by Larry Karp
The Ragtime Fool
The Ragtime Fool
Larry Karp
www.larrykarp.com
Poisoned Pen Press
Copyright © 2010 by Larry Karp
First Edition 2010
Library of Congress Catalog Card Number: 2009931418
ISBN: 9781590586990 Hardcover
ISBN: 9781590587164 Trade Paperback
ISBN: 9781615951079 ePub
All rights reserved. No part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the publisher of this book.
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Dedication
Dedicated with thanks to
Mark Forster & Betty Singer
Genius Genealogist & The Sage of Sedalia
who gave me more help throughout the writing
of all three books in this trilogy
than any ink-slinger could ever reasonably hope for.
Epigraph
“As far as doing the right thing,
go by what your heart dictates,
and I believe you will always be right.”
—Brun Campbell,
from a letter to pianist Jerry Heermans,
c. 1949
Contents
Dedication
Epigraph
Acknowledgments
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Epilogue
The Last Word
Selected Ragtime Resources
Selected Bibliography
More from this Author
Contact Us
Acknowledgments
Betty Singer and Mark Forster graciously answered endless questions while I wrote The Ragtime Kid, The King of Ragtime, and The Ragtime Fool. Specifically for The Ragtime Fool, Mark combed the Internet for new information on the life of Brun Campbell. Betty did extensive research into the social, cultural, and political climates of Sedalia in 1951. She provided me specifics about Ku Klux Klan activities in and around Sedalia; information on the Pacific Café, the MoPac railway station, and other local landmarks of fifty years ago; and biographical material on Tom Ireland, the Curd family, Abe and Fannye Rosenthal, Lillian Fox, and Blanche Ross.
Special thanks to ragtime pianist-historian Richard Egan, who sent me several helpful articles by and about Brun Campbell, then blew me away with a surprise package containing copies of the extensive correspondence between Brun and pianist Jerry Heermans. (As a bonus, the material also included letters to Brun from Tom Ireland and Lottie Joplin). Being able to read more than fifty letters in Brun’s hand was invaluable in reconstructing his speech, attitudes, and behavior during the last years of his life. Rich requested that I mention he’d received the material some years earlier from Trebor Tichenor, and I’m glad to do that.
Ragtime historians were, as always, generous with their help. A tip of the hat to Adam Swanson (at age 17, already a first-line ragtime performer and historian) and Max Morath for providing me a copy of the handwritten Blesh-Janis notes for They All Played Ragtime, and a second nod to Max for passing along his extensive first-hand information about Rudi Blesh. David Reffkin also sent me biographical information on Blesh. Edward A. Berlin fielded my questions with his customary timeliness and tact.
Brad Kay, ragtime musician and longtime Venice resident, contributed general information about his city, and suggested where Brun might have played piano in 1951 and whose band might have been the main attraction. Betsy Goldman and Big Jim Dawson helped orient me to the history and geography of Venice. Firefighters Julie Wolfe and Robert Caropino, of Fire Station 63 in Venice, gave me a detailed street map, so I had the city literally at my fingertips as I wrote.
I referred often to Becky Imhauser’s books All Along Ohio Street and Sedalia.
Thanks to Fran Fuller, Lillian Watson, and Ralph Turner for their tutorials on the use, abuse, and dangers of dynamite. Rosamond Haupt also educated me on the subject of explosives. Craig Harvey, Chief Coroner Investigator and Chief of Operations, County of Los Angeles, provided me information about the state of toxicology studies in Los Angeles in 1950, and clarified some police department terminology.
Dan Brown had ready answers to my questions about pianos and entertainment figures of the time. Dale Lorang patiently enlightened me about matters of religion. Peter Greyy found the perfect solution to a dilemma involving the name of a character.
I'll always be grateful to the many ragtime historians, performers, composers, and administrators who have gone out of their way to make me feel welcome in their world. I'm looking forward to the continued pleasure of their company.
