Fauna said, "S'pose Doc come a-begging?"
"I ain't no mantrap," said Suzy. "I wouldn't have him if he come walking on his hands. You can't cure a sock in the puss with a sock in the puss. But if ever I like a guy again, and he lays it on the line, why, I'm going to have something to lay on the other side."
"I miss you, Suzy."
"I'll be back when I'm right. I love you."
"Oh, shut up!" said Fauna. And she clanged the firedoor shut.
30
A President Is Born
Of all our murky inventions, guilt is at once the most devious, the most comic, the most painful. Was it planted by the group pressure of the tribe to keep the potentially dangerous individual off balance? Is it set in the psychotissue, watered and cultivated by ductless glands? Is guilt the unconscious device by which a man cries for attention in an unperceiving world, or can it be that the final human plea sure is pain? What ever its origin, we scream like cats in copulation, wolf-bay the moon, whip ourselves with the exquisite thorns of contempt, and generally have a hell of a good time at it.
In the plea sure and passions of guilt, Hazel should have been voted the human least likely to succeed. Guilt is a selfish pastime and Hazel had never been aware enough of himself to indulge in it. He watched life as a small boy watches a train go by--mouth open, breathing high and light, pleased, astonished, and a little confused.
Hazel had never amounted to a damn. Mack once described Hazel's education: "He done four years in grammar school and four years in reform school--and he didn't learn nothing either place."
Reform school, you see, where vice and crime are not extracurricular, failed to have any more effect on Hazel than the fourth grade had. He came out as innocent as he had gone in. Hazel didn't pay enough attention to be evil. If Mack and the boys and Doc hadn't been friends, there's no telling what might have happened to him. Hazel thought Mack was the world's greatest human, while Doc he didn't consider human at all. Sometimes he said his prayers to Doc.
But Hazel was changing. Imperceptibly he had begun to pay attention. Perhaps Fauna had planted the germ by reading Hazel's horoscope. After his first protest he never mentioned it again, which should in itself have been suspicious.
Hazel did not want to be President of the United States. If there had been any avenue of escape he would have taken it, but his horoscope closed all doors. When a man is finally boxed and he has no choice, he begins to decorate his box. So Hazel, condemned to the presidency, since he could not escape it, began to ornament it. A man can climb high on the steps of responsibility.
Hazel began to prepare himself for the time when his call should come. He read every word of a copy of Time magazine, then went back to the beginning and read it again. He thought about it a great deal and came to the conclusion that it was nuts--which proves that Hazel's problem had been inattention, not unintelligence.
He bought a World Almanac and read the lives of the Presidents, and he began to wonder what he would do if the British impressed our sailors or the "Fifty-four-Forty" issue ever came up again.
He had accepted his duty and it made him sick. Sometimes in the morning he would awaken happy in the thought that it was a bad dream. Then he would count his toes and relapse into acceptance of his fate and his duty. What made it worst of all was the loneliness. He couldn't discuss it with anyone. He was set apart and above ordinary experience. When he had offered to fight Mack it was not in anger. He was preparing to defend the weak. When he had flown in the face of his friends, and refused to be a dwarf, and insisted on being Prince Charming, Hazel was not being vain. The dignity of his position was greater than himself. He could not let his future down.
In an ordinary time one of the boys would have noticed Hazel's suffering face, the weariness, the pained nobility, and they would have given him two tablespoons of Epsom salts. But in these times all men's souls were being tried, and women's too, and a tried soul doesn't look around much.
Hazel's attempts to figure out what had happened at the masquerade were fruitless. He remembered how he had been dignified and beautiful and then all hell had broken loose. And the aftermath was horrible. The spirit of the Palace Flop house, tested under the torques and stresses of so many years, was broken, shattered like granite, which withstands so long as the hammer blows, then suddenly disintegrates.
Mack, who considered life hardly worse than a bad cold, was sickened to death--his eyes were lackluster and his valiant soul was shot. And if Mack was that way, you can imagine what the boys were like--jellyfish washed up on an inhospitable shore.
