"I see what you're considering. The son hears of the book, or reads it, and learns one of his father's former partners' ancestors is right here in New York. That she has enough information for a book, and very likely has more. That she may very well have access to the diamonds. But why, if he's known of them all this time, hasn't he tried to find them, or get to the Gannons before?"
"Maybe he didn't know the whole story until the book. Maybe he didn't know the connection." Eve waved with her fork. "Anyway, that's for me to figure out. What I want is your opinion. Does it follow pattern, profile, that the person I'm after is Crew's son?"
"It could give him what he'd consider a proprietary right to them. They were his father's property, so to speak. But if his father brought them to him when he was a child-"
"It wasn't in the book," Eve reminded her. "And we can't know what Crew did or didn't do or say or take when he paid that last visit."
"All right. From what we know of Crew, he felt entitled to the entire booty, and killed for it. They were an obsession for him, one he pursued even though he had enough to ensure he'd live well for the rest of his life. It's possible the son is working with the same obsession, the same view."
"My gut tells me it comes from Crew."
"And your gut is usually right. Does it trouble you to take that line, Eve? To play the sins of the father in your head?"
"Yeah." She could say it here, to Mira. "Some."
"Heredity can be a strong pull. Heredity and early environment together, an almost irresistible pull. Those who break it, who make their own despite it, are very strong."
"Maybe." Eve leaned forward. No one around them would listen, but she leaned closer, lowered her voice. "You know, you can just sink down, you can sink and say it's somebody else's fault you're down there in the piss and the shit of the world. But it's just an excuse. The lawyers, the shrinks, the doctors and social reformers can say, 'Oh, it's not her fault, she's not responsible. Look where she came from. Look what he did to her. She's traumatized. She's damaged.'"
Mira laid a hand over Eve's. She knew she was thinking of herself, the child, and what the woman might have become. "But?"
"The cops, we know that the victims, the ones who are broken or shattered or dead... or dead, they need somebody to stand up for them, to say, 'Goddamn it, it is your fault. You did this, and you have to pay for it, no matter if your mother beat you or your father... No matter what, you don't have the right to damage the next guy.'"
Mira gave Eve's hand a squeeze. "And that's why you are."
"Yeah. That's why I am."
25.
Eve viewed a session in the lab with Dickie Berenski as she did a dental checkup. You had to do it, and if you were lucky it wouldn't be as bad as you imagined. But it was usually worse.
And like the dental techs in her experience, Dickhead exhibited a smarmy, self-righteous satisfaction when it got worse.
She swung into the lab with Peabody and pretended not to notice several techs slide looks in her direction, then get busy elsewhere.
When she didn't see a sign of Dickie, she cornered the first tech who couldn't skitter away fast enough. "Where's Berenski?"
"Um. Office?"
She didn't think she deserved the quaking voice or the frozen rictus of a smile. It had been months since she'd threatened a lab tech. Besides, they should know it was physically impossible for her to put a man's internal organs on display by turning him inside out.
She crossed the main lab, over the white floors, around the white stations manned by people in white coats. Only the machines and the vials and tubes filled with substances best not considered had color.
All in all, she thought she'd rather work in the morgue.
She walked into Dickie's office without knocking. He was kicked back at his desk, feet propped up as he sucked on a grape-colored ice pop.
"You got the box seats?" he asked.
"You'll get them when I get my results."
"I got something for you." He pushed away from the desk, started out, then stopped to study Peabody. "That you in there, Peabody? Where's the uniform?"
Delighted with the opportunity, she pulled out her badge. "I made detective."
"No shit? Nice going. Liked the way you filled out a uniform though."
He hopped onto his stool and began to ride it up and down his long white counter as he ordered up files, keyed in codes with his spider-quick fingers. "You got some of this already. No illegals in either vic. Vic one-that's Jacobs-had a blood-alcohol level of point oh-eight. She was feeling pretty happy. Got her last meal. No recent nooky. Fibers on her shoes match the crime-scene carpet. Couple others here she probably picked up in the cab on the way home."
His fingers danced; the screens revolved with color and shapes. "Got a couple hair samples, but says here she was clubbing prior to getting dead. Coulda picked those up in the club. If any of them are from the killer, we'll match 'em when you nab 'im.
"Now we've reconstructed the wound-used her ID photo and some others to create an image of her at time of death."
He brought it up so Eve could look at Andrea Jacobs as she had been, on screen. A pretty woman in a fancy dress, with a gash at her throat.
"Using our techno-magic, we can pretty well determine the size and shape of your murder weapon."
Eve studied the split-screen image of a long, smooth blade, and the specs beneath it that gave her width and length.
"Good. That's good, Dickie."
