Money to Burn

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Money to Burn Page 5

by Ricardo Piglia


  Malito sat down on the bed and lit a cigarette: all the weapons were spread out on the table, and the newspapers were strewn around the floor. He'd no desire to share out the loot, not with the narks, nor with the cops.

  'You're daft, they'll denounce you straight away.'

  'Nando, if I were to hand over half the cash to those idiots who didn't lift a finger while we risked our bollocks,' here Malito grinned, 'then I really would be daft.'

  The situation was confused; the police were attempting to disguise what they knew, they appeared disorientated and followed their established tendency to link the assault to Peronist right-wing factions. Was that where they were looking? Nando wasn't sure, though he knew Silva the Big Pig well enough. Police Commissioner Silva, from Robberies and Larceny, didn't believe in investigating, he simply went for torture and denunciation as his chosen methods. (As soon as they were detained, the gunmen knew to cut themselves with razors, on their forearms and legs, to prevent the cattle prods being used on them. 'If there's blood there's no cattle prod, because you'd collapse instantly from the electric current.') He'd mounted a death squad on the Brazilian model. But Silva always acted within the law, always with the backing of the Federal Police, because his working hypothesis was that every crime had a political significance. 'Common criminality no longer exists,' Silva was wont to wax lyrical. 'Nowadays all our criminals are ideological ones. It's the legacy that Peronism bequeathed us. Any young thug you catch in the act of thuggery automatically shouts "Long live Perón!" or "Evita still lives!" when you go to snatch him. They're all social delinquents, terrorists who get up in the middle of the night, leave their women asleep in bed, take the number 60 bus, get out somewhere near a level-crossing and blow up a train. If, like the Algerians, they're at war with the whole of society, they'll be wanting to kill the lot of us.' This was the reason (according to Silva) why you had to coordinate police activity with the State Intelligence Service and purge the shit from the city.

  Cold, intelligent, a real professional, well trained but utterly fanatical, that Commissioner Silva. He had his own weird personal history which nobody knew too well: according to some, a daughter of his had been killed in an attack on her way home from school; according to others, his wife had been rendered paralysed (when she was thrown down a lift-shaft); still others claimed he'd taken a bullet in the balls and been left impotent; all these stories and more ran in various versions. He was paranoid, he never slept; he had a number of extravagant notions as to the political future and the advance of Communism and of the vulgar masses. He always gave the correct line, advancing some set-piece argument or other, offering detailed digressions by way of explanation. Those in the Peronist resistance (resumed Silva), weary of militant heroics, had begun to take their own direct action. It was vital to sever this connection, or else the bad old days when the anarchists held sway would return, when no one could distinguish the crooks from the politicians. The gallant criminal divisions of Buenos Aires province had been waging a campaign of extermination. They killed all they encountered bearing arms and took no prisoners. And they'd encountered only support from the head of Federal Police, who saw only a call to Armageddon in every strike threat.

  'Silva smells a rat in everything that happens. He'll hang on a little longer because he wants to be certain, but his staff is stuffed with stoolies who keep him abreast of things ...'

  'Have you lot spoken to him?'

  'We've got people in the Head Office and we know what they're up to, but Silva only talks to himself, never even to his own mother. Get the picture?' inquired Nando.

  'Yup,' replied Malito. He was evidently worried. 'Call the Crow.'

  The Crow emerged from the nest where he was bedbound with the Girl, then went over and shut himself in the room with Malito and Nando. After a while he came out, wearing a bored expression.

  'Come on in, Kid,' he said and stared at the Gaucho. 'Malito says that you're his eyes and ears, observing everything from the balcony overlooking the street.'

  Dorda was wounded in the neck, not seriously, but a bullet had rebounded off his pistol butt and hit the nape of his neck. He began bleeding heavily and everyone assumed he was going to die, but in a few hours the wound began to scab over and he began to look better. But he was weakened by the considerable loss of blood and the Kid had been looking after him.

  'What's up?'

  'Nothing. I'll let you know.'

  Dorda didn't move. He stared at Kid Brignone, who stuck his pistol in his belt and also went through into the other room.

