to keep out the cold. This just got Sam even wilder and he staggered forward and told Tom to get the fuck out of it if he knew what was good for him, and grabbed Mary's arm and tried to yank her towards him, his face terrible with rage.
Then Tom stood up. Now Tom was a tall man, but he wasn't a young man, and he was thin. Sam was thirty and built like the town hall. When he did work it usually involved moving heavy things from one place to another, and his strength was supercharged by a whole pile of drunken nastiness. But at that moment the crowd stepped back as one and I suddenly felt very afraid for Sam McNeill. Tom looked like you could take anything you cared to him and it would just break, like he was a huge spike of granite wrapped in skin with two holes in the face where the rock showed through. And he was mad, not hot and blowing like Sam, but mad and cold.
There was a long pause. Then Sam weaved back a step and shouted: ‘You just come on home, you hear? Gonna be real trouble if you don't, Mary. Real trouble …’ and then stormed off across the square the way he came, knocking his way through the tourist vultures soaking up some spicy local colour.
Mary turned to Tom, so afraid it hurt to see, and said she guessed she'd better be going. Tom looked at her for a moment and then spoke for the first time.
‘Do you love him?’
Even if you wanted to, you ain't going to lie to eyes like that, for fear something inside you will break. Real quiet she said, ‘No,’ and began crying softly as she took Billy's hand and walked slowly back across the square.
Tom packed up his stuff and walked over to Jack's. I went with him and had a beer but I had to get back to the shop and Tom just sat there like a trigger waiting to be pulled. And somewhere down near the bottom of those still waters something was stirring. Something I thought I didn't want to see.
About an hour later it was lunchtime and I'd just left the shop to have a break and suddenly something whacked into the back of my legs and nearly knocked me down. It was Billy. It was Billy and he had a bruise round his eye that was already closing it up.
I took his hand and led him across to the bar, feeling a hard anger pushing against my throat. When he saw Tom, Billy ran to him again and Tom took him in his arms and looked over Billy's shoulder at me and I felt my own anger collapse utterly in the face of a fury I never could have generated. I tried to find a word to describe it but they all just seemed like they were in the wrong language. All I can say is I wanted to be somewhere else and it felt real cold standing there facing that stranger in a black coat.
Then the moment passed and Tom was holding the kid close, ruffling his hair and talking to him in a low voice, murmuring the words I thought only mothers knew. He dried Billy's tears and checked his eye and then he got off his stool, smiled down at him and said: ‘I think it's time we did a bit of drawing, what d'you say?’ and, taking the kid's hand, he picked up his chalkbox and walked out into the square.
I don't know how many times I looked up and watched them that afternoon. They were sitting side by side on the stone, Billy's little hand wrapped round one of Tom's fingers, and Tom doing one of his chalk drawings. Every now and then Billy would reach across and add a little bit and Tom would smile and say something and Billy's gurgling laugh would float across the square. The store was real busy that afternoon and I was chained to that counter but I could tell by the size of the crowd that a lot of Tom was going into that picture, and maybe a bit of Billy too.
It was about four o'clock before I could take a break. I walked across the crowded square in the mid-afternoon heat and shouldered my way through to where they sat with a couple of cold Cokes. And when I saw it my mouth just dropped open and took a five-minute vacation while I tried to take it in.
It was a cat alright, but not a normal cat. It was a life-size tiger. I'd never seen Tom do anything near that big before, and as I stood there in the beating sun trying to get my mind round it, it almost seemed to stand in three dimensions, a nearly living thing. Its stomach was very lean and thin, its tail seemed to twitch with colour, and as Tom worked on the eyes and jaws, his face set with a rigid concentration quite unlike his usual calm painting face, the snarling mask of the tiger came to life before my eyes. And I could see that he wasn't just putting a bit of himself in at all. This was a man at full stretch, giving all of himself and reaching down for more, pulling up bloody fistfuls and throwing them down. The tiger was all the rage I'd seen in his eyes, and more, and like his love for Megan that rage just seemed bigger than any other man could comprehend. He was pouring it out and sculpting it into the lean and ravenous creature coming to pulsating life in front of us on the pavement, and the weird purples and blues and reds just made it seem more vibrant and alive.
I watched him working furiously on it and thought I understood what he'd meant that evening a few weeks back. He said he'd done a painting for the man who'd given him so much pain. Then, as now, he must have found what I guess you'd call something fancy like catharsis through his skill with chalks, had wrenched the pain up from within him and nailed it down onto something solid that he could walk away from. And now he was helping that little boy do the same, and the boy did look better, his bruised eye hardly showing with the wide smile on his face as he watched the big cat conjured up from nowhere in front of him.
We all just stood and watched, like something out of an old story, the simple folk and the magical stranger. It always feels like you're giving a bit of yourself away when you praise someone else's creation, and it's often done grudgingly, but you could feel the awe that day like a warm wind. Comes a time when you realize something special is happening, something you're never going to see again, and there isn't anything you can do but watch.