"You're working with the best. We concur with the investigator and the ME re the positioning of vic at time of the death blow. Came from behind. Yanked her by the hair. We got some of her hair from the scene that substantiates the scenario. Unless one of those stray hairs came from the perp, and I'm not putting money on that, we got nothing from him. Nada. He was sealed up tight.
"Now vic two-Cobb-different ball game. You sure you're looking at the same guy?"
"I'm sure."
"Your call. Smashed her up. Pipe, bat, metal, wood. Can't tell you 'cause we got nothing to work with there but the shape of the breaks in the bones. Look for something long, smooth and about two inches in diameter. Probably weighted. Leg shot took her down, rib shot kept her down. But then it gets interesting."
Shifting to another screen, he brought up the picture of Cobb's charred skull. "You see the busted cheekbone, and..." He revolved the image. "Your classic busted-in skull. Setting her on fire took care of most of the trace, but we got some that adhered to the bone fragments-face and head."
"What kind of trace?"
"It's a sealer." He split the screen. A series of jagged shapes in cool blues came on. "A fire-retardant. Smart guy missed that step. Professional-grade. Brand name's Flame Guard. Harry Homemaker can get it, but mostly it's used by contractors. You seal subflooring or walls with it."
"Subflooring. Before the finished deal goes down?"
"Yep. She had trace in the facial and head wounds. He lit her up, but this shit didn't burn. Truth in advertising for once. Didn't seal the bone, though, so it wasn't wet when she made contact. Little tacky maybe in spots but not wet."
Eve bent down closer, caught a whiff of grape from Dickhead. "She picked up the trace, cheekbone hitting the floor or the wall. Then again with the skull. No trace in the leg or rib wounds because of her clothes. There was blood when she hit, when she crawled. Might've helped pick up the trace. Splinters maybe, splinters from the boards she hit, adhere to the broken bones."
"You're the detective. But a girl that size, hit like that, she'd go down hard. So yeah, it could happen. We got our trace, so it did happen. It left a mess behind, too."
"Yeah." And that was a factor. "Shoot all of this to my office. Not half bad, Dickie."
"Hey, Dallas!" He called after her as she started out. "Take me out to the ball game."
"They're on their way. Peabody." She scooped at her hair as she lined up new data. "Let's do a run on the sealant. See what else we can find out. He could've used his own pla
ce for it. Could have. But he doesn't seem like the type to soil his own nest. Professional-grade," she mumbled. "He could have a place being rehabbed. Or access to a building under construction or being remodeled. Let's start on construction sites near the dump site. He didn't pick that empty lot out of a hat. He doesn't pick anything out of a hat."
Following that line, she called Roarke. By the time he came on, she was already in her car and headed back to Central. "Lieutenant. You have a gleam in your eye."
"Might've caught a break. Do you have anything going up or getting a face-lift in Alphabet City?"
"Rehabbing a mid-sized apartment complex. And... There are a couple of small businesses being changed over. I'd have to check to get you specifics."
"Do that. Shoot them to my office. Know of anything else? A competitor, associate, whatever?"
"Why don't I find out?"
"Appreciate it."
"Wait, wait." He held up a hand, well aware she'd have cut him off without another word. "There's a bit of progress on the search. Not enough to dance about, and Feeney and I are both tied up with other matters for the next part of the day. We've agreed to put in some time this evening, at our place."
"Good." She turned into Central's underground garage. "See you."
"I gotta ask." Peabody braced as Eve shot into her narrow parking slot, then let out a breath when there was no impact. "When you see his face come on screen, all sexy and gorgeous with that, you know, mouth, do you ever just want to pant like a dog?"
"Jesus, Peabody."
"Just wondering."
"Stomp out the hormones and keep your mind in the game. I've got Whitney." She looked at the time. "Shit. Now. I wanted to see if we've had any luck with the artist rendering."
"I can do that. If there's anything, I'll bring it up."
"That works."
"See how handy it is to have a detective for a partner?"
"I should've known you'd find a way to work it in."
They separated, and Eve rode the miserably crowded elevator another three floors before she bailed and switched to the glide for the rest of the trip to Commander Whitney's office.
Whitney suited his rank. He was a commanding man with a powerful build and a steely mind. The lines dug around his eyes and mouth only added to the image of leadership, and the toll it took on the man.
His skin was dark, and his hair had sprinkles of gray, like dashes of salt. He sat at his desk, surrounded by his com unit, his data center, disk files and the framed holos of his wife and family.
Eve respected the man, the rank and what he'd accomplished. And secretly marveled he'd kept his sanity between the job and a wife who lived to socialize.
"Commander, I apologize for being late. I was detained at the lab."
He brushed that away with one of his huge hands. "Progress?"
"Sir. My case and Detective Baxter's connect through Samantha Gannon."
"So I see from the files."
"Further information has come to light after a follow-up interview with Gannon this morning: We're pursuing the possibility that Alex Crew's son or another connection or descendant may be involved in the current cases."