  'Up you get, Gaucho,' said the Crow from the doorway. 'And keep watch over the lovenest.'

  Gaucho Dorda remained alone in the room. Without shifting from his position on the sofa, he searched out the bottle of amphetamines, swallowing two of them without water. They on their side of the door were hatching plots. They didn't speak to him, they never asked him anything. The Kid was in charge of making plans. As far as the Gaucho was concerned, he and the Kid were one and the same. Twinned brothers, identical twins, belonging to the mafia fraternity, meaning (here Dorda struggled to explain himself) they understood each other without words, they acted telepathically. It even seemed to him that he felt the same way as Kid Brignone. That was why Dorda left the daily timetable to be settled by the Kid. Money and decision- taking mattered little to him. His sole interest was in drugs, 'his obscure pathological mentality' (according to the report by Dr Bunge, the prison psychiatrist), he rarely thought of anything else apart from drugs and the voices to which he paid secret attention. It was logical (again according to Dr Bunge) that the Gaucho would leave all the decisions to the Kid. 'A very interesting case of Gestalt symbiosis. There may be two of them, but they function as a single entity. The Gaucho acts as the body, solely responsible for executing the action, a psychotic killer; the Kid is the brains and does the thinking for him.'

  However, he also heard voices, the Blond Gaucho. Not all the time, but from time to time, he heard voices, inside his head, between the plates of his skull. Women addressing him, issuing commands. That was his secret and Dr Bunge determined it was necessary to give him various tests and various sessions of hypnotherapy so that the themes of this intimate music might be drawn out. Dr Bunge became obsessed with this case, became struck by these voices his prisoner-patient Dorda listened to in silence. 'They tell me there's a lagoon up near Carhué, and that if you throw yourself into the water, there's so much salt in it you float, and they say that there some bastard chieftain met his death, a Ranquel indian{7} who drowned there when they tied a millstone to his neck, 'cause they said he fucked some poor gringo he'd caught and chained to a post by the ankle, that indian went and did it to him over on the indian settlement, this Coliqueo chief I'm telling you about. And they drowned him in the lake. Ever since then the poor devil appears from time to time, floating on the surface still dressed in his plumes, and the current carries him away through the marshes between the flatlands of rushes and reeds like a ghost.' Then his voice would go all lethargic and he'd repeat, the Blond Gaucho, a fragment from the Holy Bible (Matthew XVIII: 6) which a priest had read to him: 'And whomsoever should scandalize a white man, were it better for him that a millstone were hanged about his neck and that he be drowned in the depth of the lagoon at Carhué.'

  Apart from the voices, he was a regular sort of guy. On occasions even Dr Bunge thought he was faking it, this Dorda, looking to escape from the law by feigning madness and avoiding a sentence. In any case, Dr Bunge wrote in his report that Dorda's 'character pathology' had all the indications of a behavioural aberration, with a tendency towards aphasia. Because he heard voices he spoke little: they were the explanation for his taciturnity. Those who avoid speech, for example the autistic, are always hearing voices, people talking to them, they live on another frequency, preoccupied by the hubbub, an interminable muttering, listening to instructions, shouts, suffocated giggles, receiving orders. (Sometimes they called him 'the Slapper', these voices, all these women, calling t
o Gaucho Dorda, 'Come here Slapper, Slag, Bitch,' and he kept quiet, without moving, so that nobody could hear what they were saying to him, sadly gazing into space, occasionally longing to cry but without giving in so that no one would ever discover that he was a woman.) He took the greatest pride in his decision-taking and in maintaining sang-froid. Nobody could read his mind, or hear what his women said to him. He sported a brand of sunglasses called Clipper, with reflective lenses, he'd found them in a glove-pocket one afternoon when he was robbing a posh car out near leafy Palermo. He liked them, found them elegant, they afforded him a worldly air and he looked at himself in profile in the mirror, in every bathroom, in every shop window.

  Right now he removed his Clippers, and with extreme care began perusing the design of an outboard motor on a launch drawn to scale. He was still sprawled across the sofa, studying a magazine called Popular Mechanics, and pausing now and then to draw engines. He sat down and placed a sheet of kitchen paper on the side table and began tracing with the tip of his pencil.