I had to go back to the store after a while. I hated to go but, well, John is a good boy, married now of course, but in those days his head was full of girls and it didn't do to leave him alone in a busy shop for too long.
And so the day drew slowly to a close. I kept the store open till eight, when the light began to turn and the square emptied out with all the tourists going away to write postcards and see if we didn't have even just a little McDonald's hidden away someplace. I suppose Mary had troubles enough at home, realized where the boy would be and figured he was safer there than anywhere else, and I guess she was right.
Tom and Billy finished up drawing and then Tom sat and talked to him for some time. Then they got up and the kid walked slowly off to the corner of the square, looking back to wave at Tom a couple times. Tom stood and watched him go and when Billy had gone he stayed there a while, head down, like a huge black statue in the gathering dark. He looked kind of creepy out there and I don't mind telling you I was glad when he finally moved and started walking over towards Jack's. I ran out to catch up with him and drew level just as we passed the drawing. And then
I had to stop. I just couldn't look at that and move at the same time.
Finished, the drawing was like nothing on earth, and I suppose that's exactly what it was. I can't hope to describe it to you, although I've seen it in my dreams many times in the last ten years. You had to be there, on that heavy summer night, had to know what was going on. Otherwise it's going to sound like it was just a drawing.
That tiger was out and out terrifying. It looked so mean and hungry, Christ I don't know what: it just looked like the darkest parts of mankind, the pain and the fury and the vengeful hate nailed down in front of you for you to see, and I just stood there and shivered in the humid evening air.
‘We did him a picture,’ Tom said quietly.
‘Yeah,’ I said, and nodded. Like I said, I know what ‘catharsis’ means and I thought I understood what he was saying. But I really didn't want to look at it much longer. ‘Let's go have a beer, hey?’
The storm in Tom wasn't passed, I could tell, and he still seemed to thrum with crackling emotions looking for an earth, but I thought the clouds might be breaking and I was glad.
And so we walked slowly over to Jack's and had a few beers and watched some pool being played. Tom seemed pretty tired, but still alert, and I relaxed a little. Come eleven most of the guys started going on their way and I was surprised to see Tom get another beer. Pete, Ned and I stayed on, and Jack of course, though we knew our loving wives would have something to say about that. It just didn't seem time to go. Outside it had gotten pretty dark, though the moon was keeping the square in a kind of twilight and the lights in the bar threw a pool of warmth out of the front window.
Then, about twelve o'clock, it happened, and I don't suppose any of us will ever see the same world we grew up in again. I've told this whole thing like it was just me who was there, but we all were, and we remember it together.
Because suddenly there was a wailing sound outside, a thin cutting cry, getting closer. Tom immediately snapped to his feet and stared out the window like he'd been waiting for it. As we looked out across the square we saw little Billy come running and we could see the blood on his face from there. Some of us got to get up but Tom snarled at us to stay there and so I guess we just stayed there, sitting back down like we'd been pushed. He strode out the door and into the square and the boy saw him and ran to him and Tom folded him in his cloak and held him close and warm. But he didn't come back in. He just stood there, and he was waiting for something.
Now there's a lot of crap talked about silences. I read novels when I've the time and you read things like, ‘Time stood still’ and so on and you think bullshit it did. So I'll just say I don't think anyone in the world breathed in that next minute. There was no wind, no movement. The stillness and silence were there like you could touch them, but more than that: they were like that's all there was and all there ever had been.
We felt the slow red throb of violence from right across the square before we could even see the man. Then Sam came staggering into view waving a bottle like a flag and cursing his head off. At first he couldn't see Tom and the boy because they were the opposite side of the fountain, and he ground to a wavering halt, but then he started shouting, rough jags of sound that seemed to strike against the silence and die instead of breaking it, and he began charging across the square and if ever there was a man with murder in his thoughts then it was Sam McNeill. He was like a man who'd given his soul the evening off. I wanted to shout to Tom to get the hell out of the way, to come inside, but the words wouldn't come out of my throat and we all just stood there, knuckles whitening as we clutched the bar and stared, our mouths open like we'd made a pact never to use them again. And Tom just stood there too, watching Sam come towards him, getting closer, almost as far as the spot where Tom usually painted. It felt like we were looking out of the window at a picture of something that happened long ago in another place and time, and the closer Sam got the more I began to feel very afraid for him.
It was at that moment that Sam stopped dead in his tracks, skidding forward like in some kids' cartoon, his shout dying off in his ragged throat. He was staring at the ground in front of him, his eyes wide and his mouth a stupid circle. Then he began to scream.
It was a high shrill noise like a woman, and coming out of that bull of a man it sent fear racking down my spine. He started making thrashing movements like he was trying to move backwards, but he just stayed where he was.