She sat only because he pointed to a chair. She preferred giving her orals standing. She relayed the details of the morning interview.
"Captain Feeney is handling the search personally," she continued. "I haven't yet spoken with him this afternoon, but have word there's been some progress in that area."
"The son would be in his sixties. A bit old to have interested a girl of Cobb's age."
"Some are attracted to older men for their experience, their stability. And he may have passed as younger." Though she doubted it. "More likely, he has a partner he used to get to Cobb. If this link holds, Commander, there are numerous possibilities. Judith Crew may have remarried, had another child, and that child may have learned of the diamonds and Gannon. Westley Crew may have children, and have passed his father's story to them, much as Gannon was passed the family legend. But it's someone with a proprietary interest. I feel certain of it, and Mira's profile concurs. I hope to have an artist rendering shortly.
"We got a break through the lab. There was trace of a fire-retardant substance on Cobb. A sealant, professional-grade. We'll run it down and concentrate on buildings near the dump site. He's been very careful, Commander, and this was a big mistake. One I don't believe he would have made if he had applied the sealant himself. Why kill her on or around flame-retardant material when you plan to light her up? It's too basic a mistake for this guy. Once we find the crime scene, we're a big step closer to finding him."
"Then find it." He shifted when his interoffice 'link signaled. "Yes."
"Commander, Detectives Peabody and Yancy."
"Send them in."
"Commander, Lieutenant." Peabody angled over so Yancy, the Ident artist, could precede her. "We thought it would be more expedient if Detective Yancy reported to both of you at once."
"Wish I had more." He handed out printouts and a disk. "I worked with the witness for three hours. I think I got her close, but I'm not passing out cigars. You can only lead them so far," he explained, and studied the printout image Eve held. "And you can tell when they're just making things up, or mixing them up, or just going along so you'll finish and let them go."
Eve stared at the rendering and tried to see a resemblance to Alex Crew. Maybe, maybe around the eyes. Or maybe she just wanted to see it.
But this was no sixty-year-old man.
"She tried," Yancy continued. "Really gave it her best shot. If we'd gotten to her closer to the time she saw the guy, I think we could've nailed it down. But a lot of time's passed, and she sees dozens of men at her tables every day. Once we got to a certain point, she was just tossing in features at random."
"Hypnosis could juggle her memory."
"I tried that," he said to Eve. "Mentioned it to her, and she freaked. No way, no how. Added to that, she caught a media report on the murder, and she's freaked about that. This is going to be the best we get."
"But is it him?" Eve demanded.
Yancy puffed out his cheeks, then deflated them. "I'd say we're on, as far as the skin tone, the hair, the basic shape of the face. Eyes, the shape's close, but I wouldn't bank on color. She thought age-wise, late twenties, early thirties, then admitted that was because of the age of the girl. She bounced to thirties, back to twenties, then maybe older, maybe younger. She figures rich because he had an expensive wrist unit, paid in cash and added a substantial tip. And some of that played into her description." He jerked a shoulder. "Smooth complexion, smooth manner."
"Is it close enough to give it to the media, get some play?"
"Sorta stings the pride, but I wouldn't. You gotta call it, Lieutenant, but my sense is we're off. I think a cop, a trained observer, might be able to make him from this, but not a civilian. Sorry I couldn't dunk it for you."
"That's okay. You probably got us closer than anybody else could. We'll run this through an ID program, see if we get any hits."
"You're going to want to set for at least a thirty-percent adjustment." Yancy shook his head at his own work. "With that, you're going to get a few thousand hits, citywide alone."
"It's a start. Thanks, Yancy. Commander, I'd like to get moving on this."
"Keep me in the loop."
***
Back in her office, she pinned a copy of the artist rendering to her board. At her desk she cobbled her notes together into a report, then read it over to see the steps and stages.
She would leave the person search to Feeney, the electronic excavation to McNab. She sent a memo to Baxter detailing the new data and included a copy of Yancy's sketch.
While Peabody worked to nail down the sealant, Eve looked at construction sites. Her 'link signaled an incoming through the data port, and switching over, she brought up a list of all properties with current construction or rehab licenses in a ten-block radius of the dump site.
Roarke was not onl
y quick, she thought, but he got the gist without anyone having to spell it out.
She separated them into tenanted and untenanted.
Empty, she thought. Privacy. Hadn't he waited until he believed the Gannon house was empty? There was little enough pattern, so she'd try this one on for size.
Empty buildings first.
Taking them, she broke them down a second time into construction and rehab.
Had to lure her in. Smarter to lure her rather than force or debilitate. She's young and foolish, but she's a girly girl, too. Would that type want to tromp around a construction site, even to make a date happy?
J D Robb - Dallas 18 - Remember When Page 40