  At that moment the Girl appeared, dressed in a man's shirt, and went barefoot into the kitchen.

  'Want something, Doll?' asked the Gaucho.

  'Nothing, thanks,' replied the Girl and the Gaucho watched as her shirt lifted above her arse while she stood on tiptoes to reach down the dope from the top shelf of the kitchen dresser.

  'Give us a kiss,' asked Dorda.

  The Girl paused in the doorway and gave him a smirk. She treated him as if he were invisible, or made of wood. He could see the little curls of pubic hair beneath the folds of the Crow's silk shirt, he could see the Girl's - the Doll's - pubis.

  He visualized the soft rub of the silk between her legs and couldn't stop staring at her.

  'What are you looking at? Just wait till I tell Daddy about you,' said the Girl and she went back into her room.

  The Gaucho made as if to get himself up and follow her, but fell back across the cushions, with a faint smile on his face. When he was annoyed, he beamed like a child.

  He looked at the closed door through half-screwed eyes, he was all screwed up over screwing and had a convergent squint (as his late mother put it), which enhanced his appearance as a highly dangerous obsessive type, which is what he was (according to Dr Bunge's report).

  Dorda thus possessed the perfect look of the category of subject he represented (added Dr Bunge), a criminal lunatic who performed criminal deeds with a nervous smile, angelical and soullesss. When he was a boy, his late mother surprised him chopping a live chick in half with a shearing blade, and she removed him from the henhouse to the police station, whipping him with a leather strap, to have him banged up at Longchamps.

  'My very own mother!' he stammered, without knowing whether to curse or to thank her for her efforts at straightening out his life. 'Wickedness,' said Dorda, flying high on the mixture of speed and coke, 'is not something that happens with intention, it's a bright shining light that comes and carries you away.'

  He was repeatedly detained as a child, and at the age of fifteen they sent him to the Melchor Romero neuropsychiatrie clinic, near to La Plata. The youngest sectioned inmate in its entire history he'd proudly say, Dorda would. They sat him down in a white room with the other crazies and he hardly reached up to the table. But he was a veritable Judas, a child criminal: he killed cats by putting them into wasps' nests. A very complex operation.

  'I don't want to boast,' the Gaucho said, 'but I made some wire cages so secure that the kitten couldn't move, it could only cry and squawk like a hen. The pussycat.'

  Soon afterwards he killed a hobo, with his fists, in order to steal his torch. First off they took him to the police station, where they beat him to a pulp, then they sectioned him in the psychiatric hospital.

  The doctor on duty was a bald fellow with glasses who wrote notes in an exercise book. He sent him to a unit for non-aggressive crazies and the first night he was raped by three male nurses. One made him suck him off, the next held him down, and the third stuffed him up the arse.

  'A dick as big as this,' Dorda indicated the size with his hands. 'And I don't want to boast, or anything.'

  He became meat for the madhouse. He'd escape and they'd recapture him, he'd escape again and roam around the train stations, through Retiro or Once, living off petty crimes and hold-ups, burgling empty houses. From the moment he spotted a car to when he took it out, he needed just two minutes, maximum two and a half. The fastest draw in the West, because he kept his patch to Morón or Haedo (on the west of the city). He came from the countryside and was always drawn to the city outskirts. He had the ruddy face of a peasant, straw-coloured hair, sky-blue eyes. He was a provincial from the provinces, from a family of Piedmontese immigrants at Maria Juana in the Santa Fe province, hard-working people, as taciturn as he but who didn't hear voices. According to his mother, evil came to him as naturally, and he welcomed it with the same force and obstinacy, as hard work to his father and his brothers.

  'Out in the countryside, the sun's fit to fry your brains. The birds fall from the trees with the summer heatwave. You don't earn anything with the sweat of your labours,' the Gaucho Dorda decided. The more you work, the less you have, my youngest brother had to sell his house when his wife fell ill and he'd worked hard his whole life long.'

  'Of course he did,' the Kid laughed aloud. 'Maybe the idiot's getting wise: the more you work, the more of a slave you become ...'

