The Faces of God

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The Faces of God Page 28

by Mallock;


  While Ken continued to pull off all the gold leaf he could, Amédée began artificial resuscitation. His big body breathed air into the child’s lungs, like a giant blowing up a balloon. One deep breath and then three chest compressions, gently, using two fingers. He tried to get a look at the baby’s eyes, verify the presence of movement, but the butcher had glued his eyelids shut.

  Fifteen minutes later, exhausted, Amédée left the crypt. There had been nothing he could do. Near the door he stepped on a little rubber giraffe, undoubtedly left there during a previous christening. The toy let out a ridiculous squeak, punctuated by the superintendent’s low “Shit.” More than the repulsive spectacle or the smell coming from the corpses, it was this noise, the cry of Sophia the giraffe, that made him want to throw up.

  Ken stayed on to coordinate operations, but Mallock went straight back to the office. He could have used a short break to get a grip on his emotions, but there wasn’t time. If he wanted to capture the monster he would have to start moving even faster.

  The Makeup Artist seemed to be sailing through.

  And yet, the police weren’t exactly doing nothing. Fort Mallock was like a beehive. Dozens of inspectors and computer techs in shirtsleeves were coming and going in every direction. Faxes, printers, telephones, and other technological aids were each contributing their own particular brand of racket to the unusual hubbub in the superintendent’s department. “Work in silence” was one of his favorite instructions, but this morning he didn’t have the strength or even the desire to quiet down the cacophony. He gave Bob his request concerning the gold leaf.

  “Ken will speak to you about it again, but go ahead and make a start. Call the main suppliers of gilding necessities and have them give you a list of their clients, with each one marked: ‘new customer,’ ‘larger order than usual,’ and so on.”

  Then he went to see Francis. The young lieutenant looked absolutely terrible. Had he slept at all in the last forty-eight hours?

  “Will you be ready soon?” was all Mallock said by way of encouragement.

  “Just about, boss. I just started the overall comparison of the five lists. The answers will be on your desk in twenty minutes.”

  “You’ve done a good job.”

  Even so, Francis thought.

  Bob, who had joined them, couldn’t resist asking:

  “Are we going to catch him, boss?”

  “What do you think?” Mallock barked. “Go work on the gold.”

  In the corridor that led to his office, he realized that his anger hadn’t cooled at all. It was even keeping him from walking upright. He was broken, head bowed, teeth gritted, aching. His feet dragged slightly on the floor, betrayed by his knees.

  A baby covered in gold. My God.

  He had pinned all his hopes on his list idea. If the comparison results didn’t turn up anything he’d be right back where he started, but with the weight of the whole world on his shoulders and—he had no doubt—a lot of explaining to do to the mob of spectators. And to himself.

  Worse yet, the Makeup Artist would have a wide-open path ahead of him.

  In his office he poured himself a generous glass of single-malt, hoping the liquor might untie the inextricable knots in his stomach. Francis had said twenty minutes, and Mallock started counting them down. He didn’t even try to think anymore. It was too late.

  The roulette wheel was already spinning.

  The die was cast. No more bets, please. He couldn’t change anything now; there would be no changing of bets, no altering the track, no adding chips to a number that was suddenly obvious. Nothing.

  Nothing but the clicking sound of that fucking roulette wheel.

  All he could do was count down the minutes. Still ten to go. He’d never been in this situation before, at the mercy of a goddamn printout of a list. It was a bizarre feeling. Then, a flash of inspiration: light a cigar. That would take up a good three minutes.

  When Francis came in with the computer printout in his arms, Amédée didn’t try to read the results of the database-matching in his eyes. He listened, pulling slowly on his Havana cigar. Francis was stunned by his superintendent’s calm. If only he’d known!

  “Here it is. I assigned a sort of coefficient to each of the lists, according to their importance. I gave four points to the names present in the Maurel notebook; four as well for people who own the famous tripod; two points to people listed in the supermarket file, two for the list generated by the door-to-door questioning, and finally two for all the suspects in the police files. That gives us a grade out of fourteen.”