His movements became unmistakable at about the same time his screams turned from terror to agony. He was trying to get his leg away from something.
Suddenly, he seemed to fall forward on one knee, his other leg stuck out behind him, and he raised his head and shrieked at the dark skies and we saw his face then and I'm not going to forget that face so long as I live. It was a face from before there were any words, the face behind our oldest fears and earliest nightmares, the face we're terrified of seeing on ourselves one night when we're alone in the dark and It finally comes out from under the bed to get us.
Then Sam fell on his face, his leg buckled up and still he thrashed and screamed and clawed at the ground with his hands, blood running from his broken fingernails as he twitched and struggled. Maybe the light was playing tricks, and my eyes were sparkling anyway on account of being too paralysed with fear to even blink, but as he thrashed less and less it became harder and harder to see him at all, and as the breeze whipped up stronger his screams began to sound a lot like the wind. But still he writhed and moaned and then suddenly there was the most godawful crunching sound and then there was no movement or sound anymore.
Like they were on a string, our heads all turned together and we saw Tom still standing there, his coat flapping in the wind. He had a hand on Billy's shoulder and as we looked we could see that Mary was there too now and he had one arm round her as she sobbed into his coat.
I don't know how long we just sat there staring but then we were ejected off our seats and out of the bar. Pete and Ned ran to Tom but Jack and I went to where Sam had fallen, and we stared down, and I tell you the rest of my life now seems like a build up to and a climb down from that moment.
We were standing in front of a chalk drawing of a tiger. Even now my scalp seems to tighten when I think of it, and my chest feels like someone punched a hole in it and tipped a gallon of ice water inside. I'll just tell you the facts: Jack was there and he knows what we saw and what we didn't see.
What we didn't see was Sam McNeill. He just wasn't there. We saw a drawing of a tiger in purples and greens, a little bit scuffed, and there was a lot more red round the mouth of that tiger than there had been that afternoon and I'm sure that if either of us could have dreamed of reaching out and touching it, it would have been warm too.
And the hardest part to tell is this. I'd seen that drawing in the afternoon, and Jack had too, and we knew that when it was done it was lean and thin.
I swear to God that tiger wasn't thin anymore. What Jack and I were looking at was one fat tiger.
After a while I looked up and across at Tom. He was still standing with Mary and Billy, but they weren't crying anymore. Mary was hugging Billy so tight he squawked and Tom's face looked calm and alive and creased with a smile. And as we stood there the skies opened for the first time in months and a cool rain hammered down. At my feet colours began to run and lines became less distinct. Jack and I stood and watched till there were just pools of meaningless colours and then we walked slowly over to the others not even looking at the bottle lying on the ground and we all stayed there a long time in the rain, facing each other, not saying a word.
Well that was ten years ago, near enough. After a while Mary took Billy home and they gave us a little wave before they turned the corner. The cuts on Billy's face healed real quick, and he's a good-looking boy now: he looks a lot like his dad and he's already fooling about in cars. Helps me in the store sometimes. His mom ain't aged a day and looks wonderful. She never married again, but she looks real happy the way she is.
The rest of u
s just said a simple goodnight. Goodnight was all we could muster and maybe that's all there was to say. Then we walked off home in the directions of our wives. Tom gave me a small smile before he turned and walked off alone. I almost followed him, I wanted to say something, but in the end I just stayed where I was and watched him go. And that's how I'll always remember him best, because for a moment there was a spark in his eyes and I knew that some pain had been lifted deep down inside there somewhere.
He walked and no one has seen him since, and like I said it's been about ten years now. He wasn't there in the square the next morning and he didn't come in for a beer. Like he'd never been, he just wasn't there. Except for the hole in our hearts: it's funny how much you can miss a quiet man.
We're all still here, of course, Jack, Ned, Pete and the boys, and all the same, if even older and greyer. Pete lost his wife and Ned retired but things go on the same. The tourists come in the summer and we sit on the stools and drink our cold beers and shoot the breeze about ballgames and families and how the world's going to shit and sometimes we'll draw close and talk about a night a long time ago, and about paintings and cats, and about the quietest man we ever knew, wondering where he is, and what he's doing. And we've had a sixpack in the back of the fridge for ten years now, and the minute he walks through that door and pulls up a stool, that's his.
THE FRACTURE
Signing with a vehemence that made his lips vibrate, Richard dropped his pen and waved his right hand about in the air. While he waited for the cramp to ease he sipped a mouthful of tepid coffee and gazed vaguely out at the street. The short crescent his house was in started to turn outside his window, and with the trees just beginning to come into leaf looked almost like a little square. A bedraggled old woman with nicotine-stained hair struggled past on the other side of the road, and he watched her as he dredged his mind for any event of the past week which could be pressed into service as a letter-lengthener.
What You Make It Page 13