Big hug for Peg Kehret, author and dear friend, for helpful editorial consultation, and countless insightful and wise suggestions about writing books and promoting them.
And another big hug for my love, Myra, mender of loose threads, dialect coach, and tolerant and indulgent hostess to the people I pluck from history or thin air, and bring to live with us for extended periods.
Chapter One
Sedalia, Missouri
Sunday, April 1, 1951
Late evening
An unshaded bulb in a ceiling fixture sent grotesque shadows dancing around the six men in the basement of Otto Klein’s small house on East Fifth Street. The mood in the room was ugly as the weather. One man, a squat, balding farmer in striped overalls, muttered a curse as a gust of wind slapped rain against a window. He rubbed his hands together, stamped his feet. “Christ a’mighty, Otto, it’s cold as my wife’s heart down here. Why the hell can’t we sit upstairs and talk?”
Below his sloped forehead and receding crew-cut hair, Klein’s dark eyes smoldered. “God A’mighty, Rafe, sometimes I think you ain’t got sense enough to pound sand down a rat hole. We can’t have my wife or my daughter hearing any of this, okay? You know how women do. One gabby word at the beauty shop, and next minute, it’s all over town. If it’s too goddamn cold for you, go on back home, sit in front of your fire, and toast a marshmallow.”
A couple of men laughed. Rafe bit his lip.
Klein looked toward a rangy man with bright blue eyes and a haystack spilling over his forehead. “Think anybody else’s coming, Jerry?”
Jerry Barton plucked a toothpick from his mouth. “Not as I know. Whyn’t we get started?”
Klein nodded. “Yeah, I guess. Time was, we had a meeting, we could count on ten times what we got here.”
“Times change,” said Barton. “And it ain’t just here. Klan membership’s down everyplace. It ain’t enough that niggers got their freedom, now people just stand around and pick their nose while the government gives the whole stinkin’ country to the colored.” He coughed. “God damn Franklin Delano Rosenfeld. When the son of a bitch died, I figured we were gonna be okay again, Harry being a good old Missoura boy and all that.”
Derisive laughter filled the room. “Wouldn’t be surprise
d if Harry goes on Saturdays and sits in Rosenfeld’s pew in the Jew-church,” drawled Johnny Farnsworth, a short, rawboned man with two days’ worth of stubble on his face.
“I knew we was in trouble when he integrated the Army,” said Rafe Anderson. “Next thing you know, it’s gonna be okay for a colored man to marry a white woman, and before you can say Jackie Robinson, we’ll be a country of half-breeds, don’t care about nothin’ but gettin’ laid and stealin’ chickens. Might as well just hand over the White House keys to the Russkies and be done with it.”
Klein held up a hand. “Okay, then. But that’s exactly why me and Jerry got you boys here tonight. Somebody’s got to take a stand, and I say why not us? Show this country that decent white men ain’t gonna let America go to hell in a black handbasket.” He waggled a finger in the direction of a small, bald man still in his Sunday-go-to-church suit and tie, sitting on a stained, battered couch, rubbing his hands together. “Luther, what happened at the meeting today? This ceremony really is gonna go down, is it?”
“’Fraid so,” came in Luther Cartwright’s prissy countertenor. “I told them they ought to give a whole lot of thought about what just might happen if things get outa hand. Said I wasn’t real happy about the idea of my drugstore getting damaged, say, in a riot or a fire. But Charlie Bancroft called me a lily-liver. He thinks the publicity’ll be good for the town, and besides, accordin’ to him, ‘It’s the right thing to do.’”
“Charlie always did like his chocolate,” Barton said. “If that hoity-toity wife of his don’t have at least a couple drops outa of the tar bucket, I’ll eat my hat.” The laughter in the room encouraged him on. “People don’t get a sun tan at Christmas like she’s got. Well, don’t worry none about your drugstore, Luther. Push comes to shove, it’s far enough away from Charlie’s grocery, you’ll be okay.”