  Francis turned the page. His hands were shaking.

  “I didn’t get any fourteens. No twelves, no tens—”

  “It’s fucking worthless,” Mallock burst out.

  He had rarely felt a failure so cruelly. He could have cried.

  “But I did get three sixes. One of them is on both the tripod list and in our files. The two others are in Amélie’s notebook and their names came up during the door-to-door investigation.”

  “It’s not enough.”

  “Wait! I saved the best for last! We also have an eight. This guy is on the supermarket list, the tripod list, and both police lists. Interesting, right?”

  Nose buried in his papers, Francis didn’t dare look up at his boss. “He isn’t on Amélie’s list though, unfortunately,” he admitted.

  “It’s not your fault; it’s mine,” sighed Mallock. “You did a fine job, but I don’t think there’s much to your eight. It’s crucial for the name to be in Amélie’s book. Shit, shit, shit! Call Ken and the others; have them verify the eight and the three sixes anyway. See if you can get with Bob too, for the gold leaf list.”

  Francis was relieved for a few seconds, before realizing that he would almost have preferred a dressing-down. He started for the door, but Mallock called him back.

  “Don’t tell the others I know about this, okay? We need to keep morale up.”

  Francis agreed, wondering how much good the morale of the Fort’s inspectors would be without their boss’s own.

  Half an hour later, Bob and Julie were standing in front of Mallock. Jules was too busy checking and sorting the hundreds of complaints that had flooded into the Fort over the past three days; apparently everyone in France had spent their weekend adding to the stream of invective. When Ken joined them in the office he had come straight from the crypt, and the others were surprised to see him covered in flakes of gold.

  Mallock gave them a quick rundown without letting them in on his disappointment. They weren’t fooled, but they all pretended to be.

  “I’ll have to call home,” said Ken. “We might be here all night.”

  He picked up the phone and stood, his gaze unfocused, without dialing. “Shit. What’s my home number again?”

  “You forgot your own phone number?”

  “Oh, like it’s never happened to you. We changed it three months ago, and it’s not like I call myself very often.”

  “Look in your address book, dummy,” Julie advised.

  A minute later Ken snapped the notebook shut, swearing. “This is so goddamn stupid. It’s not in there. I never put it in. Usually I can remember it.”

  “You know what we’re going to do? We’re going to buy you a pretty little bracelet with your name and address engraved on it, and a little note underneath that saying: ‘Reward to anyone who brings little Ken back to the police station.’”

  Mallock put an end to the teasing by shooing them out of his office. “Get a move on; I want be absolutely sure. If none of these suspects is our bastard, we’re back to square one.”

  When his colleagues had gone he realized that he was hungry and exhausted. Waking up at dawn, the sight of the corpses, the lack of breakfast, and the panicked fear of failure were taking their toll. But his troubles weren’t over yet. At twelve-thirty came the call
to battle stations. There was a big meeting at one o’clock sharp with the biggest boss of all, the honorable Secretary of the Interior.

  A motorcycle cop in an impeccable uniform came to give him the secretary’s invitation, and Mallock knew he was about to find out the true limits of this unusual politician’s friendship. The telephone rang a few seconds later. It was Dublin.

  “Shall we go over together? I’ve already called my car.”

  His voice was shaking. He was sitting on an ejection seat, and those weren’t made to hold civil servants—even when they were members of the police force. Mallock let the ghost of a smile cross his lips. He would have to hold his hand in front of the big boss. He imagined it moist and trembling. In Dublin’s defense, he, like the other directors of the 36, had always refused promotion to stay in his job. Mallock had certainly made the most of that.

  “I’ll meet you downstairs in three minutes,” were the only words of comfort he could offer.

  It was six o’clock in the evening.