"What happened?" Hazel asked, and eyes glanced at him and glanced away and no one had the will to explain. For several days Hazel thought it might be the bull-bitch hangover of all time, but it continued into the day of reviving thirst and there was no thirst. Hazel began to be afraid for his friends.
He sat under the cypress tree and he not only kept his mind on the subject, he actually thought about it. It was a time for greatness, and only Hazel had the strength to rise to that bright bait. When he stood up and brushed the cypress dirt from his jeans, he had completed the change. No longer was he Hazel the Innocent, Hazel the Unaware, Hazel the Dope. His shoulders squared to take the weight, and the calm beauty of strength shone from his eyes.
It was dusky in the Palace, moldy and sad. The boys lay on their beds, listless and ruined. Mack stared up at his canopy, and he was the worst of all, for there was no expression in his face. He had not crashed in flames, he was eroding away.
When Hazel sat down quietly on the side of his bed Mack didn't even take a kick at him, although his shoes were on.
Hazel said, "Mack, Mack darling, you should shake the lead out of your pants now."
Mack did not answer, but he closed his eyes and two tears squeezed out and hung there until they dried.
Hazel said gently, "Mack, you want I should kick the hell out of you?"
Mack moved his head quietly back and forth in negation.
Hazel did not hold back. He threw his trump card in, and the hell with it. "I been over to Doc's," he said. "He's setting there with a pencil in his hand. He ain't wrote nothing. He ain't done nothing. He ain't thought nothing. Get off your behind, Mack, he needs us."
Mack spoke sepulchrally. "He needs us like a mud-dauber's nest up his pants leg. Don't blame me, Hazel. I can't fight back no more. I'm down for the count."
"What's happened, Mack?"
Mack's voice was hollow. "When we done it before we wrecked his joint and busted him, but that was mere chaff."
"How do you mean, mere chaff?"
"Oh, it was things busted--glass, records, dishes, books, stuff like that. But this time we've put a knife in his belly. If you keep trying to pat a guy on the head and instead you knock his brains out, you lose confidence." He sighed and turned over and covered his face with his arms.
"You ain't got the right to give up," Hazel said.
"I got the right to do any goddam thing I want."
"Now that sounds better!"
"Or not do nothing," said Mack.
"Look, Doc got to go to La Jolla, you know that. He got to make the spring tides next week. Then, when his new microscope comes, he'll have devilfish and write his paper. We got to help him, Mack."
"Fauna says she used to manage a welterweight name of Kiss of Death Kelly. That's me--Kiss of Death Mack. Everything I touch withers like the sere and yellow leaf."
"Get up!"
"I won't," said Mack.
"Get up, I tell you!"
Mack didn't even respond.
Hazel went outside and looked around. He walked to a broken tar barrel lying in the weeds and pulled out a curved oaken stave. He went back and stood beside Mack's bed.
He judged distance and lift. He hit Mack so hard that his pants split. And only then did Hazel realize how serious it was, for Mack didn't even move. He only groaned.
Hazel fought down panic, and then he remembered his Fate--a sacrifice to Washington where he wo
uld have to eat oysters. "All right, Mack," he said softly. "I'll have to do her myself."
He turned and walked out of the door with quiet dignity.
Mack rolled up on one elbow. "Did you hear what that crazy bastard said? Oh, what the hell! Can't do no worse than I done. Mother, make my bed soon, for I'm sick to the death and I fain would lie down."
"You're already down," said Whitey No. 2.
31
The Thorny Path of Greatness
When people change direction it is a rare one who does not spend the first half of his journey looking back over his shoulder. Hazel had chosen, or had been forced to choose, a new path. He had said, "I'll have to do her myself." It had seemed easy. But, sitting under the sheltering branches of the black cypress tree, he had to admit he didn't know who or what in the hell "she" was. He thought with longing of the old time when he was a dope, when he was cared for and thought for and loved. He had paid off, of course, by accepting ridicule, but it had been a lovely time, a warm time.
Doc had said long ago, "I like to have you sit with me, Hazel. You are the well--the original well. A man can give you his deepest secrets. You don't hear or remember. And if you did, it wouldn't make any difference because you don't pay attention. Why, you're better than a well because you listen--but you don't hear. You are a priest without penalties, an analyst without diagnosis."