“Wait a minute now,” Klein shouted. “Just hold on one minute. There ain’t gonna be any fire, and no riot neither. Luther, you didn’t let on about nothin’, did you?”
Cartwright humphed. “Come on, Otto. How dumb you think I am?”
“Dumb enough to say you were even thinking about a fire or a riot.”
Cartwright got halfway to his feet, but Barton pushed him back onto the couch. “Relax, Luther. You too, Otto. Last thing we need is for us to get on each other. Luther, you were supposed to go to the meeting and just listen, not talk. Best if everybody in this town stays nice and calm, nobody thinking about riots, fires, or anything else. If we’re gonna blow up a high school, we don’t need the whole damn town pointing fingers in our direction. Now, what about Herb Studer? What’s the mayor thinking?”
Cartwright’s face darkened. “He told that kike who’s the head of the Mens’ Choral Club—”
“Abe Rosenthal?”
“Yeah. Fancy-pants little Jew. Herb told him he’d be glad to give a speech at the ceremony. He thinks it’d be good to show people how Sedalia’s moving ahead with good race relations.”
A sound like swarming bees swirled through the little group. “Oh, he did, huh?” Otto Klein was furious. “Don’t that just top all. Guess he wants to see niggers eatin’ in restaurants, right at the next table to him, and sittin’ with him in the movie theaters. What the hell’s the matter with Studer? Them colored breed like rabbits, and one fine day they’re gonna be tellin’ us what we can do and what we can’t. I wouldn’t never have believed in a million years I’d live to hear the mayor of Sedalia say it’s just fine and dandy to have white and colored go up on a stage together. An’ in the colored high school to boot.”
“Well, that’s the way I heard it,” said Cartwright. “But there’s even more. Some old white guy’s coming in from California, wants to play piana at the ceremony. He says he was here fifty year ago, and took piana lessons from Scott Joplin.”
“He comes here and does that, he’s gonna be a dead white piana player.” That from Clay Clayton, an angular man with an uncombed thatch of gray hair cut short above his ears. “They’re gonna find pieces of him, come down to earth as far away as Kans’City.”
Rafe Anderson, the man who’d complained of the cold, patted Clayton on the shoulder. “Damn right, Clay.”
Klein turned to Farnsworth. “Johnny, you’re sure you can handle this, huh? Once we get started, be hard to back out.”
The little man rubbed at his bristly chin, then grinned. “Work with dynamite, y’ don’t get to be near as old as me if y’ain’t good and goddamn sure what you can handle. Don’t you worry none, Otto. If a pussy mayor don’t have it in him to tell them people what their place is, I do.”
“Good.” Barton raised a clenched fist. “Guess we’re ready to give them Hubbard-High pickaninnies something else to think about besides their ABCs. And send a message to Mr. Mayor Herb Studer.”
The bee-swarm sound told Barton he had a unanimous vote of confidence. “Okay, then,” he said. “Ever’body up.”
The six men formed a circle under the unshaded light bulb, each extending a hand toward the center to grasp the hands of the others. They lowered their heads. “Oh, Lord who set the black man on earth to serve the white,” Barton intoned. “We ask your blessing on us as we set out upon our holy mission, to make manifest your design for your children, through the ministry of your beloved son, Jesus Christ. May all evildoers perish, and those who truly honor you thrive. Amen.”
A chorus of amens, then the petitioners raised their heads. “Man alive, Jerry.” Clay Clayton grinned. “You pray as good as any preacher I ever heard.”
Barton coughed. “My old man was a preacher. Grow up with him, you learn to pray in a hurry. When I was a kid, I used to pray the whole day long he didn’t catch me smoking back of the barn, or just get himself in a bad enough mood he’d give me a licking for the hell of it and tell me it was payment in advance.”
Klein broke the heavy silence. “Well, okay, that’s it. Ceremony’s on the seventeenth, so we got two and a half weeks. Let’s do some thinking, and then get together next Sunday night, see where we are.”