  When he thought about it, it hadn’t really gone all that badly, Mallock told himself as he headed home. Dublin had been a bit of a chickenshit, naturally, but not too much. The secretary had raised his voice, naturally, but only moderately. Everyone had tried to avoid being blamed, naturally, and naturally, the final responsibility had fallen right on him. He hadn’t been fazed. After more than an hour of buck-passing, when the secretary and the whole audience had turned on their freshly and unanimously nominated scapegoat, he had faced them head-on.

  “It is my fault,” he had said, to general astonishment. “I have no excuses to make. If it’ll make you feel better, I’m happy to accept all your complaints. Frankly, I don’t give a damn. On the other hand, I’m still convinced that searching for the killer should be the principal and only concern of this venerable assembly, rather than pointing fingers and coming after me with torches and pitchforks. Think less about your salaries and more about this butcher, and things might go much better.”

  Dublin’s face had gone from milk-white to a lovely pastel green, while the yes-men were bright red. The Secretary of the Interior, undoubtedly because he was an old hand, gave Mallock his support.

  “You’ve run a good investigation. Criticism is easy, gentlemen, but apprehending an individual as formidable as this . . . Makeup Artist . . . is a whole different ball game.”

  After that, the meeting had gone in a much more constructive direction. They tried to answer one question together: what could be done to improve the system while satisfying the press at the same time?

  A series of measures were taken, and Mallock couldn’t escape what looked very much like a competitive pitch. Particularly the involvement on the ground, and even in the investigation, of outside authorities answerable directly to the secretary.

  Though some of these decisions were intended to boost the effectiveness of the search, most of them, as always, were as demagogic as they were useless, and were made only to give the newspapers and the politicians something to chew on. They created SCAG, the Specific Coordinated Action Group, for some reason no one would ever figure out, and also a group for the Ethical Computer Information Research Collective, or ECIRC. The call for Mallock’s resignation put forward by a television program was rejected at the last minute, as was some overzealous attaché’s heat-of-the-moment suggestion of a referendum to declare a countrywide state of emergency. At the time no one could have suspected that, one day, a measure like that would in fact be taken for a simple police investigation—least of all Mallock, who would be the one to initiate it.17

  During the entire meeting and on his drive home, Amédée couldn’t shake the niggling worry that he’d forgotten something. Something someone had said or done that afternoon; something extremely important. A number, maybe. He was virtually certain that it was crucial. He’d been given the solution to the mystery, and he’d shoved it aside.

  Home at last, he decided, cigar and whiskey in hand, to settle into a comfortable armchair and try to locate the stowaway passenger hiding somewhere in the back of his mind.

  He fell asleep on the sofa without finding it.

  The helpless, powerless Mallock, the unconscious one, was finally going to pay the price for his inadequacies. The latest of them, falling asleep like that in his apartment without locking the door, had made it possible for the Makeup Artist to capture him, as if he were a complete novice.

  Amédée was trussed up hand and foot now, a spectator of the Makeup Artist’s latest relaxation exercise. In front of him, clamped to the wall by means of a neoprene adhesive, was a woman bound in the shape of a cross, her eyes bulging with terror, begging mutely, desperately for his help. Mallock tried to move, but with no success at all.

  Without even a glance at his old enemy, the Makeup Artist approached the cross-shaped body and, empty-eyed, began with jerky movements to beat the woman to a pulp. First he explained, in a metallic-sounding voice, that the first thing was to tenderize the flesh so it would be easier to remove the skin. Then, without waiting, without hearing the sacrificed woman’s screams, he began beating her with all his strength using an iron bar. That voice! Mallock screamed. He recognized it. My God, it was Julie!

  He tried again to free himself, but nothing made any difference. He could only watch. Robotically, with somewhat clumsy regularity, the Makeup Artist pounded his weapon against what no longer bore any resemblance to skin. The petite Julie’s flesh and muscles, fat, bones, and bodily fluids were now just one indistinguishable, nauseating mass.