Those were the good days before Hazel's responsibility. But responsibility required judgment, the choosing between courses, and what was that but thought? Hazel undertook thought, but he did it secretly. No one knew. He was a little ashamed of it. In the sweet old days he would have sat down under the black cypress and then he would have reclined with his head on his arm and in less than a minute he would have been asleep. The new Hazel clasped his knees with his arms and mourned into the future. His mind climbed and slipped like an ant in the treacherous crater of an ant lion's trap. He must plan, he must judge, he must choose. No sleep came. He didn't even itch. He had to do her. But what was she? He never knew how his solution came to him. He dropped off to sleep, forehead on knees, then suddenly his muscles leaped as though under a blow. He had a sense of falling--and there was his course laid out before him. It wasn't an honorable course, but it was the only one he had. It almost amounted to treachery.
You will remember that it was Hazel's pleasant social custom to ask questions but not to listen to the answers. People expected that, depended on it. Suppose, he thought, I was to ask and then listen but not let on I'm listening. It was sneaky, but the intention was clean and the end infinitely to be desired.
He would not only listen, he would remember, and he would put all the answers together. Maybe then he would be able to think her and do her. One question would be enough, he thought. Maybe two.
Hazel was weary from his effort. He reclined, put his head on his arm, and slept the good sleep of work well done.
32
Hazel's Quest
Joe Elegant came cautiously back from his journey ready to take another one at a moment's notice. He expected reprisals for Hazel's costume, and there were no reprisals. In gratitude he made popovers at the Bear Flag three evenings in a row--and the girls didn't even know what they were eating. He wanted to know what had happened but he was afraid to ask. Thus Joe Elegant was glad when Hazel called on him in his little lean-to in the rear of the Bear Flag.
"Sit here," he said. "I'll get you a piece of cake."
While he was gone Hazel regarded the works of Henri the artist on the wall--one from the chicken-feather period and one from the later nutshell time. And he looked at the card table on which Joe Elegant worked at a portable typewriter. There was a neat pile of manuscript on the table, green paper typed with a green ribbon. A sheet of paper was in the machine. It began: "My dear Anthony West, It was sweet of you--"
Joe came back with a wedge of cake and a glass of milk for Hazel, and while Hazel munched and drank, Joe's large damp eyes bracketed him but never hit him.
"How'd it go?" he asked.
"What?"
"Why, your costume?"
"Fine, fine. Everybody was real surprised."
"I'll bet they were. Did Mack say anything?"
"He said I done fine. He almost cried."
Joe Elegant smiled with quiet malice.
Hazel asked vacuously, "Say, what would you think was the matter with Doc?"
Joe crossed his legs professionally and his fingers rippled through the green-typed green pages. "It's the whole and the part and the part is the whole," he said.
"Come again?"
"It's many things and one thing. Doc's libido is driving him one way and his conscience is pulling him another. His myth is the sea, the wind, and the tide, and he relates to it by collecting animals. He carries his treasures to his laboratory. He wants to hide them and perhaps to place the dragon Fafnir on guard."
Hazel nearly said, "He sells them," but that would have given him away as listening. "I knew a dame named Fafnir," he said. "Bertha Fafnir. Third grade. Used to do pitchers of turkeys on the blackboard Thanksgiving. Had starched underskirts, they rustled kind of."
Joe Elegant scowled faintly at the interruption. "Distill the myth and you get the symbol," he went on. "The symbol is the paper he wants to write, but that in itself has impurities, needs distillation. Why? Because it is a substitute, that's why. His symbol is false. That's why he can't write his paper. Frustration! He has taken the wrong path. And so he brings in false solutions. 'I need a microscope,' he says. 'I need to go to La Jolla for the spring tides.' He will not go to La Jolla. He will never write his paper."
"Why not?"
"Wrong symbol. We must go back to the myth, the sea. The sea is his mother. His mother is dead but she is living. He is carrying treasures from his mother's womb and trying to save them. Do you understand?"
"Sure," said Hazel listlessly.