  Kid Brignone and Gaucho Dorda, forever together, had got to know one another in Batán jail, that old heap of shit, both happening to end up in a unit filled with faggots. Whores, trannies, queens ... the whole selection box.

  'The first time a man queered me, I thought I'd get pregnant,' said Dorda. 'Let's see if I'll go for the op now. I was still a kid when I first saw his stiffie and I thought I'd faint with delight.' He laughed loudly and pulled a stupid face. Dorda was acting the clown, making Malito nervous, he the pro, disliking coarse jokes, disliking rent boys. According to Malito, all whores talked too much.

  But that wasn't true, the Kid protested, there were queens who'd lasted through torture sessions with the cattle prod without singing, and he personally knew several who played the macho and as soon as they saw the rubber straps began to sing aloud.

  'Mad Margarita, a trannie, filled her gob with razor blades and made a real mess of her mouth, and when she stuck her tongue out at the cops she said: "If you want, I'll suck it for you, sweetheart, but you'll never get me to squeal..."

  'They killed her and had to throw her in the river at Quilmes, completely naked but for her bracelet and ear-rings, but they never did get a word out of her.'

  'You have to be all male to get yourself fucked by a macho,' decided Gaucho Dorda. And he smiled like a child, cooler than a cat. There was one guy he planted a darning needle into a lung of, the fellow went whishsh, the air went out of him like a balloon and he was left completely deflated. They called him Mental. And Gaucho didn't like being called Mental, or being called Menial. The Blond Gaucho demanded more respect. 'I've been a lost soul from the very start,' and he smiled like a girl.

  The Kid immediately clocked that the Gaucho was highly intelligent, but completely off his head.

  'Psychotic,' added Dr Bunge, chief headshrinker at Melchor Romero.

  That was why he heard voices. Those who kill for killing's sake do it because they hear voices, they hear people talking, they're in contact with the energy exchange, with the voices of the dead, with lost women, 'it sounds like a humming,' said Dorda, 'an electric buzz you can hear going cric, cric inside your brains, that doesn't let you get to sleep.'

  'You suffer a thousand martyrdoms, you madman, with that radio always playing in your head, you know what that means. They talk to you, they tell you all kinds of obscenities.'

  The Kid worried about the Blond Gaucho and looked after and defended him. He picked him for the assault on San Fernando. Malito called him because he'd carefully observed the Kid and needed a heavyweight from the next generation, he wante
d to renew the team, enough of old fogeys ('For old fogeys you can stop at me,' Malito would say, having recently celebrated his fortieth.) He put the job his way, and the Kid responded with: 'If we go fifty fifty with the cops, how much do we end up taking home?'

  'Minimum, half a million ... divided between four of us.'

  'And the other half-million?'

  'It's theirs,' said Malito.

  'They' were those who set up the deal, including the cops and those on the Town Council. The Kid gave this some thought. He delayed reaching a decision. They were on borrowed time: if he got caught again he would never get out.

  'I'll come in with the Blond Gaucho as my second. Otherwise count me out.'

  'Who d'you think you are?' asked Malito. 'Man and wife?'

  'Of course, cretin,' answered the Kid.

  When the flesh urged they shared a bed, the Kid and the Blond Gaucho, but generally less and less. Dorda was a semi- mystic: he preferred to let himself be taken and didn't jerk off because he was deeply suspicious. He thought that if he lost his juices, he'd lose what little light still illuminated his mind, and he'd be left high and dry, without an idea in his head.

  'I'm up to here with playing Little Bo Peep. Seriously, doctor,' Gaucho told the doctor, as though it was a heavy load to bear, 'when you're banged up by the cops, what are you to do? Do it to yourself every half-hour like a monkey ... or like a dog licking itself, haven't you noticed, doctor? Dogs lick themselves off, in Devoto jail there was a guy from Entre Ríos who could suck himself off, he doubled over like a piece of wire, stuck out his tongue and sucked away ...' the Gaucho was laughing.

  'Well and good, Dorda,' answered Dr Bunge. 'That'll be all for today.' And he noted on his pad: 'Sexual obsession, polymorphous perversion, uncontrolled libido. Dangerous, psychotic, perverted. Parkinson's Disease.'

 

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