“What say we meet by Jerry’s place,” said Rafe Anderson. “Ain’t nobody else lives out there to hear us, so it’ll be all that much more private. Besides, we could sit in his upstairs, and not freeze our ass off.”
Everybody laughed.
“Fine with me,” Barton said. “I’ll get us a keg.”
“I ain’t gonna argue with that,” said Klein. “See y’all in a week, then. If Herb Studer or anybody else thinks white people who got any self-respect are gonna just sit back while they put on some kinda fancy ceremony for an old-time nigger whorehouse piana player, they got another think coming.”
Chapter Two
Venice, California
Monday, April 2
Early afternoon
The old man banged the final notes of “Maple Leaf Rag” out of the piano, then jumped to his feet and spun around as he heard applause from a single pair of hands. The hands belonged to a young man with shining black eyes, ears off a loving cup, and a grin all over his face. “Jesus H. Christ, Cal, you scared the living crap outa me. I never even heard you comin’ in.”
Cal laughed. “Well, how would you hear me, the way you were beating the life out of that poor old piano? Who the hell keeps a piano in a barber shop, anyway?”
“A man whose wife don’t approve of ragtime and won’t let him play it in his own house,” Brun muttered.
Cal tried to hide his embarrassment for the old barber. “Come on, Brun. You wouldn’t have heard me if I’d set off a grenade. I said hello twice, but Scott Joplin had your ears, didn’t he? Bet he was telling you not to play his music too fast, that it’s never right to play ragtime fast. Right?”
Brun glanced at the sepiatone photograph on the wall above the piano, a dark-skinned Negro man and a white boy, side by side on a piano bench, looking over their shoulders at the photographer. “Don’t mock, Cal.”
The young man struggled to hear the whispered words, then wa
lked across the room, and plopped into the barber chair. “Hey, Brun, I’d be pretty dumb to mock you right before you pick up your razor and scissors. Come on, let’s get it over with.”
Brun sighed. They never quit joshing him about how bad a barber he was, and he had to admit, there was something to what they said. He’d never wanted to be a barber, but a guy had to make a living, and forty years ago, he’d let his pop talk him into giving it a shot. Campbell and Son, Barbers. Just temporary, Brun had told himself, but as things worked out, it became temporary in the same way a man’s life is temporary. He shook his head, then reached to the shelf behind the chair, pulled a strip of tissue from the box, wrapped it around Cal’s neck, snapped the striped apron clean, and fastened it over the tissue.
Cal gave him a theatrical fish eye. “Still that same old clipper, huh? Jeez, Brun, go down and sell it to Molly Stearns in the antique store. It’s so damn old, I’ll bet you’d get more for it than you’d pay for a new one.”
Brun pushed the button, ran the clipper up the back of Cal’s neck. “Shut up, kid,” he growled. “I got a fondness for antiques. I’m one myself.”
“Ow-ow!” Cal jerked forward, grabbed at his neck. “Would you two antiques mind leaving just a little skin on me.”
Brun swallowed whatever he was going to say. For a couple of minutes, the only sound in the room was the whir of the clipper and the snipping of scissors, but Brun Campbell never could manage long periods of silence. “Betcha don’t know what yesterday was.”
Cal started to turn, thought better of it. “Sunday.”
“I don’t mean what day of the week. I mean what’s important about yesterday?”
Cal narrowed his eyes. “Today’s April second…okay. If you’re gonna tell me they gave you the Barber of the Year Award yesterday, I’ll tell you yesterday was April Fool’s Day—ow, my ear. Jesus Christ, Brun! You cut my ear.”
“Sorry,” the old man mumbled. “You got me all worked up. Yeah, yesterday was April Fool’s, all right, but it was also the day Scott Joplin died. April first, 1917. Thirty-four years ago. Died in that New York crazy house where he ended up after nobody would publish his opera. Treemonisha.”