"He needs love. He needs understanding," said Joe Elegant.
"Who don't?" Hazel asked.
"I feel that I could help him if he would let me."
"I kind of thought he'd took a shine to Suzy," said Hazel.
Joe Elegant let a shadow of distaste tighten his mouth. "That would only be a new false path, a new frustration."
Hazel observed, "Some people like one thing, some another."
"Very original!" said Joe Elegant.
It was only a few steps from Joe Elegant's lean-to through the kitchen to the Ready Room. In the Ready Room sat Becky with her feet up, reading her mail. Becky subscribed to "Pen Pals" and had a lively correspondence all over the world. The sheet of rice paper in her hands was from Japan. "Dear Pen Pal," it began, "Your interest missive receipt. How gondola the Goldy State. Japan girl do hair-kink likewise, but not using blitch. My friend, Mitzi Mitzuki very West in minded. Would try if you mailing small little container hydrogen peroxide double pressure."
"Hi!" said Hazel.
Becky laid down her letter. "Ever been to Japan?"
"Nope."
"Me neither. How's Mack?"
"Fine. Say, Becky, what would you say was the matter with Doc?"
"Love," said Becky. "Doc's aching away. Or if he ain't, he ought to be. Nice fella like that."
"He sets like he been pole-axed."
"That'll do it. Poor fella! If it was me, why, I'd go to him and I'd put my cool hand on his brow and I'd say, 'Doc--'"
The door of Fauna's room opened. "I thought I heard voices. Hello, Hazel. Ain't none of the other girls around? Becky's poorly."
"I come to ask you something," said Hazel.
"Well, come on in here. Set down. Want a snort? Is it private? I'll shut the door."
"Yes," said Hazel, and that covered all the questions.
The snort brightened his eye. "What would you say was wrong with Doc?"
"I wouldn't of said it a while ago," said Fauna, "but when he put on that tie--and then, the other night--"
"Hell, he was drunk," said Hazel. "A guy will say anything when he's drunk."
"You think it's Suzy?"
"Yes, sir! And if she wasn't nuts, she could go to La Jolla with him and help him work. Why, hell! She'd be in."
"He's trying to write his paper."
"He got himself all bollixed up," said Fauna. "I bet he ain't even thinking about his paper."
"He ain't thinking about nothing."
"That's what I mean. If he could stop not thinking about Suzy, why, he could start thinking about his paper. That's my opinion anyway."
"You think if she went to La Jolla--?"
"I do. But she won't go."
"He wouldn't take her," said Hazel.
"If everybody wasn't such damn fools he wouldn't get asked," said Fauna. "I don't know what we're coming to. Have one more snort?"
"I can't," said Hazel, "I got to see a guy."
It was only a coincidence that Joseph and Mary Rivas was also reading a letter when Hazel entered the grocery. Joseph and Mary was reading and cursing at the same time, cursing in obscure Spanish. The letter was from James Petrillo, and it spoke in no uncertain terms. If the threat in the letter could be carried out, it looked as though what the U.S. government could not do in keeping wetbacks out, the musicians' union could. The Patron was in a stew. Ordinarily what he could not eliminate he joined. But Petrillo did not give him that choice. Joseph and Mary's mind strayed toward assassination.
Hazel said, "How're you?"
"Lousy!" said the Patron.
"Ain't nobody feeling too good," Hazel observed. "Doc's setting over there like he's punch-drunk. What you think's the matter with him?"
"Christ knows!" said the Patron. "I got troubles of my own. Funny thing," he said, "you know, last night I was coming home from Monterey, late, and there was a shadow up in the vacant lot. It moved into that bright spot the street light throws up by the boiler, and I swear to God it was Doc sneaking around up there."
"No!" said Hazel.
"I say yes." The Patron looked over the vegetables and the piled canned goods and his eyes dwelt on the cardboard Coca-Cola girl in a swing. "Know something?" he said speculatively. "Before the party I would have said she was just one more tramp. Then she belted loose and moved into the boiler. And then, well--it looks like Doc seen something there. Maybe Suzy's got something I missed. I been thinking I might just take a whack at her."
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