  After long minutes punctuated by rhythmic cracking sounds, Mallock suddenly realized that he must be dreaming. But how could he hear the cracks so distinctly, as if they were coming from inside the room? He opened his eyes.

  *

  A snowstorm had broken over Paris, and one of the living-room shutters had come loose. He had been hearing its regular banging noises, even in his dream. Relieved, he got up to pull the shutters closed.

  It was then, standing naked in front of his window, letting his gaze wander among the millions of crystalline snowflakes, that he realized the solution to his mystery. It was simple and complicated, cold and ephemeral like the snowflakes whirling before his eyes. He murmured a thank you; then, before the revelation could melt away, he closed the window again.

  On a piece of paper, he wrote the Makeup Artist’s name.

  It was only five in the morning but he got dressed, downed a cup of boiling coffee, and ran for his garage. Paris was completely white, with a violent wind whistling through the narrow streets. He turned up the collar of his coat. For once, he had deigned to bundle up. Bluish vapor puffed from his mouth. He thought of Tom, and the six Christmases they had spent together. He loved the wind, for a bunch of reasons he’d never tried to analyze. Now, he thought, there was a new reason.

  Little Tom was here, in this wind.

  Like all the life energy in the world, all the lives of the pure and the just. It was their breath.

  41.

  Tuesday, January 18th

  At Number 36, Quai des Orfèvres, the lists were still asleep on his desk. He looked at the tripod list. The name he had written down on a scrap of paper just after he woke up was typed on it.

  This suspect was the eight out of fourteen he had been hoping for. And to be honest, he was deeply indebted to Ken’s forgetfulness. When the captain hadn’t been able to find his own number in his address book, something had clicked in Amédée’s brain.

  There were only two phone numbers Amélie hadn’t found it necessary to write down in her notebook. Hers, because like everyone she knew it by heart, and the one belonging to her patient and neighbor, the pharmacist’s son. A number so similar to her own that she couldn’t help but remember it. Suddenly everything was so clear, so obvious. Irritating in its simplicity.

  All the details came back to him. The paper garbage bag he had unwittingly glimpsed in the pharmacy. T
he moment when the first, incorrectly filled-out insurance slip had been thrown away by the apprentice pharmacist. The young man’s handwriting on that document, a calligraphy that was astonishingly similar to the writing he’d deciphered in his nightmares—and that he had seen once before, on the famous fragment of burnt paper found in a crime scene fireplace: Death is life.

  Of course he’d had no problem stealing a syringe from his nurse. He was certainly in the best position to do it, and Mallock was angry with himself for not assigning the neighborhood investigations more importance—and for not relying enough on his own intuition. The repeated visions he’d had of the color green connected with a cross sign—together they made a pharmacy cross, a precious clue that should have led him to the Makeup Artist much sooner. Like the snake and the cross, or the big wooden chest with buttons, a miniature version of which was part of the decorations in the pharmacy window.

  His visions were none other than a higher level of reflection and lucidity; why was he still so afraid to trust them? When he had seen Didier Dôthem at Amélie’s bedside, he . . .

  Terror shot through him, paralyzing his hand as he reached toward the coffee machine.

  What had he said to Didier Dôthem, the Makeup Artist, to reassure him about Amélie’s condition?

  She was the only person who could identify him formally, and he had been stupid enough to pretend she was better—and even worse, that she was almost ready to talk.

  Mallock lunged for his coat. Luckily, at six o’clock in the morning you could still drive in Paris at ninety miles an hour. Once outside, his heart sank. In this kind of storm, the snow would be blocking everything, and it would take him at least half an hour to reach the hospital—assuming that his old Jaguar could manage the treacherous roads at all. Without really thinking, he started to run in the direction of the Pitié-Salpêtrière, on foot, like an idiot, in the middle of the night. Blessing the rubber soles of the snow boots he’d bought at the start of the case, he managed to attain a reasonable, sustained speed.

 

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